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Manuel Carballo
Divendres 18 d’octubre de 2013 · Número 8 9 Alejandro Jodorowsky 10 Manuel Carballo 11 Frank Pavich 12 Marcelo Panozzo www.sitgesfilmfestival.com Diari del festival 2 Divendres 18 d’octubre 2013 INFOrmaCIÓ I VENDA D’ENTraDES Compra les teves entrades anticipades * Excepcions dels abonaments Fan- a través de Telentrada de Catalunya- tàstics i dels carnets de descompte: Caixa, per internet a (www.telentrada. els descomptes no són aplicables com), per telèfon trucant al 902 10 12 a les gales d’Inauguració i de Clo- 12 o a les oficines de CatalunyaCaixa enda, maratons del 20 d’octubre, maratons de matinada, les sessions PREUS (IVA inclós) Despertador, Abonament Matinée, 9€: Secció Oficial Fantàstic a competi- Abonament Auditori, Butaca VIP i ció, Secció Oficial Fantàstic Especials, Localitat Numerada. Secció Oficial Fantàstic Galas, Secció Oficial Fantàstic Panorama en competi- VENDA D’ENTRADES ció, Secció Oficial Noves Visions Emer- Pots comprar les teves entrades gents, Secció Oficial Noves Visions Ex- anticipades a través de Telentrada perimenta, Secció Oficial Noves Visions de CatalunyaCaixa, per internet a Ficció, Secció Oficial Noves Visions No www.telentrada.com, per telèfon tru- Ficció, Secció Oficial Noves Visions Petit cant al 902 10 12 12 o a les oficines 1 Estacio Format, Panorama Especial, Sessions de CatalunyaCaixa. 2 Bus Sitges-Barcelona | Sitges-Vilanova Especial, Secció Seven Chances, Ses- 3 Cinema Prado sions Sitges Family, Focus Asia, Secció De l’11 al 20 d’octubre també les po- 4 Cinema El Retiro Anima’t i Sessions 3D dràs adquirir a les taquilles de l’Audi- 5 Cap de la Vila 6€: Secció Retrospectiva i Homenat- tori situades a la sala Tramuntana de 6 Jardins d’El Retiro. -
Meine Besten Erzählungen
Aus dem Amerikanischen von Patrick Baumann Originalausgabe Einmalige Auflage Juni 2018 Copyright © dieser Ausgabe 2018 by Festa Verlag, Leipzig Alle Rechte vorbehalten INHALT Jack Ketchum – Meister des (ganz alltäglichen) Grauens Vorwort von Thorsten Hanisch Seite 9 Die Schachtel Seite 13 Die Rose Seite 29 Schlangen Seite 43 Das Gewehr Seite 67 Das große Schäbige-Flittchen-Massaker von San Diego Seite 83 Winterkind Seite 107 Feuertanz Seite 129 Die Ausfahrt am Toledo Blade Boulevard Seite 143 Wenn der Penny fällt Seite 161 Megan’s Law Seite 177 Pech Seite 191 Vater und Sohn Seite 205 Sonntage Seite 211 Zwillinge Seite 225 Für immer Seite 243 Verschwunden Seite 261 Das Spuklokal Seite 271 Mutter und Tochter Seite 289 Rückkehr Seite 303 Abschnitt Zwei Seite 311 Das tapfere Mädchen Seite 335 Vertrauensbasis Seite 347 Feierabend Seite 365 Olivia: Ein Monolog Seite 425 Monster Seite 429 Meerlandschaft Seite 449 Der Besucher Seite 461 Hotline Seite 471 Der Tyrann Seite 479 Das Richtige Seite 495 Oldies Seite 497 Wach Seite 511 Nachschlag Seite 523 Der Gorilla in meinem Zimmer Seite 539 JACK KETCHUM – MEISTER DES (GANZ ALLTÄGLICHEN) GRAUENS Vorwort von Thorsten Hanisch Am 24. Januar 2018 starb ein Schriftsteller, dessen Schaffen für immer einen besonderen Platz in meinem Herzen lebendig halten wird. Die Rede ist von Jack Ketchum. Eigentlich war sein Name Dallas Mayr. Jack Ketchum nutzte er als Pseudonym, allerdings war es keines der geheimnis umwitterten Sorte. Der ehemalige Schauspieler, Lehrer, Koch und Holzverkäufer machte nie einen Hehl daraus, wer dahinter steckt. Laut Eigenaussage ist der Name auf Thomas E. Ketchum zurückzuführen, einen 1863 geborenen und 1901 gehängten Outlaw, der als »Black Jack« den Westen unsicher machte. -
Re Missing!: Local Podcast Explores Cultural Blindspots Nothing Missing with Tony (Left) and Matt (Right) Behind the Mic
SENE on Screen: The beloved film festival returns for its 13th year For more than a decade, the annual SENE (rhymes with scene) Film Festival has celebrated film, art and music, and this year’s festival, which takes place October 13 – 16, will screen 130 films from around the world. SENE was created by producing director Don Farias and artistic director Phil Capobres, who work to create a welcoming atmosphere for festival entrants and attendees. And their efforts paid off — for four years in a row, SENE was named one of the Top 50 Film Festivals Worth the Entry Fee by MovieMaker Magazine, one of the most respected voices in the film industry, and was rated one of the best reviewed festivals by FilmFreeway. The festival made its COVID comeback over the summer. “We were thrilled that we were able to host fun events for visiting filmmakers in June,” said Farias. “It’s the first time in over a year that the world felt almost normal. I was impressed with the attendance, especially since I was not sure if people were actually ready to leave their homes. It was nice to see the filmmakers meeting new friends at our networking events. Everyone was ready to collaborate and begin creating films again. We expect October to be bigger with more filmmakers attending.” SENE has been a powerful force in building community within the local film world, and while the festival receives films from all around the world, it makes a point to highlight all things local. The festival will kick off on Wednesday, October 13, with a special screening of local filmmaker Christian De Rezendes’ SLATERSVILLE, a much-anticipated episodic documentary on the 200-year history of the first industrialized mill village in the U.S., located in the heart of the Blackstone Valley. -
Cine-Excess 13 Delegate Abstracts
Cine-Excess 13 Delegate Abstracts Alice Haylett Bryan From Inside to The Hills Have Eyes: French Horror Directors at Home and Abroad In an interview for the website The Digital Fix, French director Pascal Laugier notes the lack of interest in financing horror films in France. He states that after the international success of his second film Martyrs (2008) he received only one proposition from a French producer, but between 40 and 50 propositions from America: “Making a genre film in France is a kind of emotional roller-coaster” explains Laugier, “sometimes you feel very happy to be underground and trying to do something new and sometimes you feel totally desperate because you feel like you are fighting against everyone else.” This is a situation that many French horror directors have echoed. For all the talk of the new wave of French horror cinema, it is still very hard to find funding for genre films in the country, with the majority of French directors cutting their teeth using independent production companies in France, before moving over to helm mainstream, bigger-budget horrors and thrillers in the USA. This paper will provide a critical overview of the renewal in French horror cinema since the turn of the millennium with regard to this situation, tracing the national and international productions and co-productions of the cycle’s directors as they navigate the divide between indie horror and the mainstream. Drawing on a number of case studies including the success of Alexandre Aja, the infamous Hellraiser remake that never came into fruition, and the recent example of Coralie Fargeat’s Revenge, it will explore the narrative, stylistic and aesthetic choices of these directors across their French and American productions. -
2256 Inventory 4.Pdf
The Robert Bloch Collection, Acc. ~2256-89-0]-27 Page 11 Box ~ (continueo) Periooicals (continueol: F~ntastic Adyentutes: Vol. 5 (No.8), Allg. 194]: "You Can't Kio Lefty Feep", pp.148-166; "Fairy Tale" under the name Tarleton Fiske, pp.184-202; biographical note on Tarleton Fiske, p.203. Vol. 5 (No.9), Oct. 194]: "A Horse On Lefty Feep", pp. 86-101; "Mystery Of The Creeping Underwear" under the name Tarleton FIske, pp.132-146. Vol. 6 (No.1), Feb. 1944; "Lefty Feep's ~l:abian Nightmare", pp.178-192. Vol. 6 (No. 2), ~pr. 1944: "Lefty Feep Does Time", pp. 156-1'15. Vol. 7 (No.2), Apr. IH5: "Lefty Feep Gets Henpeckeo", 1'1'.116-131. Vol. 6 (No.3), July 1946: "Tree's A Cro"d", pp.74-90. Vol. 9 (No. 51, sept. 1947: "The Mad Scientist", pp. 108-124. Vol. 12 (No.3), Mar. 1950: "Girl From Mars", pp.28-33. Vol. 12 (No.7), July 1950: "End Of YOUl: Rope", 1'p.l10- 124. Vol. 12 (No. S), Aug. 1950: "The Devil With Youl", pp. 8-68. Vol. 13 (No.7), July 1951: "The Dead Don't Die", pp. 8-54; biogl;aphical note, pp.2, 129-130. Fantastic Monsters Of The F11ms, Vol. 1 (No.1), 1962: "Black Lotus", p.10-21, 62. Fantastic Uniyel;se: Vol. 1 (No.6), May 1954: "The Goddess Of Wisdom", pp. 117-128. Vol. 4 (No, 6), Jan. 1956: "You Got To Have Brains", pp .112-120. Vol. 5 (No.6), July 1956: "Founoing Fathel:s", pp.34- Vol. -
Monstrous Nature: Environment and Horror on the Big Screen / Robin L
monstrous nature Monstrous Nature environment and horror on the big screen Robin L. Murray and Joseph K. Heumann university of nebraska press | lincoln and london © 2016 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on pages ix– x, which constitute an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Names: Murray, Robin L., author. | Heumann, Joseph K., author. Title: Monstrous nature: environment and horror on the big screen / Robin L. Murray and Joseph K. Heumann. Description: Lincoln: University of Nebraska Press, [2016] | Includes bibliographical references and index. Identifiers: lccn 2015044552 (print) lccn 2015046477 (ebook) isbn 9780803285699 (cloth: alk. paper) isbn 9780803294905 (epub) isbn 9780803294912 (mobi) isbn 9780803294929 (pdf) Subjects: lcsh: Horror films— History and criticism. | Environmental protection and motion pictures. | Nature in motion pictures. Classification: lcc pn1995.9.h6 m875 2016 (print) | lcc pn1995.9.h6 (ebook) | ddc 791.43/6164— dc23 lc record available at http://lccn.loc.gov/2015044552 Set in Sabon Next by John Klopping. Designed by N. Putens. contents List of Illustrations vii Acknowledgments ix Introduction: Film, Environment, Horror xi part 1: anthropomorphism and the “big bug” movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 3 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film 19 part 2: human ecology and the horror film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 41 4. Through an Eco- lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone 57 part 3: evolution and monstrous nature 5. -
Connotations Volume 15 Issue 06
Volume 15, Issue 6 December/January ConNotations 2005/2006 The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society A Conversation with Featured Inside Forrest J. Ackerman SF Tube Talk Special Features By Catherine Book All the latest news about Scienc Fiction TV shows A Conversation with I was at Comic-Con 2005 when I memorabilia. He had magazines, movie by Lee Whiteside Forrest J. Ackerman lucked into an opportunity to interview the props, costumes and masks. He had the by Catherine Book most celebrated fan – Forrest J. Ackerman. Bela Legosi cape and Lon Chaney cape 24 Frames For our younger fen who might not from the Phantom of the Opera. He gave All the latest Movie News An American in England recognize the tours of his by Lee Whiteside Part 8 name – Forry amazing collec- by Jeffrey Lu started out in life tion every Gamers Corner with a great love Saturday. In Memory and fascination Forry was a New and Reviews from Barry Bard for all things delightful the gaming world fantasical and gentleman Plus our Regular Features: horrific, reading although he’d Videophile Amazing Stories probably laugh at Reviews of genre releases CASFS Business Report in 1926, back me if he’d heard on DVD and VHS when the genre that. I am FYI was known as intensely grateful News and tidbits of Scientifiction. He for the opportu- ConClusion interest to fans was a literary nity to have spent Convention News & Reviews agent and a little private Club Listings personal friend time with him. -
Hint Fiction: an Anthology of Stories in 25 Words Or Fewer / Edited by Robert Swartwood.—1St Ed
Further praise for Hint Fiction “The stories in Robert Swartwood’s Hint Fiction have some serious velocity. Some explode, some needle, some bleed, and some give the reader room to dream. They’re fun and addictive, like puzzles or haiku or candy. I’ve finished mine but I want more.” —Stewart O’Nan *hint fiction hint fiction An Anthology of Stories in 25 Words or Fewer Edited by Robert Swartwood W. W. NORTON & COMPANY * New York London “Before Perseus” by Ben White. First published in PicFic, October 30, 2009. “Claim” by Gwendolyn Joyce Mintz. First published in Sexy Stranger, February 2006, issue 4. “Corrections & Clarifications” by Robert Swartwood. First published in elimae, October 2008. “Found Wedged in the Side of a Desk Drawer in Paris, France, 23 December 1989” by Nick Mamatas. First published in Lady Churchill’s Rosebud Wristlet, May 2003, issue 12. “Free Enterprise” by Kelly Spitzer. First published in elimae, December 2007. “The End or the Beginning” by James Frey © Big Jim Industries. “The Mall” by Robley Wilson © Blue Garage Co. “The Widow’s First Year” by Joyce Carol Oates © Ontario Review, Inc. Copyright © 2011 by Robert Swartwood Individual contributions copyright © by the contributor All rights reserved Library of Congress Cataloging-in-Publication Data Hint fiction: an anthology of stories in 25 words or fewer / edited by Robert Swartwood.—1st ed. p. cm. ISBN: 978-0-393-34022-8 1. Short stories, American. 2. American fiction—21st century. I. Swartwood, Robert. PS648.S5H56 2010 813'.010806—dc22 2010016056 W. W. Norton & Company, Inc. 500 Fifth Avenue, New York, N.Y. -
The Lottery: the Adventures of James Harris an Essay by Deborah Markus
The Lottery: The Adventures of James Harris An Essay by Deborah Markus Even non-horror fans tend to know Shirley Jackson’s story “The Lottery.” It’s required reading in many schools, and it burns itself like a brand into the mind of every reader, so a brief prod of the memo- ry suffices to bring it back to the recollec- tion of anyone momentarily drawing a blank. (“You know, the story about the little pieces of paper, and the rocks, and, um, the rocks?”) Fewer people know that, after the story’s overwhelming success in The New Yorker, Jackson went on to pub- Like the mysterious man in Magritte’s paintings, James Harris lish a short story collection also titled The Lottery. And only die-hard fans know that appeared in the works of Shirley Jackson in many forms this collection was originally subtitled not “and other stories,” as it is now, but “The This is the overblown, melodramatic a party is found “deep in earnest conversa- Adventures of James Harris.” writing of a yearning young writer in her tion with a tall, graceful man in a blue suit.” It’s a pity this subtitle was lost. “The Lot- twenties. However silly the original vision Just an ordinary detail, except that with a tery” is a strange, atypical story even in this may seem now, though, it was powerful writer like Jackson there are no ordinary collection, which admittedly isn’t exactly enough to be a major influence on Jackson details. The title character of “The Dae- aglow with sweetness and light. -
Two Books Same Title Page 1
• Affair to Remember by Khris • After the Storm by Lenora Worth & • The Big Lie by Dinesh D’souza (NF) Two Books Cochran (NF) & Karen Hawkins Amy Knupp (ROM) & Linda & Anthony Bianco (NF) Same Title • After by Francine Prose (YA) & Castillo & Maya Banks & John • The Big Payoff by Janice Law & Page 1 Phyllis Reynolds Naylor & Francis Rousmaniere (NF) Sharon Epperson (NF) Chalifour (YA) & Amy Efaw (YA) • After You by Jojo Moyes & Julie • The Big Picture by Kennedy • After All by Mary Tyler Moore (NF) Buxbaum Douglas & John Hilton (NF) & Tom & Deborah Raney • Afterburn by Colin Harrison & S L Reilly (NF) & Sean Carroll (NF) • Act of God by Susan Sloan & Jill • After All These Years by Susan Viehl & Zane & Sylvia Day • The Big Switch by Harry Turtledove Ciment Isaacs & Sally John • Afterglow by Catherine Coulter & & Nicholas Carr (NF • Act of War by Dale Brown & Brad • After Annie by Roxanne Henke & Eileen Myles (NF) • Bits and Pieces by Annette Mahon Thor & Jack Cheevers (NF) Michael Tucker • Afterimage by Carla Malden (NF) & Jonathan Maberry (YA) • Acts of Faith by Erich Segal & • After Dark by Manly Wade & Helen Humphreys • Bitten by Kelley Armstrong & R L Philip Caputo & T Davis Bunn & Wellman & Phillip Margolin & • Aftermath by Shrles Sheffield & Stine (YA) & Robert Smith & Pamela Eboo Patel (NF) Haruki Murakami & Jayne Castle & Peter Robinson & LeVar Burton & Nagami (NF) • Acts of God by Ellen Gilchrist (SS) Emi Gayle (YA) Joel Meyerowitz & Ben Bova & • Bitter Blood by Rachel Caine & & Ted Steinberg (NF) • After Daybreak by J A London -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
Your Guide to August's Hottest Releases
CATWS_Vi deoVi bes - 1 2014- 07- 01T18: 01: 18+10: 00 YOUR GUIDE TO AUGUST’S HOTTEST RELEASES BAD NEIGHBOURS NOAH THE AMAZING SPIDER-MAN 2: RISE OF ELECTRO TRANSCENDENCE NEED FOR SPEED VV10_01_FrontCover.indd 1 14/07/2014 3:36 pm Strong sexual references, sex scenes, coarse language, drug use ™ and nudity ON BLU-RAY & DVD 28 AUGUST “One of the very best shows of the decade” – Sydney Morning Herald Strong violence, drug references and sexual ™ references ON BLU-RAY & DVD 14 AUGUST Mature themes, themes, violencesex scene and and sexual referencescoarse language ON DVD 14 AUGUST © 2014 Universal Sony Pictures Home Entertainment Australia Pty Limited. All Rights Reserved. BAD NEIGHBOURS_JUSTIFIED S5_PSYCH S6 - FP RENTAL AD 893982.indd 1 7/07/14 2:36 PM AVRRA_Ads.indd 1 14/07/2014 4:50 pm &A AUGUST 2014 P.10 It’s only by the wonder of P.15 indoor heating that we’re not 4-8 NEWS 14-15 ACTION all currently frozen into pathetic What have the bold and the Divergent, April Rain, Raid 2, balls of hopelessness, so why not beautiful of fi lm and TV been up Captain America: The Winter celebrate the power of science to lately? We check out the latest Soldier and more by getting your hands on our reports from home and beyond featured fl ick Transcendence? 16-17 COMEDY Johnny Depp stars in the story of 28 COMING SOON the repercussions following an Breakaway, Bad Neighbours, About New releases to look forward Last Night, Bad Johnson and more advanced Artifi cial Intelligence’s to next month creation, and we delve a little 18-19 DRAMA deeper into the fi lmmaker’s mind P.16 on page 12.