The Meaning of Bolang Bagas Godang Huta Godang Ornament In
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IAR Journal of Humanities and Cultural Studies ISSN Print : 2709-3328 | ISSN Online : 2709-3336 Frequency : Bi-Monthly Language : English Origin : Kenya Website : https://www.iarconsortium.org/journal-info/iarjhcs Research Article The Meaning of Bolang Bagas Godang Huta Godang Ornament in Ulu Pungkut, Mandailing Natal Article History Abstract: North Sumatra retains many historical and cultural heritages, such as traditional ornaments and structures known as customary buildings. One of its Received: 05.10.2020 customary buildin gs is the traditional Mandailing house (bagas godang), which Accepted: 22.10.2020 exhibits unique and distinctive ornaments. This original traditional heritage Revision: 25.10.2020 reflects the noble values and personality of the local community. The t raditional Mandailing Natal house presents ornaments on its roof (tutup ari). Each carving Published: 30.10.2020 in the ornaments carries values and meaning. Bolang or traditional Mandailing Author Details ornaments used as roof symbols are made of plants, animals, and everyday objects. The ornaments are made by means of weaving and carving using tools from carved bamboos. Carving the ornament is not an easy task since it requires a Miftahun Naufa, Anni Kholilah and comprehensive contemplation. The carving process needs to consider the Muhammad Ghifari characters and features of the three materials used in the ornaments. Each Authors Affiliations ornament implies strong values and meanings of the customary laws. The use of Department of Fine Arts and Design, Institut colors in the ornament is distinctively traditional instead of arbitrary colors. The Seni Budaya Indonesia (ISBI) Aceh Jln. Nuri, colors have their own values and meanings for the Mandailing Natal community. Gampong Jantho Makmur Aceh Besar 23911 Art culture is almost extinct. The almost extinct art culture encourages the authors Indonesia to promote it to the community so that they remember their ancestors. Personality expressed throughout time encourages the community to experience the ancestral Corresponding Author* noble values. Miftahun Naufa Keywords: Bagas Godang; Traditional House in Mandailing; The Meaning of How to Cite the Article: The Ornament. Miftahun Naufa, Anni Kholilah and Muhammad Ghifari; (2020); Dynamics of Humanitarian Assistance to Refugees in the East Region of I. INTRODUCTION Cameroon: The Case of Frontline Villages along the Cameroon-Republic of Central African Boundary. Mandailing is an area located in Mandailing Natal Regency in the IAR J Human Cul. Stud. 1(1)62-68. middle of Sumatra Island. Indonesian has diverse and colorful cultures. Copyright @ 2020: This is an open-access article Culture is a human philosophy, while tradition is the product of distributed under the terms of the Creative philosophy. Culture is a method to live and develop wh ich is shared Commons Attribution license which permits together in a group of people and inherited to subsequent generations. unrestricted use, distribution, and reproduction in any medium for non commercial use Culture is shaped by intricate elements from a complex system of (NonCommercial, or CC-BY-NC) provided the religions, politics, languages, customs, tools, structures, clothes, and original author and source are credited. artworks. The bond between the Madina community and nature is often articulated in many traditional expressions. These expressions are the records of their close relationship with the surrounding nature from thousand years of their civilization. Their close connection with nature suggests that nature is not dangerous and harmful for them but could be tamed for the welfare of their life. Figure 1. Front view of Bagas Godang Traditional House (Photo Credit: by Anni Kholilah ) 62 Miftahun Naufa et al., IAR J Human Cul Stud; Vol-1, Iss- 1 (Sep-Oct, 2020):62-68 Mandailing also has traditional houses called bagas godang. The Mandailing traditional houses are unique Architecture Houses. Bagas godang function as a king palace. In addition to a place for holding traditional ceremonies, bagas godang also functions as a shelter for the community members whose safety is guaranteed by the King. Figure 2. Front view of Bagas Godang Traditional House (Photo Credit: by Anni Kholilah ) The triangle cover on the front side of the ornaments in Bagas Godang Mandailing Natal staircase is called alo angin or tutup ari resembles Traditional House. bindu matogu as dalihan natolu symbols. The Mandailing traditional house is rich in ornaments such The noble values are often referred to as holong as Mata ni ari (sun), moon, star, Rudang (flower), dohot domu. Holong means loving each other and being Panji-panji, Raga-raga, Suncang duri, Jagar, kinds to other people. Domu means the unity of the Sipatomu-tomu, Podang (sword), Takar (coconut shell), people who are considered as one huta and one Tanduk nihorbo (buffalo horn), Hand, Bindu, Bona descendant. Domu is considered innate (na ni oban bulu, and Alaman bolak. These ornaments possess their topak), also known as tumbaga holing naso ra sasa, own meanings in the culture of Mandailing Natal. something that has been imprinted on the heart and cannot be obliterated. The values are believed as the The bolang on Sopo Godang and bagas philosophy of life for the Mandailing people. godang is made of by means of weaving, interlacing, and craving. Sheets of bamboos trimmed into various A. State of The Art designs are used as the main weaving materials and Literature reviews on the meaning of fixed as tutup ari. Ornament in Bolang Bagas Godang at Huta Godang “These ornaments are mostly painted in na rara (red), Village, Ulu Pungkut Regency, Mandailing Natal, were na lomlom (black) and na bontar (white), which is first conducted to enrich the etymology and literature of closely related to the cosmology of Mandailing. Na this study. The ornaments of bagas godang and sopo rara symbolizes strength, courage, and heroism; na godang in Mandailing Natal has previously been bontar symbolizes chastity, honesty, and kindness; na studied in some literature. However, the current study lomlom symbolizes occult (supernatural) in animism would significantly be distinct from the existing studies known as Sipelebegu”. on this object. The fact that these ornaments have their own Adat Budaya Mandailing dalam Tantangan meaning makes them an appealing object of scientific Zaman (Mandailing Culture in the Modern Era), by H. study. The modern Mandailing people, especially the Pandapotan Nasution, SH. 2005. This book discusses youth, have mostly forgotten or neglected the legacy of the culture of Mandailing community, starting from its their noble values. This study is expected to provide territory to the influence of the modern world. In contemporary literature of the object studied. It is also addition to huta as the place for the Mandailing people expected to inform the Indonesian people, especially the live, there is bagas godang traditional house as the king Mandailing Natal community, about the meaning of the 63 Miftahun Naufa et al., IAR J Human Cul Stud; Vol-1, Iss- 1 (Sep-Oct, 2020):62-68 palace and the sopo godang as the customary hall or Bagas Godang Carving Motifs in Huta Godang Village, customary court. Madina Regency, North Sumatra), by Fatimah, et.al., The journal reported that among the carving motifs Bolang – Ornamen Tradisional Mandailing often found in bagas godang are plants and animals. (Bolang, Traditional Mandailing Ornaments), by: Edi Each carving motifs has its own meaning. The pucuk Nasution. This book describes that the Mandailing rebung symbolize dalihan natolu tradition while ulu ornaments are called bolang, which functions as nihorbo (buffalo head) symbolizes the responsibility of symbols or emblems and convey profound meanings to the bagas godang owner. Carving motifs also present the Mandailing community. Values, ideas, concepts, on the poles of bagas godang, terrace wall, and norms, rules, laws, and customary provisions depict in windows. They are also carved on weapons, swords, the ornaments provide foundation and guidance for tombstones and musical tools. their life. Bentuk dan Fungsi Sopo Godang Tapanuli Sejarah Suku Mandailing, Sumatera Utara Selatan Mandailing Natal (Shapes and Functions of (History of the Mandailing Tribe, North Sumatra), by Sopo Godang in South Tapanuli, Mandailing Natal), by Lani Ervina Savitri. Culture is a human philosophy, Anni Kholilah. Anni Kholilah’s research discussed the while tradition is the product of philosophy. A tribe is shapes and functions of Sopo Godang Sopo Sio the highest socio-cultural unit entailing at least one or Rancang Magodang or Sopo Godang. The buildings are more clan (known as Mataruma in Ambon language). supported with extensive pillars, which are odds in Batak tribe is one of the indigenous tribes in Indonesia numbers with equal numbers to their stairs. Sopo which holds diverse cultures. There are more than on Godang is built without walls to represent a democratic Batak tribes, which are divided based on their place of government in Huta. It functions as a place to store residents, such as Batak Toba, Batak Karo, Batak artworks or art tools such as Gordang Sambilan, Simalungun, and Batak Mandailing. These are the Gendang Ogung, a place to hold the traditional Batak tribes that reside in the Sumatera island. convention, and a place to resolve traditional and Mandailing is referred to as a tribe name and a region in judicial matters. It also functions as a guest house for Mandailing Natal Regency, North Sumatera. The outlanders who would spend the night in the village and Mandailing tribe resembles other Batak tribes in that place to hold an art event or tortor. they have a clan system and respect for their tradition. Kumpulan Catatan Lepas Tentang Mandailing Mengenal banguna serta ornamen rumah adat (Collection of Notes about Mandailing), by Z. daerah Mandailing dan hubungannya dengan Pangaduan Lubis, et.al., This book discusses resistance perlambangan adat (Getting to know Mandailing lead by Sutan M Transur against the Dutch. Sutan traditional house ornaments and their connection with Mangkutur was the former King of the huta godang.