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Bass Guitarists of Note Discography Part of My Mission As A

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Bass Guitarists Of Note Discography Part of my mission as a musician is to legitimize the use of the bass guitar in jazz. The bass guitar is still a somewhat maligned instrument in certain circles of jazz. This was especially evident during the neo-conservative movement in jazz in the United States in the 1980s with the likes of Wynton Marsalis and others of his narrow-minded ilk. In my continuing studies and exploration on the use of the bass guitar in jazz it was necessary for me to do some intensive listening to hear the recorded road that had been paved before me, and to see the precedents that had been set. Part of the aim of this discography is to prove to naysayers that the bass guitar is just as viable as its cousin the double bass. Admittedly, this is a biased and incomplete discography of bass guitar playing. I needed to place some limitations on what could have been an unwieldy discography. I selected bass players whose exclusive primary artistic expression was through the bass guitar rather than the double bass. The discs listed here are those found in my personal collection, hence the entries are incomplete. Also, only official releases are listed; I’ve omitted bootlegs. The document is updated as I acquire the missing titles necessary to complete the collection. The loose and wide filtering criteria I applied for listing includes recordings where (1) the majority of the ensemble is acoustic and non-amplified thus accentuating the richness of the bass guitar sound; (2) the majority of the music is improvisational in nature; (3) the presence of mainstream straight-ahead based feels are evident and where the bass guitar takes on primarily a walking bass role; (4) the bass guitar is functioning in a non-traditional genre or non-mainstream context such as electro- acoustic, experimental, avant-garde, or world music. Players featured in this discography include (so far): Carles Benavent, Luke Bergman, Shanto Bhattacharya, Anders Christensen, Bob Cranshaw, Yuri Daniel, Franco Fontanarrosa, Juan García-Herreros, Matthew Garrison, Ronan Guilfoyle, Jerome Harris, Kevin Bruce Harris, Anthony Jackson, Todd Johnson, Tony Levin, Monk Montgomery, Jesse Murphy, Jamaaladeen Tacuma, Toni Schiavano, Skuli Sverrisson, Steve Swallow, Stomu Takeishi, Chris Tarry, Chris Trinidad, Bill Urmson, Tiziano Zanotti, Wolfgang Zwiauer. This discography is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. If you have suggestions of players to add, information to correct, or wish to reach out, feel free to send me a message … Facebook at www.facebook.com/ChrisTrinidadMusic Twitter @christrinidad Instagram @christrinidadmusic eMail at [email protected] Last updated on iv.10.2021 Carles Benavent 1981 PACO DE LUCIA: Solo Quiero Caminar [Philips 810 009-2] [1] Solo Quiero Caminar (Tangos) (Paco De Lucia/Pepe De Lucia) [6.16] [2] La Tumbona (Bulerias) (Paco De Lucia) [4.19] [3] Convite (Rumba) (Paco De Lucia) [3.55] [4] Montiño (Fandangos De Huelva) (Paco De Lucia) [4.02] [5] Chanela (Rumba) (Paco De Lucia) [3.56] [6] Monasterio De Sal (Colombianas) (Paco De Lucia) [4.52] [7] Piñonate (Bulerias) (Paco De Lucia) [4.44] [8] Palenque (Paco De Lucia) [4.51] Paco De Lucia: guitar; Ramon De Algeciras: second guitar, handclaps; Carlos Benavent: bass guitar; Pepe De Lucia: vocalist, handclaps; Jorge Pardo: flute, soprano saxophone; Rubem Dantas: percussion; J Carlos Rebato: handclaps; Enrique Soto: handclaps 1982 CHICK COREA: Touchstone [Stretch Records SCD 9003-2] [1] Touchstone (Procession, Ceremony, Departure) [10.52] [6] Dance of Chance [7.07] Chick Corea: piano and keyboards; Paco De Lucia: guitar (1); Gayle Moran: voice (1); Alex Acuña: cajon (1), drums (1, 6), Laudir De Oliviera: ganza (1), Carles Benavent: bass (1, 6); Don Alias: congas (6); Steve Kujala: tenor saxophone (6), flute (6); Al Vizzutti: trumpet (6) 1983 CHICK COREA: Again And Again [Elektra Musician 9 60167-2] [1] Quintet #3 (Chick Corea) [9.24] [2] Waltze (Chick Corea) [7.56] [3] Again And Again (Chick Corea) [4.19] [4] 1-2-1234 (Chick Corea) [4.06] [5] Diddle, Diddle (Chick Corea) [8.15] [6] Twang (Chick Corea) [11.01] Chick Corea: Fender Rhodes, Minimoog, Hohner Duo, OB-Xa, Yamaha GS-1, Prime Time Digital Delay, cowbell, chinese cymbal (6); Steve Kujala: flutes, soprano saxophone, tenor saxophone; Carles Benavent: electric bass; Don Alias: percussion; Tom Brechtlein: drums 1984 PACO DE LUCIA SEXTET: Live … One Summer Night [Philips 822 540-2] [1] Palenque [8.03] (Paco De Lucia) [2] Alta Mar [11.35] (Paco De Lucia) [3] Solo Quiero Caminar [9.49] (Paco De Lucia) [4] Chiquito [5.50] (Paco De Lucia) [5] Gitanos Andaluces (Paco De Lucia) [5.26] Paco De Lucia: guitar; Ramon De Algeciras: guitar; Carlos Benavent: electric bass guitar; Pepe De Lucia: vocalist, rhythm guitar; Jorge Pardo: flute, soprano saxophone; Rubem Dantas: percussion 1993 PACO DE LUCIA and SEXTET: Live in America [Philips 314 518 809-2] [1] Mi Nino Curro (Paco De Lucia) [8.31] [2] La Barrosa (Paco De Lucia) [4.56] [3] Alcazar De Sevilla (Paco De Lucia, Carlos Lencero, Diego Amador) [8.54] [4] Peroche (Paco De Lucia) [6.28] [5] Tio Sabas (Paco De Lucia) [6.34] [6] Soniquete (Paco De Lucia) [6.49] [7] Zyryab (Paco De Lucia) [12.53] [8] Buana Buana King Kong [5.14] Paco De Lucia: guitar; Ramon De Alegeciras: guitar; Pepe De Lucia: cante; Carles Benavent: bajo, mandola; Jorge Pardo: saxophone, flute; Rubem Dantas: percussion; Manolo Soler: percussion, dance 1995 CARLES BENAVENT: Agüita Que Corre [Nuevos Medios NM 15 646 CD] [1] Madrid [4.47] [2] ¡Viva Cai! [3.30] [3] El Tiempo Vuela [3.47] [4] Luna de Santiago [4.03] [5] En Buenas Manos (Joan Albert Amargós, Carles Benavent) [1.38] [6] Mantequilla [1.38] [7] Dicen De Mí (Diego Carrasco, Rafael Fernández) [4.00] [8] De Perdidos Al Río [2.12] [9] Joanna [3.04] [10] Ushi (Joan Albert Amargós) [2.06] [11] Guindilla [4.17] [12] Angelique & Hellen (Gil Goldstein) [2.17] Carles Benavent: bass guitar (1-5, 7-12), mandolina (2, 12), mandola (2, 3, 7, 9, 10), piccolo bass (2, 3, 6, 12); Paco De Lucia: guitar (7); Tino Di Geraldo: drums (5), percussion (1, 3, 9, 11), palmas (7, 8); Jorge Pardo: saxophone (6); Rubem Dantas: percussion (5, 7); Gil Goldstein: accordion (8, 12); Joan Albert Amargós: piano (10), keyboards (10); Josep Mas “Kitflus”: piano (9), keyboards (9); Nan Mercader: percussion (2, 11); Jean Marie Ecay: guitar (4); Pere Bardagi: violin (10); Salvador Niebla: drums (11) 1997 CARLES BENAVENT: Fenix [Nuevos Medios NM 15 704 CD] [1] ¡Viva Cai! [8.50] [2] Iguales Para Hoy [7.03] [3] Calipso Meu (Joan Albert Amargós) [6.33] [4] Chiquita Linda (Gil Goldstein) [4.32] [5] Free Hand Dance [4.32] [6] Three Women Good Morning Anya (Jaco Pastorius) [7.43] Carles Benavent: bass guitar, mandola, palmas; Joan Albert Amargós: keyboards; Gil Goldstein: piano, accordion; Jorge Pardo: saxophone, flute; Othello Molineaux: steel drum; Rubem Dantas: percussion; Tino Di Geraldo: drums, percussion, handclaps JORGE PARDO: In A Minute [Milestone MCD 9277-2] [1] En Un Instante (Jorge Pardo) [2.14] [2] Huellas de Jack (Jorge Pardo) [1.40] [3] Planeta-Picasso (Jorge Pardo) [2.42] [4] Law Years (Ornette Coleman) [0.23] [5] Abalorios y Avatares (Jorge Pardo) [2.27] [6] San Juan (Jorge Pardo) [1.35] [7] Mezzaluna (Jorge Pardo) [2.14] [8] Ruta Maya (Jorge Pardo) [0.36] [9] El Espejismo (Agustin Carbonell, Jorge Pardo) [3.40] [10] Soledades (Jorge Pardo) [4.00] [11] Un Monumento (Agustin Carbonell, Jorge Pardo) [1.50] [12] Post Colombiana (Jorge Pardo) [2.49] [13] Pastorius de Belen (Jorge Pardo) [0.39] [14] Mapas y Cartas (Jorge Pardo) [1.22] [15] Gracias, Lou! 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    December 24, 2017 11:00 pm Candlelight and Communion Christmas Eve Worship Royal Oak First United Methodist Church www.rofum.org ● 248-541-4100 ORDER OF WORSHIP Prelude Angels We Have Heard On High Keith Chapman Hymn #234 O Come, All Ye Faithful UMH* Call to Worship Myra Moreland Response O Come, O Come, Emmanuel Invitation to Mission Lighting of the Advent Candles The Sleeman Family Service of Lessons and Carols Hymn #245 The First Noel Lesson Isaiah 9:2,6-7 CEB** Hymn #217 Away in a Manger Lesson Matthew 1:18-25 Offering Our Gifts and Tithes Lesson John 1:1-5, 14a Music Ministry O Holy Night Adolphe Adam Mark Sleeman Message The Soul Felt Its Worth Jeff Nelson Table of Communion Hymn #239 Silent Night, Holy Night Hymn #246 Joy to the World Postlude Toccata on God Rest Ye Merry, Gentlemen J. Payne * United Methodist Hymnal ** Common English Bible OPPORTUNITIES TO CONNECT FAITH & FILM Royal Oak First is going back to the movies! Our second annual Faith and Film series comes home to Royal Oak. Monday nights in January, we will head over to the Emagine Theatre at 11 Mile and Main at 7:00 pm to see a current movie together. Tickets are only $7 (a $5 discount at this premiere theatre.) January 8 – The Last Jedi The Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks age-old mysteries of the Force and shocking revelations of the past. January 15 – The Greatest Showman Inspired by the imagination of P.T.
  • Tom Cochrane – Take It Home  Colin James – Hearts on Fire  NE-YO – Non-Fiction

    Tom Cochrane – Take It Home  Colin James – Hearts on Fire  NE-YO – Non-Fiction

    Tom Cochrane – Take It Home Colin James – Hearts on Fire NE-YO – Non-Fiction New Releases From Classics And Jazz Inside!!! And more… UNI15-05 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final Tuesday, December 16, 2014 Dear Commercial Partner, Please be advised that, effective February 9th, 2015 Universal Music Canada will convert titles posted to http://www.umcreleasebooks.ca to JSP ($10.98 NEDP) pricing. All orders placed prior to February 9th, 2015 will attract the old price and all orders placed post February 9th, 2015 will attract the new JSP pricing. **Please note normal terms will not apply to this new price tier.** Please contact your local Universal Music Canada representative, should you have any questions. Cher Partenaire Commercial, Nous vous avisons qu’à compter du 9 février 2015, Universal Music Canada convertira les titres indiqués sur http://www.umcreleasebooks.ca au code de prix JSP ($10.98 NEPD). Toutes commandes envoyées avant le 9 février 2015 auront le vieux prix de vente alors que les commandes envoyées après le 9 février 2015 auront le nouveau prix de vente JSP. ** Veuillez prendre note que nos Termes Normaux ne s’appliqueront pas à ce nouveau code de prix. ** N’hésitez pas à contacter votre représentant de Universal Music Canada local si vous avez des questions. Regards/Sincèrement, Adam Abbasakoor Vice President, Commercial Affairs Universal Music Canada [email protected] UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: DIANA KRALL / WALLFLOWER (Standard CD) Cat. #: B002098902 Price Code: SP Order Due: Jan.
  • Dissertação Final Raphael Gonçalves

    Dissertação Final Raphael Gonçalves

    RAPHAEL MARCONDES DA SILVA GONÇALVES AS INFLUÊNCIAS DE BILL STEWART NA BATERIA CAMPINAS 2013 ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES RAPHAEL MARCONDES DA SILVA GONÇALVES AS INFLUÊNCIAS DE BILL STEWART NA BATERIA Dissertação apresentada ao Instituto de Artes da Universidade Estadual de Campinas como requisito parcial para obtenção do título de Mestre em Música. Área de concentração: Práticas Interpretativas. Orientador: Prof. Dr. Fernando Augusto de Almeida Hashimoto. Este exemplar corresponde à versão final de Dissertação defendida pelo aluno Raphael Marcondes da Silva Gonçalves, e orientado pelo Prof. Dr. Fernando Augusto de Almeida Hashimoto. ___________________________ CAMPINAS 2013 iii iv v vi Para Dedé, pela energia, educação e amor. Sem esquecer das panelas que viraram tambor. vii viii Agradecimentos À Gabriela, pela paciência, atenção, preocupação e apoio, combinados com o amor e dedicação. Ao meu pai, Osvaldo, pelo exemplo de vida, ensinamentos, incentivo e orgulho. À minha mãe, Denise, pela garra, carinho, compaixão e amor. À minha avó, Dedé, que fez do seu primeiro neto seu filho caçula. Aos meus tios e familiares que incentivaram e mostraram a importância da humildade e do estudo. Ao Prof. Dr. Fernando Hashimoto, pela confiança, amizade, carinho, formação, orientação e estímulo para concluir essa etapa da vida. Aos colegas do grupo de pesquisa: Percussão brasileira: histórico, estudo interpretativo e seu repertório, pelas discussões e apontamentos enriquecedores. Ao Prof. Rogério Boccato, pelas longas conversas, disposição para me ajudar e por ser exemplo de músico e ser humano. Ao Prof. Bob Wyatt, pelos questionamentos. Ao Prof. John Riley, pelas referências e pelo contato de Bill Stewart.