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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Kurt Hübner- Der Intendant
Kurt Hübner- Der Intendant Seine Stationen: Ulm- 1959-1962 Bremen- 1962-1973 Berlin- 1973-1986 1 ANHANG 1959-1986: DIE AUFFÜHRUNGEN DER INTENDANTENZEIT KURT HUBNERS I. ULM 1959-1962 Das Ensemble Schauspiel (Herren) Schauspiel (Damen) Oper I Operette Oper I Operette Peter Böhlke Elisabeth Botz (Herren) (Damen) Kar! Heinz Bürkel Käthe Druba Lambertus Bijnen Lisa Anders Will Court Angela Gotthardt Kari-Heinz von Eicken Helen Borbjerg Josef Gessler Friede! Heizmann Helmuth Erfurth Anita Butler Joachim Giese Hannelore Hoger George Fortune RuthConway Günter Hanke Alke Hoßfeld Jan Gabrielis Irmgard Dressler Hans-H. Hassenstein Elisabeth Karg Josef Gessler Josette Genet-Bollinger Valentin Jeker Maria-Christina Müller Peter Haage Marjorie Hall Rolf Johanning Elisabeth Orth Kar! Hauer Rita Hermann Norbert Kappen Helga Riede! J osef Kayrooz Marian Krajewska Jon Laxdall Ursula Siebert Bernd Küpper Liane Lehrer Georg von Manikowski Katharina Tüschen Bill Lucas Christine Mainka Dieter Möbius Erika Wackernagel Fritz Neugebauer Gertrud Probst Siegfried Munz Sabine Werner Richard Owens Gertrud Romvary Walther Fr. Peters Fritz Peter Ursula Schade Rudolf Peschke Heinrich Reckler Ingeborg Steiner Hans Jakob Poiesz Herbert Reiter Patricia Hyde Thomas Friedhelm Ftok Heinz Röthig Eva-Maria Wolff Willi Ress Hermann Runge Hermann Schlögl Fred Straub Hermann Schober Walter Voges Alois Strempel Heinz Weigand Peter Striebeck Kar! Schurr Rainald Walter RolfWiest 2 SPIELZEIT 1959/60 das zu überwinden, was gegen die Figur des Posa, die naive Leichtgläubigkeit des Carlos Carl Maria von Weber: und gegen andere alogische Entwicklungen Der Freischütz (29. 8. 59) gesagt werden kann. Schillers Feuerodem, ML: Harald von Goertz; 1: JosefWitt; hier zum erstenmal in reine, gehämmerte B: Hansheinrich Palitzsch Verse gebändigt, überall diese Bedenklich keiten siegen zu Jassen, fast möchte man Friedrich Schiller: Don Carlos (3. -
Wilhelm Furtwängler Beethoven Symphony No
HISTORIC PERFORMANCES Wilhelm Furtwängler Beethoven Symphony No. 9 Elisabeth Schwarzkopf | Elsa Cavelti Ernst Haefliger | Otto Edelmann Lucerne Festival Chorus | Philharmonia Orchestra Ludwig van Beethoven (1770–1827) Symphony No. 9 in D minor, Op. 125 I. Allegro ma non troppo e un poco maestoso 18:38 II. Molto vivace – Presto – Coda 12:09 III. Adagio molto e cantabile – Andante moderato 19:49 IV. Finale. Presto – Allegro assai – Allegro assai vivace (alla Marcia) – Andante maestoso – Adagio ma non troppo ma divoto – Allegro energico e sempre ben marcato – Allegro ma non tanto – Presto – Maestoso – Prestissimo 25:56 ELISABETH SCHWARZKOPF soprano ELSA CavelTI alto ERNST HAEFLIGER tenor OTTO EDELMANN bass LUCERNE FESTIval CHORUS PHILHARMONIA ORCHESTRA Wilhelm Furtwängler Furtwängler’s last Ninth. An elemental he turned his back on Europe. Mean- musical event as a legacy while, the festival’s initial success encour- aged its organisers and an élite of Swiss “An interpretational highlight”, “a sonic orchestral musicians to continue the IMF, document of a magic moment”: this is how despite war related difficulties. In 1943, advertising slogans for this live record- the Swiss Festival Orchestra (SFO) was ing of Beethoven’s Ninth Symphony with founded, a formation which was newly Wilhelm Furtwängler might be worded. assembled each year and who, hence- Aside from the platitude of such catch- forth, played all orchestral concerts phrases, however, the particular histori- under re-nowned conductors. With a cal significance of this recording, newly few interruptions, Wilhelm Furtwängler re-mastered from the original tapes, acted as a figurehead in this undertak- would be overlooked – both in view of ing: in 1944 he appeared for the first time, the history of the festival and in view of conducting two concerts, and from 1947, the history of interpretation, especially of after his conducting ban had been lifted, course the constant and changing aspects he returned each year until his death of Furtwängler’s (very subjective) view of (with the exception of the 1952 season). -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Wagner, Kirsten Flagstad, Marianne Schech, Set
Wagner La Walkiria Acto 3 / Todesverkundigung Del Acto 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: La Walkiria Acto 3 / Todesverkundigung Del Acto 2 Country: Argentina Style: Romantic, Opera MP3 version RAR size: 1725 mb FLAC version RAR size: 1999 mb WMA version RAR size: 1879 mb Rating: 4.7 Votes: 394 Other Formats: MP4 AHX DTS VOC DXD AAC DMF Tracklist Die Walküre - Act 3 A Pt. 1: Hojotoho! Hojotoho! (Ride Of The Valkyries) - Wo Ist Brünnhild? B Pt. 2: Hier Bin Ich, Vater - War Es So Schmählich (Brünnhilde's Bitte) Pt. 3: Deinen Leichten Sinn Lass' Dich Denn Leiten - Leb' Wohl, Du Kühnes, C Herrliches Kind! (Wotan's Farewell And Magic Fire Music) Die Walküre - Act 2 D Siegmund! Sieh' Auf Mich! (Todesverkündigung) Companies, etc. Recorded At – Sofiensaal Mastered At – Decca Studios Manufactured By – Industrias Electricas Y Musicales Odeon S.A.I.C. Distributed By – Industrias Electricas Y Musicales Odeon S.A.I.C. Credits Baritone Vocals [Bass-Baritone, Wotan] – Otto Edelmann (tracks: A to C) Composed By, Libretto By – Richard Wagner Conductor – Georg Solti Contralto Vocals [Rossweisse] – Hetty Plumacher* (tracks: A to C) Contralto Vocals [Schwertleite] – Margaret Bence* (tracks: A to C) Contralto Vocals [Siegrune] – Anny Delorie (tracks: A to C) Engineer [Uncredited] – James Brown Liner Notes [Die Walküre] – John Culshaw Liner Notes [English Translation Of German Libretto] – G. M. Holland* Mastered By [Side B] – K Mastered By [Sides A, C, D] – E Mezzo-soprano Vocals [Waltraude] – Grace Hoffmann* (tracks: A to C) -
Wagner Das Rheingold (Highlights) Mp3, Flac, Wma
Wagner Das Rheingold (Highlights) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Das Rheingold (Highlights) Country: US Released: 1971 Style: Opera MP3 version RAR size: 1120 mb FLAC version RAR size: 1660 mb WMA version RAR size: 1449 mb Rating: 4.9 Votes: 758 Other Formats: RA MOD AC3 AHX TTA XM AAC Tracklist Scene 1: Alberich Steales The Rhinemaiden's Gold - Interlude - Daybreak Over Valhalla - A1 14:11 Scene 2: Wotan & Fricka Scene 2: The Giants Abduct Freia - The Gods Grow Old - Interlude: Descent Into A2 12:26 Nibelheim - Scene 3: Alberich And Mime. B1 Scene 4: Bin Ich Nun Frei? (Alberich's Curse) 3:55 Scene 4: Weiche Wotan! (Erda's Warning) - Fafner Kills Fasolt - Forging Of The Rainbow B2 24:16 Bridge - Entry Of The Gods Into Valhalla Companies, etc. Record Company – The Decca Record Company Limited Copyright (c) – The Decca Record Company Limited Credits Composed By – Wagner* Conductor – Solti* Orchestra – Vienna Philharmonic Orchestra* Sleeve Notes – Ray Crick Vocals – Claire Watson, Eberhard Wächter, George London , Gustav Neidlinger, Hetty Plümacher, Ira Malaniuk, Jean Madeira, Kirsten Flagstad, Kurt Böhme, Oda Balsborg, Paul Kuen, Set Svanholm, Waldemar Kmentt, Walter Kreppel Notes Record made in England; cover printed in the USA Black labels with silver print Other versions Category Artist Title (Format) Label Category Country Year Wagner* − Wagner* − London* • London* • Flagstad* • Flagstad* • Svanholm* • Svanholm* • SET 482, SET. Neidlinger*, Decca, SET 482, SET. Neidlinger*, UK 1971 482 Vienna Decca -
Inhalt Band III Weißt Du, Wie Das Wird?
Inhalt Band III XXI. Kapitel Frankreich 1251 Les Rossignols: Mado Robin - Renée Doria - Pierrette Alarie - Mady Mesplé - Natalie Dessay 1251 Equilibristin 1255 Lyrische Soprane 1260 Suzanne Danco - Janine Micheau - Christiane Eda-Pierre 1260 • Die französische Kanone: Régine Crespin 1265 • Françoise Poller 1271 • Véro- nique Gens 1272 • Mireille Delunsch 1275 Die Rückkehr des Haute-Contre 1276 Zwei Sängerinnen der Carmen 1279 Französische Tenöre 1282 Je crois entendre encore: Leopold Simoneau 1284 Baritone 1288 Michel Dens - Ernest Blanc 1288 • Singschauspieler: Gabriel Bac- quier 1290 • À la recherche du Beau Idéal: José Van Dam 1293 • Meister der Mélodies: Gérard Souzay - Bernard Kruysen 1300 • Bernard Kruy- sen 1305 • Hugues Cuénod 1306 XXII. Kapitel Richard Wagner: Das neue Bayreuth 1309 Weißt Du, wie das wird? Oder: Auf das Gelingen des Unmög- lichen abgesehen 1309 Zwischenbetrachtung — O Wort, das mir fehlt 1311 Das Problem der Internationalisierung 1312 Singen als Sinnvermittlung 1313 Vom innersten Wesen der musikalischen Gebärde 1314 Die Tragödin: Martha Mödl 1316 • La torche brillante: Astrid Var- nay 1320 • Assoluta des Wagner-Gesangs: Birgit Nilsson 1326 • Die Beses- sene: Leonie Rysanek 1332 • Flamme bin ich sicherlich: Anja Silja 1341 Tenöre oder: Auf der Suche nach Helden 1344 Bernd Aldenhoff 1345 • Vaterländischer Belcanto: Ludwig Suthaus 1346 • Günther Treptow 1348 • Wolfgang Windgassen 1350 • Drei Tenöre aus den USA: James King—Jess Thomas - Jean Cox 1355 • »Über den Wolken wohnen die Götter«: Hans Hotter 1358 • Ferdinand Frantz 1364 • Hermann Uhde 1365 • Götter und Dämonen: George London 1366 • Franz Crass 1372 • Thomas Stewart 1374 • Theo Adam 1375 • Gottlob Frick 1377 • Bayreuther Monument: Josef Greindl 1381 • Dämon und Clown: Kurt Böhme 1383 Von Mohren, Nickern und Zwickern 1385 Inhalt Band III Bibliografische Informationen digitalisiert durch http://d-nb.info/1008688010 XXIII. -
O Dowland! Sla Ery & La
PRICELESS! Vol 20 No 6 CONCERT LISTINGS MARCH 1- APRIL 7 2015 O Dowland! Slaery & La Nef “...she has chops that Eric Clapton would wish for “A testament to his faith, on a good day.” BOSTON MUSICAL Bach’s Passions speak to us INTELLIGENCER of the greater human experience through music of powerful drama and profound beauty.” IVARS TAURINS BAROQUE MISBEHAVING BACH ST. JOHN AISSLINN NOSKY PASSION VIOLINIST AND GUEST DIRECTOR Musical Misdemeanours and Mayhem. DIRECTED BY Apr 23-26 Trinity-St. Paul’s Centre, Jeanne Lamon Hall IVARS TAURINS Apr 28 George Weston Recital Hall Powerful Drama. An orchestral romp featuring music by Purcell, Profound Beauty. Telemann, Charpentier, and and Snow White, a new work by Canadian composer Michael Oesterle. Mar 19-22 Trinity-St. Paul’s Centre, Jeanne Lamon Hall APR 23 SPONSORED BY Tafelmusik Baroque Orchestra and Chamber Choir GWRH CONCERT SUPPORTED BY Margaret and Jim Fleck Julia Doyle, soprano Daniel Taylor, countertenor Charles Daniels, tenor TSP: 416.964.6337 Peter Harvey, baritone GWRH: 1.855.985.2787 tafelmusik.org SEASON PRESENTING SPONSOR Baroque Orchestra and Chamber Choir SEASON PRESENTING SPONSOR “...she has chops LET THE TSO that Eric Clapton would wish for “A testament to his faith, on a good day.” Bach’s Passions speak to us BOSTON MUSICAL INTELLIGENCER INSPIRE YOU of the greater human experience through music of powerful Beethoven Symphony 7 Stravinsky The Rite of Spring Tchaikovsky Symphony 4 drama and profound beauty.” WED, MAR 11 AT 8pm FRI, MAR 27 AT 7:30pm WED, APR 1 AT 8pm IVARS TAURINS THU, MAR 12 AT 8pm SAT, MAR 28 AT 7:30pm THU, APR 2 AT 2pm SAT, MAR 14 AT 8pm Krzysztof Urbański, conductor James Conlon, conductor Gianandrea Noseda, conductor Sol Gabetta, cello Vilde Frang, violin Adrianne Pieczonka, soprano Kilar: Orawa (MAR 27 ONLY) Wagner: Preludes to Acts I & III from Casella: Italia Dvořák: Cello Concerto Lohengrin BAROQUE R. -
R. STRAUSS Liederalbum Arthur Rother, Direttore (1) ACANTA D
COMPOSITORE TITOLO INTERPRETI CASA COLLOCAZIONE DISCOGRAFICA R. STRAUSS Liederalbum Arthur Rother, direttore (1) ACANTA D. Joseph Keilberth, direttore (2) STR. 4 Michael Raucheisen, 1 pianoforte Orchestra della Deutsches Opernhaus di Berlino R. STRAUSS Richard Strauss Lieder Lucia Popp, soprano EMI HMV D. Wolfgang Sawallisch, piano STR. 4 2 R. STRAUSS Klemperer dirige Richard Orchestra Philharmonia di EMI HMV D. Strauss Londra STR. 4 Don Giovanni, Op. 20 - Otto Klemperer, direttore Poema sinfonico 3 Danza dei sette veli (da “Salomè”) I tiri burloni di Till Eulenspiegel R. STRAUSS Also sprach Zarathustra, The Vienna Philarmonic DECCA D. symphonic poem opus 30 Orchestra STR. 4 Clemens Krauss, direttore 4 R. STRAUSS Symphonia domestica The Vienna Philarmonic DECCA D. Opus 53 Orchestra STR. 4 Clemens Krauss, direttore 5 R. STRAUSS Il cavaliere della rosa, Jean Hubeau, pianista ΣRATO D. Op. 59 Burleske, Op. 11 Orchestra Sinfonica di STR. 4 Bamberg Fanfare für die Wiener 6 Philharmoniker Theodor Guschlbauer, direttore R. STRAUSS Tod und Verklärung Op. NBC Symphony orchestra RCA D. 24 Arturo Toscanini, direttore STR. 4 Don Juan Op. 20 7 Till Eulenspiegels lustige Streiche Op. 28 R. STRAUSS Four last songs and five Elisabeth Schwarzkopf, EMI Angel D. other songs with soprano orchestra STR. 4 Berlin Radio Symphony Orchestra 8 George Szell, direttore R. STRAUSS Salome Vienna Symphony Orchestra Philips D. Rudolf Moralt, conduttore STR. 4 9 R. STRAUSS Arabella Elisabeth Schwarzkopf, EMI Electrola D. soprano Josepf Metternich, baritono STR. 4 Nicolai Gedda, tenore 10 Anny Felbermayer, soprano Walter Berry, baß Philarmonia Orchestra London Lovro von Matacic, direttore R. STRAUSS Arabella Lisa Della Casa, soprano DECCA Ace of D. -
VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just slight marks. For collectors searching top copies, you’ve come to the right place! The farther we get from the era of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies in my own collection via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. Also featured are many “Z” shellac Victors, their best quality surface material (produced in the later 1930s) and PW (Pre-War) Victor, almost as good surface material as “Z”. Likewise laminated PW Columbia pressings (1923-1940) offer similarly fine sound. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. These figures do not indicate the “value” of the records but rather the lowest minimum bid I can accept. Some will sell for much more, although bids at any figure from the minimum on up are welcomed and appreciated. To avoid possible tie winning bids (which would otherwise be assigned to the earlier received bid), I’d suggest adding a cents amount to your bid. * * * “Text label on verso.” For a brief period (1912-1914), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually featuring translations of the text or related comments. -
ARSC Journal
HISTORICAL REISSUES ROYAL OPERA HOUSE COVENT GARDEN, HISTORICAL RECORDINGS OF ACTUAL PERFORMANCES: PUCCINI: Boheme (4 June 1926)--Gioventu mia (Finale, Act 2); Dorme? ripose? (Finale, Act 4). Margaret Sheridan, soprano (Mimi); Aurora Rettore, soprano (Musetta); Angelo Minghetti, tenor (Rodolfo); Giuseppe Noto, baritone (Marcello); Eduard Cottreuil, basso (Colline); Ernesto Badini, baritone (Schaunard); Pompilio Malatesta, basso (Alcindoro); Vincenzo Bellezza, conductor. MELBA'S FAREWELL (8 June 1926): VERDI: Otello--Piangea cantando; Ave Maria. Dame Nellie Melba, soprano (Desdemona); Jane Bourguignon, mezzo-soprano (Emilia); Vincenzo Bellezza, conductor. PUCCINI: Boh~me--Entrate ••• C'e Rodol fo?; D'onde lieta usci; Addio, dolce svegliare. Dame Nellie Melba, soprano (Mimi); Aurora Rettore, soprano (Musetta); Browning Mummery, tenor (Rodolfo); John Brownlee, baritone (Marcello); Vincenzo Bellezza, conductor. Melba's farewell speech. BOITO: Mefistofele (31 Ma.J. 1926)--Ave, Signore; So lo spirito che nega; Sabha, Sabha, Saboe! Feodor Chaliapin, basso (Mefistofele); Vincenzo Bellezza, conductor. GOUNOD: Faust (22 June 1928)--Act 1 complete; Allens, amis, point de vaines alarmes! ••• Le veau d'or; Nous nous retrouverons, mes amis ••• Ainsi que la brise; Salut, demeure chaste et pure; Il etait temps; Qu'attendez-vous encore •.• Vous qui faites l'endormie. Joseph Hislop, tenor (Faust); Feodor Chaliapin, basso (Mephistopheles); Franklyn Kelsey, baritone (Wagner); Jane Laugier, mezzo-soprano (Siebel); Sir Eugene Goossens, conductor. VERDI: Otello (17 June 1926)--Inaffia l'ugola; Mio signore ••• Che brami?; A~ ••• Ora e per sempre addio; Ah! mille vite ••• Si, pel ciel marmoreo giuro; Dio! mi potevi scag liar; Tutto e spento ••• Quest'~ una ragna; Niun mi tema. Giovanni Zenatello, tenor (Otello); Giuseppe Noto, baritone (Iago); Luigi Cilla, tenor (Cassio); Octave Dua, tenor (Roderigo); Eduard Cottreuil, basso (Ludovico); Michele Sampieri, basso (Montano); Vincenzo Bellezza, con ductor. -
American Record Guide & Independent Critics Reviewing Classical Recordings and Music in Concert
Amer & Independent Crican R itics Re ecor viewing Classical Recor d G dings and Music uidein Concer t American Record Guide Side 1 San Francisco Ring—3 Views Carnegie's “Spring for Music” Buffalo Phil's 2 premieres L.A. Master Chorale Montreal Piano Competition Festivals: Boston Early Music Spoleto USA Fayetteville Chamber Music Montreal Chamber Music Mahler's 100th: MTT's Nos. 2, 6, 9 Crakow Phil Festival September/October 2011 us $7.99 Over 500 Re views Sig01arg.qxd 7/22/2011 4:46 PM Page 1 Contents Sullivan & Dalton Carnegie’s “Spring for Music” Festival 4 Seven Orchestras, Adventurous Programs Gil French Cracow’s Mahler Festival 7 Discoveries Abound Jason Victor Serinus MTT and the San Francisco Symphony 10 Mahler Recapped Brodie, Serinus & Ginell San Francisco Opera’s Ring Cycle 12 Three Views Brodie & Kandell Ascension’s New Pascal Quoirin Organ 16 French and Baroque Traditions on Display Perry Tannenbaum Spoleto USA 19 Renewed Venues, Renewed Spirit John Ehrlich Boston Early Music Festival 22 Dart and Deller Would Be Proud Richard S Ginell Mighty Los Angeles Master Chorale 24 Triumphing in Brahms to Ellington Herman Trotter Buffalo Philharmonic 26 Tyberg Symphony, Hagen Concerto Melinda Bargreen Schwarz’s 26 Year Seattle Legacy 28 Au Revoir But Not Good-Bye Bill Rankin Edmonton’s Summer Solstice Festival 30 Chamber Music for All Tastes Gil French Fayetteville Chamber Music Festival 32 The World Comes to Central Texas Robert Markow Bang! You’ve Won 34 Montreal Music Competition Robert Markow Osaka's Competitions and Orchestras 35