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The Hills of Dreamland
SIR EDWARD ELGAR (1857-1934) The Hills of Dreamland SOMMCD 271-2 The Hills of Dreamland Orchestral Songs The Society Complete incidental music to Grania and Diarmid Kathryn Rudge mezzo-soprano† • Henk Neven baritone* ELGAR BBC Concert Orchestra, Barry Wordsworth conductor ORCHESTRAL SONGS CD 1 Orchestral Songs 8 Pleading, Op.48 (1908)† 4:02 Song Cycle, Op.59 (1909) Complete incidental music to 9 Follow the Colours: Marching Song for Soldiers 6:38 1 Oh, soft was the song (No.3) 2:00 *♮ * (1908; rev. for orch. 1914) GRANIA AND DIARMID 2 Was it some golden star? (No.5) 2:44 * bl 3 Twilight (No.6)* 2:50 The King’s Way (1909)† 4:28 4 The Wind at Dawn (1888; orch.1912)† 3:43 Incidental Music to Grania and Diarmid (1901) 5 The Pipes of Pan (1900; orch.1901)* 3:46 bm Incidental Music 3:38 Two Songs, Op. 60 (1909/10; orch. 1912) bn Funeral March 7:13 6 The Torch (No.1)† 3:16 bo Song: There are seven that pull the thread† 3:33 7 The River (No.2)† 5:24 Total duration: 53:30 CD 2 Elgar Society Bonus CD Nathalie de Montmollin soprano, Barry Collett piano Kathryn Rudge • Henk Neven 1 Like to the Damask Rose 3:47 5 Muleteer’s Serenade♮ 2:18 9 The River 4:22 2 The Shepherd’s Song 3:08 6 As I laye a-thynkynge 6:57 bl In the Dawn 3:11 3 Dry those fair, those crystal eyes 2:04 7 Queen Mary’s Song 3:31 bm Speak, music 2:52 BBC Concert Orchestra 4 8 The Mill Wheel: Winter♮ 2:27 The Torch 2:18 Total duration: 37:00 Barry Wordsworth ♮First recordings CD 1: Recorded at Watford Colosseum on March 21-23, 2017 Producer: Neil Varley Engineer: Marvin Ware TURNER CD 2: Recorded at Turner Sims, Southampton on November 27, 2016 plus Elgar Society Bonus CD 11 SONGS WITH PIANO SIMS Southampton Producer: Siva Oke Engineer: Paul Arden-Taylor Booklet Editor: Michael Quinn Front cover: A View of Langdale Pikes, F. -
Early 20Th Century Classical
Early 20th Century Classical Contents A few highlights 1 Background stories 1 Early 20th Century Classical – Title order 2 Early 20th Century Classical – Composer order 9 Early 20th Century Classical – Pianist order 17 The 200 MIDI files in this category include works by 20th Century composers such as Debussy, Fauré, Granados, Milhaud, Korngold, Rachmaninoff, Ravel and Respighi. Some of the works are from the late 19th century, giving a snapshot of music from the Romantics, through Impressionists to modern day compositions. Pianists include Alexander Brailowsky, Ottorino Respighi, Claude Debussy; Ernő Dohnányi, Walter Gieseking, Percy Grainger, Enrique Granados, Leo Ornstein, Sergei Prokofiev, Sergei Rachmaninoff and Maurice Ravel. The composers in this list are usually playing their own works. A few highlights Afternoon of a Faun (Prelude to) by Debussy played by Richard Singer (two rolls joined) Allegro De Concierto (Concert Allegro) by Granados, played by Granados’ pupil Paquita Madriguera Enigma Variations (complete) by Elgar, played by duo pianists Cuthbert Whitmore & Dorothy Manley Flirtation in a Chinese Garden; Rush Hour in Hong Kong by Abram Chasins, played by the composer Fountains of Rome by Respighi, played by the composer and Alfredo Casella Malagueña, by Ernesto Lecuona, played by the composer Naila Ballet Waltz, by Delibes, arranged by Dohnányi, played by Mieczyslaw Munz Pictures at an Exhibition (incomplete) by Moussgorsky played by Sergei Prokofiev Rhapsodies Op.11 (1 to 4), by Dohnányi, all but one (No.3) played by the composer Spanish Dances (Danza Espanolas) by Granados, played by the composer Turkey Op.18, No.3 (In The Garden Of The Old Harem) by Blanchet, played by Ervin Nyiregyházi Waltzes Noble and Sentimental, by Ravel played by the composer. -
≥ Elgar Sea Pictures Polonia Pomp and Circumstance Marches 1–5 Sir Mark Elder Alice Coote Sir Edward Elgar (1857–1934) Sea Pictures, Op.37 1
≥ ELGAR SEA PICTURES POLONIA POMP AND CIRCUMSTANCE MARCHES 1–5 SIR MARK ELDER ALICE COOTE SIR EDWARD ELGAR (1857–1934) SEA PICTURES, OP.37 1. Sea Slumber-Song (Roden Noel) .......................................................... 5.15 2. In Haven (C. Alice Elgar) ........................................................................... 1.42 3. Sabbath Morning at Sea (Mrs Browning) ........................................ 5.47 4. Where Corals Lie (Dr Richard Garnett) ............................................. 3.57 5. The Swimmer (Adam Lindsay Gordon) .............................................5.52 ALICE COOTE MEZZO SOPRANO 6. POLONIA, OP.76 ......................................................................................13.16 POMP AND CIRCUMSTANCE MARCHES, OP.39 7. No.1 in D major .............................................................................................. 6.14 8. No.2 in A minor .............................................................................................. 5.14 9. No.3 in C minor ..............................................................................................5.49 10. No.4 in G major ..............................................................................................4.52 11. No.5 in C major .............................................................................................. 6.15 TOTAL TIMING .....................................................................................................64.58 ≥ MUSIC DIRECTOR SIR MARK ELDER CBE LEADER LYN FLETCHER WWW.HALLE.CO.UK -
String Quartet in E Minor, Op 83
String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside. -
Sunday Playlist
November 25, 2018: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Watkinson/King's Chamber 00:01 Buy Now! Handel Ombra mai fu ~ Serse (Xerxes) Sony Classical 89370 696998937024 Awake! Orchestra/Malgoire 00:05 Buy Now! Beethoven Piano Sonata No. 18 in E flat, Op. 31 No. 3 "Hunt" Wilhelm Kempff DG 429 306 n/a 00:27 Buy Now! Hanson Symphony No. 1 in E minor, Op. 21 "Nordic" Nashville Symphony/Schermerhorn Naxos 8.559072 636943907221 01:01 Buy Now! Gershwin Lullaby for String Quartet Manhattan String Quartet Newport Classics 60033 N/A 01:09 Buy Now! Bach Brandenburg Concerto No. 1 in F, BWV 1046 Il Giardino Armonico/Antonini Teldec 6019 745099844226 01:29 Buy Now! Dvorak Violin Concerto in A minor, Op. 53 Luca/Saint Louis Symphony/Slatkin Nonesuch 79052 07559790522 02:00 Buy Now! Duffy Three Jewish Portraits Milwaukee Symphony/Macal Koss Classics 1022 021299710388 String Quartet No. 14 in D minor, D. 810 "Death and the 02:11 Buy Now! Schubert Amadeus Quartet DG 410 024 028941002426 Maiden" 02:51 Buy Now! Gottschalk The Dying Poet Robert Silverman Marquis Classics 161 774718116123 03:00 Buy Now! Schumann String Quartet in A, Op. 41 No. 3 St. Lawrence String Quartet EMI 56797 724355679727 03:33 Buy Now! Foote Second Suite for Piano, Op. 30 Virginia Eskin Northeastern 223 n/a 03:47 Buy Now! Still Miniatures Powers Woodwind Quintet White Pine Music 215 700261334110 Suzuki/Orlovsky/Indianapolis 03:59 Buy Now! Canning Fantasy on a Hymn by Justin Morgan Decca 458 157 028945845725 SO/Leppard 04:11 Buy Now! Telemann Trumpet Concerto No. -
Thursday Playlist
February 20, 2020: (Full-page version) Close Window “Lesser artists borrow, great artists steal.” — Igor Stravinsky Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Liszt Hungarian Rhapsody No. 6 in D Budapest Festival Orchestra/Fischer Philips 456 570 028945657028 Awake! Symphony in D, "The Petrification of Phineus and 00:13 Buy Now! Dittersdorf Cantilena/Shepherd Chandos 8564/5 5014682856423 his Friends" 00:31 Buy Now! Haydn Symphony No. 076 in E flat Academy of Ancient Music/Hogwood BBC MM253 n/a Vonsattel/Sussmann/Swensen/O'Neill 01:01 Buy Now! Franck Piano Quintet in F minor Music@Menlo Live n/a 653738268220 /Finckel New York Chamber Music 01:35 Buy Now! Lully Suite ~ The Forced Marriage Dorian 90189 053479018922 Ensemble/Pederson 01:45 Buy Now! Mozart Fantasia in C minor, K. 475 Lars Vogt EMI 36080 094633608023 02:00 Buy Now! Weber Overture ~ Der Freischutz Philharmonia/Klemperer EMI 13073 n/a 02:11 Buy Now! Strauss, R. 2nd mvt (Andante) ~ Cello Sonata in F, Op. 6 Coppey/le Sage Harmonia Mundi 911550 794881314324 02:20 Buy Now! Mendelssohn Symphony No. 3 in A minor, Op. 56 "Scottish" London Classical Players/Norrington EMI 54000 077775400021 Rimsky- 02:59 Buy Now! Ivan the Terrible National Philharmonic/Stokowski Sony Classical 62647 074646264720 Korsakov 03:04 Buy Now! Tchaikovsky The Seasons (orchestrated version) Moscow Chamber Orchestra/Orbelian Delos 3255 013491325521 03:48 Buy Now! Handel Concerto Grosso in G, Op. 6 No. 1 Guildhall String Ensemble/Salter RCA 7895 078635789522 04:01 Buy Now! Devienne Flute Concerto No. -
ONYX4206.Pdf
EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure -
Stanislaus County Elementary Spelling Championship
Stanislaus County Elementary Spelling Championship Word List (Same book for past years - no revisions were made) Note: as indicated in the Stanislaus County Spelling Championship Rules (available on the following website: www.scoestudentevents.org) “Words are chosen from multiple sources” in addition to this word list. 1 abbreviate - uh-BREE-vee-ayt shorten In formal papers, it is not proper to abbreviate words. ____________________________________________________ abdominal - ab-däm-n’l lower part of the truck of the human body; in, or for the abdomen The abdominal bandage seemed too tight. ____________________________________________________ abhor - ab HOR to shrink from in fear; detest I abhor baiting my fishhook with worms. ____________________________________________________ absurd - AB-surd so clearly untrue or unreasonable as to be ridiculous It was absurd to say the baby could reach the counter. ____________________________________________________ accessory - ak SES uh ree useful but not essential thing That necklace is a nice accessory to your outfit. ____________________________________________________ accommodate - a-kä-ma-DATE to make fit, suitable, or congruous The school can now accommodate handicapped students. ____________________________________________________ acoustics - uh KOOHS tiks the qualities of a room that enhance or deaden sound The concert hall is known for its fine acoustics. ____________________________________________________ active - AK tiv lively, busy, agile Last night I baby-sat for a very active two-year old. ____________________________________________________ acumen - a-ku-men acuteness of mind; keenness in intellectual or practical matters He was a businessman of acknowledged acumen. ____________________________________________________ addendum - a-den-dum thing added or to be added The name of the second speaker is an addendum to the program. ____________________________________________________ addressee - a-dre-sE OR u-dre-sE person to whom mail, etc., is addressed His name is that of the addressee on the envelope. -
Chanson De Nuit Op 15 for Guitar Duo Sheet Music
Chanson De Nuit Op 15 For Guitar Duo Sheet Music Download chanson de nuit op 15 for guitar duo sheet music pdf now available in our library. We give you 2 pages partial preview of chanson de nuit op 15 for guitar duo sheet music that you can try for free. This music notes has been read 2817 times and last read at 2021-10-01 09:55:44. In order to continue read the entire sheet music of chanson de nuit op 15 for guitar duo you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Classical Guitar Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Chanson De Nuit And Chanson De Matin Op 15 For Guitar Duo Chanson De Nuit And Chanson De Matin Op 15 For Guitar Duo sheet music has been read 3664 times. Chanson de nuit and chanson de matin op 15 for guitar duo arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 10:42:32. [ Read More ] Chanson De Nuit And Chanson De Matin Op 15 For Cello And Guitar Chanson De Nuit And Chanson De Matin Op 15 For Cello And Guitar sheet music has been read 3488 times. Chanson de nuit and chanson de matin op 15 for cello and guitar arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-10-01 09:55:06. [ Read More ] Chanson De Nuit And Chanson De Matin Op 15 For Flute And Guitar Chanson De Nuit And Chanson De Matin Op 15 For Flute And Guitar sheet music has been read 6579 times. -
Solving Elgar's Enigma
Solving Elgar's Enigma Charles Richard Santa and Matthew Santa On June 19, 1899, Elgar's opus 36, Variations on a Theme, was introduced to the public for the first time. It was accompanied by an unusual program note: It is true that I have sketched for their amusement and mine, the idiosyn crasies of fourteen of my friends, not necessarily musicians; but this is a personal matter, and need not have been mentioned publicly. The Varia tions should stand simply as a "piece" of music. The Enigma I will not explain-its "dark saying" must be left unguessed, and I warn you that the connexion between the Variations and the Theme is often of the slightest texture; further, through and over the whole set [of variations 1 another and larger theme "goes" but is not played ... So the principal Theme never appears, even as in some late dramas-e.g., Maeterlinck's "L'Intruse" and "Les sept Princesses" -the chief character is never on the stage. (Burley and Carruthers 1972:119) After this premier Elgar give hints about the piece's "Enigma;' but he never gave the solution outright and took the secret to his grave. Since that time scholars, music lovers, and cryptologists have been trying to solve the Enigma. Because the solution has not been discovered in spite of over 108 years of searching, many people have assumed that it would never be found. In fact, some have speculated that there is no solution, and that the promise of an Enigma was Elgar's rather shrewd way of garnering publicity for the piece. -
Edward Elgar: Enigma Variations What Secret? Perusal Script Not for Performance Use Copyright © 2010 Chicago Symphony Orchestra
Edward Elgar: Enigma Variations What Secret? Perusal script Not for performance use Copyright © 2010 Chicago Symphony Orchestra. Duplication and distribution prohibited. In addition to the orchestra and conductor: Five performers Edward Elgar, an Englishman from Worcestershire, 41 years old Actor 2 (female) playing: Caroline Alice Elgar, the composer's wife Carice Elgar, the composer's daughter Dora Penny, a young woman in her early twenties Snobbish older woman Actor 3 (male) playing: William Langland, the mediaeval poet Arthur Troyte Griffith (Ninepin), an architect in Malvern Richard Baxter Townsend, a retired adventurer William Meath Baker, a wealthy landowner George Robertson Sinclair, a cathedral organist August Jaeger (Nimrod), a German music-editor William Baker, son of William Meath Baker Old-fashioned musical journalist Pianist Narrator Page 1 of 21 ME 1 Orchestra, theme, from opening to figure 1 48" VO 1 Embedded Audio 1: distant birdsong NARRATOR The Malvern Hills... A nine-mile ridge of rock in the far west of England standing about a thousand feet above the surrounding countryside... From up here on a clear day you can see far into the distance... on one side... across the patchwork fields of Herefordshire to Wales and the Black Mountains... on another... over the river Severn... Shakespeare's beloved river Avon... and the Vale of Evesham... to the Cotswolds... Page 2 of 21 and... if you're lucky... to the north, you can just make out the ancient city of Worcesteri... and the tall square tower of its cathedral... in the shadow of which... Edward Elgar spent his childhood and his youth.. -
Vol. 18, No. 1 April 2013
Journal April 2013 Vol.18, No. 1 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2013 Vol. 18, No. 1 Editorial 3 President Julian Lloyd Webber FRCM Julia Worthington - The Elgars’ American friend 4 Richard Smith Vice-Presidents Redeeming the Second Symphony 16 Sir David Willcocks, CBE, MC Tom Kelly Diana McVeagh Michael Kennedy, CBE Variations on a Canonical Theme – Elgar and the Enigmatic Tradition 21 Michael Pope Martin Gough Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Music reviews 35 Leonard Slatkin Martin Bird Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 36 Christopher Robinson, CVO, CBE Frank Beck, Lewis Foreman, Arthur Reynolds, Richard Wiley Andrew Neill Sir Mark Elder, CBE D reviews 44 Martin Bird, Barry Collett, Richard Spenceley Chairman Letters 53 Steven Halls Geoffrey Hodgkins, Jerrold Northrop Moore, Arthur Reynolds, Philip Scowcroft, Ronald Taylor, Richard Turbet Vice-Chairman Stuart Freed 100 Years Ago 57 Treasurer Clive Weeks The Editor does not necessarily agree with the views expressed by contributors, Secretary nor does the Elgar Society accept responsibility for such views. Helen Petchey Front Cover: Julia Worthington (courtesy Elgar Birthplace Museum) Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained.