Re Missing!: Local Podcast Explores Cultural Blindspots Nothing Missing with Tony (Left) and Matt (Right) Behind the Mic
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SENE on Screen: The beloved film festival returns for its 13th year For more than a decade, the annual SENE (rhymes with scene) Film Festival has celebrated film, art and music, and this year’s festival, which takes place October 13 – 16, will screen 130 films from around the world. SENE was created by producing director Don Farias and artistic director Phil Capobres, who work to create a welcoming atmosphere for festival entrants and attendees. And their efforts paid off — for four years in a row, SENE was named one of the Top 50 Film Festivals Worth the Entry Fee by MovieMaker Magazine, one of the most respected voices in the film industry, and was rated one of the best reviewed festivals by FilmFreeway. The festival made its COVID comeback over the summer. “We were thrilled that we were able to host fun events for visiting filmmakers in June,” said Farias. “It’s the first time in over a year that the world felt almost normal. I was impressed with the attendance, especially since I was not sure if people were actually ready to leave their homes. It was nice to see the filmmakers meeting new friends at our networking events. Everyone was ready to collaborate and begin creating films again. We expect October to be bigger with more filmmakers attending.” SENE has been a powerful force in building community within the local film world, and while the festival receives films from all around the world, it makes a point to highlight all things local. The festival will kick off on Wednesday, October 13, with a special screening of local filmmaker Christian De Rezendes’ SLATERSVILLE, a much-anticipated episodic documentary on the 200-year history of the first industrialized mill village in the U.S., located in the heart of the Blackstone Valley. The screening will take place at the Old Slater Mill in Pawtucket. If you need more local film, a block of New England-made shorts and music videos will play on Thursday, October 14, and many of the filmmakers will be in attendance. “I enjoy meeting the filmmakers and hearing their stories,” said Farias. “Everyone learns something new when the filmmakers share their experiences during the casual, fun Q&A sessions after each program.” The festival will primarily take place at the Artists’ Exchange in Cranston, with screenings going on simultaneously in both the Black Box theatre (50 Rolfe square) and Theatre 82 (82 Rolfe Square). Detailed film and schedule details are available at senefest.com. Made To Be Broken Marijuana prohibition isn’t the most ridiculous law on the books in Rhode Island, and these questions will test your knowledge of the laws that are. Knowing the right answer just might keep you out of jail! Next time you ride the trolley, whatever you do, do not throw this liquid (do we even have fucking trolleys?). ANSWER: Pickle juice. It is illegal to throw pickle juice when riding on a trolley. That’s oddly specific, isn’t it? One must wonder if there was a phenomenon of people assaulting each other with pickle juice in old time Rhode Island. If a man slaps you in the face with a glove, turn the other cheek to avoid breaking the law, because this practice is illegal in good ol’ RI. ANSWER: Dueling. You can marry your cousin, you can marry your friend, you can marry that guy everybody thinks is wrong for you, just don’t marry one of these. ANSWER: An idiot. Rhode Island law makes it illegal to marry a lunatic or an idiot. When passing a car on the left, don’t forget to do this or you might break the law. ANSWER: When passing on the left, you are required by law to make a loud noise. A horn will do. So will fart sounds, profanity or yelling Marco Polo, as long as you yell it loud. Don’t bite off more than you can chew might be another way of stating this bizarro Rhode Island law. What are you not supposed to bite off? ANSWER: Rhode Island law states you must not bite off someone’s limb. We’re talking to you, Jeffrey Dahmer. Don’t come to Rhode Island. We don’t cotton to your kind here. Bright Days Ahead Your Future Is Bright, a children’s book written by local author Corey Finkle and gorgeously illustrated by Shelley Couvillion, is an inspiring piece of work that follows children discovering a world of possibilities as they explore who they want to be when they grow up. Finkle recalled that as a child, he sometimes found the idea of the future frightening and wrote this book to help assuage the fears of kids who look to adulthood with trepidation. “The idea was to make a book that could sit on the shelf next to Oh, The Places You’ll Go!, but be more reflective of our time,” he said. Couvillion’s illustrations provide further comfort to kids by depicting the powerful relationship they have with their caregivers as they navigate growing up. “She’s perfect for this book,” Finkle said. “She somehow was able to capture the true love, affection and joy that exists between grown-ups and kids.” Your Future is Bright will be available on April 13, and signed copies will be available at Books on the Square in Providence (booksq.com). Between the Covers My Best Friend’s Exorcism, by Grady Hendrix: When Abby’s best friend is possessed by a demon, she seeks to free her friend with the help of an evangelical Christian exorcist/ bodybuilder. Described as Beaches meets The Exorcist, this is as much a tribute to female friendship as it is a horrifying tale of demonic possession, and it’s funny and scary as hell. Pontypool Changes Everything, by Tony Burgess: Sure, we’re all sick of viruses, but this virus is a little different. It’s an aural virus, spread through conversation that takes hold and turns the listener into a rage-filled zombie. If you are sick of the same old, this is a new kind of horror. Under the Skin, by Michel Faber: Absolutely, positively, the best book you will ever read about a cat- humanoid who wears a human skin suit with huge fake tits and seduces Scottish hitchhikers in order to use their bodies for horrific reasons. Under the Skin is a weird, hallucinatory novel told from the perspective of an alien who doesn’t like her job. The Girl Next Door, by Jack Ketchum: Not for the squeamish. Horror legend Jack Ketchum is a sick fuck, and this book is one of his sickest. This book is based on the real-life murder of Sylvia Likens. Sylvia’s parents ask their neighbor, Gertrude Baniszewsk, to take care of Sylvia for the summer. Gertrude took care of her alright; she kept her in her basement and tortured her, and brought in the neighborhood kids to help. What makes this book so stay-with-you-forever unsettling is Ketchum’s understanding of evil. He seems truly angry for the girl, and writes to give her some much needed vengeance. Zombie, by Joyce Carol Oates: Told from the perspective of a Jeffrey Dahmer style serial murder, literary icon Joyce Carol Oates’ rare foray into horror is an experience unlike any other. Written in a bizarre, broken style of the killer’s voice, Zombie gets us inside the brain of a person you otherwise wouldn’t want to get within a thousand feet of. if you like Oates’ horror writing, check out her impossibly unsettling story I Know Where You’re Going, I Know Where You’ve Been. If you have daughter, you won’t be able to leave her home alone after reading this. Bonus: Paperbacks from Hell, by Grady Hendrix: This isn’t a horror novel; it’s a collection of the most eye- catching, bizarro horror book covers from the era when paperbacks ruled. There are Nazi leprechauns, repressed memories, incestuous families and all other sorts of horrors that made the ’70s and ’80s an amazing time to be a horror reader. Here’s What You’re Missing!: Local podcast explores cultural blindspots Nothing missing with Tony (left) and Matt (right) behind the mic I sat down with Tony Pacitti and Matt Ferrara at the What Cheer Writer’s Club podcasting studio, right before they were about to record their latest episode of “What Did We Miss?,” A pop-culture podcast that’s smart and well-researched, and takes a much-needed optimistic approach to art and culture in a time where people will haze each other over the accuracy of superhero costumes. Mark Fogarty (Motif): For the uninitiated, what is the podcast about? Tony Pacitti Tony Pacitti: The idea of “What Did We Miss?” is for us to have an excuse to visit pop culture, whether it is books, TV, movies, music, comics, video games — things that we are familiar with but have not engaged with ourselves. Or something that we have pre-conceived notions about. To go through our pop-culture blindspots and check them off one at a time. Matt Ferrara: It’s also a way for us to hold ourselves accountable for what we’re consuming. It’s easy to say these are the things I like, and stay in that tunnel vision. But for the podcast, it’s a way for us to branch out and force ourselves to say, “This is something I’ve thought about but have put off because I’m lazy.” It puts your feet to the fire to say, “No, I’m gonna read this book, I’m gonna watch this movie that maybe we wouldn’t have given a chance otherwise.” Fogarty: What are your big cultural blindspots? Pacitti: Music in general is a big blindspot.