Constructing the Orient: North Africa in the Short Stories of Albert Camus and Paul Bowles
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Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
Albert Camus's Mediterraneanism in <I>La Peste</I>
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Albert Camus's Mediterraneanism in La Peste Jacquelyn Libby The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2411 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Albert Camus’s Mediterraneanism in La Peste by Jacquelyn Libby A dissertation submitted to the Graduate Faculty in French in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 Jacquelyn Libby ii Doctoral Thesis © 2017 Jacquelyn Libby All Rights Reserved Jacquelyn Libby iii Doctoral Thesis Albert Camus’s Mediterraneanism in La Peste by Jacquelyn Emma Libby This manuscript has been read and accepted for the Graduate Faculty in French in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. September 7th, 2017 Peter Consenstein Chair of Examining Committee September 7th, 2017 Francesca Canadé Sautman Executive Officer Supervisory Committee Peter Consenstein Ali Nematollahy Jason Herbeck THE CITY UNIVERSITY OF NEW YORK Jacquelyn Libby iv Doctoral Thesis ABSTRACT Albert Camus’s Mediterraneanism in La Peste by Jacquelyn Libby Advisor: Professor Peter Consenstein The following dissertation uses the speech Camus gave at the inauguration of a new community arts center in Algiers in 1937, entitled “La Culture Indigène. La Nouvelle Culture Méditerranéenne,” to show that this expression of Mediterraneanism, as well as its evolution, can be detected in his novel La Peste, which was published ten years later in 1947. -
Excerpts from Albert Camus' “Exile and the Kingdom”
Exile and Inclusion: Excerpts from Albert Camus’ “Exile and the Kingdom” Alison M. Brady *This is an Accepted Manuscript to be published in a collection of short essays, entitled “Educational Frontiers: The Anxiety of Inclusion” by Kyoto University in March 2017. Do not quote without permission. Abstract The collection of short stories entitled “Exile and the Kingdom” by pied-noir Albert Camus embrace the themes of exile and return as illuminating an underlying anxiety of inclusion and exclusion. Written during the time of the French-Algerian war, these stories may be said to exemplify those who, in Cassin’s terms, “’are’ never there, never at home.” Through considering such stories, this paper discusses the connection between belonging and identity, and what it means, then, to be simultaneously included and excluded. Such ideas are important for education, not only in recognising identities of those who ‘belong-in-exile’, but in creating educational spaces where such identities can be more fully accounted for. Firstly, I will give a brief overview of Camus’ pied-noir status as an influential factor in his writings, before looking more closely at two of these stories, and discussing the ways in which they explore these themes in relation to Camus’ absurdism. I will then briefly point to how such themes might be understood in relation to the wider themes of anxiety, recognition, and rootedness. Finally, I will briefly offer some insights into the role education might play in relation to these themes. Introduction In 1957, the French-Algerian writer Albert Camus wrote a collection of short stories entitled “Exile and the Kingdom”. -
The Adulterous Woman”
Spates 1 Pamela D. Spates LeTourneau University CPO# 964 Longview, Texas 75607 [email protected] Phone 903 663-6182 The Romantic Self in Albert Camus’ “The Guest” and “The Adulterous Woman” Pamela D. Spates In the year 1957, only three short years before his untimely death in 1960, Albert Camus published his only set of short stories, Exile and the Kingdom. Anne Minor, in “The Short Stories of Albert Camus,” writes: “Exile and the Kingdom, a collection of short stories toward which critical opinion has been somewhat unjust, seems to me to be one of the key works for an appreciation of Camus’ thought and art” (75). Inherent in this thought is Camus’ perception of the Self, and one readily observes in the short stories an emerging Self that is varied and complex. The characters defy homogenous description. The stories themselves are vastly different from one another, and while the characters are presented in typical existential terms in some sense and in some scenes, a hint of a romantic Self can be clearly seen. The characters search for fulfillment, as well as a sense of who they are at the core of their being. Against the backdrop of an essentially existential worldview, ultimately described as “the absurd,” Camus reveals an affinity for the romantic side of the Self, even though that Self is not always fully realized in his characters. This assertion that Camus reveals a hint of the romantic Self in his short stories is by no means a radical idea. In his book, What is Romanticism, Henri Peyre quotes novelist and Spates 2 essayist Michel Butor, who asserts that “Camus is certainly a romantic” (ix). -
Thematic Concerns of Albert Camus
International Journal of Research in all Subjects in Multi Languages Vol. 1, Issue:5, August 2013 [Author: Hitendrakumar M. Patel] [Subject: English Literature] (IJRSML) ISSN: 2321 - 2853 Thematic Concerns of Albert Camus HITENDRAKUMAR M. PATEL Assistant Lecturer, Government Science College, Idar. District. Sabarkantha Gujarat (India) Abstract: In this paper, I have focused on the different themes of Camus. His writings reveal the themes of the irrationality of the universe, absurdity of the human existence, the meaninglessness of human life, the importance of the physical world, suicide, decay and death, the nature of human revolt, exile and redemption. As a writer, Camus fashioned a body of literature using a variety of genres and themes to express the breadth and depth of his concerns especially about moral and political issues. He was true to the active and contemplative aspects of life. It is correct that the single work for which Camus is most famous is entitled The Stranger. Meursault, the main character of the novel, exists with a sense of the world and a morality that sets him apart from human society at large. Camus’s first collection Betwixt and Between was published in 1937 while Nuptials was published two years later. The essays in both books largely reflect Camus’s love of Algeria with sensuous descriptions of the landscape and its people. We see Algeria’s landscape and climate informing much of Camus’s work, thematically and symbolically. Exile, Redemption, Separation, Revolt, Absurdity etc are the themes found in Camus’s work. Keywords: The Fall, The Guest, The Plague, The Stranger 1. -
'Saints Without God'
‘Saints without God’ Camus’s poetics of secular faith NJ Grace Whistler Abstract • This article addresses Camus’s response to Christianity and the problem of suffering in the context of the early twentieth century. Owing to his association with the existentialist movement, it is often assumed that Camus, like many other French intellectuals of the period, rejected Christianity altogether. For this reason, his sympathy with Christian thought is overlooked, and it seems altogether bizarre that some theologians even claimed Camus to be a convert. Among these wildly conflicting claims, Camus’s philosophical response to Christianity has become somewhat muddied; in this article I attempt to rectify this. I argue that Camus’s entire philosophy is underpinned by his response to Christianity, and that he wanted to re-establish the position of morality in the face of the problem of suffering. I thus demonstrate how his writings manifest this struggle to achieve this goal, in what I refer to as Camus’s ‘poetics of secular faith’. Camus once claimed, ‘I do not believe in God and I am not an atheist’. This article aims to elucidate just what is meant by a statement like this, as well as to catalogue and analyse Camus’s innovative attempts at reconciling spirituality and suffering through philosophical literature. 1. Introduction ‘Black Flakes’, and everything in between. What is of interest to this article, however, is not to be ‘In short,’ Tarrou said simply, ‘what interests found at either extreme, but somewhere in the me is to know how one becomes a saint.’ middle. Albert Camus, who was born in 1913 ‘But you don’t believe in God.’ in predominately Catholic French-Algeria, lost ‘Precisely. -
Paweł Wójs* EXISTENTIAL EXPERIENCE LIKE ILLNESS
PAWEŁ WÓJS Existential experience like illness: a case study of Gilbert Jonas STUDIA HUMANISTYCZNE AGH Tom 17/3 • 2018 http://dx.doi.org/10.7494/human.2018.17.3.125 Paweł Wójs* Pedagogical University of Krakow ORCID: 0000-0002-4708-1536 EXISTENTIAL EXPERIENCE LIKE ILLNESS: A CASE STUDY OF GILBERT JONAS The works of the philosophers of existence often address illness and health in the context of a (difficult to describe) existential experience. In this paper I will argue the following thesis: one of the strategies chosen by the authors whose aim is to characterise an existential experience is to present it by referring to the category of illness. This strategy involves, first and foremost, presenting the similarity between the existential experience and an illness; while at the same time, emphasising that the existential experience is not an illness (although of course, the existential experience may be a consequence of experiencing an illness). To support my basic thesis, I will draw from the works of Albert Camus, Lev Shestov and other philosophers of existence, as well as from literary works. In the article, I will provide an interpretation of Albert Camus’ short story “Jonas, or the Artist at Work”. I will discuss the basic characteristics of the existential experience, focusing on those that are similar to the symptoms of illness. I will also formulate a number of general remarks which concern the existential experience. Keywords: illness, disorder, existential experience, existentialism, philosophy of existence I Studying the works of the philosophers of existence reveals that, in the context of analyses concerning the (very difficult to describe) existential experience (cf. -
Being Alive in the Absurd: Reflection on Camus’ Zest for Life
International Journal of English and Literature (IJEL) ISSN (P): 2249-6912; ISSN (E): 2249-8028 Vol. 5, Issue 3, June 2015, 59-64 © TJPRC Pvt. Ltd. BEING ALIVE IN THE ABSURD: REFLECTION ON CAMUS’ ZEST FOR LIFE RAKHI DALAL Department of English, Kurukshetra University, Kurukshetra, Haryana, India Department of Textile and Apparel Designing, COHS, CCS Haryana Agricultural University, Hisar, Haryana, India ABSTRACT Albert Camus, Nobel Laureate and famous French author and essayist, proposed the Philosophy of Absurd through his essay ‘ The Myth of Sisyphus ’. His depiction of Meursault, the absurd hero of his novel ‘ The Stranger ’ was a closer portrayal of his stance on this idea. Though Camus advocated the meaninglessness of existence through absurd, he also emphasized that the life of a man is not absurd. He was not a trained philosopher still his ideas shook people in the bleak days of Second World War. He opined that since there was no meaning whatsoever of existence; the life must be lived all the more in awareness and with revolt, passion and freedom. This paper is an attempt to demonstrate that Camus was a passionate enthusiast for living in consciousness of absurd. KEYWORDS: Absurd, Life, Meaning, Existence, Happy, God INTRODUCTION Often called an Existential Philosopher, Camus, in his life time, actively disapproved of the title conferred upon him. Though he probed into the meaning of life in absence of a reason of existence, he maintained an apparent distance from the ideologies proposed by both theist and atheist Existential philosophers, even while questioning their beliefs and providing his own justifications on his stand. -
Camus, Qohelet, and the Confrontation with the Absurd
Morgan 1 Living in the Tensions: Camus, Qohelet, and the Confrontation with the Absurd A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Justin Keith Morgan 15 April 2011 Morgan 2 Liberty University School of Communication Master of Arts in English ___________________________________________________________________________ Dr. Mark Schmidt, Thesis Chair Date ___________________________________________________________________________ Dr. Karen Prior, First Reader Date ___________________________________________________________________________ Dr. Alan Fuhr, Second Reader Date Morgan 3 This thesis is dedicated to my best friend, Alicia Valere. Morgan 4 Acknowledgements I wish to express my deepest gratitude to: my professors and fellow classmates—for inspiring me to be a pursuer of God and His Truth; Dr. Mark Schmidt, Dr. Karen Prior, and Dr. Alan Fuhr—for your guidance and wisdom; my siblings—Ashley, Dallas, and Tahlia—for your friendship; my father and mother—for raising me in a God-fearing home; Alicia, my love—for the encouragement and distractions; Jesus Christ, author of my life—for redemption. Morgan 5 Table of Contents Signatures…………………………………………………………………………………….2 Dedication…………………………………………………………………………………….3 Acknowledgements………………………………………………………………………..…4 Table of Contents………………………………………………………………......………...5 Abstract…………………………………………………………………………………...…..6 Introduction: Connecting Camus and Qohelet………………………………..…………...…7 Chapter One: The Burden of Knowing: -
The Role of Friendship in Arthur Miller: a Study of Friendship in His Major Dramatic and Non-Dramatic Writing
UNLV Retrospective Theses & Dissertations 1-1-1990 The role of friendship in Arthur Miller: A study of friendship in his major dramatic and non-dramatic writing Carlos Alejandro Campo University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Campo, Carlos Alejandro, "The role of friendship in Arthur Miller: A study of friendship in his major dramatic and non-dramatic writing" (1990). UNLV Retrospective Theses & Dissertations. 2960. http://dx.doi.org/10.25669/ny5a-ypmi This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
An Existential Reading of Camus and Dostoevsky
AN EXISTENTIAL READING OF CAMUS AND DOSTOEVSKY FOCUSING ON CAMUS’S NOTION OF THE ABSURD AND SARTREAN AUTHENTICITY A Thesis by JI HYUN PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2005 Major Subject: Comparative Literature and Culture AN EXISTENTIAL READING OF CAMUS AND DOSTOEVSKY FOCUSING ON CAMUS’S NOTION OF THE ABSURD AND SARTREAN AUTHENTICITY A Thesis by JI HYUN PARK Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Ralph Schoolcraft Committee Members, Patricia Phillippy Olga M. Cooke Richard J. Golsan Head of Department, Melanie C. Hawthorne December 2005 Major Subject: Comparative Literature and Culture iii ABSTRACT An Existential Reading of Camus and Dostoevsky Focusing on Camus’s Notion of the Absurd and Sartrean Authenticity. (December 2005) Ji Hyun Park, B.A., Chung Ang University Chair of Advisory Committee: Dr. Ralph Schoolcraft Albert Camus (1913-1960) describes morally corrupted society in his later fiction, The Fall (1956), yet, seeks to find authenticity to share the suffering of others to establish communal bonds and responsibility, specifically revealed in “The Growing Stone” (1957). Camus frequently denies his alignment with existentialism; yet, in his major novels, he frequent portrays a dark side of human existence: a sense of weariness with the habitual aspects of daily life and a keen awareness of the absurd lead Camusian heroes to complete nihilism and utter despair, which shows Camus’s strong affinity with existentialist ideas. -
Proquest Dissertations
"The Plague" in Albert Camus's fiction Item Type text; Dissertation-Reproduction (electronic) Authors Ast, Bernard Edward Jr., 1963- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 14:03:07 Link to Item http://hdl.handle.net/10150/288839 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the origmal or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized cop3^ght material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy.