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Early 20Th Century Classical

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Early 20th Century Classical

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A few highlights

1129

Background stories

Early 20th Century Classical – Title order Early 20th Century Classical – Composer order

The 200 MIDI files in this category include works by 20th Century composers such as Debussy, Fauré, Granados, Milhaud, Korngold, Rachmaninoff, Ravel and Respighi. Some of the works are from the late 19th century, giving a snapshot of music from the Romantics, through Impressionists to modern day compositions.

Pianists include Alexander Brailowsky, Ottorino Respighi, Claude Debussy; Ernő Dohnányi, Walter Gieseking, Percy

Grainger, Enrique Granados, Leo Ornstein, Sergei Prokofiev, Sergei Rachmaninoff and Maurice Ravel. The composers in this list are usually playing their own works.

A few highlights



Afternoon of a Faun (Prelude to) by Debussy played by Richard Singer (two rolls joined)

Allegro De Concierto (Concert Allegro) by Granados, played by Granados’ pupil Paquita Madriguera

Enigma Variations (complete) by Elgar, played by duo pianists Cuthbert Whitmore & Dorothy Manley

Flirtation in a Chinese Garden; Rush Hour in Hong Kong by Abram Chasins, played by the composer

Fountains of Rome by Respighi, played by the composer and Alfredo Casella Malagueña, by Ernesto Lecuona, played by the composer Naila Ballet Waltz, by Delibes, arranged by Dohnányi, played by Mieczyslaw Munz Pictures at an Exhibition (incomplete) by Moussgorsky played by Sergei Prokofiev Rhapsodies Op.11 (1 to 4), by Dohnányi, all but one (No.3) played by the composer Spanish Dances (Danza Espanolas) by Granados, played by the composer Turkey Op.18, No.3 (In The Garden Of The Old Harem) by Blanchet, played by Ervin Nyiregyházi

Waltzes Noble and Sentimental, by Ravel played by the composer.

Background stories

1. Gustav Mahler (1860-1911) recorded four of his compositions for the Welte-Mignon reproducing piano in 1905,

six years before his death and some years before he rose to fame. Historian Q. David Bowers writes that “some of the rolls which cost Welte-Mignon the most to produce earned them the least amount of money.” But, as Bowers also points out “Karl Bockisch [from Welte] knew talent when he heard it.”

2. Paquita Madriguera (1900-1965) was Andrés Segovia’s (1893–1987) second wife. She made no sound recordings. Madriguera entered the Granados Academy at age seven, studying with Granados. According to DuoArt literature: “In one of the last letters he ever wrote, Enrique Granados commended his favourite pupil, Paquita

Madriguera, saying she played his music better than he could.”

3. Carlos Valderrama (1892-1950) was born in Peru where he wrote a number of works based on Inca melodies,

three of which are in this category. He also recorded some of these works for Edison’s Diamond Disc in 1920.

4. Ervin Nyiregyházi (1903-1987) was a Hungarian child prodigy who was managed by his domineering mother. He was praised by many musicians, and sometimes compared to Liszt. He ‘escaped’ by moving to America, where he had a short career due to his complete inability to manage himself. He married 10 times, and declared himself

“addicted to Liszt, oral sex and alcohol.” Although he made disc recordings in the 1970s, his best recordings were

made for the Ampico reproducing piano in the mid 1920s.
5. Ernő Dohnányi (1877-1960) recorded on reproducing piano roll over a 20 year period from 1905 (for Welte) to
1925 (for Ampico). He wrote his four opus 11 Rhapsodies in 1903, and made recordings of three of these for Ampico, although only number 2 was issued at the time. The master rolls for Rhapsodies No. 1 and No. 4 were discovered in the late 1960s and reissued. All of the Rhapsodies played by Dohnányi are in this group of files.

1

Contents page

Early 20th Century Classical – Title order Composer order Pianist order

Early 20th Century Classical – Title order

Roll No.
Issue/ rec date

  • Title
  • Composer

Granados Debussy

Pianist

Pesetzki

time midi file name

  • A La Cubana
  • 6289
  • 05 1920 3:22 A La Cubana (Granados), Pesetzki DA

06 1925 9:19 Afternoon of Faun (Debussy) Singer LW 02 1926 1:41 Album Leaf (Chabrier), Cortot DA
Afternoon of a Faun, Prelude to
X-7074 X-7075
Singer

  • Album Leaf
  • Chabrier
  • Cortot
  • 6969

5830
Allegro De Concierto (Concert Allegro)
Allegro Concerto (Granados), Madriguera

  • Granados
  • Madriguera
  • 11 1916 6:37

DA

Amberley Wild Brooks from "Decorations for Piano"

  • Ireland
  • Ireland
  • D577
  • 1924
  • 3:01 Amberley Wild Brooks (Ireland), Ireland DA

  • American Indian Rhapsody Orem
  • Silber
  • 65623 02 1926 7:14 American Indian Rhapsody, Silber AA

  • 61233 11 1922 5:03 Arabesque 1 (Debussy), Ornstein AA
  • Arabesque No.1 in E

Arabesque No.2 in G Arabesque Op.7 No.1

  • Debussy
  • Ornstein

Madriguera Scharrer
Debussy Medtner
5808 218
09 1916 2:47 Arabesque 2 (Debussy), Madriguera DA 03 1925 1:32 Arabesque 7-1 (Medtner) Scharrer DA
Aragon (Fantasia) Op.47 No.6 from "Suite Espagnole"
Albeniz Falla
Madriguera Falla

  • 6293
  • 06 1920 3:37 Aragon (Albeniz), Madriguera DA

Aragonesa - Spanish Pieces No.1

  • 2770 (1)
  • 1913
  • 3:13 Aragonesa (Falla), Falla LW

Banjo Picker No.6 from "At the Fair" Sketches of American Fun

  • Powell
  • Mason
  • 61913 04 1923 3:30 Banjo Picker (Powell), Mason AA

  • Barcarola
  • Casella
  • Casella
  • 70159 mid 1926 3:40 Barcarola (Casella), Casella DA

  • 57604 04 1920 3:50 Barcarolle (Rachmnf), Rachmnf AA
  • Barcarolle Op.10 No.3
  • Rachmaninoff Rachmaninoff

Barcarolle Op.37a No.6 (June, from "The Seasons")
Tchaikovsky Ornstein Faure
Reisenberg Ornstein Cortot
7128 50643 6241
06 1927 4:22 Barcarolle 'June', Reisenberg DA

  • 1916 2:31 Berceuse (Ornstein), Ornstein AA
  • Berceuse

Berceuse Op.56 No.1 from "Dolly Suite"
02 1920 2:26 Berceuse 56-1 (Faure), Cortot UK DA
Birds of Sadness or Oiseaux Tristes from "Miroirs" Suite for piano No.2
09 1923

  • Ravel
  • Ravel
  • 082 br

7694
4:10 Birds of Sadness (Ravel) Ravel DA by

  • Blue Train, The No.7
  • Milhaud
  • Milhaud
  • 09 1927 4:07 Blue Train 7 (Milhaud) Milhaud LW

  • Brazilian Dance (Nepomuceno), Carreras
  • Brazilian Dance (Galhofeira)

Op.13 No.4

  • Nepomuceno
  • Carreras
  • 66560 09 1923 3:15

DA

Brigg Fair (An English Rhapsody)
Grainger and Leopold
Delius-Juhl Arensky
74439 01 1932 12:24 Brigg Fair (Delius) duo DA
By The Sea Op.52 No.4 allegro moderato G flat

  • Souvaine
  • 57925
  • 1920
  • 4:07 By The Sea 52-4 (Arensky) Souvaine AA

  • Caprice Chinois
  • Scott
  • Scott
  • 07 br
  • 09 1923 3:00 Caprice Chinois (Scott), Scott DA

  • 1917 6:44 Caprice Espagnol (Mzkwski), Suskind A
  • Caprice Espagnol Op.37
  • Moszkowski
  • Suskind
  • 53227

Chanson d'Avril (Song of April)
BizetBuonamici

  • Bauer
  • 6098

2733
02 1919 3:55 Chanson d'Avril (Bizet), Bauer DA
1912 3:33 Children's Corner 6, Debussy LW
12 1920 4:42 Childrens March, Grainger-Hough DA
1917 4:21 Clair de Lune (Debussy) Samaroff A
Children's Corner No.6 Golliwogg's Cake-Walk
Debussy Grainger
Debussy
Children's March "Over the Hills and Far Away"
Grainger & Hough
6368

  • Clair De Lune
  • Debussy

Friml
Samaroff Friml
52305

  • Concert Waltz Op.12
  • 100085 09 1928 4:42 Concert Waltz (Friml), Friml AB

528 12 1926 6:30 Concerto (Stravinsky)-1 DA

66713 11 1926 5:20 Cordoba (Albeniz), Lhevinne AA 6149 05 1919 1:48 Country Gardens, Grainger DA
Concerto mov 1 Largo, Allegro

  • Stravinsky
  • Stravinsky

Cordoba Op.232 No.4 from "Songs of Spain"

  • Albeniz
  • Lhevinne

  • Grainger
  • Country Gardens
  • Grainger

2

Contents page

Early 20th Century Classical – Title order Composer order Pianist order

Roll No.
Issue/ rec date

  • Title
  • Composer
  • Pianist
  • time midi file name

Cuban Rhapsody concert paraphrase on Cervantes' "Potpourri Of National Airs"
EchanizCervantes

  • Echaniz
  • 67183 02 1927 4:52 Cuban Rhapsody (Echaniz) Echaniz AA

Dance of Puck No.11 from "Preludes" Book 1
Debussy Scott
Debussy Scott
2738 6406 6133

  • 1912
  • 2:11 Dance of Puck (Debussy), Debussy RW

  • Danse Negre
  • 04 1921 1:33 Danse Negre (Scott), Scott DA

04 1919 4:21 Danza Espanolas 1, Granados DA
Danza Espanolas No.1 Op.37 (Lenta)

  • Granados
  • Granados

Danza Espanolas No.10 (Valenciana)
Granados Granados Granados
Granados Granados Granados
5759 5758 5760
09 1916 3:19 Danza Espanolas 10, Granados DA 05 1916 4:20 Danza Espanolas 5, Granados DA 05 1916 4:59 Danza Espanolas 7, Granados DA
Danza Espanolas No.5 (Andaluza)

Danza Espanolas No.7 (Valenciana)

  • Eastern Intermezzo
  • Grainger
  • Grainger
  • 69970 05 1926 2:11 Eastern Intermezzo, Grainger DA

  • 6449 06 1921 4:18 Echoes of Andes, Valderrama DA
  • Echoes of the Andes
  • Valderrama
  • Valderrama

Egyptian Ballet No.1 (Ballet Egyptien) allegro non troppo; Luigini No.2 allegretto

  • Black
  • 69173 09 1928 4:54 Egyptian Ballet 1,2 (Luigini) Black A

Egyptian Ballet No.3 (Ballet

  • Luigini
  • Black
  • 69183 09 1928 4:56 Egyptian Ballet 3 (Luigini) Black AB

69193 09 1928 3:55 Egyptian Ballet 4 (Luigini) Black AB
Egyptien) Andante sostenuto Egyptian Ballet No.4 (Ballet Egyptien) Andante espressivo

  • Luigini
  • Black

El Albaicin "Iberia" Suite for piano, book 3, No.1

  • Albeniz
  • Rubinstein
  • 6204
  • 12 1919 6:58 El Albaicin (Albeniz), Rubinstein DA

  • El Fandango No.3 Goyescas Granados
  • Schelling

Granados
5982 5762
04 1918 4:25 El Fandango (Granados), Schelling DA

  • 05 1916 4:05 El Pelele (Granados) Granados DA
  • El Pelele (Goyescas)
  • Granados

Elegie (Melodie), from Incidental Music To "Les Erinnyes", Concert Transcription

  • Massenet-Ray Brard
  • C-7419 07 1926 2:39 Elegie (Massenet), Brard LW

  • Elegie Op.3 No.1
  • Rachmaninoff Rachmaninoff
  • 69253 10 1928 4:09 Elegie 3-1 (Rachmnf), Rachmnf AB

Elevation Op.76 No.2 (Song without Words)

  • Chaminade
  • Chaminade
  • 0297 br

0361 br 0362 br 0363 br 0364 br 0365 br

  • 1927
  • 2:31 Elevation (Chaminade), Chaminade DA

4:31 Enigma Variations-1 (Elgar) Duo DA 8:46 Enigma Variations-2 (Elgar) Duo DA 2:41 Enigma Variations-3 (Elgar) Duo DA 5:23 Enigma Variations-4 (Elgar) Duo DA 5:03 Enigma Variations-5 (Elgar) Duo DA 2:31 Entracte Waltz (Korngold) Korngold DA
Enigma Variations Part 1 Theme and variations 1-3
Elgar (arr four Whitemore and hands) Manley
12 1932 by

Enigma Variations Part 2 Variations 4-9
Elgar (arr four Whitemore and hands) Manley
12 1932 by

Enigma Variations Part 3 Variation 10 (Dorabella)
Elgar (arr four Whitemore and hands) Manley
12 1932 by

Enigma Variations Part 4 Variations 11-13
Elgar (arr four Whitemore and hands) Manley
12 1932 by

Enigma Variations Part 5 Variation 14 (Nimrod)
Elgar (arr four Whitmore and hands)
12 1932

  • by
  • Manley

09 1923 by

  • Entr'acte Waltz
  • Korngold

Chabrier
Korngold Copeland Narinska Hofmann Carreno
080 br

  • 58526
  • Espana
  • 1920
  • 4:01 Espana (Chabrier), Copeland AA

  • Ethiopian Serenade (Godowsky) Narinska
  • Ethiopian Serenade No.12

from "Triakontameron"
Godowsky Moszkowski MacDowell
B-6911 12 1924 1:56
LW

  • Etincelles Op.36 No.6
  • 6598

5615
02 1923 2:25 Etincelles (Mzkwski), Hofmann DA
Etude de Concert Op.36 in F sharp
02 1915 3:15 Etude de Concert (MacDwll), Carreno DA

  • Etude Heroique Op.48 No.3 Leschetizky
  • Nyiregyhazi

Suskind
62281 08 1923 2:55 Etude Heroique (Ltizky), Nyiregyhazi AA 64723 07 1925 4:42 Etude 2 (Reinhardt), Suskind AA 67133 02 1927 4:46 Etude 15-3 (Bortkiewicz) Rosenthal A
Etude No.2, B flat minor Etude Op.15 No.3
Reinhardt

  • Bortkiewicz
  • Rosenthal

3

Contents page

Early 20th Century Classical – Title order Composer order Pianist order

Roll No.
Issue/ rec date

  • Title
  • Composer
  • Pianist
  • time midi file name

Etude Tableaux (Picture Study) Op.39 No.4 B minor
Rachmaninoff Rachmaninoff Rachmaninoff Rachmaninoff

  • 69593
  • 02 1929 3:45 Etude 39-4 (Rachmnf), Rachmnf AB

Etude Tableaux (Picture Study) Op.39 No.6
60891 07 1922 2:28 Etude 39-6 (Rachmnf), Rachmnf AA
Evening In Granada (Debussy), Debussy

  • Evening In Granada
  • Debussy

Palmgren
Debussy Bourne

  • 2735
  • 1912
  • 5:13

RW

Evening Whispers (Nocturne) Op.47 No.1

  • 6741
  • 04 1924 3:32 Evening Whispers (Palmgren), Bourne DA

Fairy of the Fountain, The. Op.65 No.1 from "Les Reves Beach De Columbine"

  • Tollefsen
  • 54314
  • 1918
  • 2:25 Fairy of Fountain (Beach) Tollefsen AA

Fairy Tale Op.34 No.3 in A

  • Medtner
  • Medtner
  • 73869 03 1930 3:01 Fairy Tale (Medtner), Medtner DA

minor from "Fairy Tales"

  • Fairy Tales No.6 and 7
  • Korngold
  • Heinemann

Novaes
3842 6442
1923-24 8:35 Fairy Tales 6, 7 (Korngold) Heinemann RW 06 1921 7:32 Fantasia, Brazilian Hymn, Novaes DA
Fantasia Triumphal on a Brazilian National Hymn
Gottschalk
Ganz and Hutcheson
Finlandia Op.6 No.7 Flirtation in a Chinese Garden; Rush Hour in Hong Chasins Kong

  • Sibelius
  • 539
  • 04 1928 6:32 Finlandia, Ganz & Hutcheson DA

Flirtation Chinese Garden, Rush Hr,

  • Chasins
  • 71729 11 1927 3:05

Chasins DA

  • Floods of Spring
  • Rachmaninoff Suskind
  • 2851
  • 03 1930 3:00 Floods of Spring (Rachmnf), Suskind AB

Florence, Grand valse brillante Op.12
Liebling, E Griffes
Liebling Cooper
C-7276 02 1926 4:14 Florence (Liebling, E) Leibling, G LW 67621 05 1927 3:38 Fountain Acqua Paola (Griffes) Cooper AA
Fountain of the Acqua Paola Op.7 No.3 from "Roman Sketches"

Fountains of Rome Part 2. The Triton Fountain; The Fountain Of Trevi at Mid-Day
Casella & Respighi

  • Respighi
  • C-7615 03 1927 5:00 Fountains of Rome-2 (Respighi) duo LW

C-7614 03 1927 3:40 Fountains of Rome-1 (Respighi) duo LW
Fountains of Rome Part 1. The Fountain Of Villa Guilia Respighi (Dawn)
Casella & Respighi

Fountains of Rome Part 3. The Villa Medici Fountain (Sunset)
Casella & Respighi

  • Respighi
  • 7616
  • 03 1927 5:09 Fountains of Rome-3 (Respighi) duo LW

Franzosisch (Walzermasken No.14)
Godowsky Debussy
Pachmann Lortat
C-7207 12 1925 2:35 Franzosisch (Godowsky), Pachmann LW
6131 04 1919 2:57 Gardens in Rain (Debussy), Lortat DA
0219 br 04 1925 5:30 Gaspard de la Nuit.2, Ravel DA
Gardens in the Rain No.3 from "Estampes"

Gaspard de la Nuit No.2 Le Gibet

  • Ravel
  • Ravel

  • Gavotte Op.12 No.2
  • Prokofiev

Grainger
Prokofiev Grainger
6253 6072
03 1920 2:52 Gavotte (Prokofiev) Prokofiev DA 11 1918 2:15 Gay But Wistful (Grainger) Grainger DA
Girl-Flaxen Hair (Debussy) Moiseiwitsch
Gay But Wistful No.2 from "In a Nutshell" Suite

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  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
  • British Roots

    British Roots

    Thursday 12 December 2019 7.30–9.30pm Barbican LSO SEASON CONCERT BRITISH ROOTS Tippett Concerto for Double String Orchestra Elgar Sea Pictures Interval PAPPANO Vaughan Williams Symphony No 4 Sir Antonio Pappano conductor Karen Cargill mezzo-soprano Supported by LSO Friends Broadcast live on BBC Radio 3 6pm Barbican LSO Platforms: Guildhall Artists Vaughan Williams Phantasy Quintet Howells Rhapsodic Quintet Portorius Quartet Welcome News On Our Blog Thank you to our media partners: BBC Radio 3, LSO STRING EXPERIENCE SCHEME BELA BARTÓK AND who broadcast the performance live, and THE MIRACULOUS MANDARIN Classic FM, who have recommended the We are delighted to appoint 14 players to concert to their listeners. We also extend this year’s LSO String Experience cohort. Against a turbulent political background, sincere thanks to the LSO Friends for their Since 1992, the scheme has been enabling Bartók wrote his pantomime-ballet The important support of this concert; we are young string players from London’s music Miraculous Mandarin, which a German delighted to have so many Friends and conservatoires to gain experience playing in music journal reported caused ‘waves of supporters in the audience tonight. rehearsals and concerts with the LSO. They moral outrage’ to ‘engulf the city’ when it will join the Orchestra on stage for concerts premiered in Cologne. Ahead of tonight’s performance, the in the New Year. Guildhall School’s Portorius Quartet gave elcome to this evening’s LSO a recital of music by Vaughan Williams WHAT’S NEXT FOR OUR 2018/19 concert at the Barbican. It is a and Howells on the Barbican stage.
  • The Violin Music

    The Violin Music

    572643-45 bk Elgar 25/2/11 07:51 Page 16 Photo from the collection of Marat Bisengaliev ELGAR 3 CDs The Violin Music Violin Concerto • Violin Sonata • Miniatures Marat Bisengaliev, Violin • Benjamin Frith, Piano West Kazakhstan Philharmonic Orchestra Bundit Ungrangsee 8.572643-45 16 572643-45 bk Elgar 25/2/11 07:51 Page 2 Edward Bundit Ungrangsee ELGAR Bundit Ungrangsee enjoys a career as a conductor that has (1857-1934) taken him to five continents. A hero to many young people in his native Thailand, Bundit was awarded the title of CD 1* 57:37 ( Etude C 1:22 ) Cultural Ambassador and National Artist by the Thai Etude D 3:05 government in recognition of his international Violin Concerto in B minor, Op. 61 46:07 ¡ Etude E 2:55 1 Allegro 17:05 achievements. He has appeared with leading orchestras, 2 Andante 10:47 CD 3 70:11 including the Utah Symphony, Orchestra of St Luke’s, 3 Allegro molto 18:26 Milwaukee and Charleston Symphonies and the prestigious 1 Elévation, Op. 11 (tr. F. Louis Schneider)† 4:36 La Fenice Theatre in Venice. Among others he has Serenade for Strings, Op. 20 11:30 2 † conducted the Mormon Tabernacle Choir, I Pomeriggi 4 Allegro piacevole 3:18 Pastourelle, Op. 4, No. 2 2:54 3 Musicali, Orchestra Sinfonica Siciliana, the Auckland and 5 Larghetto 5:17 Bavarian Dance No. 3 † Victoria Symphonies, Orchestra Internazionale d’Italia, and 6 Allegretto 2:55 (arr. William Henley) 4:45 4 Bavarian Dance No. 1 the Malaysian, Nagoya, Copenhagen and Seoul CD 2 66:43 (arr.
  • ELGAR Piano Music Enigma Variations

    ELGAR Piano Music Enigma Variations

    570166bk Elgar US 9/7/06 8:43 pm Page 5 6, Ysobel, is the viola-player Isabel Fitton; Variation 7, Basil Nevinson, an amateur cellist; Variation 13, ***, is Ashley Wass Troyte, is the ebullient architect Troyte Griffith; anonymous but probably conceals Lady Mary Lygon, Variation 8, W.N., is the graceful Winifred Norbury; with a reference to Mendelssohn’s Overture Calm Sea The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second ELGAR Variation 9, Nimrod, conceals the identity of Elgar’s and Prosperous Voyage hinting at her voyage to British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British friend and publisher, Jaeger; Variation 10, Dorabella, is Australia, and the final Variation 14, E.D.U., is Elgar pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at Dora Penny, a country neighbour; Variation 11, G.R.S., himself, indicated by letters that spell out his wife’s pet the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a Piano Music is the organist of Hereford Cathedral, Dr Sinclair, or, name for him, Edu. New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship more exactly, his dog Dan, heard falling into the river to the Royal Academy of Music to study with Christopher Elton and Hamish Milne.
  • View Program Notes

    View Program Notes

    23 Season 2019-2020 Thursday, February 27, at 7:30 The Philadelphia Orchestra Friday, February 28, at 2:00 Saturday, February 29, at 8:00 Edward Gardner Conductor Paul Jacobs Organ Britten Sinfonia da Requiem, Op. 20 I. Lacrymosa— II. Dies irae— III. Requiem aeternam Daugherty Once Upon a Castle, symphonie concertante for organ and orchestra I. The Winding Road to San Simeon II. Neptune Pool III. Rosebud IV. Xanadu First Philadelphia Orchestra performances Intermission Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 Elgar Variations on an Original Theme, Op. 36 (“Enigma”) Enigma (Theme): Andante I. C.A.E. II. H.D.S.-P. III. R.B.T. IV. W.M.B. V. R.P.A. VI. Ysobel VII. Troyte VIII. W.N. IX. Nimrod X. Dorabella: Intermezzo XI. G.R.S. XII. B.G.N. XIII. ***: Romanza XIV. E.D.U.: Finale This program runs approximately 1 hour, 50 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Please join us following the February 27 and 29 concerts for a free Organ Postlude featuring Peter Richard Conte. Elgar from Organ Sonata in G major, Op. 28: I. Allegro maestoso Britten Prelude and Fugue on a Theme of Vittoria Elgar/arr. Conte Sospiri, Op. 70 Elgar/arr. Conte Empire March 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community centers, the Mann Through concerts, tours, is one of the world’s Center to Penn’s Landing, residencies, and recordings, preeminent orchestras.
  • JV Recital 010520

    JV Recital 010520

    Livestreamed Organ Recital V by Jonathan Vaughn from The Frantz Chapel, Christ Church, Greenwich CT Friday, May 1, 2020 at 5.30 p.m. ET (10.30 p.m. BST) Prelude and Fugue in G - Nicolaus Bruhns (1665-1697) Sonata no 2 in C minor (BWV 526) - Johann Sebastian Bach (1685-1750) Vivace Largo Allegro Chanson de matin - Sir Edward Elgar (1857-1934) arranged Sir Herbert Brewer (1865-1928) Chorale Prelude on Croft’s 136th - Sir Hubert Parry (1848-1918) Bruhns’s surviving corpus of music is achingly small, but demonstrates he was a musician of great stature in the pre-Bach period who is said to have played the violin while accompanying himself using the pedals. His Preludes and Fugues alternate between sections of fantasia and fugal writing. Bach probably composed his six sonatas in the late 1720s as teaching pieces for his eldest son Wilhelm Friedemann, and they are some of instruments’ greatest chamber music. The independence of the three equal voices are a yardstick for testing the quality of an organist’s technique, but the beauty of the music is where the real appeal lies. All six sonatas follow the Italian model with two fast movements framing a slower one. In this sonata, the standout movement is the third. The allabreve writing of the first theme contrasts with the clipped rhythms of the second, which soon develops into one of Bach’s most rhythmically complicated movements. Chanson de Matin was written in 1899, the same year as the Enigma Variations, and the year Elgar truly gained recognition.
  • Enigma Variations SLS O L E ARN ING L AB

    Enigma Variations SLS O L E ARN ING L AB

    Enigma Variations SLS O L E ARN ING L AB Every great story has strong and vivid characters. Who is one of your favorite characters from a story? What do you like most about this character? Listen to the beginning (0:00-1:56) of composer Edward Elgar’s Enigma Variations. The opening theme or melody is written out below. After the first statement of the theme, Elgar repeats it many times, varying it in some way each time. This musical form is called theme and variations. Elgar wrote fourteen variations on this main theme. That’s a lot of variations! Each of the fourteen variations represents a different character or person in the composer’s life. Character Exploration It’s Just a Figure of Speech Here are a few ways to explore Elgar’s variations. For each variation: 1. Use adjectives to describe the music. Choose adjectives that could also describe a character’s personality or mood. For example, is the variation/character friendly or mean? Happy or sad? What musical elements make it sound this way? 2. Move like the character. Choose movements that match what you hear in the music. You can even dress up as the character and act out what you think they might be doing. What musical elements influenced your movement decisions? 3. Draw a picture of the character. What would they look like? What would they be doing? How might they be dressed? What musical elements influenced how you imagined each character to look? 4. Elgar provided initials for each character. Use these initials to create a name for each character.