Groundbreaking... Union Breaking

Total Page:16

File Type:pdf, Size:1020Kb

Groundbreaking... Union Breaking groundbreaking... Union Breaking With great ceremony—and an almost audible sigh of relief from those concerned—UM Presi­ Hf"^ dent Henry King Stanford turned the first shovel full of soil Friday, signifying the beginning of construction of the new Student Union. Also participating in the ceremonies, and turning a symbolic shovel full of dirt, were Jim Blosser, student government president in 1959-60, Norman "Chink" Whitten, director of the Student Union, and Mark Clasby, current student government president. It was Blosser who began the campaigning that culminated in partial student financial aid for both the union and the Otto G. Richter Library. Clasby summed up the feeling of those at­ tending UM now when he said: "We, the stu- ' dents of 1963-64 would like to thank the students of 1959-60 for the foresight to look ahead to future years." Razing of the old building began Monday, and promptly became a major point of student interest on campus. At one point, there were over 1000 students gazing on as a crane equipped with a 2-ton lead ball demolished a part of the soda fountain .area. Photo by Photo Center Even cheers were heard when a major section Photo If Andy Schneider ne Spade Full Of Ground Starts Construction of the roof crashed to the ground. Huge Crane Knocks Once And Starts Destruction Can Light Coach Lights alt Aging? Page 7 f he i Ja . irrici it ie The Way. Page 2B • »THYEAR,NO. 18 UNIVERSITY OF MIAMI, CORAL GABLES, FLORIDA, MARCH 6, 1964 TELEPHONE MO 1-2511, EXT. 2581 ^IfOTED AUTHORITY SPEAKS Campus Sex Not Increasing Campaigning Begins By GORDON FREIREICH pushing them into it," he said. isn't the way the movies show Hurricane Copy Editor Dr. Stokes blamed two aspects it," he said. The Puritan heritage [s sexual promiscuity increas- of modern life for inhibiting sex­ of America and the Victorian For USG Elections l on college campuses? Accord- ual freedom: Puritan-Victorian ideals which are still in society % to Dr. Walter R. Stokes, the principles; and Hollywood's glam­ have made sex "something dirty, The political race has begun, candidates the Student Activities Office, 1202 Dick­ swer is "no." orized view of sex: "Sex just when it's not," Dr. Stokes said. are qualifying, petitions are being signed, inson, Apt. 37U. And Dr. Stokes is a man who promises are made, and the pace quickens. ould know. He is an M.D., a Offices available by election are presi­ ychiatrist, and a member of Monday at 4 p.m. is the latest students dent and vice-president of USG Council; veral organizations dealing with planning to run for offices in Undergraduate one council member each from Arts and Kual liberty. He spokfe before Student Government can turn in their Sciences, Education, Engineering, and Mu­ e student body last Tuesday petitions. The petitions will be accepted in sic; two council members each from Busi- ening. ~+ness Administration and Univer­ "Going away to college does sity College. ot necessarily mean a free ein on sex," Dr. Stokes said. There are also elective posi­ Ie thinks that courses in mar- Clasby Calls Meet! tions o p e n in each' of the in­ iage and the family are good dividual school governments. •reparation for marriage. Eligibility requirements for all the above offices can be obtained But .the best example of a from the Student Activities 4ppy marriage should be set by Of Student Leaders Office. e parents, according to the Student government leaders felt that it was a good idea. It ithor of several books on sex The Elections Board is com­ id marriage. from at least three other Florida will give each leader a chance to universities will convene at the get acquainted with the others prised of Student Activities Di­ In an interview, Dr. Stokes University of Miami next week and learn their thinking on vari­ rector Thurston Adams, Dean scussed the problem of inter- to "get acquainted and formulate ous subjects that might come up Ken Kerr, Theresa McGee, ligious marriages. "In religions policy," according to USG Pres­ m Biloxi," he pointed out. Jerry Duckor, Tony Cruger, hich are tolerant, it really ident Mark Clasby. Mark Clasby (ex officio), and >esn't matter; but in orthodox chairman Elliott Bernstein. Hie •ligions there is quite a barrier." So far the student presidents e feels that love and mutual Board has determined a set of and other representatives of the campaigning rules which in­ spect should be at th eoore of TJniversity of Florida, Florida Hot Shot marriage and not religion. State University, and the Uni­ clude electioneering procedures, expenditures, campaign mater­ "Parents who threaten chil- Carni Gras Puts Students In Whirl versity of Tampa have indicated ials, and violations. Iren against Intermarriage are . everything from rides to headlines that they will attend. Canes Get The purpose of the meeting is manyfold, Clasby declared. NIT Bid I "Specifically, I have called the Apply Today Carni Gras To Feature meeting to discuss the upcoming A new national high-scoring \GetNDEA\ conference in Biloxi, Mississippi, record and one of the top shooters May 7 to 9. Representatives from in the country earned the UM For Degree Varied Activities For Fun most of the colleges and univer­ basketball team a berth in this Renewals J sities in the South will be there, year's National Invitational Bas­ All students who expect Carni Gras is the place to do The deadline for booth ap­ and by meeting prior to the big ketball Tournament. to receive a degree in June i 1 it Do what? Anything from plications is 4 pjn. today in gathering, we get a chance to The bid came Monday following All students on the ND- 1 and who neglected to apply riding a flying wheel to writing the Student Activities office. discuss what may be brought up during registration, must a season-ending last-second vic­ I EA loan program should 1 your own headline for the Hur­ In case of rain, Carni Gras during the conference." tory over FSU Saturday night I pick up renewal forms im- 1 make application before ricane. will be postponed until Sat­ 5 p.m. today. Also those coming here will I mediately for . summer or | urday, March 14. The Hurricanes will take in­ | September sessions in Ashe % According to the official The annual event swings in attend one of this semester's big­ with a whirl next Thursday gest events—Carni Gras. to the tournament, among other I 238. Grade sheets are re- I academic calendar and Duggan expressed some dis­ things: a 96.1 points per game Registrar G. W. Smith, ap­ and Friday nights at 7 pjn. in appointment at the fact that "We will meet for a good part I quired before renewals may 1 the Eaton Hall pep arena. For average (topping Morehead I be picked up. plicants should present some of the larger organiza­ of the day oh Friday, and then State of Kentucky by a few Attention all upperclass % themselves at the registrar's a chance to relax and celebrate tions on campus have as yet not join in the fun of Carni-Gras the tearing down of the old tenths of a point); and Rick I students: office on the second floor asked for booths. that evening," he said. Barry, a 6-7 junior with a 32- If you are in need of | of the Ashe building. student union, Carni Gras is the place. Carni Gras, sponsored by the Long range reason for the point shooting average and a 1 partial tuition aid for Sept 1 Also it.is requested that Pep Club, is a student-orien­ meeting is the possibility of 16.5 rebounds per game aver­ I 1964 and have an overall j seniors stop in the various Txiis year's midway will be tated event. The planning, having the big conference at age. (Barry is the only player I average of 1.8, you may see 1 College offices and report better than ever before, accord­ building, and managing of the : TJM sometime in the future. to be ranked in the top ten | information on the National 1 any additional information ing to Larry Duggan, chairman booths are all done by students. nationally in both scoring and | Defense Education Act loan I that may be needed to of Carni Gras. Approximately Forty per cent of the money Finally, those who have ac­ rebounding.) program in the Ashe Bldg., 1 complete the files. 50 entries have been accepted collected goes to the Ashe cepted have done so with en­ room 238. Please bring your I Be sure all graduation re­ so far. This included the sor­ Scholarship Fund. The rest is thusiasm, Clasby said. "The For more information on the I.D. card or your registra- 1 quirements have been met orities, fraternities, and inde­ for expenses incurred by the people who have exchanged cor­ team, the tournament and the tion to the office. pendents. participating groups. respondence with me have all opponents, see page 1-B. THE MIAMI HURRICANE, FRIDAY, MARCH 6,1964 Ex-Hurricane Chief U.S. Painted Cuba Red—Smith Named Headliner By GAY ANDREWS Ambassador Smith stated that Cuba has the second large Hurricane Staff Reporter •"*>&• military force in the Caribbean'. Latin Americans are angry Do By WILLA VEE YOUNG Former ambassador to Cuba Earl T. Smith stated that the United the United States' lack of follow through in insisting on inspects Hurricane Feature Reporter States intervention in the Cuban affair established the Red of the Red island.
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Kurt Hübner- Der Intendant
    Kurt Hübner- Der Intendant Seine Stationen: Ulm- 1959-1962 Bremen- 1962-1973 Berlin- 1973-1986 1 ANHANG 1959-1986: DIE AUFFÜHRUNGEN DER INTENDANTENZEIT KURT HUBNERS I. ULM 1959-1962 Das Ensemble Schauspiel (Herren) Schauspiel (Damen) Oper I Operette Oper I Operette Peter Böhlke Elisabeth Botz (Herren) (Damen) Kar! Heinz Bürkel Käthe Druba Lambertus Bijnen Lisa Anders Will Court Angela Gotthardt Kari-Heinz von Eicken Helen Borbjerg Josef Gessler Friede! Heizmann Helmuth Erfurth Anita Butler Joachim Giese Hannelore Hoger George Fortune RuthConway Günter Hanke Alke Hoßfeld Jan Gabrielis Irmgard Dressler Hans-H. Hassenstein Elisabeth Karg Josef Gessler Josette Genet-Bollinger Valentin Jeker Maria-Christina Müller Peter Haage Marjorie Hall Rolf Johanning Elisabeth Orth Kar! Hauer Rita Hermann Norbert Kappen Helga Riede! J osef Kayrooz Marian Krajewska Jon Laxdall Ursula Siebert Bernd Küpper Liane Lehrer Georg von Manikowski Katharina Tüschen Bill Lucas Christine Mainka Dieter Möbius Erika Wackernagel Fritz Neugebauer Gertrud Probst Siegfried Munz Sabine Werner Richard Owens Gertrud Romvary Walther Fr. Peters Fritz Peter Ursula Schade Rudolf Peschke Heinrich Reckler Ingeborg Steiner Hans Jakob Poiesz Herbert Reiter Patricia Hyde Thomas Friedhelm Ftok Heinz Röthig Eva-Maria Wolff Willi Ress Hermann Runge Hermann Schlögl Fred Straub Hermann Schober Walter Voges Alois Strempel Heinz Weigand Peter Striebeck Kar! Schurr Rainald Walter RolfWiest 2 SPIELZEIT 1959/60 das zu überwinden, was gegen die Figur des Posa, die naive Leichtgläubigkeit des Carlos Carl Maria von Weber: und gegen andere alogische Entwicklungen Der Freischütz (29. 8. 59) gesagt werden kann. Schillers Feuerodem, ML: Harald von Goertz; 1: JosefWitt; hier zum erstenmal in reine, gehämmerte B: Hansheinrich Palitzsch Verse gebändigt, überall diese Bedenklich­ keiten siegen zu Jassen, fast möchte man Friedrich Schiller: Don Carlos (3.
    [Show full text]
  • Wilhelm Furtwängler Beethoven Symphony No
    HISTORIC PERFORMANCES Wilhelm Furtwängler Beethoven Symphony No. 9 Elisabeth Schwarzkopf | Elsa Cavelti Ernst Haefliger | Otto Edelmann Lucerne Festival Chorus | Philharmonia Orchestra Ludwig van Beethoven (1770–1827) Symphony No. 9 in D minor, Op. 125 I. Allegro ma non troppo e un poco maestoso 18:38 II. Molto vivace – Presto – Coda 12:09 III. Adagio molto e cantabile – Andante moderato 19:49 IV. Finale. Presto – Allegro assai – Allegro assai vivace (alla Marcia) – Andante maestoso – Adagio ma non troppo ma divoto – Allegro energico e sempre ben marcato – Allegro ma non tanto – Presto – Maestoso – Prestissimo 25:56 ELISABETH SCHWARZKOPF soprano ELSA CavelTI alto ERNST HAEFLIGER tenor OTTO EDELMANN bass LUCERNE FESTIval CHORUS PHILHARMONIA ORCHESTRA Wilhelm Furtwängler Furtwängler’s last Ninth. An elemental he turned his back on Europe. Mean- musical event as a legacy while, the festival’s initial success encour- aged its organisers and an élite of Swiss “An interpretational highlight”, “a sonic orchestral musicians to continue the IMF, document of a magic moment”: this is how despite war related difficulties. In 1943, advertising slogans for this live record- the Swiss Festival Orchestra (SFO) was ing of Beethoven’s Ninth Symphony with founded, a formation which was newly Wilhelm Furtwängler might be worded. assembled each year and who, hence- Aside from the platitude of such catch- forth, played all orchestral concerts phrases, however, the particular histori- under re-nowned conductors. With a cal significance of this recording, newly few interruptions, Wilhelm Furtwängler re-mastered from the original tapes, acted as a figurehead in this undertak- would be overlooked – both in view of ing: in 1944 he appeared for the first time, the history of the festival and in view of conducting two concerts, and from 1947, the history of interpretation, especially of after his conducting ban had been lifted, course the constant and changing aspects he returned each year until his death of Furtwängler’s (very subjective) view of (with the exception of the 1952 season).
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Wagner, Kirsten Flagstad, Marianne Schech, Set
    Wagner La Walkiria Acto 3 / Todesverkundigung Del Acto 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: La Walkiria Acto 3 / Todesverkundigung Del Acto 2 Country: Argentina Style: Romantic, Opera MP3 version RAR size: 1725 mb FLAC version RAR size: 1999 mb WMA version RAR size: 1879 mb Rating: 4.7 Votes: 394 Other Formats: MP4 AHX DTS VOC DXD AAC DMF Tracklist Die Walküre - Act 3 A Pt. 1: Hojotoho! Hojotoho! (Ride Of The Valkyries) - Wo Ist Brünnhild? B Pt. 2: Hier Bin Ich, Vater - War Es So Schmählich (Brünnhilde's Bitte) Pt. 3: Deinen Leichten Sinn Lass' Dich Denn Leiten - Leb' Wohl, Du Kühnes, C Herrliches Kind! (Wotan's Farewell And Magic Fire Music) Die Walküre - Act 2 D Siegmund! Sieh' Auf Mich! (Todesverkündigung) Companies, etc. Recorded At – Sofiensaal Mastered At – Decca Studios Manufactured By – Industrias Electricas Y Musicales Odeon S.A.I.C. Distributed By – Industrias Electricas Y Musicales Odeon S.A.I.C. Credits Baritone Vocals [Bass-Baritone, Wotan] – Otto Edelmann (tracks: A to C) Composed By, Libretto By – Richard Wagner Conductor – Georg Solti Contralto Vocals [Rossweisse] – Hetty Plumacher* (tracks: A to C) Contralto Vocals [Schwertleite] – Margaret Bence* (tracks: A to C) Contralto Vocals [Siegrune] – Anny Delorie (tracks: A to C) Engineer [Uncredited] – James Brown Liner Notes [Die Walküre] – John Culshaw Liner Notes [English Translation Of German Libretto] – G. M. Holland* Mastered By [Side B] – K Mastered By [Sides A, C, D] – E Mezzo-soprano Vocals [Waltraude] – Grace Hoffmann* (tracks: A to C)
    [Show full text]
  • Wagner Das Rheingold (Highlights) Mp3, Flac, Wma
    Wagner Das Rheingold (Highlights) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Das Rheingold (Highlights) Country: US Released: 1971 Style: Opera MP3 version RAR size: 1120 mb FLAC version RAR size: 1660 mb WMA version RAR size: 1449 mb Rating: 4.9 Votes: 758 Other Formats: RA MOD AC3 AHX TTA XM AAC Tracklist Scene 1: Alberich Steales The Rhinemaiden's Gold - Interlude - Daybreak Over Valhalla - A1 14:11 Scene 2: Wotan & Fricka Scene 2: The Giants Abduct Freia - The Gods Grow Old - Interlude: Descent Into A2 12:26 Nibelheim - Scene 3: Alberich And Mime. B1 Scene 4: Bin Ich Nun Frei? (Alberich's Curse) 3:55 Scene 4: Weiche Wotan! (Erda's Warning) - Fafner Kills Fasolt - Forging Of The Rainbow B2 24:16 Bridge - Entry Of The Gods Into Valhalla Companies, etc. Record Company – The Decca Record Company Limited Copyright (c) – The Decca Record Company Limited Credits Composed By – Wagner* Conductor – Solti* Orchestra – Vienna Philharmonic Orchestra* Sleeve Notes – Ray Crick Vocals – Claire Watson, Eberhard Wächter, George London , Gustav Neidlinger, Hetty Plümacher, Ira Malaniuk, Jean Madeira, Kirsten Flagstad, Kurt Böhme, Oda Balsborg, Paul Kuen, Set Svanholm, Waldemar Kmentt, Walter Kreppel Notes Record made in England; cover printed in the USA Black labels with silver print Other versions Category Artist Title (Format) Label Category Country Year Wagner* − Wagner* − London* • London* • Flagstad* • Flagstad* • Svanholm* • Svanholm* • SET 482, SET. Neidlinger*, Decca, SET 482, SET. Neidlinger*, UK 1971 482 Vienna Decca
    [Show full text]
  • Inhalt Band III Weißt Du, Wie Das Wird?
    Inhalt Band III XXI. Kapitel Frankreich 1251 Les Rossignols: Mado Robin - Renée Doria - Pierrette Alarie - Mady Mesplé - Natalie Dessay 1251 Equilibristin 1255 Lyrische Soprane 1260 Suzanne Danco - Janine Micheau - Christiane Eda-Pierre 1260 • Die französische Kanone: Régine Crespin 1265 • Françoise Poller 1271 • Véro- nique Gens 1272 • Mireille Delunsch 1275 Die Rückkehr des Haute-Contre 1276 Zwei Sängerinnen der Carmen 1279 Französische Tenöre 1282 Je crois entendre encore: Leopold Simoneau 1284 Baritone 1288 Michel Dens - Ernest Blanc 1288 • Singschauspieler: Gabriel Bac- quier 1290 • À la recherche du Beau Idéal: José Van Dam 1293 • Meister der Mélodies: Gérard Souzay - Bernard Kruysen 1300 • Bernard Kruy- sen 1305 • Hugues Cuénod 1306 XXII. Kapitel Richard Wagner: Das neue Bayreuth 1309 Weißt Du, wie das wird? Oder: Auf das Gelingen des Unmög- lichen abgesehen 1309 Zwischenbetrachtung — O Wort, das mir fehlt 1311 Das Problem der Internationalisierung 1312 Singen als Sinnvermittlung 1313 Vom innersten Wesen der musikalischen Gebärde 1314 Die Tragödin: Martha Mödl 1316 • La torche brillante: Astrid Var- nay 1320 • Assoluta des Wagner-Gesangs: Birgit Nilsson 1326 • Die Beses- sene: Leonie Rysanek 1332 • Flamme bin ich sicherlich: Anja Silja 1341 Tenöre oder: Auf der Suche nach Helden 1344 Bernd Aldenhoff 1345 • Vaterländischer Belcanto: Ludwig Suthaus 1346 • Günther Treptow 1348 • Wolfgang Windgassen 1350 • Drei Tenöre aus den USA: James King—Jess Thomas - Jean Cox 1355 • »Über den Wolken wohnen die Götter«: Hans Hotter 1358 • Ferdinand Frantz 1364 • Hermann Uhde 1365 • Götter und Dämonen: George London 1366 • Franz Crass 1372 • Thomas Stewart 1374 • Theo Adam 1375 • Gottlob Frick 1377 • Bayreuther Monument: Josef Greindl 1381 • Dämon und Clown: Kurt Böhme 1383 Von Mohren, Nickern und Zwickern 1385 Inhalt Band III Bibliografische Informationen digitalisiert durch http://d-nb.info/1008688010 XXIII.
    [Show full text]
  • O Dowland! Sla Ery & La
    PRICELESS! Vol 20 No 6 CONCERT LISTINGS MARCH 1- APRIL 7 2015 O Dowland! Slaery & La Nef “...she has chops that Eric Clapton would wish for “A testament to his faith, on a good day.” BOSTON MUSICAL Bach’s Passions speak to us INTELLIGENCER of the greater human experience through music of powerful drama and profound beauty.” IVARS TAURINS BAROQUE MISBEHAVING BACH ST. JOHN AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck Julia Doyle, soprano Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR “...she has chops LET THE TSO that Eric Clapton would wish for “A testament to his faith, on a good day.” Bach’s Passions speak to us BOSTON MUSICAL INTELLIGENCER INSPIRE YOU of the greater human experience through music of powerful Beethoven Symphony 7 Stravinsky The Rite of Spring Tchaikovsky Symphony 4 drama and profound beauty.” WED, MAR 11 AT 8pm FRI, MAR 27 AT 7:30pm WED, APR 1 AT 8pm IVARS TAURINS THU, MAR 12 AT 8pm SAT, MAR 28 AT 7:30pm THU, APR 2 AT 2pm SAT, MAR 14 AT 8pm Krzysztof Urbański, conductor James Conlon, conductor Gianandrea Noseda, conductor Sol Gabetta, cello Vilde Frang, violin Adrianne Pieczonka, soprano Kilar: Orawa (MAR 27 ONLY) Wagner: Preludes to Acts I & III from Casella: Italia Dvořák: Cello Concerto Lohengrin BAROQUE R.
    [Show full text]
  • R. STRAUSS Liederalbum Arthur Rother, Direttore (1) ACANTA D
    COMPOSITORE TITOLO INTERPRETI CASA COLLOCAZIONE DISCOGRAFICA R. STRAUSS Liederalbum Arthur Rother, direttore (1) ACANTA D. Joseph Keilberth, direttore (2) STR. 4 Michael Raucheisen, 1 pianoforte Orchestra della Deutsches Opernhaus di Berlino R. STRAUSS Richard Strauss Lieder Lucia Popp, soprano EMI HMV D. Wolfgang Sawallisch, piano STR. 4 2 R. STRAUSS Klemperer dirige Richard Orchestra Philharmonia di EMI HMV D. Strauss Londra STR. 4 Don Giovanni, Op. 20 - Otto Klemperer, direttore Poema sinfonico 3 Danza dei sette veli (da “Salomè”) I tiri burloni di Till Eulenspiegel R. STRAUSS Also sprach Zarathustra, The Vienna Philarmonic DECCA D. symphonic poem opus 30 Orchestra STR. 4 Clemens Krauss, direttore 4 R. STRAUSS Symphonia domestica The Vienna Philarmonic DECCA D. Opus 53 Orchestra STR. 4 Clemens Krauss, direttore 5 R. STRAUSS Il cavaliere della rosa, Jean Hubeau, pianista ΣRATO D. Op. 59 Burleske, Op. 11 Orchestra Sinfonica di STR. 4 Bamberg Fanfare für die Wiener 6 Philharmoniker Theodor Guschlbauer, direttore R. STRAUSS Tod und Verklärung Op. NBC Symphony orchestra RCA D. 24 Arturo Toscanini, direttore STR. 4 Don Juan Op. 20 7 Till Eulenspiegels lustige Streiche Op. 28 R. STRAUSS Four last songs and five Elisabeth Schwarzkopf, EMI Angel D. other songs with soprano orchestra STR. 4 Berlin Radio Symphony Orchestra 8 George Szell, direttore R. STRAUSS Salome Vienna Symphony Orchestra Philips D. Rudolf Moralt, conduttore STR. 4 9 R. STRAUSS Arabella Elisabeth Schwarzkopf, EMI Electrola D. soprano Josepf Metternich, baritono STR. 4 Nicolai Gedda, tenore 10 Anny Felbermayer, soprano Walter Berry, baß Philarmonia Orchestra London Lovro von Matacic, direttore R. STRAUSS Arabella Lisa Della Casa, soprano DECCA Ace of D.
    [Show full text]
  • VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
    VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The farther we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies in my own collection via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (produced in the later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated PW Columbia pressings (1923-1940) offer similarly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. These figures do not indicate the “value” of the records but rather the lowest minimum bid I can accept. Some will sell for much more, although bids at any figure from the minimum on up are welcomed and appreciated. To avoid possible tie winning bids (which would otherwise be assigned to the earlier received bid), I’d suggest adding a cents amount to your bid. * * * “Text label on verso.” For a brief period (1912-1914), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or related comments.
    [Show full text]
  • ARSC Journal
    HISTORICAL REISSUES ROYAL OPERA HOUSE COVENT GARDEN, HISTORICAL RECORDINGS OF ACTUAL PERFORMANCES: PUCCINI: Boheme (4 June 1926)--Gioventu mia (Finale, Act 2); Dorme? ripose? (Finale, Act 4). Margaret Sheridan, soprano (Mimi); Aurora Rettore, soprano (Musetta); Angelo Minghetti, tenor (Rodolfo); Giuseppe Noto, baritone (Marcello); Eduard Cottreuil, basso (Colline); Ernesto Badini, baritone (Schaunard); Pompilio Malatesta, basso (Alcindoro); Vincenzo Bellezza, conductor. MELBA'S FAREWELL (8 June 1926): VERDI: Otello--Piangea cantando; Ave Maria. Dame Nellie Melba, soprano (Desdemona); Jane Bourguignon, mezzo-soprano (Emilia); Vincenzo Bellezza, conductor. PUCCINI: Boh~me--Entrate ••• C'e Rodol­ fo?; D'onde lieta usci; Addio, dolce svegliare. Dame Nellie Melba, soprano (Mimi); Aurora Rettore, soprano (Musetta); Browning Mummery, tenor (Rodolfo); John Brownlee, baritone (Marcello); Vincenzo Bellezza, conductor. Melba's farewell speech. BOITO: Mefistofele (31 Ma.J. 1926)--Ave, Signore; So lo spirito che nega; Sabha, Sabha, Saboe! Feodor Chaliapin, basso (Mefistofele); Vincenzo Bellezza, conductor. GOUNOD: Faust (22 June 1928)--Act 1 complete; Allens, amis, point de vaines alarmes! ••• Le veau d'or; Nous nous retrouverons, mes amis ••• Ainsi que la brise; Salut, demeure chaste et pure; Il etait temps; Qu'attendez-vous encore •.• Vous qui faites l'endormie. Joseph Hislop, tenor (Faust); Feodor Chaliapin, basso (Mephistopheles); Franklyn Kelsey, baritone (Wagner); Jane Laugier, mezzo-soprano (Siebel); Sir Eugene Goossens, conductor. VERDI: Otello (17 June 1926)--Inaffia l'ugola; Mio signore ••• Che brami?; A~ ••• Ora e per sempre addio; Ah! mille vite ••• Si, pel ciel marmoreo giuro; Dio! mi potevi scag­ liar; Tutto e spento ••• Quest'~ una ragna; Niun mi tema. Giovanni Zenatello, tenor (Otello); Giuseppe Noto, baritone (Iago); Luigi Cilla, tenor (Cassio); Octave Dua, tenor (Roderigo); Eduard Cottreuil, basso (Ludovico); Michele Sampieri, basso (Montano); Vincenzo Bellezza, con­ ductor.
    [Show full text]
  • American Record Guide & Independent Critics Reviewing Classical Recordings and Music in Concert
    Amer & Independent Crican R itics Re ecor viewing Classical Recor d G dings and Music uidein Concer t American Record Guide Side 1 San Francisco Ring—3 Views Carnegie's “Spring for Music” Buffalo Phil's 2 premieres L.A. Master Chorale Montreal Piano Competition Festivals: Boston Early Music Spoleto USA Fayetteville Chamber Music Montreal Chamber Music Mahler's 100th: MTT's Nos. 2, 6, 9 Crakow Phil Festival September/October 2011 us $7.99 Over 500 Re views Sig01arg.qxd 7/22/2011 4:46 PM Page 1 Contents Sullivan & Dalton Carnegie’s “Spring for Music” Festival 4 Seven Orchestras, Adventurous Programs Gil French Cracow’s Mahler Festival 7 Discoveries Abound Jason Victor Serinus MTT and the San Francisco Symphony 10 Mahler Recapped Brodie, Serinus & Ginell San Francisco Opera’s Ring Cycle 12 Three Views Brodie & Kandell Ascension’s New Pascal Quoirin Organ 16 French and Baroque Traditions on Display Perry Tannenbaum Spoleto USA 19 Renewed Venues, Renewed Spirit John Ehrlich Boston Early Music Festival 22 Dart and Deller Would Be Proud Richard S Ginell Mighty Los Angeles Master Chorale 24 Triumphing in Brahms to Ellington Herman Trotter Buffalo Philharmonic 26 Tyberg Symphony, Hagen Concerto Melinda Bargreen Schwarz’s 26 Year Seattle Legacy 28 Au Revoir But Not Good-Bye Bill Rankin Edmonton’s Summer Solstice Festival 30 Chamber Music for All Tastes Gil French Fayetteville Chamber Music Festival 32 The World Comes to Central Texas Robert Markow Bang! You’ve Won 34 Montreal Music Competition Robert Markow Osaka's Competitions and Orchestras 35
    [Show full text]