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'The Crown of India' Masque: Reassessing Elgar and The
Mughals, Music, and “The Crown of India” Masque: Reassessing Elgar and the Raj published in South Asian Review 31.1 (November 2010): 13-36. Abstract Edward Elgar’s 1912 masque, “The Crown of India,” was written specifically for the music hall in celebration of the crowning of King George V and Queen Mary at the Delhi Durbar in 1911. This work has been addressed by musical and postcolonial scholars, and has been appropriated by two factions: those who wish to claim Elgar as an unrepentant imperialist, and see that manifested in this work, and those who wish to see him as a beacon for anti-imperialism, who see evidence of this in the cuts that he made to the libretto, written by Henry Hamilton. What has been lacking in this discourse is a vehicle to address those cuts from a literary perspective, citing actual support from the two versions of the libretto (with and without cuts). This paper will reassess the masque in light of these libretti, and offer a new assessment of Elgar’s imperial tendencies at that point in time, and the imperialism of the Raj. Article The Great Delhi Durbar of December 12, 1911, the third, final, and most spectacular of all the Imperial Durbars, was, according to all accounts, a spectacle of unheard-of opulence and extravagance. In it, King George V and Queen Mary were presented as Emperor and Empress of India, and, in their coronation robes, accepted presents from and the fealty of over 200 Indian princes. Amidst all the pomp, some matters of great import were decided at the Durbar. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Reducing the Term of Copyright in Unpublished Works (“2039” Rule)
December 2014 Consultation on reducing the duration of copyright in unpublished (“2039”) works in accordance with section 170(2) of the Copyright, Designs and Patents Act 1988 About UK Music 1. UK Music is the umbrella body representing the collective interests of the UK’s commercial music industry, from songwriters and composers to artists and musicians, studio producers, music managers, music publishers, major and independent record labels, music licensing companies and the live music sector. 2. UK Music exists to represent the UK’s commercial music sector, to drive economic growth and promote the benefits of music to British society. The members of UK Music are listed in annex 1. General 3. We see no justification to change the 2039 Rule to the extent that it impacts music, whether it is for sound recordings or musicial works. The rule constitutes a compromise achieved in 1988 in order to bring the calculation of term for unpublished works in line with the one for published works in 2039. We note that Government has not provided any evidence in the Impact Assessment which would justify their preferred Option 2a with regards to sound recordings and is otherwise very limited for other forms of works. 4. There are some important general points about the Impact Assessment that we would wish to note: a) On page 1 it is stated that the works cannot be lawfully published if copyright owners cannot be identified. The Government has recently introduced an orphan works licensing scheme to permit lawful publication of such works. In addition the Impact Assessment does not consider whether works subject to the 2039 Rule could be cleared via an extended collective licence. -
Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
The Violin Music
572643-45 bk Elgar 25/2/11 07:51 Page 16 Photo from the collection of Marat Bisengaliev ELGAR 3 CDs The Violin Music Violin Concerto • Violin Sonata • Miniatures Marat Bisengaliev, Violin • Benjamin Frith, Piano West Kazakhstan Philharmonic Orchestra Bundit Ungrangsee 8.572643-45 16 572643-45 bk Elgar 25/2/11 07:51 Page 2 Edward Bundit Ungrangsee ELGAR Bundit Ungrangsee enjoys a career as a conductor that has (1857-1934) taken him to five continents. A hero to many young people in his native Thailand, Bundit was awarded the title of CD 1* 57:37 ( Etude C 1:22 ) Cultural Ambassador and National Artist by the Thai Etude D 3:05 government in recognition of his international Violin Concerto in B minor, Op. 61 46:07 ¡ Etude E 2:55 1 Allegro 17:05 achievements. He has appeared with leading orchestras, 2 Andante 10:47 CD 3 70:11 including the Utah Symphony, Orchestra of St Luke’s, 3 Allegro molto 18:26 Milwaukee and Charleston Symphonies and the prestigious 1 Elévation, Op. 11 (tr. F. Louis Schneider)† 4:36 La Fenice Theatre in Venice. Among others he has Serenade for Strings, Op. 20 11:30 2 † conducted the Mormon Tabernacle Choir, I Pomeriggi 4 Allegro piacevole 3:18 Pastourelle, Op. 4, No. 2 2:54 3 Musicali, Orchestra Sinfonica Siciliana, the Auckland and 5 Larghetto 5:17 Bavarian Dance No. 3 † Victoria Symphonies, Orchestra Internazionale d’Italia, and 6 Allegretto 2:55 (arr. William Henley) 4:45 4 Bavarian Dance No. 1 the Malaysian, Nagoya, Copenhagen and Seoul CD 2 66:43 (arr. -
Bibliography of Materials and Works Cited
Nalini Ghuman, Resonances of the Raj (Oxford University Press, 2014) Bibliography of materials and works cited 1. Manuscript Sources and Archival Collections Maud MacCarthy and John Foulds Composer John Foulds Files I (1924-1938) and II (1940-1958), BBC Written Archives in Caversham, part of the UK National Archives (BBC WAC) Foulds, ‘A Few Indian Records’, John Foulds Sketches and Papers, Private Family Collection, held in trust by Malcolm MacDonald (UK) (JF Papers) Foulds, letter to George Bernard Shaw, April 25 1925, British Library (BL) Add MS 50519 f. 224 Foulds, MS list of works, BL Add Mss 56483 Foulds, MS Collection, BL Add Mss 56482 Foulds, Orpheus Abroad. Series of twelve radio programmes broadcast from All India Radio in Delhi on the following dates in 1937: 6, 13, 23, 31 March; 7, 18, 22, 28 April; 2, 14, 22, 30 May; Scripts held in Maud MacCarthy Papers, Private Family Collection (MM Papers) Foulds, two letters to Maud MacCarthy, BL Add MS 56478 John Foulds Autograph Manuscript Scores. Collection of Graham Hatton (Hatton & Rose, UK) John Foulds Sketches and Papers, Private Family Collection, held in trust by Malcolm MacDonald (UK) (JF Papers) MacCarthy-Foulds Papers, Borthwick Institute for Archives, University of York (UK) (Borthwick Archive) Maud MacCarthy Papers, Private Family Collection (MM Papers) 1 Walter Kaufmann Archive, The William and Gayle Cook Music Library, Indiana University, Bloomington, Indiana Walter Kaufmann Composer File: BBC WAC Sir Edward Elgar Arnold, Edwin. ‘Imperial Ode’, written for India by Imre Kiralfy. 1895. BL: 1779. K. 6, folio 5 ‘Crystal Palace Programme and Guide to Entertainments, 1901’. -
Vol. 15, No.6 November 2008
Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May Song • Dream Children • Coronation Ode • Weary Wind of the West • Skizze • Offertoire • The Apostles • In The South (Alas- sio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • HowElgar Calmly Society the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No.2 •ournal O Hearken Thou • Coronation March • Crown of India • Great is the Lord • Cantique • The Music Makers • Falstaff • Carissima • Sospiri • The Birthright • The Windlass • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • The Spirit of England • The Fringes of the Fleet • The Sanguine Fan • Violin Sonata in E minor • String Quartet in E minor • Piano Quintet in A minor • Cello Concerto in E minor • King Arthur • The Wanderer • Empire March • The Herald • Beau Brummel • Severn Suite • Solilo- quy • Nursery Suite • Adieu • Organ Sonata • Mina • The Spanish Lady • Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pas- tourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Amour • Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • The Snow • Fly, Singing Bird • From the Bavarian Highlands • The Light of Life • King Olaf • NOVEMBERImperial March 2008 Vol. • The15, No. Banner 6 of St George • Te Deum and Benedictus • Caractacus • Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Ma- tin • Three Characteristic Pieces • The Dream of Gerontius • Ser- enade Lyrique • Pomp and Circumstance • The Elgar Society The Elgar Society Journal Founded 1951 362 Leymoor Road, Golcar, Huddersfield, HD7 4QF Telephone: 01484 649108 Email: [email protected] President Richard Hickox, CBE November 2008 Vol. -
Edward Elgar's the Music Makers
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2018 Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide David Klement Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Klement, David, "Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide" (2018). Dissertations. 523. https://digscholarship.unco.edu/dissertations/523 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2018 DAVID KLEMENT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School EDWARD ELGAR’S THE MUSIC MAKERS: A CHORAL CONDUCTOR’S ANALYSIS AND SCORE PREPARATION GUIDE A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts David Klement College of Performing and Visual Arts School of Music Choral Conducting May 2018 iii This Dissertation by: David Klement Entitled: Edward Elgar’s The Music Makers: A Choral Conductor’s Analysis And Score Preparation Guide has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Arts and Sciences in School of Visual and Performing Arts, Music Accepted by the Doctoral Committee Dr. Galen Darrough, D.M.A., Research Advisor Dr. Jill Burgett, D.A., Committee Member Dr. Michael Oravitz, Ph.D., Committee Member Dr. Michael Welch, Ph.D., Faculty Representative Date of Dissertation Defense March 27, 2018 Accepted by the Graduate School Linda L. -
Elgar's Editing Process in from the Bavarian Highlands: Clues To
Elgar’s Editing Process in From the Bavarian Highlands: Clues to Elgar’s Early Compositional Process Bryson Mortensen tudying and observing the early years of success of his compositions. In one particular story Elgar’s creative output allows one to see related to his friend and editor, Harry Acworth, a more complete picture of his emerging Elgar describes a scene where he sat by the river Sstyle, even if that means looking at works that composing as a child, “I am still at heart the have fallible moments. Several scholars have dreamy child who used to be found in the reeds identified Edward Elgar’s greatest achievements: by the Severn side with a sheet of paper trying to his increasing dexterity interweaving leitmotifs,1 fix the sounds…”6 Elgar’s tendency to externalize his meticulous annotations in sketchbooks,2 his his own success to the influence of a muse in his use of figured-bass annotation in sketches,3 and stories also manifests itself in the self-deprecating the resultant mosaic-like structure of his music.4 notes and annotations in his sketchbooks. Here, Almost all of this attention, however, has been he would often wonder in writing if he would focused on Elgar’s later works, on those that have be able to complete the work,7 making multiple made him most famous and represent his more critical comments on his musical choices.8 ‘modernist’ approach to composition.5 6 Riley, Matthew. “Rustling Reeds and Lofty Pines: Elgar and the Music of Nature.” Elgar Studies, ed. J.P.E. -
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg vorgelegt von Zara Barlas, M.A. Erstgutachterin: Prof. Dr. Monica Juneja Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, den 6. Mai 2018 Contents Acknowledgements .......................................................................................................... 5 I Introduction .................................................................................................................. 6 Art and Imperialism ........................................................................................................... 9 Hypothesis and Premise ..................................................................................................21 Disciplinary Theory & Methods in the Arts: A Brief Overview ........................................22 Historical Processes .........................................................................................................33 Overview ..........................................................................................................................42 II Framing an Enigma: The Nautch Girl in Victorian Britain .............................................. 44 Defining the Nautch Girl ..................................................................................................45 The Nautch-Girl Genre .....................................................................................................59 -
The Crown Imperial
Contains First Recordings SOMMCD 0138 DDD Céleste Series THE CROWN IMPERIAL THE Marches for 20th-century British Coronations First Recording of the newly-formed CROWN London Symphonic Concert Band Tom Higgins director IMPERIAL 1 March – Imperial Edward Edward VII 1901 John Philip Sousa 2:30 2 Coronation March Op. 117 Edward VII 1902 Camille Saint-Saëns (arr. M. Retford) 6:35 3 Coronation March Edward VII 1902 Sir Alexander Mackenzie (arr. J. Mackenzie-Rogan) 6:46 Marches for 4 Coronation March Edward VII 1902 Percy Godfrey (arr. Charles Godfrey) 4:47 20th-century 5 Coronation March Op. 65 George V 1911 Sir Edward Elgar (arr. Tom Higgins) 9:26 6 Coronation March George V 1911 Sir Edward German (arr. Dan Godfrey) 6:12 British Coronations 7 The Crown of India Op. 66 George V 1912 Sir Edward Elgar (arr. Frank Winterbottom) 4:21 8 Crown Imperial George VI 1937 Sir William Walton (arr. W.J. Duthoit) 8:11 SOUSA · ELGAR 9 Orb and Sceptre Elizabeth II 1953 Sir William Walton (arr. Norman Richardson) 7:13 bl Coronation March Elizabeth II 1953 Sir Arnold Bax (arr. George Pollen) 6:25 WALTON · BAX bm Welcome the Queen Elizabeth II 1954 Sir Arthur Bliss (arr. W.J. Duthoit) 5:29 Total duration 69:11 BLIss Recorded at St. John the Evangelist, Upper Norwood on 20th and 21st July 2013 and others Recording Producer: Siva Oke Recording Engineer: Ben Connellan Front Cover: The new Imperial Crown to be worn by His Majesty George IV at his Coronation (coloured engraving – detail), English School, (19th century) / Private Collection / © Look and Learn / Peter Jackson Collection / The Bridgeman Art Library Design & Layout: Andrew Giles London Symphonic Concert Band © & 2014 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Tom Higgins director Made in the EU Edward VII’s Coronation was originally set for June 26th, 1902, but two days before, THE CROWN IMPERIAL the King underwent emergency surgery and the ceremony was postponed for six weeks. -
Hyderabad – "The City of Nizams" Hyderabad Is the Capital of Telangana in Southern India
Hyderabad – "The City of Nizams" Hyderabad is the capital of Telangana in Southern India. Hyderabad is home to old mosques and bazaars lined parallelly alongside swanky new office buildings and malls, this is what exactly makes Hyderabad a city worth visiting. A city rich with history and tradition, now competes with Bangalore and Chennai for the crown of India's IT capital; Microsoft and Google have their India headquarters here. Hyderabad's many epithets include the City of Pearls, the City of Nawabs, the Biryani City and, because of its high-tech industries, Cyberabad. The most iconic landmark and oldest mosque of Hyderabad is the Charminar, which is a distinguished monument that clearly exhibits the Indo-Islamic architecture of its times. Charminar, which literally translates to four minarets, is built entirely out of limestone and granite, with four minarets on four sides, each of them facing a different street. Another impressive tourist attraction in Hyderabad is the Golconda Fort, which was considered as nothing less than an architectural marvel during its times. The entire fort is bordered by a 10-kilometre long wall, and with over 80 bastions, four drawbridges, and several mosques, halls and royal residences, the fort is nothing short of imperial. While most of the fort is in ruins, hints of its regal ambience and its past grandiose still linger on. Located at a distance of approximately 850 metres away from the Golconda Fort, Qutub Shahi Tombs consist of tombs of seven Qutub Shahi rulers. Considered to be few of the oldest monuments of Hyderabad, these tombs captivate their visitors with the architectural excellence presenting a beautiful blend of Persian and Indian architectural styles.