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Anglican and Free Church End of Life Prayers Amen
N, go forth from this world: in the love of God the Father who created you, in the mercy of Jesus Christ who redeemed you, in the power of the Holy Spirit who strengthens you. May the heavenly host sustain you and the company of heaven enfold you. In communion with all the faithful, may you dwell this day in peace. Anglican and Free Church End of Life Prayers Amen. Loving God, in your arms we are born and in your arms we die. Prayer for the family In our sadness (and shock) contain and comfort us; Embrace each one of us with your love Most merciful God, And give us grace to let N go to new life. whose wisdom is beyond our understanding, In the name of Jesus Christ our Lord and Saviour. Amen. surround the family of N with your love, that they may not be overwhelmed by their loss, Psalm 23 but have confidence in your love, and strength to meet the days to come. The Lord is my shepherd; We ask this through Christ our Lord. therefore can I lack nothing. Amen. He makes me lie down in green pastures and leads me beside still waters. He shall refresh my soul and guide me in the paths of righteousness for his name’s sake. Though I walk through the valley of the shadow of death, I will fear no evil; for you are with me; your rod and your staff, they comfort me. You spread a table before me in the presence of those who trouble me; you have anointed my head with oil and my cup shall be full. -
The Lord's Service
THE LORD’S SERVICEUnderstanding Worship at Westminster Presbyterian Church TABLE OF CONTENTS Corporate Worship ............................................................. 02 Sermon ........................................................... 26 Worship As Covenant Renewal ............................................. 04 Affirmation of Faith ............................................ 26 Worship As Priestly & Sacrificial ............................................ 06 The Prayer of the People ....................................... 28 Sacrificial Worship: The Old Testament Background .................. 08 Tithes and Offerings ........................................... 28 Call To Worship ................................................................. 10 Doxology ........................................................... 30 Opening Prayer .................................................................. 12 Sursumn Corda ................................................. 30 Hymn of Praise ................................................................... 14 Prayer of Thanksgiving ............................................... 32 Call to Confession, Confession of Sin ................................. 16 The Lord’s Prayer ............................................... 32 Assurance of Pardon, The Reading of God’s Law ...................... 16 The Communion ................................................ 34 The Peace ......................................................................... 18 Hymn of Departure ........................................... -
Gloria Patri 2015 Summer Sermons #3
Trinity 3 Gloria Patri 2015 Summer Sermons #3 Introduction: Today we consider the ubiquitous Gloria Patri. This ancient hymn of praise is one of the first things we memorize in liturgy: Glory be to the Father and to the Son and to the Holy Ghost. As it was in the beginning, is now and ever shall be, world without end. Amen. It is said at the end of every reading of the Psalms, and at the end of any canticle which does not contain in itself a reference to the Trinity. And so, it is said at every public liturgy of the church: Morning Prayer, Evening Prayer and Holy Communion. It is truly ubiquitous in Christian worship and has been since the 4th century, in both East and West. And why? This little doxology, this little song of praise exists to accomplish two things. First, the Gloria Patri exists and is so pervasive to ensure that we never forget the challenge of knowing God who is one and yet three. There is no more difficult doctrine to grasp than the Doctrine of the Trinity. The tendency of almost all heretics throughout history has been to demote the persons of God to lesser status: i.e. the Son becomes merely a man, and the Spirit becomes an impersonal force or power immigrating from God. Within the Church, we have often dealt with our intellectual challenge of the Trinity by simply forgetting about the Holy Spirit – out of sight out of mind. The Gloria Patri exists to constantly confront us with the central truth that God is Trinity. -
Order for the Public Worship Of
ORDER FOR THE PUBLIC WORSHIP OF GOD SENTENCES OF SCRIPTURE from Psalm 98, Common English Bible THE WORD Sing to the Lord a new song PRAYER FOR ILLUMINATION Sixth Sunday of Easter - Communion because he has done wonderful things! May 5, 2019 The Lord be with you. His own strong hand and his own holy arm And also with you. have won the victory! Let us pray together. The congregation speaks the bold and italicized words. The Lord has made his salvation widely known; Speak to us of your truth, O God. Open us to your love. *The congregation is invited to stand in body or in spirit. he has revealed his righteousness Help us to hear what we need to hear, that we may walk in your in the eyes of all the nations. light and joy. Amen. THE GATHERING God has remembered his loyal love THE GOSPEL LESSON John 21:1-19 N. T. Page 115 and faithfulness to the house of Israel; Response: Large Print Page 141 PRELUDE Christe eleison and Kyrie II J.S. Bach every corner of the earth has seen our God’s salvation. The Gospel of the Lord. (1685-1750) Praise to you, Lord Christ. *HYMN #667 When Morning Guilds the Sky LAUDES DOMINI Qui tollis J.S. Bach Jackie Stevens, soprano *PRAYER OF CONFESSION SERMON Looking Back to Look Forward Rev. Adam Fronczek Almighty God, we confess how hard we find it to be your people. THE RESPONSE Qui tollis peccata mundi, You have called us to be the church, You who take away the sin of the world, to continue the mission of Jesus Christ to our lonely and *HYMN #517 Here, O Our Lord, We See You MORECAMBE Miserere nobis. -
Book of Common Prayer, the Document
The 1928 Book of Common Prayer, the document. While every attempt was Formatted as the original made to ensure accuracy, certain errors may exist in the text. Please contact us This document was created in WordPerfect if any errors are found. for Windows 8.0. When you convert it to your word processor’s native format it This document was created as a service is almost inevitable that these to the community by Satucket Software: conversions will not be perfect and that Web Design & computer consulting for some adjustments in the formatting will small business, churches, & non-profits be needed on your part. If you have problems, you may e-mail us at the Contact: address below and we can send you (via Charles Wohlers e-mail) this document in a different P. O. Box 227 format. East Bridgewater, Mass. 02333 USA [email protected] The font used is Bitstream’s Century http://satucket.com OldStyle, which seems to be a fairly good match. All numbers, which use “old style figures”, are in Adobe’s OldStyle 7 font. If you do not have these fonts installed on your computer, and are viewing the WordPerfect files, your computer will make a substitution, most likely Times New Roman, resulting in an appearance much less like the original. This is not a concern with the Adobe Acrobat (PDF) files, which contain all font information. Note that in any case, line and page breaks may not be identical to the original. While the 1928 Book of Common Prayer is typically printed approximately on “half-pages” (5.5 X 8.5"), this is not a common page size for word processors, so you will find it here done on 8.5 X 11" landscape, two columns. -
1494:1 Russellville, Arkansas
10-11 z A HISTORICAL SURVEY OF PSALM SETTINGS FROM THE TIME OF THE REFORMATION THROUGH STRAVINSKY'S "SYMPHONIE DES PSAUMES" THESIS Presented to the Graduate Council of the North Texas State Teachers College in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Virginia Sue Williamson, B. M. 1494:1 Russellville, Arkansas August, 1947 14948i TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS.. .... .......... v Chapter I. INTRODUCTION ...... ....... ... 1 II. LATIN PSALM SETTINGS..... ....... 6 III. THE REFORMATION AND CHURCH MUSIC . 13 IV. EARLYPSALTERS . 25 The Genevan Psalter English Psalters C e Psalter Sternhold and-Hopkins Psalter D Psalter Este Psalter Allison's Psalter Ainsworth Psalter Ravencroft's Psalter John Keble Psalter Cleveland Psalter The Bay Psalm Book V. SCHUTZ TO STRAVINSKY. ........... 51 Heinrich Schutz (1585-1682) Henry Purcell (1658 or 1659-1695) George Frederic Handel (1685-1759) Johann Sebastian Bach (1685-1750) Wolfgang Amadeus Mozart (1756-1791) Franz Peter Schubert (1797-1828) Felix Mendelssohn Bartholdy (1809-1847) Franz Liszt (1811-1886) Johannes Brahms (1833-1897) Cesar Franck (1822-1890) Charles Camille Saint-Saens (1835-1921) Mikail M. Ippolotov-Ivanov (1859----- Charles Martin Loeffler (1861-----) iii Chapter Page Albert Roussel (1869- ---- ) Igor Stravinsky (1882 .---- ) VI. SUMMARY AND CONCLUSION . 86 BIBLIOGRAPHY . 89 iv LIST OF ILLUSTRATIONS Figure Page 1. "L'Amour de moy" (Ps. 130), from the Psalter d'Anvers of 1541 . 32 2. Secular melody used by Bourgeois for Psalm 25 . 32 3. "Susato," used for Psalms 65 and 72 in Genevan Psalter .*.*.*. .*.9** .* . ,933 4. "Paris et Gevaet," used for Psalm 134 in the Genevan Psalter of 1551 . -
Concordia Journal
CONCORDIA JOURNAL Volume 28 July 2002 Number 3 CONTENTS ARTICLES The 1676 Engraving for Heinrich Schütz’s Becker Psalter: A Theological Perspective on Liturgical Song, Not a Picture of Courtly Performers James L. Brauer ......................................................................... 234 Luther on Call and Ordination: A Look at Luther and the Ministry Markus Wriedt ...................................................................... 254 Bridging the Gap: Sharing the Gospel with Muslims Scott Yakimow ....................................................................... 270 SHORT STUDIES Just Where Was Jonah Going?: The Location of Tarshish in the Old Testament Reed Lessing .......................................................................... 291 The Gospel of the Kingdom of God Paul R. Raabe ......................................................................... 294 HOMILETICAL HELPS ..................................................................... 297 BOOK REVIEWS ............................................................................... 326 BOOKS RECEIVED ........................................................................... 352 CONCORDIA JOURNAL/JULY 2002 233 Articles The 1676 Engraving for Heinrich Schütz’s Becker Psalter: A Theological Perspective on Liturgical Song, Not a Picture of Courtly Performers James L. Brauer The engraving at the front of Christoph Bernhard’s Geistreiches Gesang- Buch, 1676,1 (see PLATE 1) is often reproduced as an example of musical PLATE 1 in miniature 1Geistreiches | Gesang-Buch/ -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
Gloria in Excelsis Deo
Gloria in excelsis Deo For the Bach cantata of that title, see Gloria in excelsis 1 History Deo, BWV 191. "Gloria in excelsis Deo"(Latin for “Glory to God in the It is an example of the psalmi idiotici (“private psalms”, i.e. compositions by individuals in imitation of the bib- lical Psalter) that were popular in the 2nd and 3rd cen- turies. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron.[3] In the 4th century it became part of morning prayers, and is still recited in the Byzantine Rite Orthros service.[1] The Latin translation is traditionally attributed to Saint Hilary of Poitiers (c. 300–368), who may have learned it while in the East (359–360); as such, it is part of a loose tradition of early Latin translations of the scripture known as the Vetus Latina.[3] The Vulgate Latin transla- tion of the Bible was commissioned only in 382.[4] The Latin hymn thus uses the word excelsis to translate the Greek word ὑψίστοις (the highest) in Luke 2:14, not the word altissimis, which Saint Jerome preferred for his translation. However, this word is used near the end: tu solus Altissimus, Jesu Christe (you alone the Most High, Jesus Christ). 2 Present-day Greek text 3 Present-day Latin text Glória in excélsis Deo et in terra pax homínibus bonæ voluntátis. Laudámus te, benedícimus te, adorámus te, glorificámus te, grátias ágimus tibi propter magnam glóriam tuam, Dómine Deus, Rex cæléstis, Deus Pater omnípotens. highest”) is a Christian hymn known also as the Greater Doxology (as distinguished from the “Minor Doxology” Dómine Fili unigénite, Jesu Christe, [1][2] or Gloria Patri) and the Angelic Hymn. -
American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN and PATRICK A
American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA 1 | Jubilate Deo 1,4,5 Craig Phillips (b.1961) 4:25 9 | Magnificat in F 1,3 Harold Friedell (b.1905-1958) 5:13 (Cathedral of St. Philip, Atlanta ) 10 | Nunc dimittis in F 1,3 4:03 2 | Magnificat 2,3 Roland Martin (b.1955) 6:05 11 | Nunc dimittis in D 2,3 Leo Sowerby (1895-1968) 4:34 3 | Nunc dimittis 2,3 4:40 (St. Paul’s Cathedral, Buffalo, in D ) 12 | Te Deum 1,4,5 Phillips 8:41 (Cathedral of St. Philip, Atlanta ) 4 | Magnificat on Plainsong Themes 2,3 Gerald Near (b.1942) 4:30 2 5 | Nunc dimittis on Plainsong Themes 2,3 3:13 13 | Beata es, Maria plainsong antiphon 0:41 2,4,6 6 | A Canticle of Praise 2,3 Larry King (1932-1990) 2:39 14 | Magnificat Martin 6:08 15 | Nunc dimittis 2,4,6 4:28 7 | Magnificat in B flat 2,3 Howard Helvey (b.1968) 6:41 (St. Paul’s Cathedral, Buffalo, in E, for trebles ) 8 | Nunc dimittis in B flat 2,3 3:46 16 | Lord, you now have set your servant free 1,3,5 Phillips 5:33 Total: 75:26 1 Cathedral Choir | 2 Cathedral Schola | 3 David Fishburn, organ | 4 Patrick Scott, organ | 5 with brass and timpani | 6 Megan Brunning, soprano 2 the music American Canticle From the time of Thomas Cranmer and his fellow English reformers, the Church’s earliest days. -
Im Auftrag Der Internationalen Heinrich-Schütz-Gesellschaft E.V. Herausgegeben Von Walter Werbeck in Verbindung Mit Werner Brei
Im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft e.V. herausgegeben von Walter Werbeck in Verbindung mit Werner Breig, Friedhelm Krummacher, Eva Linfield 33. Jahrgang 2011 Bärenreiter Kassel . Basel . London . New York . Praha 2012_schuetz-JB_druck_120531.ind1 1 31.05.2012 10:03:13 Gedruckt mit Unterstützung der Internationalen Heinrich-Schütz-Gesellschaft e.V. und der Landgraf-Moritz-Stiftung Kassel © 2012 Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, Kassel Alle Rechte vorbehalten / Printed in Germany Layout: ConText, Carola Trabert – [email protected] ISBN 978-3-7618-1689-9 ISSN 0174-2345 2012_schuetz-JB_druck_120531.ind2 2 31.05.2012 10:03:13 Inhalt Vorträge des Schütz-Festes Kassel 2010 Heinrich Schütz und Europa 7 Silke Leopold Heinrich Schütz in Kassel 19 Werner Breig Europa in der ersten Hälfte des 17. Jahrhunderts 31 Georg Schmidt Music and Lutherian Devotion in the Schütz Era 41 Mary E. Frandsen »Mein Schall aufs Ewig weist«: Das Jenseits und die Kirchenmusik in der lutherischen Orthodoxie 75 Konrad Küster Medien sozialer Distinktion: Funeral- und Gedenkkompositionen des 17. Jahrhunderts im europäischen Vergleich 91 Peter Schmitz Echos in und um »Daphne« 105 Bettina Varwig Heinrich Schütz und Otto Gibel 119 Andreas Waczkat, Elisa Erbe, Timo Evers, Rhea Richter, Arne zur Nieden Heinrich Schütz as European cultural agent at the Danish courts 129 Bjarke Moe Freie Beiträge Eine unbekannte Trauermusik von Heinrich Schütz 143 Eberhard Möller Heinrich Schütz und seine Brüder: Neue Stammbucheinträge 151 Joshua Rifkin Die Verfasser der Beiträge 168 2012_schuetz-JB_druck_120531.ind3 3 31.05.2012 10:03:13 Abkürzungen ADB Allgemeine deutsche Biographie, München u. Leipzig 1876 – 1912 AfMw Archiv für Musikwissenschaft AmZ Allgemeine musikalische Zeitung Bd., Bde. -
A BRIEF GUIDE to the LITURGY of the HOURS (For Private/Individual Recitation) Taken in Part From
A BRIEF GUIDE TO THE LITURGY OF THE HOURS (For Private/Individual Recitation) taken in part from http://www.cis.upenn.edu/~dchiang/catholic/hours.html Names: LOH, Divine Office, “The Office,” “The Breviary” Brief History Jewish practice: • Ps. 119:164: "Seven times a day I praise you" • perhaps originating in the Babylonian Exile (6th cent. BC): “sacrifice of praise.” • Perhaps older: synagogues • Temple use after the Exile: o Morning and Evening Prayer and at the Third, Sixth and Ninth Hours Early Christians continued • Acts 3: 1 Now Peter and John were going up to the temple at the hour of prayer, the ninth hour. • Acts 10:9: The next day, as they were on their journey and coming near the city, Peter went up on the housetop to pray, about the sixth hour. Mass of the Catechumens Monastic Use Current Canonical Use: clerics, religious and laity Liturgical nature: • “why”: the prayer of the Church • “norm”: public recitation, with rubrics, etc. o chanted Instructions: • General Instruction of the Liturgy of the Hours • Rubrics • “Saint Joseph Guide for the Liturgy of the Hours” Sources used to pray the liturgy of the hours, either: • the 4 volume “Liturgy of the Hours” (“Breviary”) • the 1 volume “Christian Prayer”: there are various versions of this. • various “apps” for smartphones and websites as well (e.g.: http://divineoffice.org/. 1 When: The “Hours” (Note: each is also called an “office”, that is “duty”) There are seven “hours”—or each day: 1. Office of Readings [OR] or “Matins”: can be any time of day, but traditionally first 2.