DOCSLIB.ORG

Niagara SCX Pro and Niagara SCX Standard

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Niagara SCX Pro and Niagara SCX Standard The Leading Global Provider of High-Quality ViewCast Audio and Video Communications Products Niagara SCX Software www.viewcast.com | 3701 W. Plano Parkway, Suite 300 | Plano, Texas 75075-7840 | 972-488-7200 | 800-540-4119 Niagara SCX Pro and Niagara SCX Standard ViewCast ViewCast OUTPUT FEATURES Niagara SCX Standard Niagara SCX Pro Niagara SCX Standard File Formats ENCODER MANAGEMENT AND MONITORING SOFTWARE • Uncompressed AVI • Adobe® Flash® • RealVideo® LIVE STREAMING | REMOTE MANAGEMENT | MULTIPLE SOURCES • Windows Media® Streaming Formats The explosive growth of live and on-demand video streaming has created a parallel need for media • RealVideo encoder arrays. In some installations this results in rack after rack of stacked media encoders, each • Windows Media with at least one audio / video capture channel and its own encoding software. Installing and configuring all the software that allows each card to create multiple streams at different bit rates is Niagara SCX Pro extremely time-intensive. Additionally, encoders are often installed in remote locations, making configuring, and maintaining a network of encoders even more difficult. File Formats • Uncompressed AVI Niagara SCX®, ViewCast’s encoder management and monitoring software, manages multiple • Adobe Flash streams of video with a single user interface. This interface includes multi-codec support of multi- • MPEG-4 video sources. Features like monitoring, data reporting, and remote management provide you with • H.263 (MPEG-4, Part 2) ease of use. • H.264 (MPEG-4, Part 10) • RealVideo • Windows Media With Niagara SCX software, users can setup and control encoders throughout an enterprise or over the Internet, eliminating the need for multiple products such as Windows Media Encoder, ® TM Streaming Formats RealProducer or Helix Mobile Producer to control and monitor the encoding process. Niagara • MPEG-4 SCX Pro features the same live streaming encoding abilities for the Windows Media® and • H.263 (MPEG-4, Part 2) RealVideo formats as the standard Niagara SCX version, while adding MPEG-4, H.264 and H.263 • H.264 (MPEG-4, Part 10) formats. • RealVideo • Windows Media Niagara SCX Pro is included with GoStreamTM, GoStream Plus, Niagara® Pro and Niagara 7224 systems, while Niagara SCX Standard is included on all other Niagara Streaming Media encoding Container Formats systems. You can also purchase Niagara SCX Standard or Niagara SCX Pro separately, for creating • 3GPP your own customized solutions. • 3GPP2 Niagara SCX Remote Encoder Management and Monitoring Software Encoder Management Configurationtio Niagara SCX provides you full access to view and set encoding parameters, to start and stop the encoding process, and to receive notifications of identified error conditions. With this powerful encoder management tool, you can monitor and control up to 50 encoders from a single interface running on a client PC. The following scenario clearly demonstrates what Niagara SCX can accomplish for you. In a data center running 15 encoding systems, each connected to different content sources using one or more capture channel in each system, Niagara SCX provides the ability to monitor the encoding status of each channel on each streaming system. In this scenario, Niagara SCX, combined with Osprey SimulStream®, can also capture from the same source on each channel at different resolutions or compression formats. For example, each source is captured at 3 different bitrates: QCIF at 148 kbps, CIF at 250 kbps, and CIF at 350 kbps. All are managed and controlled by Niagara SCX! Niagara SCX Client Interface and Cropping Tools Control Management Functionality Only Niagara SCX provides the crucial control management functions required when you manage one or many stream- ing media encoding arrays — Access, Monitor, Control, Configure, Aggregate, and Secure. Convenient, Local and Remote Access When you manage any array of devices, convenient access to the devices is the foremost consideration — on-site and off-site. You often find an array of encoders located in a server room with several PCs. These server rooms are typically loud from the hum of servers, and do not provide an ideal long-term working environment. Niagara SCX gives you the ability to access the encoders from one or more remote locations via an IP connection, and moves the management controls from an inhospitable Niagara SCX Encoder nested view allows you to easily see all encoders on the network and their current status. environment to an ideal environment. Real-Time Any-Time Monitoring Monitoring provides you the confidence the systems are operating within the expected parameters. It provides you the ability to react and to apply remedies when a system fails to function properly. Niagara SCX provides two categorical sets of components for monitoring: • System Health o CPU performance o Network status and activity • Ingest through Distribution o Ingesting point o Audio and video qualimetrics, which include hue, saturation, gamma, and audio levels o Encoding statistics, which include stream packets and bytes delivered/dropped, stream bit rate, and frame per second (fps) Niagara SCX encoder statistics window provides real-time monitoring of encode, system health and connected clients. ViewCast Niagara SCX Complete Encoder Control Niagara SCX is flexible, particularly in applications involving live broadcasting when on-the-fly changes and tweaks are often required. Niagara SCX excels in providing the required controls to ensure the best streaming video quality. Niagara SCX controls allow you to feel as if you were physically located next to the encoding system. Basic functions of the encoder such as start and stop are included, but Niagara SCX also provides you controls for: • System CODEC and profile selection o Windows Media, RealVideo, Flash, MPEG-4 (SCX PRO only) and AVI • Modification of capture resolution and attributes • Ability to adjust video pre-processing filters such as de-interlacing Using Niagara SCX, you can set all audio and video properties of each encoder • Adjustment of video resolution through scaling while minimizing CPU load on an individual basis. • Branding and protecting of video content through logo watermarking • Enabling/Disabling/Configuring Osprey SimulStream Quickly and Easily Configured Niagara SCX lets you pre-configure or re-configure the system quickly and efficiently. This is crucial for live, spontaneous events when a portable encoder is taken on location by broadcast teams skilled in event productions. Although skilled in event productions, these teams may not be up-to-speed on the technicalities of encoder setup and configuration. Niagara SCX allows the user to pre-configure Niagara streaming media appliances. Then, all the on-site user needs to do is press the “start” button on the front panel of the system. This is an appliance solution! At the device driver level, Niagara SCX configures the video pre-processing, scaling, and cropping for each encoding session. Other configuration settings include de-interlacing options, VBI data extraction (used in the United States for Closed Captioning or International use for teletext and other bits of data), gamma controls, color space conversion, and basic video format settings. Niagara SCX also has a Web Interface which is used to configure the programmable EZStream® buttons on select Niagara Encoding Appliances. Manage and Aggregate The typical CODEC array operator manages several different systems, each with different settings and, in most cases, running different encoding engines. It is critically important the user experiences a single, unified interface which can only be provided using Niagara SCX. Without Niagara SCX, managing so many different devices becomes completely unmanageable. The Niagara SCX Interface provides configuration settings for items such as de-interlace and closed captioning. Access with Security Niagara SCX provides security for the system and components through conven- tional local area network (LAN) security measures. The encoding systems reside behind an enterprise firewall, while the user, with an Internet connection, running Niagara SCX can reside anywhere in the world. Standard Virtual Private Network (VPN) methods allow secure user access to the LAN where the encoders safely reside. This is possible because Niagara SCX uses a server/client architecture — the SCX server software resides on the encoding system, while the SCX client software resides on any connected device running Microsoft® Windows® device. The Niagara SCX Web Interface logs pre-defined encoder events and can be configured to send alert e-mail messages when critical system warnings occur. The Leading Global Provider of High-Quality ViewCast Audio and Video Communications Products Niagara SCX Software Niagara SCX Remote Control and Monitoring Software Comparison Chart Niagara SCX Standard Niagara SCX Pro AVI (file only) Flash (v6) (file only) RealVideo (v9, v10) Windows Media (v7, v8, v9) Video CODEC MPEG-4, Part 2 (H.263) MPEG-4, Part 10 (H.264) AVI (file only) Flash (v6) (file only) RealAudio® Windows Media Audio CODEC MP2 Fall 2007 MP3 Fall 2007 AAC AMR-NB AMR-WB Fall 2007 3GPP Output Format Containers 3GPP2 Video Preview A/V Decode View Monitoring & CODEC Statistics Reporting Visual Encoder Active View System Health Event Logging (Web I/O) Appliance HW Email Alert of Critical Events (Web I/O) Appliance HW NTSC (M/M-J) PAL (B/D/G/H/I) SECAM (B/D/G/H/K/K1/L/L1) Video Input Brightness, Contrast, Saturation,
Load more

Recommended publications
  • Microsoft Powerpoint
    Development of Multimedia WebApp on Tizen Platform 1. HTML Multimedia 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video (2) HTML5 Audio (3) HTML Pulg-ins (4) HTML YouTube (5) Accessing Media Streams and Playing (6) Multimedia Contents Mgmt (7) Capturing Images 3. Multimedia Processing Web Device API Multimedia WepApp on Tizen - 1 - 1. HTML Multimedia • What is Multimedia ? − Multimedia comes in many different formats. It can be almost anything you can hear or see. − Examples : Pictures, music, sound, videos, records, films, animations, and more. − Web pages often contain multimedia elements of different types and formats. • Multimedia Formats − Multimedia elements (like sounds or videos) are stored in media files. − The most common way to discover the type of a file, is to look at the file extension. ⇔ When a browser sees the file extension .htm or .html, it will treat the file as an HTML file. ⇔ The .xml extension indicates an XML file, and the .css extension indicates a style sheet file. ⇔ Pictures are recognized by extensions like .gif, .png and .jpg. − Multimedia files also have their own formats and different extensions like: .swf, .wav, .mp3, .mp4, .mpg, .wmv, and .avi. Multimedia WepApp on Tizen - 2 - 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video • Some of the popular video container formats include the following: Audio Video Interleave (.avi) Flash Video (.flv) MPEG 4 (.mp4) Matroska (.mkv) Ogg (.ogv) • Browser Support Multimedia WepApp on Tizen - 3 - • Common Video Format Format File Description .mpg MPEG. Developed by the Moving Pictures Expert Group. The first popular video format on the MPEG .mpeg web.
    [Show full text]
  • Realaudio and Realvideo Content Creation Guide
    RealAudioâ and RealVideoâ Content Creation Guide Version 5.0 RealNetworks, Inc. Contents Contents Introduction......................................................................................................................... 1 Streaming and Real-Time Delivery................................................................................... 1 Performance Range .......................................................................................................... 1 Content Sources ............................................................................................................... 2 Web Page Creation and Publishing................................................................................... 2 Basic Steps to Adding Streaming Media to Your Web Site ............................................... 3 Using this Guide .............................................................................................................. 4 Overview ............................................................................................................................. 6 RealAudio and RealVideo Clips ....................................................................................... 6 Components of RealSystem 5.0 ........................................................................................ 6 RealAudio and RealVideo Files and Metafiles .................................................................. 8 Delivering a RealAudio or RealVideo Clip ......................................................................
    [Show full text]
  • (A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
    What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
    [Show full text]
  • Compression for Great Video and Audio Master Tips and Common Sense
    Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein.
    [Show full text]
  • REALNETWORKS PRODUCTION GUIDE with Realone Player Last Update: 1 October 2002 Realnetworks, Inc
    REALNETWORKS PRODUCTION GUIDE With RealOne Player Last Update: 1 October 2002 RealNetworks, Inc. PO Box 91123 Seattle, WA 98111-9223 U.S.A. http://www.real.com http://www.realnetworks.com ©2002 RealNetworks, Inc. All rights reserved. Information in this document is subject to change without notice. No part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of RealNetworks, Inc. Printed in the United States of America. Helix, The Helix Logo, RBN, the Real "bubble" (logo), Real Broadcast Network, RealAudio, Real.com, RealJukebox, RealMedia, RealNetworks, RealPlayer, RealOne, RealPresenter, RealSlideshow, RealSystem, RealText, RealVideo, SureStream, and Surreal.FX Design are trademarks or registered trademarks of RealNetworks, Inc. Other product and corporate names may be trademarks or registered trademarks of their respective companies. SUMMARY OF CONTENTS DOCUMENTATION RELEASE NOTE .......................................................................................1 INTRODUCTION.....................................................................................................................5 PART I: GETTING STARTED WITH STREAMING MEDIA 1 NEW FEATURES .........................................................................................................17 2 PRESENTATION PLANNING.......................................................................................27 PART II: PRODUCING CLIPS 3 AUDIO PRODUCTION ...............................................................................................59
    [Show full text]
  • Audio and Video Standards for Online Learning Kevin Reeve, Utah State University
    ... from the Dr. C Library Audio and Video Standards for Online Learning Kevin Reeve, Utah State University Introduction Digital media is a powerful tool that can enhance your online course. Recent devel- opments and market trends have changed the rules and media formats that need to be considered when creating media for your course. Choosing the correct video and audio format is the first step to insuring a successful experience for both instructor and student. Podcasts, a form of digital media meant for downloading to a portable media device are included in this discussion. Video and Audio Formats Popular media formats for audio and video include RealAudio® and RealVideo®, Win- dows Media®, MPEG 3, and MPEG 4. Each requires software that will encode video/ audio to that format, and also a player that will decode the video/audio for playback. All these formats are currently being used in e-learning with great success. The latest market trends are now suggesting that MPEG 4 for video and audio and MPEG 3 for audio only are “the” standards for digital media. Why MPEG 4 and MPEG 3? MPEG 4 and MPEG 3 are the standard because of consumer response. Apple ad- opted MPEG 4 early on as the video format for playback on their iPod®s that support video. Apple and YouTube worked together to allow YouTube video to be accessed by an Apple TV®, iPhones®, and the iPod® Touch. YouTube moved from Flash Video to MPEG 4 to accommodate these devices, and Adobe soon followed by updating its Flash Player to play MPEG 4 video and audio.
    [Show full text]
  • Codec Is a Portmanteau of Either
    What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
    [Show full text]
  • IP-Soc Shanghai 2017 ALLEGRO Presentation FINAL
    Building an Area-optimized Multi-format Video Encoder IP Tomi Jalonen VP Sales www.allegrodvt.com Allegro DVT Founded in 2003 Privately owned, based in Grenoble (France) Two product lines: 1) Industry de-facto standard video compliance streams Decoder syntax, performance and error resilience streams for H.264|MVC, H.265/SHVC, VP9, AVS2 and AV1 System compliance streams 2) Leading semiconductor video IP Multi-format encoder IP for H.264, H.265, VP9, JPEG Multi-format decoder IP for H.264, H.265, VP9, JPEG WiGig IEEE 802.11ad WDE CODEC IP 2 Evolution of Video Coding Standards International standards defined by standardization bodies such as ITU-T and ISO/IEC H.261 (1990) MPEG-1 (1993) H.262 / MPEG-2 (1995) H.263 (1996) MPEG-4 Part 2 (1999) H.264 / AVC / MPEG-4 Part 10 (2003) H.265 / HEVC (2013) Future Video Coding (“FVC”) MPEG and ISO "Preliminary Joint Call for Evidence on Video Compression with Capability beyond HEVC.” (202?) Incremental improvements of transform-based & motion- compensated hybrid video coding schemes to meet the ever increasing resolution and frame rate requirements 3 Regional Video Standards SMPTE standards in the US VC-1 (2006) VC-2 (2008) China Information Industry Department standards AVS (2005) AVS+ (2012) AVS2.0 (2016) 4 Proprietary Video Formats Sorenson Spark On2 VP6, VP7 RealVideo DivX Popular in the past partly due to technical merits but mainly due to more suitable licensing schemes to a given application than standard video video formats with their patent royalties. 5 Royalty-free Video Formats Xiph.org Foundation
    [Show full text]
  • Video Compression Tools Video Compression Tools
    Video Compression Tools Video Compression Tools Douglas Dixon Manifest Technology® LLC May 2005 www.manifest-tech.com 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 1 Video Compression Tools Automated Video Processing Tools Video Compression and Conversion • Video Processing Canopus – Video compression and conversion ProCoder – Automated batch processing • Processing Steps Discreet cleaner – Select source files – Define video and audio pre-processing – Define target formats and compression – Select target locations and filters Sorenson – Convert, compress, output Squeeze 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 2 1 Video Compression Tools Video Compression Tools Video Editing to Compression Tools • Consumer Video Editors – Automated, w/ DVD – $50 - $150 • Format-Specific – Clips: Capture, organize, export – Downloads – Apple iMovie, Windows Movie Maker – QuickTime Player Pro, $29 – Adobe Premiere Elements – Win Media Encoder – Sony Vegas Movie Studio – RealProducer, Plus $199 – Pinnacle Studio – Roxio VideoWave, Ulead VideoStudio • Video Processing – Batch compression • Professional Video Editors – $500 - $600 – Compositing, motion, effects – Sorenson Squeeze – Projects – $300 - $1700 – Canopus ProCoder – Apple Final Cut Pro – Discreet cleaner – Adobe Premiere Pro, Sony Vegas – Avid Xpress, Pinnacle Edition – Ulead MediaStudio Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 3 Video Compression Tools QuickTime Player Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 4 2 Video Compression Tools Windows Media Encoder 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 5 Video Compression Tools Automated Video Processing Individuals and Workgroups • Sorenson Squeeze – Squeeze 4 (4.1) - Aug.
    [Show full text]
  • How to Play Itunes Purchased and Rental Movies with XBMC
    How to Play iTunes Purchased and Rental Movies with XBMC What are XBMC Player Video Formats? XBMC is an open source media player software developed by XBMC team. With XBMC media player, you can view and watch any videos, music, podcasts on your local computer or from internet. XBMC is developed for Mac, Windows, iOS, Android platform now. So almost all of us can use this powerful media player app without obstacles. XBMC for Mac can be compatible with Mac OS X tiger or later. It supports playing 1080p video on Mac computer via software decoding on the CPU if it is powerful enough. And XBMC for Windows is compatible with Windows 7, Vista and XP. Even though it can run well on 64-bit machine, it is not yet optimized for that architecture so there is no performance gain when running on 64-bit Windows. Let's learn what formats does XBMC support at first. Video formats supported by XBMC: MPEG-1, MPEG-2, H.263, MPEG-4 SP and ASP, MPEG-4 AVC (H.264), HuffYUV, Indeo, MJPEG, RealVideo, RMVB, Sorenson, WMV, Cinepak. Audio formats supported by XBMC: MIDI, AIFF, WAV/WAVE, AIFF, MP2, MP3, AAC, AACplus (AAC+), Vorbis, AC3, DTS, ALAC, AMR, FLAC, Monkey's Audio (APE), RealAudio, SHN, WavPack, MPC/Musepack/Mpeg+, Shorten, Speex, WMA, IT, S3M, MOD (Amiga Module), XM, NSF (NES Sound Format), SPC (SNES), GYM (Genesis), SID (Commodore 64), Adlib, YM (Atari ST), ADPCM (Nintendo GameCube), and CD-DA. Can XBMC Play iTunes Downloaded Videos? The current software limitation on XBMC is that it can't play any DRM-protected music and videos, like audio files purchased from online music stores as iTunes Music Store, MSN Music, Audible.com, Windows Media Player Stores, and video files protected with Windows Media DRM, Fairplay DRM or DivX proprietary DRM.
    [Show full text]
  • Input Formats & Codecs
    Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS:
    [Show full text]
  • Specifications
    Based on NEW Realtek RTD1186DD (750Mhz) DUAL BOOT XDS1003D - Full HD (HD 1920x1080p) media player based on Realtek RTD1186DD chipset. Supported formats: DTS-HD, Dolby TrueHD MPEG1/2/4, DivX, HDV, HDTV, AVCHD(H.264), MKV, MP3, WMA, FLAC. 3.5” HDD SATA, HDMI 1.4 with full specification 3D and Blu-ray support, Audio Analog 2.0/Digital, Gigabit LAN1000-baseT, web browser ( Flash support). Compatible with standard USB keyboard and mouse. Fast switch between Android and RTD OS. The newest SDK 4.5. Specifications Chipset: Video codecs: Realtek RTD1186DD (Dolby & DTS licenses) H.264 / MPEG 1,2,4(DivX, Xvid) / VCD / SVCD / DVD / WMV9 / M-JPEG Blu-ray: (640x480x30p; 848x480x10p) / RealVideo 8, 9, 10 (до 1280x720) Blu-ray menu full support Audio formats: Video connections: WAV [.wav, .pcm] / ADIF, ADTS [.aac] /M4A [.m4a] / OGG [.ogg] / HDMI ver. 1.4 (3D support) / Component / Composite ASF / WMA [.asf, .wma] / FLAC [.flac] / RealAudio[.rm, .ra, .rmvb] Audio connections: Audio codecs: HDMI ver. 1.4 / Analog (stereo) / SPDIF (Optical & Coaxial) MPEG 1/2 Audio Layers I, II, and III (MP3) / Dolby Digital(R) (AC-3) / DTS/ LAN: DTS-HD / Dolby TrueHD / PCM / MPEG-2/4 / AAC LC and HE Microsoft Ethernet 1000-baseT WMA and WMA Pro / FLAC Sampling rates: 8, 16, 22.05, 24, 32, 44.1, USB: 48, 96KHz / DTS 6 ch / LPCM, ADPCM, RA-cook USB 3.0 Flash/HDD devices, USB WiFi Subtitles: HDD: MicroDVD [.sub] / SubRip [.srt] / Sub Station Alpha [.ssa] / Sami [.smi] SATA I/II 3.5” HDD, USB HDD Photo: File system: JPEG / GIF / BMP / PNG Read and write – NTFS/FAT32/EXT3 WiFi: Network: WiFi module (optional) FTP, UPnP, Samba Video formats: MKV [.mkv, .mka] / ASF / WMV [.asf, .wmv] / MOV / MP4 [.mov, .mp4] / MPEG [.ts, .tp, .m2ts, .mpg] / AVI [.avi, divx] / RealVideo [.rm, .rmvb] / Flash Video[.flv] www.iconbit.com LAN (RJ-45) SPDIF (optical) HDMI 1.4 DC in Compisite video out WiFi (optional) Cooler Component video out SPDIF (coaxial) WiFi (optional) SD/SDHC/MS card reader USB 2.0 USB 3.0 www.iconbit.com.
    [Show full text]