Wagner, Kirsten Flagstad, Marianne Schech, Set

Total Page:16

File Type:pdf, Size:1020Kb

Wagner, Kirsten Flagstad, Marianne Schech, Set Wagner La Walkiria Acto 3 / Todesverkundigung Del Acto 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: La Walkiria Acto 3 / Todesverkundigung Del Acto 2 Country: Argentina Style: Romantic, Opera MP3 version RAR size: 1725 mb FLAC version RAR size: 1999 mb WMA version RAR size: 1879 mb Rating: 4.7 Votes: 394 Other Formats: MP4 AHX DTS VOC DXD AAC DMF Tracklist Die Walküre - Act 3 A Pt. 1: Hojotoho! Hojotoho! (Ride Of The Valkyries) - Wo Ist Brünnhild? B Pt. 2: Hier Bin Ich, Vater - War Es So Schmählich (Brünnhilde's Bitte) Pt. 3: Deinen Leichten Sinn Lass' Dich Denn Leiten - Leb' Wohl, Du Kühnes, C Herrliches Kind! (Wotan's Farewell And Magic Fire Music) Die Walküre - Act 2 D Siegmund! Sieh' Auf Mich! (Todesverkündigung) Companies, etc. Recorded At – Sofiensaal Mastered At – Decca Studios Manufactured By – Industrias Electricas Y Musicales Odeon S.A.I.C. Distributed By – Industrias Electricas Y Musicales Odeon S.A.I.C. Credits Baritone Vocals [Bass-Baritone, Wotan] – Otto Edelmann (tracks: A to C) Composed By, Libretto By – Richard Wagner Conductor – Georg Solti Contralto Vocals [Rossweisse] – Hetty Plumacher* (tracks: A to C) Contralto Vocals [Schwertleite] – Margaret Bence* (tracks: A to C) Contralto Vocals [Siegrune] – Anny Delorie (tracks: A to C) Engineer [Uncredited] – James Brown Liner Notes [Die Walküre] – John Culshaw Liner Notes [English Translation Of German Libretto] – G. M. Holland* Mastered By [Side B] – K Mastered By [Sides A, C, D] – E Mezzo-soprano Vocals [Waltraude] – Grace Hoffmann* (tracks: A to C) Orchestra – Vienna Philharmonic Orchestra, The* Photography By [Inside Libretto] – Gustav Schikola, Abresch*, Sabine Toepffer Producer [Uncredited] – Erik Smith Soprano Vocals [Brünnhilde] – Kirsten Flagstad Soprano Vocals [Gerhilde] – Oda Balsborg (tracks: A to C) Soprano Vocals [Grimgerde] – Frieda Roesler (tracks: A to C) Soprano Vocals [Helmwige] – Clare Watson* (tracks: A to C) Soprano Vocals [Ortlinde] – Ilona Steingrüber* (tracks: A to C) Soprano Vocals [Sieglinde] – Marianne Schech (tracks: A to C) Tenor Vocals [Siegmund] – Set Svanholm (tracks: D) Barcode and Other Identifiers Matrix / Runout (Runout side A - stamped): CA ARL-3659-1A Matrix / Runout (Runout side B - stamped): CA ARL-3660-1A Matrix / Runout (Runout side C - stamped): CA ARL-3661-1A Matrix / Runout (Runout side D - stamped): CA ARL-3662-1A Other versions Category Artist Title (Format) Label Category Country Year Wagner*, Kirsten Wagner*, Kirsten Flagstad, Flagstad, Marianne Schech, Set Marianne Schech, Svanholm, Otto Edelmann, Set Svanholm, SXL The Vienna Philharmonic SXL Otto Edelmann, Decca UK 1958 2031-2 Orchestra*, Georg Solti - 2031-2 The Vienna Die Walküre Act 3 / Philharmonic Todesverkündigung From Orchestra*, Georg Act 2 (2xLP + Box) Solti Wagner*, Kirsten Wagner*, Kirsten Flagstad, Flagstad, Marianne Schech, Set Marianne Schech, Svanholm, Otto Edelmann, Set Svanholm, SXL The Vienna Philharmonic SXL Otto Edelmann, Decca Spain 1958 2031-2 Orchestra*, Georg Solti - 2031-2 The Vienna Die Walküre Act 3 / Philharmonic Todesverkündigung From Orchestra*, Georg Act 2 (2xLP + Box) Solti Wagner* - Kirsten Wagner* - Kirsten Flagstad - Flagstad - Marianne Schech - Set Marianne Schech - Svanholm - Otto Edelmann - Set Svanholm - LXT Vienna Philharmonic LXT Otto Edelmann - Decca UK Unknown 5389-90 Orchestra, The* - Georg 5389-90 Vienna Solti - Die Walküre Act 3 / Philharmonic Todesverkündigung From Orchestra, The* - Act 2 (2xLP + Box) Georg Solti Wagner*, Kirsten Wagner*, Kirsten Flagstad, Flagstad, Marianne Schech, Set Marianne Schech, Svanholm, Otto Edelmann, Set Svanholm, Vienna Philharmonic London OSA 1203 Otto Edelmann, OSA 1203 US 1958 Orchestra, The*, Georg Solti Records Vienna - Die Walküre Act 3 / Philharmonic Todesverkündigung From Orchestra, The*, Act 2 (2xLP + Box) Georg Solti Related Music albums to La Walkiria Acto 3 / Todesverkundigung Del Acto 2 by Wagner Georg Solti, Bruckner, Wagner, Wiener Philharmoniker - Bruckner: VII.Symphonie / Wagner: Siegfried-Idyll Wagner - Vienna Philharmonic Orchestra, Georg Solti - Tannhäuser (Paris Version) Richard Wagner, Georg Solti, Wiener Philharmoniker - Die Meistersinger Von Nürnberg Richard Wagner - Die Walküre - Bayreuther Festspiele George Solti, Richard Wagner, The Vienna Philharmonic - The Vienna Philharmonic Plays Wagner Conducted By Solti Richard Wagner, Sir Georg Solti - Der Ring Des Nibelungen Solti, Wagner, Wiener Philharmoniker - Georg Solti Dirigiert Wagner Wagner - Sir Georg Solti, Vienna Philharmonic, René Kollo, Gottlob Frick, Dietrich Fischer-Dieskau, Christa Ludwig, Zoltan Kélémen, Hans Hotter - Parsifal (Selección) Wagner - London • Flagstad • Svanholm • Neidlinger • Vienna Philharmonic • Solti - Das Rheingold Wagner / Flagstad / London / Svanholm / Neidlinger / Solti / Vienna Philharmonic Orchestra - Das Rheingold (Highlights).
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • 25243 Cmp.Pdf
    ��, (",..'\¡ �Jl��lYL{#I' GRAN TEATRE DEL LICEU DIE FRAU OHNE SCHATTEN CHAN TEATRE DEL LICEU Temporada 1985/86 EL REGUlADOR BAGUÉS Rambla de les Flors, 105 Carme,1 Telèfon 317 1974 08002 Barcelona Passeig de Gràcia, 41 Telèfon 21601 73 - 216 01 74 08007 Barcelona CONSORCI DEL GRAN TEATRE DEL LICEU Sanf Pau, 6 CE ERAlI'I:'\T DE CATALUNYA - Telèfons 317 32 46 318 57 37 AJUNUMENT DE Ii�RCEl.ONA 0800 1 Barcelona SOCI E-lAT DEL CHAN TEATRE DEL LICEU CASA SMIIA DIE FRAU ORNE SCRATIEN (La dona sense ombra) Òpera en 3 actes Llibret d'Hugo Hofrnannsthal LENGERIA PARA EL HOGAR Música de Richard Strauss LA MUJER y EL REGlEN NAGIDO Diumenge, 16 de març de 1986, a les 17 h., funció núm. 48, torn T Dimarts, 18 de març de 1986, a les 20 h., funció núm. 49, torn A Funció de Gala GRAN VIA CORTS CATALANES. 640 Divendres, 21 de març de 1986, a les 20 h., 24 98 08007 BARCELONA TELEFONO 318 funció núm. 50, torn B CRUCEROS YBARRA TRADICIONAL DIE FRAU OHNE SCHATTEN CRUCERO (La dona sense'ombra) L'Emperador Klaus Koenig SEMANA SANTA 86 L'Emperadriu Katryn Montgomery­ Meissner A lIordo del La dida Ute Trekel-Burckhardt Buque El missatger deis esprits Peter Wimberger EUGENIO "C" Guàrdia del llindar del Bente Marcussen Temple Del Z2: al 32: de Marzo L'aparició d'un jove Antoni Comas La veu del falcó Julie Griffeth Veu des de dalt Rosa M,« Ysàs CRUCEROS Barak, el tintorer Anthony Raffel! Muller de Barak Ute Vinzing YBARRA Germans de Barak El borni Wolfram Bach El manc Alfred Kainz El geperut Wilfried Plate Les veus dels nonats Isabel Aragón Cecília Fondevila M.» A.
    [Show full text]
  • Jack Lund Collection ARS.0045
    http://oac.cdlib.org/findaid/ark:/13030/kt5w103784 No online items Guide to the Jack Lund Collection ARS.0045 Finding aid prepared by Frank Ferko Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2011 The Board of Trustees of Stanford University. All rights reserved. Guide to the Jack Lund Collection ARS.0045 1 ARS.0045 Descriptive Summary Title: Jack Lund Collection Dates: 1887-2009 Identifier/Call Number: ARS.0045 Creator: Lund, Jack H. Collection size: 5345 items (570.33 linear ft.)Collection of disc recordings, tapes, books, magazines, programs, librettos, printed music and autographed programs and photographs. Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Abstract: The Jack Lund Collection contains personal papers of Jack Lund as well as numerous newspaper and magazine clippings, photographs, and music books. It also contains Lund's collection of classical music on 78 rpm discs, mostly in albums, 33 1/3 rpm long playing discs, and a small number of open reel tapes. The materials in this collection document the principal musical interests of Mr. Lund, i.e. vocal solo music, opera, careers and performances of specific singers and pianists, and the career of Arturo Toscanini. Since Mr. Lund mantained personal friendships with many musicians he admired, he acquired autographed photographs of these artists, and he regularly corresponded with them. The photographs and many of the letters from these musicians are included in the collection. As an avid reader of published articles and books on musical topics, Mr.
    [Show full text]
  • A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me.
    [Show full text]
  • 7™"P×Õ7š€Pgc Y(Ø•=– °§
    111020-21 bk FidelioEU 08/09/2005 16:14 Page 12 BEETHOVEN Also available: Fidelio m Furtwä el ng ilh le W r 1 953 Recording Martha Mödl • Wolfgang Windgassen 8.660070-71 Gottlob Frick • Otto Edelmann • Sena Jurinac Vienna State Opera Chorus Vienna Philharmonic Orchestra Wilhelm Furtwängler 8.111020-21 12 111020-21 bk FidelioEU 08/09/2005 16:14 Page 2 Mark Obert-Thorn Mark Obert-Thorn is one of the world’s most respected transfer artist/engineers. He has worked for a number of specialist labels, including Pearl, Biddulph, Romophone and Music & Arts. Three of his transfers have been Great Opera Recordings nominated for Gramophone Awards. A pianist by training, his passions are music, history and working on projects. He has found a way to combine all three in the transfer of historical recordings. Ludwig Van Obert-Thorn describes himself as a ‘moderate interventionist’ rather than a ‘purist’ or ‘re-processor,’ unlike those who apply significant additions and make major changes to the acoustical qualities of old recordings. His BEETHOVEN philosophy is that a good transfer should not call attention to itself, but rather allow the performances to be heard (1770-1827) with the greatest clarity. There is no over-reverberant ‘cathedral sound’ in an Obert-Thorn restoration, nor is there the tinny bass and piercing mid-range of many ‘authorised’ commercial issues. He works with the cleanest available 78s, and Fidelio consistently achieves better results than restoration engineers working with the metal parts from the archives of the Opera in Two Acts modern corporate owners of the original recordings.
    [Show full text]
  • RCA LHMV 1 His Master's Voice 10 Inch Series
    RCA Discography Part 33 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA LHMV 1 His Master’s Voice 10 Inch Series Another early 1950’s series using the label called “His Master’s Voice” which was the famous Victor trademark of the dog “Nipper” listening to his master’s voice. The label was retired in the mid 50’s. LHMV 1 – Stravinsky The Rite of Spring – Igor Markevitch and the Philharmonia Orchestra [1954] LHMV 2 – Vivaldi Concerto for Oboe and String Orchestra F. VII in F Major/Corelli Concerto grosso Op. 6 No. 4 D Major/Clementi Symphony Op. 18 No. 2 – Renato Zanfini, Renato Fasano and Virtuosi di Roma [195?] LHMV 3 – Violin Concerto for Violin and Orchestra No. 2 (Bartok) – Yehudi Menuhin, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 4 – Beethoven Concerto No. 5 in E Flat Op. 73 Emperor – Edwin Fischer, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 5 – Brahms Concerto in D Op. 77 – Gioconda de Vito, Rudolf Schwarz and the Philharmonia Orchestra [1954] LHMV 6 - Schone Mullerin Op. 25 The Maid of the Mill (Schubert) – Dietrich Fischer-Dieskau, Gerald Moore [1/55] LHMV 7 – Elgar Enigma Variations Op. 36 Wand of Youth Suite No. 1 Op. 1a – Sir Adrian Boult and the London Philharmonic Orchestra [1955] LHMV 8 – Bach Brandenburg Concerto No. 2 in F/Brandenburg Concerto No. 5 in D – Harold Jackson, Gareth Morris, Herbert Sutcliffe, Manoug Panikan, Raymond Clark, Gerraint Jones, Edwin Fischer and the Philharmonia Orchestra [1955] LHMV 9 – Beethoven Symphony No. 5 in C Minor Op.
    [Show full text]
  • Kurt Hübner- Der Intendant
    Kurt Hübner- Der Intendant Seine Stationen: Ulm- 1959-1962 Bremen- 1962-1973 Berlin- 1973-1986 1 ANHANG 1959-1986: DIE AUFFÜHRUNGEN DER INTENDANTENZEIT KURT HUBNERS I. ULM 1959-1962 Das Ensemble Schauspiel (Herren) Schauspiel (Damen) Oper I Operette Oper I Operette Peter Böhlke Elisabeth Botz (Herren) (Damen) Kar! Heinz Bürkel Käthe Druba Lambertus Bijnen Lisa Anders Will Court Angela Gotthardt Kari-Heinz von Eicken Helen Borbjerg Josef Gessler Friede! Heizmann Helmuth Erfurth Anita Butler Joachim Giese Hannelore Hoger George Fortune RuthConway Günter Hanke Alke Hoßfeld Jan Gabrielis Irmgard Dressler Hans-H. Hassenstein Elisabeth Karg Josef Gessler Josette Genet-Bollinger Valentin Jeker Maria-Christina Müller Peter Haage Marjorie Hall Rolf Johanning Elisabeth Orth Kar! Hauer Rita Hermann Norbert Kappen Helga Riede! J osef Kayrooz Marian Krajewska Jon Laxdall Ursula Siebert Bernd Küpper Liane Lehrer Georg von Manikowski Katharina Tüschen Bill Lucas Christine Mainka Dieter Möbius Erika Wackernagel Fritz Neugebauer Gertrud Probst Siegfried Munz Sabine Werner Richard Owens Gertrud Romvary Walther Fr. Peters Fritz Peter Ursula Schade Rudolf Peschke Heinrich Reckler Ingeborg Steiner Hans Jakob Poiesz Herbert Reiter Patricia Hyde Thomas Friedhelm Ftok Heinz Röthig Eva-Maria Wolff Willi Ress Hermann Runge Hermann Schlögl Fred Straub Hermann Schober Walter Voges Alois Strempel Heinz Weigand Peter Striebeck Kar! Schurr Rainald Walter RolfWiest 2 SPIELZEIT 1959/60 das zu überwinden, was gegen die Figur des Posa, die naive Leichtgläubigkeit des Carlos Carl Maria von Weber: und gegen andere alogische Entwicklungen Der Freischütz (29. 8. 59) gesagt werden kann. Schillers Feuerodem, ML: Harald von Goertz; 1: JosefWitt; hier zum erstenmal in reine, gehämmerte B: Hansheinrich Palitzsch Verse gebändigt, überall diese Bedenklich­ keiten siegen zu Jassen, fast möchte man Friedrich Schiller: Don Carlos (3.
    [Show full text]
  • JOAN SUTHERLAND John Pritchard (1918–89)
    JOAN SUTHERLAND John Pritchard (1918–89). Walthamstow-born, John Pritchard learned his craft as principal conductor of the Derby String Orchestra, before joining the music staff of Glyndebourne in 1947. Appointed Chorus Master in 1949, he was soon sharing major Mozart productions with Fritz Busch, conducting the London Philharmonic Orchestra there and swiftly expanding his repertoire. The company’s Musical Director from 1969 to 1977, he was also a regular guest at the Royal Opera, where in 1955 he conducted the premiere of Tippett’s A Midsummer Marriage. His opera and concert work encircled the globe, with periods at the helm of many companies and orchestras, notably the Royal Liverpool Philharmonic and BBC Symphony. He was knighted in 1983. Though his full diary could result in perfunctory routine, fiery theatricality and a grasp of essentials inform his best work – not least in many studio and off-air recordings made with his ‘home’, Glyndebourne company, and for BBC radio. Joan Sutherland (1926–2010). The world-renowned soprano Joan Sutherland left her Sydney home for London in 1952, with the ultimate aim of singing Wagner. Contracted to Covent Garden, she felt her future lay in heavy, dramatic roles; and her early assignments there included Amelia in Verdi’s Un ballo in maschera and the title role in Aida. Soon her breathtaking agility, crystalline staccatos and unique stratospheric purity became evident – not least as Jenifer in Tippett’s The Midsummer Marriage, followed swiftly by the doll Olympia in Offenbach’s Les contes d’Hoffmann (both 1955). Although increasingly identified with the bel canto repertoire, until her 1959 Covent Garden triumph in Donizetti’s Lucia di Lammermoor she kept her options open.
    [Show full text]
  • ARSC Journal
    HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote-­ Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be­ zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner­ baron--0 habet acht.
    [Show full text]
  • Groundbreaking... Union Breaking
    groundbreaking... Union Breaking With great ceremony—and an almost audible sigh of relief from those concerned—UM Presi­ Hf"^ dent Henry King Stanford turned the first shovel full of soil Friday, signifying the beginning of construction of the new Student Union. Also participating in the ceremonies, and turning a symbolic shovel full of dirt, were Jim Blosser, student government president in 1959-60, Norman "Chink" Whitten, director of the Student Union, and Mark Clasby, current student government president. It was Blosser who began the campaigning that culminated in partial student financial aid for both the union and the Otto G. Richter Library. Clasby summed up the feeling of those at­ tending UM now when he said: "We, the stu- ' dents of 1963-64 would like to thank the students of 1959-60 for the foresight to look ahead to future years." Razing of the old building began Monday, and promptly became a major point of student interest on campus. At one point, there were over 1000 students gazing on as a crane equipped with a 2-ton lead ball demolished a part of the soda fountain .area. Photo by Photo Center Even cheers were heard when a major section Photo If Andy Schneider ne Spade Full Of Ground Starts Construction of the roof crashed to the ground. Huge Crane Knocks Once And Starts Destruction Can Light Coach Lights alt Aging? Page 7 f he i Ja . irrici it ie The Way. Page 2B • »THYEAR,NO. 18 UNIVERSITY OF MIAMI, CORAL GABLES, FLORIDA, MARCH 6, 1964 TELEPHONE MO 1-2511, EXT.
    [Show full text]
  • COLORATURA and LYRIC COLORATURA SOPRANO
    **MANY OF THESE SINGERS SPANNED MORE THAN ONE VOICE TYPE IN THEIR CAREERS!** COLORATURA and LYRIC COLORATURA SOPRANO: DRAMATIC SOPRANO: Joan Sutherland Maria Callas Birgit Nilsson Anna Moffo Kirstin Flagstad Lisette Oropesa Ghena Dimitrova Sumi Jo Hildegard Behrens Edita Gruberova Eva Marton Lucia Popp Lotte Lehmann Patrizia Ciofi Maria Nemeth Ruth Ann Swenson Rose Pauly Beverly Sills Helen Traubel Diana Damrau Jessye Norman LYRIC MEZZO: SOUBRETTE & LYRIC SOPRANO: Janet Baker Mirella Freni Cecilia Bartoli Renee Fleming Teresa Berganza Kiri te Kanawa Kathleen Ferrier Hei-Kyung Hong Elena Garanca Ileana Cotrubas Susan Graham Victoria de los Angeles Marilyn Horne Barbara Frittoli Risë Stevens Lisa della Casa Frederica Von Stade Teresa Stratas Tatiana Troyanos Elisabeth Schwarzkopf Carolyn Watkinson DRAMATIC MEZZO: SPINTO SOPRANO: Agnes Baltsa Anja Harteros Grace Bumbry Montserrat Caballe Christa Ludwig Maria Jeritza Giulietta Simionato Gabriela Tucci Shirley Verrett Renata Tebaldi Brigitte Fassbaender Violeta Urmana Rita Gorr Meta Seinemeyer Fiorenza Cossotto Leontyne Price Stephanie Blythe Zinka Milanov Ebe Stignani Rosa Ponselle Waltraud Meier Carol Neblett ** MANY SINGERS SPAN MORE THAN ONE CATEGORY IN THE COURSE OF A CAREER ** ROSSINI, MOZART TENOR: BARITONE: Fritz Wunderlich Piero Cappuccilli Luigi Alva Lawrence Tibbett Alfredo Kraus Ettore Bastianini Ferruccio Tagliavani Horst Günther Richard Croft Giuseppe Taddei Juan Diego Florez Tito Gobbi Lawrence Brownlee Simon Keenlyside Cesare Valletti Sesto Bruscantini Dietrich Fischer-Dieskau
    [Show full text]