Frontlist & Backlist Fall/Winter 2016

Fall/Winter 2016

trade Frontlist & Backlist

001-126_TC 2016-2_TAM.indb 1 30.05.16 11:04 001-126_TC 2016-2_TAM.indb 2 30.05.16 11:04 001-126_TC 2016-2_TAM.indb 1 30.05.16 11:04 001-126_TC 2016-2_TAM.indb 2 30.05.16 11:04 001-126_TC 2016-2_TAM.indb 1 30.05.16 11:04 Helmut Newton. new edition New Deal Photography. June The Eiffel Tower revised Edition Keiichi Tahara. august Work may USA 1935–1943 july Architecture Fin-de-Siècle

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new TITLES

Sc., 8.3 x 10.7 in., 280 pp. Hc., 5.5 x 7.7 in., 608 pp. Sc., 10.6 x 15 in., 176 pp. 978-3-8365-2688-3 $ 29.99 978-3-8365-3711-7 $ 19.99 978-3-8365-2703-3 $ 19.99 Alice Springs. June Art for All. July Christo and Jeanne-Claude. July Urban Rooftops. august The Paris MEP Show The Color Woodcut in Vienna around 1900 The Floating Piers Islands in the Sky

Hc., 8.3 x 10.8 in., 112 pp. Hc., 9.7 x 14.6 in., 416 pp. Sc. with flaps, 9.3 x 11.4 in., 128 pp. Hc., 9.5 x 12.5 in., 464 pp. Hc., 3 vols. in slipcase, 10.6 x 14.5 in., 1,016 pp. 978-3-8365-3973-9 $ 49.99 978-3-8365-3921-0 $ 69.99 978-3-8365-4783-3 $ 29.99 978-3-8365-6375-8 $ 69.99 978-3-8365-3057-6 $ 300 William Claxton. new edition Sebastião Salgado. july Dalí. Les dîners de Gala august Expressionism revised & updated Edition Mark Ryden. updated Edition Jazzlife july Exodus Facsimile edition of a great classic! august Pinxit august

Hc. in slipcase, 9.4 x 13.2 in., 600 pp. Hc., 8.3 x 11.9 in., 320 pp. Hc., 9.4 x 12.4 in., 280 pp. Hc., 9.3 x 12.4 in., 360 pp. 978-3-8365-4293-7 $ 69.99 978-3-8365-0876-6 $ 59.99 978-3-8365-2005-8 $ 29.99 978-3-8365-3982-1 $ 39.99 Sebastião Salgado. july Blaeu. august Fausto & Felice Niccolini. august Automobile Design Graphics august Children Atlas Maior The Houses and monuments of Pompeii

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Hc., 9.8 x 13 in., 124 pp. Hc., booklet, 9.8 x 13 in., 432 pp. Hc. in slipcase, 9.9 x 15 in., 512 pp. Hc., 11.1 x 15.6 in., 652 pp. Hc., 9.8 x 12.5 in., 368 pp. 978-3-8365-6136-5 $ 49.99 978-3-8365-6130-3 $ 69.99 978-3-8365-3803-9 $ 69.99 978-3-8365-5687-3 $ 200 978-3-8228-5371-9 $ 59.99

001-126_TC 2016-2_TAM.indb 2 30.05.16 11:05 001-126_TC 2016-2_TAM.indb 3 30.05.16 11:05 Helmut Newton. new edition New Deal Photography. June The Eiffel Tower revised Edition Keiichi Tahara. august Work may USA 1935–1943 july Architecture Fin-de-Siècle

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new TITLES

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001-126_TC 2016-2_TAM.indb 2 30.05.16 11:05 001-126_TC 2016-2_TAM.indb 3 30.05.16 11:05 Reinhart Wolf. Facsimile edition Lesbians for Men august Bob Mizer. august B erlin in the 1920s september Kay Nielsen’s september Little Nemo by Winsor McCay. september New York of a great classic! AMG: 1000 Model Directory A Thousand and One Nights A Life of Imaginative Genius august XXL XXL XXL

Cover not final

Hc., 11.8 x 16.5 in., 80 pp. Hc., 8.3 x 11.8 in., 288 pp. Hc., 2 vols. in slipcase, DVD, 8.7 x 10.8 in., 1,048 pp. Hc., 8.3 x 10.2 in., 96 pp. Hc. with 21 prints, 16.5 x 16.5 in., 144 pp. Hc., 13.5 x 17.3 in., 360 pp. 978-3-8365-2495-7 $ 39.99 978-3-8365-5960-7 $ 49.99 978-3-8365-5029-1 $ 99.99 978-3-8365-5050-5 $ 14.99 978-3-8365-3226-6 $ 150 978-3-8365-6310-9 $ 69.99 Mario Testino. august Modern Architecture A-Z new edition Industrial Design A-Z revised & updated edition James Lovelock et al. september P eter Lindbergh. september SIR september september The Earth and I A Different History of Fashion

Modern Architecture A-Z

Sc., 10.6 x 13.8 in., 500 pp. Hc., 5.5 x 7.7 in., 696 pp. Hc., 5.5 x 7.7 in., 616 pp. Hc., rotating cover, fold-outs, 8.3 x 10.8 in., 168 pp. 978-3-8365-5372-8 $ 69.99 978-3-8365-5631-6 $ 19.99 978-3-8365-2216-8 $ 19.99 978-3-8365-5111-3 $ 29.99 Walt Disney. september M atthew Weiner’s september The Animation Archives 1921–1968 Mad Men

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Hc., 2 vols. in slipcase, 14.2 x 8.9 in., 1,040 pp. Hc., 9.4 x 13.4 in., 500 pp. 978-3-8365-2643-2 $ 200 978-3-8365-5282-0 $ 69.99

Eugène Atget. september R obert Crumb. Sketchbook. new edition Renoir. revised & updated Edition Paris 1857–1927 June 1964–September 1968 september Painter of Happiness october

Hc., quarter-bound, film strip, 16.2 x 11.8 in., 624 pp. Hc., 5.5 x 7.7 in., 640 pp. Hc., 7 x 9.2 in., 448 pp. Hc., 9.4 x 12.4 in., 440 pp. 978-3-8365-5291-2 $ 200 978-3-8365-2230-4 $ 19.99 978-3-8365-4057-5 $ 39.99 978-3-8365-6219-5 $ 29.99

001-126_TC 2016-2_TAM.indb 4 30.05.16 11:05 001-007_Cover_Index_TC 2016-2_CS5-5_TAM.indd 5 30.05.16 13:25 Reinhart Wolf. Facsimile edition Lesbians for Men august Bob Mizer. august B erlin in the 1920s september Kay Nielsen’s september Little Nemo by Winsor McCay. september New York of a great classic! AMG: 1000 Model Directory A Thousand and One Nights A Life of Imaginative Genius august XXL XXL XXL

Cover not final

Modern Architecture A-Z

XXL XL

Hc., 2 vols. in slipcase, 14.2 x 8.9 in., 1,040 pp. Hc., 9.4 x 13.4 in., 500 pp. 978-3-8365-2643-2 $ 200 978-3-8365-5282-0 $ 69.99

Eugène Atget. september R obert Crumb. Sketchbook. new edition Renoir. revised & updated Edition Paris 1857–1927 June 1964–September 1968 september Painter of Happiness october

001-126_TC 2016-2_TAM.indb 4 30.05.16 11:05 001-007_Cover_Index_TC 2016-2_CS5-5_TAM.indd 5 30.05.16 13:25 Symbolism revised & updated Edition Ernst Haeckel October Jamie Hewlett October Sins of the City. October The United States with National Geographic October October The real Los Angeles Noir

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Ernst Haeckel

Cover not final Hc., 9.4 x 12.4 in., 296 pp. Hc., 11.2 x 15.6 in., 600 pp. Hc., 9.8 x 12.5 in., 392 pp. Hc., quarter-bound, slipcase, 10.6 x 11.8 in., 300 pp. 978-3-8365-2061-4 $ 29.99 978-3-8365-2646-3 $ 200 978-3-8365-6093-1 $ 59.99 978-3-8365-6076-4

National Geographic Infographics October 75 Years of Capitol Records October Art Record Covers October Barbra Streisand. october Steve Schapiro & Lawrence Schiller

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Cover not final Hc., fold-outs, 9.7 x 14.6 in., 480 pp. Hc., 13 x 13 in., 500 pp. Hc., 11.5 x 11.5 in., 552 pp. Hc., 10.4 x 14.7 in., 336 pp. Hc., 2 vols. in slipcase, 10.4 x 14.5 in., 932 pp. 978-3-8365-4595-2 $ 69.99 978-3-8365-5028-4 $ 200 978-3-8365-4029-2 $ 69.99 978-3-8365-6323-9 $ 69.99 978-3-8365-6155-6 Egon Schiele. October The Fairy Tales of new edition Great Escapes Africa Updated Edition Great Escapes Asia Updated Edition Great Escapes South America Updated Edition Complete Paintings, 1909–1918 the Brothers Grimm October october october october

Complete Paintings 1909-1918

Hc., 5.4 x 7.7 in. Hc., 9.4 x 11.9 in., 360 pp. Hc., 9.4 x 11.9 in., 360 pp. Hc., 9.4 x 11.9 in., 360 pp. 978-3-8365-4834-2 $ 15 978-3-8365-5567-8 $ 39.99 978-3-8365-5565-4 $ 39.99 978-3-8365-5569-2 $ 39.99 The Fairy Tales of new edition Ren Hang October The Package Design Book 4 november David Bowie. november Hans Christian Andersen October The Man Who Fell to Earth

David Bowie The Man Who Fell to Earth

Schiele

Hc., 11.4 x 15.6 in., 600 pp. Hc., 5.4 x 7.7 in. Hc., 8.9 x 11.8 in., 320 pp. Hc., ribbon bookmark, 9.4 x 10.1 in., 416 pp. 978-3-8365-4612-6 $ 200 978-3-8365-4839-7 $ 15 978-3-8365-6207-2 $ 39.99 978-3-8365-4438-2 $ 59.99 978-3-8365-6241-6

001-126_TC 2016-2_TAM.indb 6 30.05.16 11:05 001-126_TC 2016-2_TAM.indb 7 30.05.16 11:05 Symbolism revised & updated Edition Ernst Haeckel October Jamie Hewlett October Sins of the City. October The United States with National Geographic October October The real Los Angeles Noir

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Ernst Haeckel

National Geographic Infographics October 75 Years of Capitol Records October Art Record Covers October Barbra Streisand. october Steve Schapiro & Lawrence Schiller

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Complete Paintings 1909-1918

David Bowie The Man Who Fell to Earth

Schiele

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Top and opposite: The Floating Piers, Project for Lake Iseo, Italy, 2014–2016 © Christo. Photo: Wolfgang Volz

Walking on water The making of Christo and Jeanne-Claude’s The Floating Piers

From June 18 to July 3, 2016, 100 kilometers east of Milan and 200 kilometers west of Venice, thousands of people will walk on water. The Floating Piers by Christo will deploy 70,000 square meters of shimmering yellow fabric above a modular floating dock system of 200,000 high-density polyethylene cubes to create a temporary, three-kilometer walkway across the surface of Lake Iseo, connecting the mainland to the islands of Monte Isola and San Paolo. The piers will be 16 meters wide and approximately 50 centimeters high, with sloping sides. Visitors will experience the artwork by walking from Sulzano to Monte Isola and over to San Paolo. The mountains surrounding the lake will also offer a bird’s-eye view of the project, revealing unnoticed angles and perspectives. The Floating Piers will be Christo’s first large scale project since Christo and Jeanne- Claude realized The Gates in 2005 and will draw upon Christo and Jeanne-Claude’s established history of projects in Italy, including Wrapped Fountain and Wrapped Medieval Tower in Spoleto, 1968; Wrapped Monuments in Milan, 1970; and The Wall – Wrapped Roman Wall in Rome, 1973–74. This book presents rich photographic coverage of Floating Piers alongside Christo’s sketches, models, documents and designs, revealing the process behind this water- borne work of art. Incorporating everything from approval procedures to the manu- Christo and Jeanne-Claude. facture of fabric and anchoring elements, it testifies not only to Christo’s unique The Floating Piers. Project for Lake Iseo, Italy, 2014–2016 creative imagination but also to the immense technical, bureaucratic, and logistical Photographs by Wolfgang Volz feats that allowed the concept to take float. Softcover with flaps, 9.3 x 11.4 in., 128 pp. 978-3-8365-4783-3 Christo and Jeanne-Claude. The Floating Piers $ 29.99 June 18 – July 3, 2016 Sulzano, Lake Iseo Christo and Jeanne-Claude. Waterworks April 7 – September 18, 2016 Museo di Santa Giulia, Brescia ,!7ID8D6-fehidd!

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Top and opposite: The Floating Piers, Project for Lake Iseo, Italy, 2014–2016 © Christo. Photo: Wolfgang Volz

Walking on water The making of Christo and Jeanne-Claude’s The Floating Piers

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Above: Barker at the grounds at the Vermont state fair, Rutland, September 1941. Photo Jack Delano. Faces, places, and punk Another country The Alice Springs portfolio How the Farm Security Administration introduced America to Americans

When her husband – who happened to be world-famous photographer Helmut Amid the ravages of the Great Depression, the United States Farm Security Newton – fell sick with flu on the eve of a pressing deadline in 1970, it was up to his Administration (FSA) was first founded in 1935 to address the country’s rural pov- wife, June, to photograph an advertisement for Gitanes cigarettes. After the barest erty. Its efforts focused on improving the lives of sharecroppers, tenants, and very instruction in lighting and camerawork, June clicked the shutter on a smoking model poor landowning farmers, with resettlement and collectivization programs, as well and ignited her own career behind the lens. as modernized farming methods. In a parallel documentation program, the FSA Using the pseudonym Alice Springs, June Newton began as a commercial photogra- hired a number of photographers and writers to record the lives of the rural poor and pher, shooting advertisements for French and international fashion magazines, “introduce America to Americans.” before exploring portraiture and celebrity via the highlife in Hollywood and lowlife of This book records the full reach of the FSA program from 1935 to 1943, honoring its the L.A. punk scene during the 1980s. She became Helmut’s artistic director, collabo- vigor and commitment across subjects, states, and stylistic preferences. The photo- rating on exhibitions and books as well as developing her own characteristically graphs are arranged into four broad regional sections but otherwise allowed to speak intense, revealing photography. for themselves—to provide individual impressions as much as they cumulatively build Coinciding with a major retrospective at the Maison Européene de la Photographie, an indelible survey of a nation. Through color and black-and-white images, we meet this TASCHEN collection celebrates Alice Springs’s work with a focus on the glam- convicts, cotton workers, kids on the street, and relocated workers on the road. our and seedy excitement of 1980s Melrose in Los Angeles, as well as some of her We see subjects victim to the elements of nature and the timeless rituals of human most compelling self-portraits and studies of Helmut. Throughout, we celebrate life, as much as to the vagaries of the global economic market. We meet Dorothea Springs’s sensitivity to subjects in composition and her particular skill at capturing Lange’s iconic Migrant Mother, weather-beaten and worn, with two children leaning New Deal Photography. USA 1935–1943 the charisma animating a figure or face. on her shoulders. Peter Walther Hardcover, 5.5 x 7.7 in., 608 pp. Alice Springs. The Paris MEP Show What unites all of the pictures is a commitment to the individuality and dignity of 978-3-8365-3711-7 Hardcover, 8.3 x 10.8 in., 112 pp. each subject, as much as to the witness they bear to this particular period of the $ 19.99 978-3-8365-3973-9 $ 49.99 American past and to universal cycles of growing, playing, eating, aging, ailing, and dying. Through the lenses of such perceptive, sensitive photographers as Dorothea Lange, Jack Delano, Russell Lee, Marion Post Wolcott, Walker Evans, and Ben Shahn, subjects are entrenched in the hardships of their historical lot, caught in the loop of humanity, and yet face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence. Alice Springs. The MEP Show June 2 – November 20, 2016 Helmut Newton Foundation, Berlin ,!7ID8D6-fdjhdj! ,!7ID8D6-fdhbbh!

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Opposite: Gustav Marisch, Flute Player, 1910. © University of Applied Arts Vienna, Collection and Archive Woodcut waltz Vienna’s color woodcut revolution

At the turn of the 20th century, amid the domed grandeur of Vienna, a group of Secession artists reclaimed the humble woodblock – long overlooked by established XL art histories. Elevating a primarily illustrative, mass-production medium to the status of fine art, the woodblock revival set a formal precedent for Expressionism while democratizing an art for all. Coinciding with the travelling exhibition through the Kunsthalle, Frankfurt, and Albertina, Vienna, this TASCHEN edition brings together leading examples of the Viennese woodblock renaissance to give a long overdue exploration of its achieve- ments and influence. Through prints, publications, calendars and pages from Ver Sacrum, the official magazine of the Vienna Secession, it gathers works remarkable for their graphic and chromatic intensity, and vital with the traces of japonisme as much as the stylistic seeds of Die Brücke, Der Blaue Reiter and later Expressionist movements. Through figure studies, landscapes, patterns, and typographical trea- sures, the featured works are accompanied by essays exploring their aesthetic and ideological implications, and biographies for the more than 40 artists. Examining their stark contours, stylization of the surface per se, and tendency towards contained color areas we evaluate the Viennese woodblocks as essential harbingers, and benchmarks, of the 20th century modernism to come. At the Art for All. The Color Woodcut same time, we assess how the dissemination of the woodblock substantiated the in Vienna around 1900 Tobias G. Natter, Max Hollein, Seccessionist claim for a democratized, all-encompassing art, while adding to their Klaus Albrecht Schröder reappraisal of originality, and authenticity, and convention. Hc., 9.7 x 14.6 in., 416 pp. 978-3-8365-3921-0 $ 69.99 Colour Woodcuts in Vienna around 1900 July 7 – October 3, 2016 Schirn Kunsthalle, Frankfurt am Main October 19, 2016 – January 22, 2017 Albertina, Vienna ,!7ID8D6-fdjcba!

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Opposite: Gustav Marisch, Flute Player, 1910. © University of Applied Arts Vienna, Collection and Archive Woodcut waltz Vienna’s color woodcut revolution

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Opposite: Landless peasants, Giacometti plantation, State of Paraná, Brazil, 1996 Humanity on the move A new edition of Sebastião Salgado’s classic and timely record of refugees and migrants on the move

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to doc- ument displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean sea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of vio- lence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. Against the indistinct faces of televised footage or the crowds caught beneath a news- Sebastião Salgado. Exodus paper headline, what we find here are portraits of individual identities, even in the Edited by Lélia Wanick Salgado Hardcover with booklet, 9.8 x 13 in., 432 pp. abyss of a lost land, home, and, often, loved ones. 978-3-8365-6130-3 At the same time, Salgado also declares the commonality of the migrant situation as a $ 69.99 shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social and political shifts of global information, urbanization, environmental damage, and vast discrepancies in wealth, which all contribute to the migratory phenomenon. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but in Salgado’s own words, to temper our political, economic, and environmental behaviors in a “new regimen of coexistence.” ,!7ID8D6-fgbdad!

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Opposite: Rio Bonito do Iguaçu, State of Paraná, Brazil, 1996 Innocence on the run A new edition of Salgado’s classic work The Children. Refugees and Migrants

In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the work- ings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite sud- denly, and abandon their schools, their friends, and their home. In this book Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soc- cer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth Sebastião Salgado. Children and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand Edited by Lélia Wanick Salgado Hardcover, 9.8 x 13 in., 124 pp. still before the camera for a moment in their lives, but ask questions that haunt for 978-3-8365-6136-5 years to come. Will they remain in exile? Will they always know an enemy? Will they $ 49.99 grow up to forgive or seek revenge? Will they grow up at all?

“This book is dedicated to all the children who look at these photographs and are moved to think about the lives behind the faces.” — Sebastião Salgado ,!7ID8D6-fgbdgf!

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Opposite: Rio Bonito do Iguaçu, State of Paraná, Brazil, 1996 Innocence on the run A new edition of Salgado’s classic work The Children. Refugees and Migrants

“This book is dedicated to all the children who look at these photographs and are moved to think about the lives behind the faces.” — Sebastião Salgado ,!7ID8D6-fgbdgf!

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Motor marketing Rising from the ashes A new collection of vintage American automobile brochures A meticulous record of the city that lay buried for more than 1,600 years

Marketing one of the major purchases of their lives to Americans was an exacting When the excavations at Pompeii were first placed on a scholarly, archaeological process that involved not only traditional advertising but also a crucial item that footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand XL extolled the virtues of the cars: the brochure. Often oversize and sumptuously pro- and ready to respond. Making use of the newly introduced technique of color lithog- duced, including acetate overlays with fabric and paint swatches, brochures were only raphy, they documented the buildings, frescos, statues, as well as its most ordinary available at dealer showrooms or auto fairs—hence specimens of antique and vintage everyday objects, of the city buried in just 24 hours by the catastrophic eruption of car brochures are rare collector’s items today. Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash. Frequently overlooked in design and automotive histories, this piece of ephemera is a The Niccolini’s goal was to illustrate all aspects of life in the antique city. Their publi- surprisingly lucid mirror image of American tastes, consumerism, and buying habits cation, Le case ed i monumenti di Pompei (“The Houses and Monuments of since the dawn of the automobile. Automobile Design Graphics presents for the first Pompeii”), which was issued in instalments between 1854 and 1896 in Naples, pre- time a comprehensive overview of this mostly forgotten breed of collateral advertis- sented over 400 color plates providing not only views, maps, and groundplans of the ing. From the most obscure (Tucker, Ajax, Columbia) to the most iconic (General city and its public buildings, but also offered unprecedented access to Pompeii’s pri- Motors, Ford, Chrysler), this unprecedented visual history brings together over 500 vate residences. They revealed the astonishing painted wall decorations that adorned reproductions from these rare and collectible customer brochures. Across eight these long-buried abodes, their intricate works of art, and the practical utensils of decades, they present not only some of the finest cars, but also some of the best illus- everyday use, conjuring up a vivid picture of each house as a real, domestic space. In tration and graphic design of the 20th century. addition, “animated” representations visualized daily life in Pompeii’s workshops, Ancillary examples of automotive literature, including the elaborate dealer manuals taverns, and shops, on its public squares, and in its temples, theatres, and baths. are also featured, alongside essays by automobile and cultural historian Jim Donnelly This meticulous TASCHEN reprint revives the Niccolini’s extraordinary achieve- and America’s preeminent design historian Steven Heller. Testament to a bygone era Automobile Design Graphics ment with all color plates and two introductory essays setting the project in its con- Fausto & Felice Niccolini. when cars were, quite simply, the stuff dreams were made of, this books is visual and Jim Heimann, Steven Heller, Jim Donnelly temporary context and presenting the historical protagonists of the Vesuvian excava- The Houses and monuments of Pompeii Hardcover, 9.8 x 12.5 in., 368 pp. Valentin Kockel, Sebastian Schütze informative pleasure for car enthusiasts, designers, and pop culture aficionados alike. 978-3-8228-5371-9 tions. In addition, we explore the remarkable influence exerted by Pompeian art – and Hardcover, 11.1 x 15.6 in., 652 pp. $ 59.99 by the haunting plaster casts made of victims of the eruption – on the visual arts. 978-3-8365-5687-3 Across painting, sculpture, and interior design, we trace the Pompeii legacy in the $ 200 work of Robert Adam, Anton Raphael Mengs, Angelica Kaufmann, Jean-Auguste- Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal. ,!7ID8C2-ifdhbj! ,!7ID8D6-ffgihd!

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Motor marketing Rising from the ashes A new collection of vintage American automobile brochures A meticulous record of the city that lay buried for more than 1,600 years

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Opposite: Moshe Safdie’s Skypark connects the three hotel towers of the Marina Bay Sands urban complex in Singapore. The swimming area includes three linked 50-meter swimming pools and a 146-meter-long infinity edge over- looking the city. © Timothy Hursley On top of the world Reinventing the rooftop

As urban living intensifies in density and numbers, the city landscape expands both outwards and upwards. Architects and urban designers craft new and experimental structures while also investigating existing buildings for potential reinvention or expansion. In particular, the roof of a building, once a perfunctory structural element, is now a city space in and of itself, beloved for the capacity to eke out further room for living or to craft inspiring refuges away from the bustle of the metropolis. This international selection of urban rooftops catalogs a new urban dimension. Through over 50 bars, restaurants, temporary art installations, and gardens, it testifies to the variety of intelligent and exuberant designs that grace city summits from Sydney to Hong Kong, Oslo to Chicago. Whether it’s the panoramic views, the expo- sure to the elements, or a slight giddiness that comes with height, we see just how the roof has nurtured not only architectural invention but a whole new facet and thrill to city living. Just like its predecessors Tree Houses and Cabins, Urban Rooftops features both brilliant photography and bright, contemporary illustration. As with all books in TASCHEN’s architecture series, it also celebrates both the established and the rising talents of the industry. Featured artists in this movement towards the skies include Pritzker Prize winners Norman Foster and Shigeru Ban, Jeffrey Inaba, Julien de Urban Rooftops. Islands in the Sky Smedt (JDS), and landscape designers such as Ken Smith and Vladimir Djurovic. Philip Jodidio Hardcover, 9.5 x 12.5 in., 464 pp. 978-3-8365-6375-8 $ 69.99

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Opposite: Lluís Domènech i Montaner, Palau de la Música Catalana, Barcelona, Spain, 1905–08, Skylight in the main hall. © Keiichi Tahara Floral buildings Art Nouveau marvels across Europe

At the turn of the 20th century, architecture took an imaginative leap. As new con- struction materials and technologies met such far-flung stimuli as the Far East, XL Nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudí, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy tale shimmer, and spaces with an ethereal wash of light or shadowy, mysterious hush. In this dramatic portfolio, architectural photographer Keiichi Tahara travels across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous facade of the Grand Hotel Europa to the elaborate sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style’s organic detailing, he surveys its floral patterns, vine-like balus- trades, and the soft, hollow interiors that seem to summon us into some primordial place. Drenched in sunshine or draped in dramatic shadows, Tahara’s pictures excel in evoking not only the unrivalled aura of these buildings but also the particular, fin-de-siècle spirit of their age, caught on the axel of a century, and characterized by reflection and yearning, as much as technological, philosophical, and political advance. Texts by Keiichi Tahara. Architecture Fin-de-Siècle Riichi Miyake accompany Tahara’s pictures to describe the buildings’ floor plans, Riichi Miyake, Peter Gössel Hardcover, 3 vols. in slipcase, designs, and the broader context of their dreamlike environments. 10.6 x 14.5 in., 1,016 pages 978-3-8365-3057-6 $ 300

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Opposite: Lluís Domènech i Montaner, Palau de la Música Catalana, Barcelona, Spain, 1905–08, Skylight in the main hall. © Keiichi Tahara Floral buildings Art Nouveau marvels across Europe

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Gala dinner Salvador Dalí’s surrealist cookbook Facsimile edition of a great classic! “Les diners de Gala is uniquely devoted to the pleasures of taste … If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.” —Salvador Dalí

Food and surrealism make perfect bedfellows: sex and lobsters, collage and cannibal- ism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner par- ties thrown by Salvador Dalí (1904–1989) and his wife and muse, Gala (1894–1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973,Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings. This reprint features all 136 recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversa- tion: “The jaw is our best tool to grasp philosophical knowledge.” All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs from such stellar Paris restaurants as Lasserre, La Tour d’Argent, Dalí. Les dîners de Gala Maxim’s, and Le Train Bleu. Good taste, however voluptuous, never goes out of fash- Hardcover, 8.3 x 11.9 in., 320 pp. 978-3-8365-0876-6 ion. In making this exceptionally rare book available to a wide audience, TASCHEN $ 59.99 brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens. Opposite: Photograph of a table setting with Salvador Dalí (from Réalités – Connaissance des Arts). Image Rights of Salvador Dalí reserved. Fundació Gala-Salavador Dalí, Figueres, 2016 ,!7ID8D6-faihgg!

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Mark Ryden’s carnival Anxious angles of curiosities The pioneers and masterworks of “degenerate” Expressionism Fuzzy bunnies and big-eyed girls Revised & updated edition Updated Edition German Expressionists were uneasy and angry. Emerging at the dawn of the 20th Blending themes of pop culture with techniques reminiscent of the old masters, Mark century, they railed against Christian and bourgeois values as much as rampant urban Ryden has created a singular style that blurs the traditional boundaries between high industrialization. Anti-imperialist, they were dispersed, shattered, and depleted by and low art. His work first garnered attention in the 1990s when he ushered in a new the horrors of the First World War, and rallied their efforts only to be officially erased genre of painting, “Pop Surrealism,” dragging a host of followers in his wake. He has by the Nazi “Degenerate Art” exhibition of 1937. trumped the initial surrealist strategies by choosing subject matter loaded with cul- In this comprehensive TASCHEN collection, director of the Gerhard Richter tural connotation. Archive Dietmar Elger gathers the many artists and elements of this urgent, scat- Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic tered, complex movement into one authoritative overview of its protagonists, princi- cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously ples, and essential role in 20th-century modernism. Finding a critical calm amid the glazed surfaces, the viewer is confronted with the juxtaposition of the childhood frenzy of color and distortion, the book distills Expressionism’s leading collectives, innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his Die Brücke and Der Blaue Reiter, as well as its regional characteristics across its paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the Berlin and Munich hubs, and its North German, Rheinland, and Viennese variants. surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange Along the way, we compare and contrast themes and stylistic choices as this dispersed and mysterious figures. Ornately carved frames lend the paintings a baroque exuber- group of artists wrestled with their modern industrial reality. We find luminous ance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyn- streaks from Wassily Kandinsky, and the sickly hues of Ernst Ludwig Kirchner, the cratic subject matter, Ryden’s work can leave no viewer unmoved. futurist facets of Franz Marc, and a partial Impressionist throwback in the gaudy Pinxit, whose title refers to the Latin term meaning “painted by,” is organized by the dabs of Emil Nolde. We meet fat faces, tired faces, and faces like African masks. We themes of Ryden’s major exhibitions—The Meat Show, Bunnies & Bees, The Tree walk into seedy bars with bloated old men, and then enter a claustrophobic yellow Expressionism Show, and so on—and includes collected essays by Yoshitomo Nara, Carlo Mark Ryden. Pinxit room occupied by an awkwardly posed nude. We are crushed in a cacophony of city Dietmar Elger McCormick, and others, and a new essay by culture critic Kristine McKenna. This Hardcover, 9.3 x 12.4 in., 360 pp. sound and smoke, and then left alone with woods, a lake, and silence. Hardcover, 9.4 x 12.4 in., 280 pp. sweeping retrospective brings together nearly two decade’s worth of Mark Ryden’s 978-3-8365-3982-1 978-3-8365-2005-8 Only $ 39.99 Spanning this richness and range in Expressionist output, Elger features such well- Only $ 29.99 paintings and works on paper, broadening the horizons of his uncanny universe and known figures as Beckmann, Kandinsky, Kirchner, Kokoschka, Nolde, Schiele, while bringing it to the world, one page at a time. taking care to present inadequately studied artists such as Conrad Felixmüller, Ludwig Meidner, and Marianne von Werefkin. The result is an expansive, inclusive, dependable digest of a vivid, often violent mode of expression, and the yearning and unease behind its frenzied paintwork. ,!7ID8D6-fcaafi! ,!7ID8D6-fdjicb!

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Men love girls who love girls 125 years of faux lesbian fantasy photography

Straight men have always had a thing for lesbians, or more correctly, for essentially straight women willing to do other women for their viewing pleasure. When a man sees two women together there’s no jealousy that another man’s getting the woman he can’t, as with heterosexual porn, just the joy of everything he likes times two, and the unshakable fantasy that women that wild would surely invite him to join in. Yes, it’s unrealistic, but that doesn’t make it any less popular, and photographers have been documenting these faux lesbian couplings for over 100 years. Lesbians for Men is the first photo book to acknowledge such photos are created to fuel male fantasy, to explore the reasons, and to trace their origins back to 1890, and forward to the present day. Over 300 photos, in black & white and color, celebrate the obliging women who’ve kissed, fondled, and fulfilled men’s lesbian cravings, in images created for pornogra- phy as well as “fine art.” Contemporary photographers include Nobuyoshi Araki, Guido Argentini, Bruno Bisang, Bob Carlos Clarke, Ed Fox, Ren Hang, Petter Hegre, Richard Kern, Will Santillo, and Kishin Shinoyama. Subjects range from simply affectionate to everything two women can do when they want to please male viewers as much as each other. Lesbians for Men Dian Hanson Hardcover, 8.3 x 11.8 in., 288 pp. 978-3-8365-5960-7 $ 49.99

Opposite: From the book The Sixties by Kishin Shinoyama

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Men love girls who love girls 125 years of faux lesbian fantasy photography

Opposite: From the book The Sixties by Kishin Shinoyama

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Opposite: John Tristram, 1959 © the Bob Mizer Foundation It’s raining men Two volumes and two decades of top physique models

In 1945 Bob Mizer began taking photographs of strapping young men on Muscle Beach in Venice, California. In December of that year he formed the Athletic Model Guild to market his photos, and “physique photography” was born. Before Mizer there were bodybuilders and men who photographed them, but AMG photos, even those of the same men, were different, subtly provocative, discretely aimed at a gay audience. They weren’t nude, but showed as much as the law allowed in 1945. In 1951 Mizer launched Physique Pictorial, America’s first indisputably gay magazine, bringing his photos of top bodybuilders to grateful readers worldwide. By the late ’50s Mizer had photographed over 1,000 men, moving from the beach to his quirky Los Angeles studio, where he introduced props including Greek columns, Roman headdresses, rear projection, and famously, his mother’s glassware, for theat- rical Hollywood effect. In 1957 he published a catalog featuring all his men, titled 1000 Model Directory. In 1968 a second 1000 Model Directory followed, with the men photographed in the intervening years. The little 98-page books became instant collectibles, but the photos were so small, 12 to a page, that they were as frustrating to view as they were titillating. TASCHEN’s two-volume edition 1000 Model Directory prints from Mizer’s original 4 x 5 negatives to present these handsome hunks in stunning clarity. Editor Dian Hanson trawled through a quarter million male nudes to select this lineup of top Bob Mizer. AMG: 1000 Model Directory models, including movie stars Sammy Jackson, Richard Harrison, and Ed Fury. Dian Hanson Glenn Corbett of TV’s 77 Sunset Strip is also here, as well as Nick Adams, star of The 2 Hardcover vols. in slipcase, with DVD, 8.7 x 10.8 in., 1,048 pp. Rebel, and top body builders Chris Dickerson, Dick Dubois, Vince Gironda, Bill 978-3-8365-5029-1 Grant, Zabo Koszewski, Henry Lenz, Don Peters, Bob Shealy, Charles Stroeder, $ 99.99 Armand Tanny, and John Tristram.

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Opposite: John Tristram, 1959 © the Bob Mizer Foundation It’s raining men Two volumes and two decades of top physique models

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Opposite: Scheherazade, the heroine of A Thousand and One Nights, is kneeling before the King Schahriyar’s feet at a respectful distance beneath the dais. © Kay Nielsen, Collection UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Gift of the Kay Nielsen Memorial Fund Night visions A fine art portfolio of Kay Nielsen’s sumptuous A Thousand and One Nights XXL In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations ofA Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. In the financially strapped postwar climate, however, publishers retreated from Nielsen’s project and the publication never happened. A rising star, Nielsen moved on to other work, and the spectacular pen, ink, and watercolor images of this world heri- tage classic remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen’s death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. Published for the first time ever in five colors including gold, this unique presentation Cover not final of fine art prints revives all 21 strikingly beautiful illustrations reproduced directly from Nielsen’s original watercolors−the only complete set of his beloved illustrations Kay Nielsen’s A Thousand and One Nights Noel Daniel to have survived. Gathered together in a clamshell case, each illustration is presented Hardcover with 21 fine art prints, individually in an extra-large format and on fine art paper, allowing Nielsen’s graphic 16.5 x 16.5 in., 144 pp. 978-3-8365-3226-6 mastery and rich array of influences, from Art Nouveau to Japanese woodcuts to $ 150 Indian painting, to dazzle. The clamshell case also includes a 144-page hardcover book also printed in five colors, featuring descriptions of all of the images, and three generously illustrated essays on the making of this series, the origin of Nielsen’s unique imagery, and a history of the tales. In addition, the accompanying book features many unpublished or rarely seen artworks by Nielsen, as well as all 23 of the incredibly intricate black-and-white drawings Nielsen also created for the original publication. This is a rare chance to own exceptional reproductions of this highly-influential artist’s only surviving complete set of watercolors. ,!7ID8D6-fdccgg!

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Glasgow Style Zeitgeist The life and work of Glasgow School pioneer, Charles Rennie Mackintosh The roaring twenties in Berlin New edition Scottish architect, designer, and painter Charles Rennie Mackintosh (1868–1928) It was the decade of daring Expressionist canvases, of brilliant book design, of the was one of the earliest pioneers of modern architecture and design. While he never Bauhaus total work of art, of pioneering psychology, of drag balls, cabaret, Metropolis, received major recognition in his hometown of Glasgow, his bold new blend of sim- and Marlene Dietrich’s rising star in theater and silent film. Between the paroxysms plicity and poetic details inspired modernists across Europe. of two world wars, Berlin in the 1920s was a carpe diem cultural heyday, replete with Mackintosh’s avant-garde approach embraced a variety of media as well as fresh groundbreaking art, invention, and thought. stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, This book immerses readers in the freewheeling spirit of the Weimar age. Through graphic design, landscapes, and flower studies. He embraced strong lines, elegant exemplary works in painting, sculpture, architecture, graphic design, photography, proportions, and natural motifs, combining a healthy dose of japonisme with a mod- and film, we uncover the innovations, ideas, and precious dreams that characterized ernist sensibility for function. He preferred bold black typography, restrained shapes, this unique cultural window. We take in the jazz bars and dance halls; the crowded and tall, generous windows suffusing rooms with light. kinos and flapper fashion; the advances in technology and transport; the radio towers Mackintosh’s projects in Glasgow include the famous Willow Tearooms, the private and rumbling trams and trains; the soaring buildings; the cinematic masterworks; residences Windyhill and The Hill House, and the Mackintosh Building at the and the newly independent women who smoked cigarettes, wore their hair short, and Glasgow School of Art, widely considered his masterwork. Much of his work was earned their own money. collaborative practice with his wife, fellow artist Margaret Macdonald. The couple Featured works in this vivid cultural portrait include Hannah Höch’s Journalists; made up half of the loose Glasgow collective known as “The Four”; the other two Lotte Jacobi’s Hands on the Typewriter; Otto Dix’s Portrait of Sylvia von Harden; were Margaret’s sister, Frances, and her husband, Herbert MacNair. Mackintosh Peter Behrens’s Project Alexanderplatz; and Josef von Sternberg’s The Blue Angel, Berlin in the 1920s On the continent, this “Glasgow Style” was met with delight. In Italy, Germany, Charlotte & Peter Fiell starring Dietrich as cabaret performer Lola Lola. Rainer Metzger Hardcover, 8.3 x 10.2 in., 96 pp. Hardcover, 8.3 x 10.2 in., 96 pp. and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew 978-3-8365-6160-0 Along the way, we explore both the utopian yearnings and the more ominous eco- 978-3-8365-5050-5 much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Only $ 14.99 nomic and political realities which fueled the era’s escapist, idealistic, or reactionary $ 14.99 Mackintosh’s practice across art, architecture, and design to explore his particular masterworks. Behind the bright lights and glitter dresses, we see the inflation, factory combination of the statuesque and sensual and its vital influence on modernist labor, and fragile political consensus that lurked beneath this golden era and would expression across Europe. eventually spell its savage end with the rise of National Socialism.

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Space shapers Form meets function An encyclopedia of modern architecture The industrial designs that shape our lives New edition revised & updated edition With more than 270 entries, this architectural A-Z, now part of our Bibliotheca If you take even the slightest interest in the design of your toothbrush, the history Universalis series, offers an indispensable overview of the key players in the behind your washing machine, or the evolution of the telephone, you’ll take an even creation of modern space. From the 19th to 21st century, pioneering architects are Modern greater interest in this completely updated edition of Industrial Design A–Z. featured with a portrait, concise biography, as well as a description of her or his Architecture Tracing the evolution of industrial design from the Industrial Revolution to the important work. present day, the book bursts with synergies of form and function that transform our Like a bespoke global architecture tour, you’ll travel from Manhattan skyscrapers A-Z daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the to a Japanese concert hall, from Gaudí’s Palau Güell in Barcelona to Lina Bo Bardi’s individual designers, the global businesses, and above all the genius products, that sports and leisure center in a former factory site in São Paulo. You’ll take in Gio become integrated into even the smallest details of our lives. Ponti’s colored geometries, Zaha Hadid’s free-flowing futurism, the luminous interi- Alongside star designers like Marc Newson and Philippe Starck, and major global ors of SANAA, and Charles Rennie Mackintosh’s unique blend of Scottish tradition brands like Braun, Samsung, and Apple, lesser-known and newcomer entries such and elegant japonisme. as Brompton Bicycles and Enercon wind turbines attest to product design’s restless The book’s A to Z entries also cover groups, movements, and styles to position these pace, as well as to today’s most pressing challenges and priorities to which it must leading individual architects within broader building trends across time and geo turn its creative invention. graphy, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student or devotee. Modern Architecture A-Z Industrial Design A-Z Hardcover, 5.5 x 7.7 in.), 696 pp. Charlotte & Peter Fiell 978-3-8365-5631-6 Hardcover, 5.5 x 7.7 in., 616 pp. Only $ 19.99 978-3-8365-2216-8 Only $ 19.99

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The bigger picture Madison Avenue magic An essential illustrated collection of earth and human science The twists, turns, and talents that make Mad Men XL Human beings are extraordinary creatures. Intelligent, agile, and curious, we have With its brilliant writing, spot-on acting, faultless art direction, and impeccable cos- adapted and invented our way to becoming the most important species on the planet. tume design, Mad Men is a landmark for cable television. Never before has a period So great is the extent of our influence, that many speak of a new geological era, the series offered such compelling plotlines alongside such painstaking attention to detail Anthropocene, an age defined by human-induced change to the blue and green globe and accuracy. As the show’s personal and professional machinations evolve, so too we call home. are the minutiae and the milestones of history in motion, from the shifting height of Our lofty status comes with responsibility as much as possibility: How should we hemlines to the struggles of the civil rights movement. approach our present and future? What knowledge should we carry with us? This book is TASCHEN’s tribute to Mad Men’s television art. Volume 1 chronicles Conceived by James Lovelock, inventor of the Gaia theory, this illustrated essay the show’s seven seasons with sequential stills alongside key script excerpts. From a collection brings together an all-star line-up of thinkers and scientists to offer sideways glance to a cavorting office Christmas party, each frame captivates in its essential understanding about who we are, how we live, and where we might be going. masterful visual storytelling, its choreography of people, places, and situations down Much as the Gaia theory considers our earth as an integrated whole of living systems, to the most discrete, dynamic detail. Matthew Weiner’s Mad Men The Earth and I encourages holistic understanding. Across 12 chapters, we take in Volume 2 brings a wealth of behind-the-scenes insights with on-set photographs, pro- Hardcover, 2 vols. in slipcase, both the intricate details and immense structures of our species and our planet, from duction ephemera, costume designs, notes from the writers’ room, as well as exten- 14.2 x 8.9 in., 1,040 pp. 978-3-8365-2643-2 our ever-expanding universe to our miniscule but mighty cells. We see stellar explo- sive and candid interviews with the show’s creator, Matthew Weiner; the “Writers’ $ 200 sions and the layers of life beneath our feet, delve into the neuroscience of decision- Room” (Lisa Albert, Semi Chellas, Jonathan Igla, Andre & Maria Jacquemetton, making, get to grips with our climate, and contemplate our increasing intimacy with Janet Leahy, Erin Levy, Tom Smuts, Carly Wray); Scott Hornbacher (executive pro- Above: Sterling Cooper Draper Pryce team, technology. ducer and director); Phil Abraham (cinematographer and director); Chris Manley circa 1965: Joan Harris (Christina Hendricks), The book’s world-class contributors include quantum physicist Lisa Randall, (director of photography); Dan Bishop (production and set designer); Janie Bryant Roger Sterling (John Slattery), Lane Pryce James Lovelock et al. The Earth and I (Jared Harris), Pete Campbell (Vincent Astronomer Royal Martin Rees, Pulitzer Prize-winning biologist Edward O. Wilson, Jack Hudson (costume designer); and Jon Hamm (actor and director). Kartheiser), Don Draper (Jon Hamm), and Hardbound with fold-outs and Peggy Olson (Elisabeth Moss) and Nobel Prize-winning neuroscientist Eric Kandel. With lively illustrations from rotating cover, 8.3 x 10.8 in., 168 pp. From the plot twists that took our breath away to the unforgettable outfits, from the British artist Jack Hudson, the result is an inspiration for curious minds young and 978-3-8365-5111-3 shapes and textures of ’60s decor to the very real intricacies of relationships, discover old, and a trusted toolkit for an informed and enlightened future. $ 29.99 the ideas, inspirations, and talents that brought human lives and human history together on the small screen.

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Making magic The phenomenal Disney journey

“Always remember that this whole thing started with a mouse.” —Walt Disney

In this first volume of the most comprehensive illustrated Disney publication to date, we chart the empire’s masterworks from the “Golden Age of Animation”, when Walt Disney’s trailblazing vision elevated animation into an art form in its own right. With unlimited access to the Disney archives and extensive research, the book’s authors have gathered concept art, story sketches, backgrounds, and animation drawings as well as many behind-the- scenes photos to trace the origins and evolution of such favorites as Snow White and the Seven Dwarfs, Pinocchio, Fanatasia, Dumbo, 101 Dalmations, and The Jungle Book.

XXL Walt Disney. The Animation Archives 1921–1968 Hardcover, quarter-bound, with film strip, 16.2 x 11.8 in., 624 pp. 978-3-8365-5291-2 $ 200 ,!7ID8D6-ffcjbc!

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Making magic The phenomenal Disney journey

“Always remember that this whole thing started with a mouse.” —Walt Disney

XXL Walt Disney. The Animation Archives 1921–1968 Hardcover, quarter-bound, with film strip, 16.2 x 11.8 in., 624 pp. 978-3-8365-5291-2 $ 200 ,!7ID8D6-ffcjbc!

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Opposite: Quai des Orfèvres, 1er arrondissement, 1910 Paris promenade Eugène Atget’s unique city portrait

A flaneur and photographer at once, Eugène Atget (1857–1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called “documents” of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Révolution Surréaliste, while Ray and much of his artistic circle pur- chased Atget prints. His fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives to celebrate his oustanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through court- Eugène Atget. Paris 1857–1927 yards and arcades and the 20 arrondissements, we find a unique portrait of a beloved Jean Claude Gautrand Hardcover, 5.5 x 7.7 in., 640 pp. city and the making of a modern photographic master. 978-3-8365-2230-4 $ 19.99

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Opposite: Quai des Orfèvres, 1er arrondissement, 1910 Paris promenade Eugène Atget’s unique city portrait

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Opposite: Madonna, Los Angeles, 1994. Harper’s Bazaar © Peter Lindbergh The Lindbergh lens Unique fashion storytelling that first launched the supermodel

When German photographer Peter Lindbergh shot five young models in downtown New York City in 1989, he produced not only the iconic British Vogue January 1990 cover but also the birth certificate of the supermodel. The image didn’t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty. Coinciding with his major retrospective at the Kunsthal in Rotterdam, The Nether lands, this book gathers more than 400 images from four decades of Lindbergh’s photography to celebrate his unique and gamechanging fashion storytelling. Raw and seductive at once, his trademark monochrome pictures are marked by a romantic and narrative vision which brought a new vision and artistry to the fashion world. Whether in single portraits or poetic compositions of figure and landscape, the imagery is inflected by cinematic language and by a play with female archetypes as his subjects adopt the guise of dancers, actresses, heroines, and femme fatales. At the same time, Lindbergh brings a humanist approach to photography, privileging natural and authentic beauty in an era of pervasive retouching, capturing spirit and personality as much as looks, and celebrating the elegance and sensuality of older women. In a testimony to Lindbergh’s illustrious status in the fashion world, his images are contextualised by commentaries from such runway royalty as John Paul Gaultier, Peter Lindbergh. Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose A Different History of Fashion Thierry-Maxime Loriot Lindbergh to shoot her first US Vogue cover. Their tributes explain what makes Hardcover, 9.4 x 13.4 in., 500 pp. Lindbergh’s images so unique and powerful. 978-3-8365-5282-0 $ 69.99

Peter Lindbergh. A Different History of Fashion September 10, 2016 – February 12, 2017 Kunsthal Rotterdam ,!7ID8D6-ffcica!

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Opposite: Madonna, Los Angeles, 1994. Harper’s Bazaar © Peter Lindbergh The Lindbergh lens Unique fashion storytelling that first launched the supermodel

Peter Lindbergh. A Different History of Fashion September 10, 2016 – February 12, 2017 Kunsthal Rotterdam ,!7ID8D6-ffcica!

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Golden Crumbs! Mid-1960s despatches from America’s most controversial cartoonist new edition From the very beginning, even before the sexual revolution made Robert Crumb the world’s most celebrated underground cartoonist, he felt compelled to commit his sexual fantasies to paper. Once upon a time, he’d destroy them, fearful of others discovering his quirky tastes. Then he found that baring his soul provided a sort of therapy, leading him to immortalize every desire in pen and ink. Crumb’s personal selection of these works originally appeared in in a gorgeous, but pricey, TASCHEN Collector’s Edition, personally curated by the notoriously fastidious artist. This compact new edition, sourced from the same Robert Crumb. Sketchbooks 1964–1982, offers the same high quality obsession at a bargain price. Through satire, psychedelia, and outlandish sexually obsessed characters, 450 pages bring the best of Crumb’s prolific mid-1960’s period of June 1964 to September 1968.

“The underground comic Robert Crumb. Sketchbook. June 1964–September 1968 and gifted dirty old man handpicks Hardcover, 7 x 9.2 in., 448 pp. 978-3-8365-4057-5 his finest unsavory doodles.” $ 39.99 — The Huffington Post,New York

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Impressions of grandeur Land of symbols The French Impressionist surveyed in depth Where myth, death, and desire reign Revised & updated edition Revised & updated edition Born in Limoges, France, Pierre-Auguste Renoir (1841–1919) was a painter of life, It was in France and Belgium, the cradles of literary Symbolism, that Symbolist love, and laughter. In rural landscapes, sun-drenched studies, and abundant female painting was born. In the late 19th century, painters such as Gustave Moreau and nudes, his oeuvre took the dappled touch of Impressionism into a new sensual realm. Odilon Redon rejected realism, naturalism, and impressionism to express instead the During the course of his career, Renoir assimilated and expressed numerous influ- emotion or idea. In place of Monet’s light-suffused landscapes or the frank working- ences and styles. Early works, created in Paris, tended towards portraiture, and were class subjects of Courbet came imaginary dream scenes of psychological, sexual, and heavily influenced by Delacroix, Courbet, and Degas. Later, he pioneered Impres mystical content. sionist traits alongside peers such as Pissaro and Monet with canvases including This generously sized book explores the Symbolists’ rich pool of inspiration as they Bal du Moulin de la Galette and Luncheon of the Boating Party epitomizing the move- strove to express such charged experiences as love, fear, anguish, death, sexual awak- ment’s plein air principles and scenes of bourgeois leisure. As Renoir’s reputation and ening, and unrequited desire. Through literature, the Bible, and Greek mythology, we output grew, a sense of classicism began to pervade his paintings, further fueled by see how the movement’s protagonists fused erudite references with personal and pri- trips to Italy to study masterpieces by Titian and Raphael. In later works, he adopted vate significance in the restless pursuit of a feeling-laden form. much more statuesque aesthetics, particularly in relation to his abundant, beloved With featured work from Edward Burne-Jones, Pierre Puvis de Chavannes, Gustav female models. Klimt, James Abbott McNeill Whistler, Gustave Moreau, Odilon Redon and many In this appropriately jumbo edition is a selection of more than 500 works that best more, the book attests to the favorite motifs as well as the stylistic variety of demonstrate Renoir’s immense talent and historical importance. With a complete Symbolist practice. In one work we find muted washes of pastel color, in another chronology, bibliography, and index of works, as well as photos and sketches illustrat- ornate textural details. More than once, we encounter the virgin or femme fatale, ing Renoir’s life and work, TASCHEN’s Renoir is the essential reference book for this Symbolism’s female archetypes par excellence. painter of happiness and poet of love. Renoir. Painter of Happiness Through this rich, sometimes obscure, but always evocative journey, we come to Symbolism Gilles Néret appreciate an essential 19th-century movement which not only spawned disciples Michael Gibson, Gilles Néret Hardcover, 9.4 x 12.4 in., 440 pp. Hardcover, 9.4 x 12.4 in., 296 pp. 978-3-8365-6219-5 around the world, but also paved the way for some of the leading modernist 978-3-8365-2061-4 Only $ 29.99 developments. Only $ 29.99

Renoir and intimacy October 18, 2016 – January 22, 2017 Museo Thyssen-Bornemisza, Madrid ,!7ID8D6-fgcbjf! ,!7ID8D6-fcagbe!

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Renoir and intimacy October 18, 2016 – January 22, 2017 Museo Thyssen-Bornemisza, Madrid ,!7ID8D6-fgcbjf! ,!7ID8D6-fcagbe!

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Opposite: Two Girls on Fringed Blanket, 1911. Private collection

Twisted brilliance The complete catalogue of Egon Schiele, 1909–1918

Over the course of his short life, Austrian artist Egon Schiele (1890–1918) blazed a turbulent Expressionist trail. A child prodigy, young rebel, and chronic provocateur, XL he caused uproar among the establishment with his contorted lines, distorted bodies, and explicit eroticism and continues to startle to this day with his unflinching images of himself and his nude, splayed subjects.

Schiele reveled in stylistic freedom and shock. In the twilight years of the Austro- Complete Paintings Hungarian Empire, he swiftly abandoned classical figuration for a distorted and exag- 1909-1918 gerated physicality that rendered emotional and sexual truth rather than refined beauty ideals. His subjects are elongated, angular, and twisted. Ribs protrude from skeletal forms. Fingers and limbs contort, skin is sickly yellow, and eyes are dark afraid. The body becomes the locus of human drama and anguish. Schiele’s only reprieve was the promise of sex. Like no other early 20th-century artist, he laid geni- talia bare, bringing some of the most candid renderings of the vagina in Western art history, as well as scenes of masturbation and lesbian sex. Schiele’s life ended with the same drama and emotional turmoil that defined his work, dying of Spanish influenza in 1918 just after his pregnant wife Edith succumbed Schiele to the same pandemic. His legacy, despite the brevity of his life, is exceptional. His influence can be traced through the work of countless 20th-century masters, from Egon Schiele. Francis Bacon and Otto Muehl to Julian Schnabel, David Bowie, and Tracey Emin. Complete Paintings, 1909–1918 Tobias G. Natter In this expansive new book, we survey the complete catalogue of Schiele paintings Hardcover, 11.4 x 15.6 in., 600 pp. from his most innovative and prolific decade. The 221 featured works are presented 978-3-8365-4612-6 alongside biographical details, expert insights, as well as Schiele’s own writings and $ 200 poems, offering intimate access to his ideas and psyche.

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Opposite: Two Girls on Fringed Blanket, 1911. Private collection

Twisted brilliance The complete catalogue of Egon Schiele, 1909–1918

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Opposite: Kalkschwämme (Calcareous sponge)

Microbial marvels Ernst Haeckel, the 19th-century pioneer who captured the artistic beauty of the natural world

Ernst Haeckel (1834–1919) was a German-born biologist, naturalist, evolutionist, artist, philosopher, and doctor, who spent his life researching flora and fauna from the XXL highest mountaintops to deepest ocean. A vociferous supporter and developer of Darwin’s theories of evolution, he denounced religious dogma, abandoned an early career in medicine, authored philosophical treatises, gained a doctorate in zoology, and coined scientific terms which have passed into common usage, including ecology. Haeckel’s colossal legacy has fascinated, and polarized generations. But what was at the heart of his extraordinary life’s work? Rather like his intellectual forebear, Ernst Alexander von Humboldt, Haeckel was motivated not only to discover but also to explain. To do this, he created hundreds of detailed drawings and watercolors, of his Haeckel findings which he published in successive volumes during the 20th century, including several marine organism collections and the majestic Kunstformen der Natur (Art Forms in Nature), which could serve as the cornerstone of Haeckel’s entire life project. Like a meticulous visual encyclopedia of living things, Haeckel’s work was as remarkable for its graphic precision and meticulous shading as for its understanding of organic evolution and cellular development. From bats to the box jellyfish, lizards to lichen, and spider legs to sea anemones, he emphasized the essential symmetries and order of nature, and found biological beauty in even the most unlikely of crea- Ernst Haeckel tures. The prints not only furthered the study of natural history but also influenced Hardcover, 11.2 x 15.6 in., 600 pp. 978-3-8365-2646-3 generations of 20th-century artists and architects, from the emerging proponents of $ 200 Art Nouveau to architects such as Hendrik Petrus Berlage, whose Amsterdam Commodities Exchange was inspired by Haeckel’s illustrations. In this book, we celebrate the scientific, artistic, and environmental importance of Haeckel’s work, with a collection of prints from several of his most important tomes on marine biology, including Die Radiolarien, Monographie der Medusen, Die Kalkschwämme, and Kunstformen der Natur. At a time when biodiversity is increasingly threatened by human activities, the book is at once a visual masterwork, an underwater exploration, and a vivid reminder of the precious variety of life. ,!7ID8D6-fcgegd!

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Opposite: Kalkschwämme (Calcareous sponge)

Microbial marvels Ernst Haeckel, the 19th-century pioneer who captured the artistic beauty of the natural world

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Opposite: John Dawson, Wetlands, March 1987. © National Geographic A history of knowledge The best infographics from the National Geographic archives

Back in the days when the information age was a distant dream and the world a more mysterious place, National Geographic began its mission to reveal the wonders of XL history, popular science, and culture to eager audiences around the globe. Since that 1888 launch, the world has changed; empires have risen and crumbled and a galaxy of information is today only the click of a mouse away. But National Geographic endures; its calm, authoritative voice is respected as ever amid the surfeit of data in our daily lives. In this new anthology, TASCHEN and National Geographic gather the magazine’s best infographics of the past 128 years. Through seven sections—History, The Planet, Being Human, Animal World, World of Plants, Science and Technology, and Space —we encounter the rise and fall of the Roman Empire, the mysterious origins of the Easter Island statues, Cleopatra’s Alexandria and a history of Hawaiian surfboarding, all distilled in expert, accessible graphic form. We discover how our genetic patterns have been pieced together over the years or how hip-hop emerged as a cultural heavy- weight; we get to grips with global warming, and explore our ever-expanding study of an ever-expanding universe. With an essay by Nigel Holmes, charting the evolution of National Geographic over the decades and its pioneering use of graphics, as well as four fold-outs mimicking National Geographic Infographics original pull-outs or inserts in the magazine, the book stands as a defining record Julius Wiedemann Hardcover with fold-outs, 9.7 x 14.6 in., of one of the world’s best-known publications as much as it is a beautifully presented 480 pp. repository of discovery and learning. Visualizing the histories, facts, and figures 978-3-8365-4595-2 that make up our planet and our species, National Geographic Infographics is $ 69.99 as true to the magazine’s original mission as ever—an anchor of knowledge and a wunderkammer of wisdom.

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Opposite: John Dawson, Wetlands, March 1987. © National Geographic A history of knowledge The best infographics from the National Geographic archives

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Opposite: The Young Fool and the Sea, 2010. © Jamie Hewlett Gorilla thriller Inside the mind of Jamie Hewlett

From the legendary Tank Girl to live-action animations with art-pop noisemakers Gorillaz, dabblings with Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture. With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid 1990s as cocreator of the zeitgeist-defining Tank Girl comic. With then- roommate, Blur frontman Damon Albarn, he went on to create the unique cartoon band Gorillaz, a virtual pop group of animated characters, which recorded four studio albums and mounted breathtaking live spectacles. Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng’en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named ’Designer of the Year’ by the Design Museum in London, and in 2009, Hewlett and Albarn won a Bafta for their Monkey animated sequence for the Beijing Olympic Games. More recently, an exhibition of prints at the Saatchi Gallery in London demonstrated an exciting new direction in Hewlett’s practice. This new TASCHEN edition, Hewlett’s first major monograph, illustrates this thrill- ing creative journey with over 400 artworks from the Tank Girl era through Gorillaz Jamie Hewlett and up to the present day. Through stories, characters, strips, and sketches, we trace Julius Wiedemann Hardcover, 9.8 x 12.5 in., 392 pp. Hewlett’s exceptional capacity for invention and celebrate a polymath artist who 978-3-8365-6093-1 refuses to rest on his laurels, or to be pigeonholed into a particular practice. $ 59.99

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Opposite: The Young Fool and the Sea, 2010. © Jamie Hewlett Gorilla thriller Inside the mind of Jamie Hewlett

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Sound art An unprecedented collection of artists’ record covers from the 1950s to today

Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Henri Matisse’s Music (1910) and Hugo Ball’s sound poem “Karawane” (1916) to Wassily Kandinsky’s visual “chords,” the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In this unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents over 600 album and record covers given the artistic treatment from the 1950s through to today. Ordered by artist, the covers reveal how modern, postmodern, Pop Art, street art, and conceptual practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, Damien Hirst’s synecdoche skull for The Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. The covers are featured with succinct analyses and each with a fact sheet listing Art Record Covers Julius Wiedemann the artist, performer, album name, label, year of release, and information on the origi- Hardcover, 11.5 x 11.5 in., 552 pp. nal artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian 978-3-8365-4029-2 $ 69.99 Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts and insights on the collaborative relationship between artists and musicians.

Opposite from left to right: Linder for Buzzcocks, Orgasm Addict, 1977; Robert Mapplethorpe for Scissor Sisters, Night Work, 2010; Damien Hirst for The Hours, See The Light, 2009; Tauba Auerbach for Glasser, Ring, 2010; Banksy for Dirty Funker, Let’s Get Dirty, 2006; Mike Kelley for Sonic Youth, Dirty, 1992; A. R. Penck for Kowald Trio I Mit Peter Kowald, Luigi Trovesi Und A.R. Penck, Konzert in der Kunsthalle Bern, 1981; Jeff Koons for Lady Gaga,Artpop , 2013; Yoshitomo Nara for Matthew Sweet, Kimi Ga Suki * Raifu, 2003; Albert Oehlen for Gastr Del Sol, Mirror Repair, 1994; Yoko Ono for Yoko Ono, Season Of Glass, 1981; Keith Haring for Emanon, The Baby Beat Box, 1986 ,!7ID8D6-feacjc!

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Sound art An unprecedented collection of artists’ record covers from the 1950s to today

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Opposite: Streisand in the naughty “modeling outfit” fromThe Owl and the Pussycat. November 1970. © Steve Schapiro Pitch perfect From Funny Girl to A Star Is Born, the meteoric rise of Barbra Streisand

In 1970 Barbra Streisand published a story in Life magazine titled “Who Am I Anyway?” It was the very question two leading photojournalists of the day—Steve XL Schapiro and Lawrence Schiller—were also asking as they photographed her during her first five years in Hollywood, working to get beneath the veneer and capture “the real Barbra.” Brimming with photographs, stories, and behind-the-scenes shots from Schapiro and Schiller, and previously available only as a limited edition, this is a must-have collection for any Streisand fan. All the best movies of Streisand’s first Hollywood decade are here: Funny Girl, On a Clear Day You Can See Forever, The Way We Were, The Owl and the Pussycat, Up the Sandbox, Funny Lady, and A Star Is Born. So too are her loves, directors, confidants, and costars: Elliott Gould, William Wyler, Sydney Pollack, Vincente Minnelli, Cis Corman, Omar Sharif, Kris Kristofferson, and, of course, Robert Redford. Through it all a picture emerges not of a singer who could act, but of an actress who could sing, write, direct, dance, and do just about anything she put her mind to.

Barbra Streisand. Steve Schapiro & Lawrence Schiller Patt Morrison, Lawrence Grobel, Nina Wiener Hardcover, 10.4 x 14.7 in., 336 pp. 978-3-8365-6323-9 Only $ 69.99

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Barbra Streisand. Steve Schapiro & Lawrence Schiller Patt Morrison, Lawrence Grobel, Nina Wiener Hardcover, 10.4 x 14.7 in., 336 pp. 978-3-8365-6323-9 Only $ 69.99

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Opposite: Frank Sinatra in a recording session at Capitol, 1959. © Capitol Records. Photo by Ken Veeder

The legend of a music label 75 years of Capitol Records

From the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have passed through the doors of the Capitol Records Tower, one of Hollywood’s most dis- tinctive landmarks and home to one of the world’s most defining labels for the past 75 years. To commemorate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, from its founding year of 1942 through to today. With a forward by Beck plus essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol’s extensive archives, we follow the label’s evolution and the making of some of the greatest music of the 20th and 21st centuries. Through pop, rock, country, classical, soul, and jazz, the photographic and musical history includes the label’s most sucessful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight. Along the way, we encounter the likes of Miles Davis, Nat King Cole, the Kingston Cover not final Trio, and Frank Sinatra in Capitol’s first 20 years; the Beach Boys, the Band, and the Beatles in the 1960s; global rock magnets Pink Floyd, Wings, Steve Miller Band, Bob 75 Years of Capitol Records Seger, and Linda Ronstadt in the 1970s, and such contemporary stars as Coldplay, Hardcover, 13 x 13 in., 500 pp. 978-3-8365-5028-4 Katy Perry, and Sam Smith. An unmissable milestone for music lovers, 75 Years of $ 200 Capitol Records is a live and kicking celebration of a mighty giant in the industry that created the soundtrack to generations past, present, and future.

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Opposite: Frank Sinatra in a recording session at Capitol, 1959. © Capitol Records. Photo by Ken Veeder

The legend of a music label 75 years of Capitol Records

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Opposite: Another day in paradise. Spectators and a local police officer examine shots fired in a gun battle. Photo USC Special Collections

What’s wrong in Tinseltown? The dark side of Los Angeles, 1920–1960

In the years following World War I, Los Angeles was a city transforming itself from a backwater town to a gleaming metropolis of the future. But along the way, a tarnished patina began to coat its ever-more glamorous façade. As thousands flocked to the city with their dreams and desires, so too came get-rich-quick schemes, phony religions, organized crime, and rife corruption. A visual history like no other, this book brings together images from archives, museums, newspaper photo morgues, private collections, and the author’s own extensive image library to reveal the true grit, grime, and sheer horror stories of Los Angeles of the 1920s to 1950s. Through the back alleys, gin joints, roadhouses, casino barges, tattoo parlors, gambling dens, nightclubs, and the most brutal crime scenes, we uncover a city crawling with murder and mayhem. From the headline Black Dahlia case to unscrupu- lous cops and mayors, this is the flip side of the Southland that inspired journalists, pulp fiction scribes, and Filmland scriptwriters in their creation of noir.

Cover not final

Sins of the City – The real Los Angeles Noir Jim Heimann Hardcover, quarter-bound in slipcase, 10.6 x 11.8 in., 300 pp. 978-3-8365-6076-4

For more details please check www.taschen.com.

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Opposite: Another day in paradise. Spectators and a local police officer examine shots fired in a gun battle. Photo USC Special Collections

What’s wrong in Tinseltown? The dark side of Los Angeles, 1920–1960

Cover not final

Sins of the City – The real Los Angeles Noir Jim Heimann Hardcover, quarter-bound in slipcase, 10.6 x 11.8 in., 300 pp. 978-3-8365-6076-4

For more details please check www.taschen.com.

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Opposite: The face of Abraham Lincoln at Mount Rushmore, South Dakota. Photo by Charles D’Emery 1937 A national archive A pictorial history of the USA through the National Geographic archives XL It was a bold, controversial move, which alienated the old guard, delighted readers, and signaled the future of image-led mass-market media. In 1905, National Geographic magazine, then barely 30 years old, elected to run a pictorial spread about life in Tibet. Ignoring the scandalized splutters from the more staid board members of the National Geographic Society, Editor Gilbert Hovey Grosvenor and President Alexander Graham Bell went on to build a team of staff photographers. By 1910, the magazine was regularly featuring photography, affording its readers an armchair view of lands, peoples, and cultures worldwide. Naturally, the magazine’s home country, the United States, was amply documented from the outset, and in this new TASCHEN book, we travel back in time with the National Geographic’s extensive archives to take a state by state tour of the United States over the past 100 years. Following on from the critically acclaimed National Geographic. Around the World in 125 Years, the collection brings together several hundred captivating images to chart a century of change and growth from Alabama to Wyoming, Alaska to Wisconsin. The tour starts with early black and white images and then autochrome photographs of the 1920s and 1930s, morphing into mid-century Kodachrome, then into the harder-edged reportage of the 1970s and 1980s, before shifting to digital in the 1990s The United States with National Geographic Hardcover, 2 vols. in slipcase, through to the present. Along the way, we’re immersed in a vivid account of an evolv- 10.4 x 14.5 in., 932 pp. ing and contrasting America, from breathtaking landscapes to advancing industry, 978-3-8365-6155-6 evocative rural life to burgeoning towns and cities. With an introductory essay by National Geographic historian Mark Collins Jenkins, For more details please check as well as prefaces to each state section and fascinating storytelling captions, the book www.taschen.com. celebrates not only the world’s greatest photography magazine but also the people, history, and beauty of the United States in all its kaleidoscopic glory. ,!7ID8D6-fgbffg!

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Hang, well hung Perfect package Chinese photographer Ren lets it all Hang out An anniversary edition of Pentawards winners

Ren Hang is an unlikely rebel. Slight of build, shy by nature, prone to fits of depres- Good design stands out. Great design is transparent. Whether its food, drinks, cos- sion, the 28-year-old Beijing photographer is nonetheless at the forefront of Chinese metics, books, or luxury items, successful packaging serves to stir senses and appeal artists’ battle for creative freedom. Like his champion Ai Weiwei, Ren produces work to our emotions in ways that are as subtle as they are striking. In The Package Design judged dangerous to society and the Communist state. Ren claims, “My pictures’ poli- Book 4, TASCHEN celebrates the tenth anniversary of the Pentawards with the stars tics have nothing to do with China. It’s Chinese politics that want to interfere with my of the 2015 and 2016 competitions. art. I once had a show canceled by the Chinese government on ’suspicion of sex.’” Organised around the key competition categories of beverages, food, body, luxury Why? Because his models, friends, and increasingly, fans, are naked, often outdoors, and other markets, over 400 examples from 30 countries reveal the innovation of high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like individual projects and campaigns as much as the scope and experimentation of the building blocks, heads wrapped in octopi, body cavities sprouting phone cords and industry at large. The designs are presented with descriptions and a fact sheet each flowers, whatever enters his mind at the moment. He denies his intentions are sexual, and the book is prefaced with new essays from Pentawards founders Jean Jacques and there is a clean detachment about even his most extreme images: the urine, the and Brigitte Evrard, as well as an insightful text from branding and marketing insertions, the many, many erections. In a 2013 interview VICE magazine asked, specialist Gérard Caron. “there are a lot of dicks … do you just like dicks?” Ren responded, “It’s not just dicks I’m interested in, I like to portray every organ in a fresh, vivid and emotional way.” In the same piece, Hang also stated, “Gender isn’t important when I’m taking pictures, it only matters to me when I’m having sex,” putting him at the forefront of the new gender fluid world. Young fans eagerly follow his website, Facebook, Instagram, The Package Design Book 4 Julius Wiedemann, Pentawards and Flickr accounts. His photographs, all produced on film, have been the subject of Ren Hang Hardcover with ribbon bookmark, over 20 solo and 70 group shows in his brief five-year career, in cities as disparate as Dian Hanson 9.4 x 10.1 in., 416 pp. Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Hardcover, 8.9 x 11.8 in., 320 pp. 978-3-8365-4438-2 978-3-8365-6207-2 $ 59.99 Beijing. He has self-published eight monographs, in tiny print runs, that now sell for $ 39.99 up to $ 600. TASCHEN’s Ren Hang will be his first international collection, covering his entire career, with well loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections.

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Hang, well hung Perfect package Chinese photographer Ren lets it all Hang out An anniversary edition of Pentawards winners

,!7ID8D6-fgcahc! ,!7ID8D6-feedic!

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Loving the alien Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie

First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as David Bowie art form, the movie brought not only hallucinatory visuals and a haunting exploration The Man Who Fell to Earth of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton. Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien iden- tity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveler glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry. To celebrate the 40th anniversary of this cult movie, TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and David Bowie. ambiguous best. A new introductory essay explores the shooting of the film and it’s The Man Who Fell to Earth 978-3-8365-6241-6 lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork. For more details please check www.taschen.com.

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Loving the alien Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie

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001-126_TC 2016-2_TAM.indb 70 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 71 30.05.16 11:09 “A fine coffee table book-cum-emergency Calling all escape planner. new york times. 36 hours Beautifully organized ...” Globetrotters — The Independent, London Dreaming of Dakar? Pining for Paris? Or fancy a few nights in New Orleans? The world is waiting, New York Times Over $ 75 of free and since you only have so much time to see it all, why not inject adventure into your every weekend? 3 volumes of the best-selling “36 Hours” digital content Since 2011, TASCHEN has transformed the popular New York Times “36 Hours” column travel series, covering 365 destinations worldwide into illustrated books that recognize that a journey does not have to be long to be memorable.

NYT. 36 Hours. NYT. 36 Hours. NYT. 36 Hours. USA & Canada. East New USA & Canada. West New Europe September June

The New York Times. 36 Hours. World 3 clothbound flexicover volumes in a slipcase, with ribbon bookmarks, thumb index, and bonus keycard, 1,800 pp. 978-3-8365-5296-7 $ 125 6.6 x 9.4 in., 288 pp. 6.6 x 9.4 in., 288 pp. 6.6 x 9.4 in., 672 pp. 978-3-8365-3939-5 $ 24.99 978-3-8365-3940-1 $ 24.99 978-3-8365-2640-1 $ 39.99

NYT. 36 Hours. updated edition NYT. 36 Hours. NYT. 36 Hours. USA & Canada Latin America & The Caribbean Asia & Oceania

6.6 x 9.4 in., 744 pp. 6.6 x 9.4 in., 296 pp. 6.6 x 9.4 in., 300 pp. 978-3-8365-5296-7 $ 39.99 978-3-8365-4425-2 $ 29.99 978-3-8365-4297-5 $ 29.99 NYT. 36 Hours. NYT. 36 Hours. NYT. 36 Hours. New York & Beyond New Los Angeles & Beyond New London & Beyond New August August October

5.4 x 7.7 in., 80 pp. 5.4 x 7.7 in., 80 pp. 5.4 x 7.7 in., 80 pp. 978-3-8365-3941-8 $ 9.99 978-3-8365-3942-5 $ 9.99 978-3-8365-6258-4 $ 9.99

001-126_TC 2016-2_TAM.indb 72 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 73 30.05.16 11:09 “A fine coffee table book-cum-emergency Calling all escape planner. new york times. 36 hours Beautifully organized ...” Globetrotters — The Independent, London Dreaming of Dakar? Pining for Paris? Or fancy a few nights in New Orleans? The world is waiting, New York Times Over $ 75 of free and since you only have so much time to see it all, why not inject adventure into your every weekend? 3 volumes of the best-selling “36 Hours” digital content Since 2011, TASCHEN has transformed the popular New York Times “36 Hours” column travel series, covering 365 destinations worldwide into illustrated books that recognize that a journey does not have to be long to be memorable.

NYT. 36 Hours. NYT. 36 Hours. NYT. 36 Hours. USA & Canada. East New USA & Canada. West New Europe September June

NYT. 36 Hours. updated edition NYT. 36 Hours. NYT. 36 Hours. USA & Canada Latin America & The Caribbean Asia & Oceania

5.4 x 7.7 in., 80 pp. 5.4 x 7.7 in., 80 pp. 5.4 x 7.7 in., 80 pp. 978-3-8365-3941-8 $ 9.99 978-3-8365-3942-5 $ 9.99 978-3-8365-6258-4 $ 9.99

001-126_TC 2016-2_TAM.indb 72 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 73 30.05.16 11:09 Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we embarked on our journey as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together 100 of our all-time favorite titles in a neat new format so you can curate your own affordable collection of art, anthropology, and aphrodisia.

ONLY

$19.99€ 14.99 / £ 12.99 Hardcover, 568–896 pp. 14 x 19.5 cm (5.5 x 7.7 in.)

001-126_TC 2016-2_TAM.indb 74 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 75 30.05.16 11:09 Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we embarked on our journey as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together 100 of our all-time favorite titles in a neat new format so you can curate your own affordable collection of art, anthropology, and aphrodisia.

ONLY

$19.99€ 14.99 / £ 12.99 Hardcover, 568–896 pp. 14 x 19.5 cm (5.5 x 7.7 in.)

001-126_TC 2016-2_TAM.indb 74 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 75 30.05.16 11:09 domus 1940s New domus 1950s domus 1960s New September September

All-time favorite TASCHEN titles with a neat new format and an unbeatable price, for an affordable home library of art, anthropology, and aphrodisia. Hardcover with jacket, 5.5 x 7.7 in., 464–896 pages Only $ 19.99

978-3-8365-3754-4 978-3-8365-5664-4 978-3-8365-5676-7 100 Contemporary Houses 1000 Chairs The Grand Tour Modern Architecture A-Z New Scandinavian Design September

Modern Architecture architecture A-Z & design

978-3-8365-5783-2 978-3-8365-4674-4 978-3-8365-4460-3 978-3-8365-5631-6 978-3-8365-4452-8 1000 Lights Architectural Theory Decorative Art 50s Industrial Design A-Z New Small Buildings New September September

978-3-8365-4676-8 978-3-8365-5746-7 978-3-8365-4458-0 978-3-8365-4790-1 Decorative Art 60s Decorative Art 70s Design of the 20th Century

978-3-8365-4655-3 978-3-8365-4656-0 978-3-8365-4106-0 978-3-8365-2216-8

001-126_TC 2016-2_TAM.indb 76 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 77 30.05.16 11:10 domus 1940s New domus 1950s domus 1960s New September September

978-3-8365-3754-4 978-3-8365-5664-4 978-3-8365-5676-7 100 Contemporary Houses 1000 Chairs The Grand Tour Modern Architecture A-Z New Scandinavian Design September

Modern Architecture architecture A-Z & design

978-3-8365-4676-8 978-3-8365-5746-7 978-3-8365-4458-0 978-3-8365-4790-1 Decorative Art 60s Decorative Art 70s Design of the 20th Century

978-3-8365-4655-3 978-3-8365-4656-0 978-3-8365-4106-0 978-3-8365-2216-8

001-126_TC 2016-2_TAM.indb 76 30.05.16 11:09 001-126_TC 2016-2_TAM.indb 77 30.05.16 11:10 Alchemy & Mysticism Dalí. Van Gogh. Michelangelo. The Paintings The Complete Paintings Drawings New September

art

978-3-8365-4936-3 978-3-8365-4492-4 978-3-8365-5715-3 Hieronymus Bosch. Hiroshige. What Paintings Say. The Complete Works One Hundred Famous Views of Edo 100 Masterpieces in Detail

978-3-8365-5659-0 978-3-8365-5926-3 978-3-8365-3719-3 Impressionist Art The Book of Bibles Bodoni. Manual of Typography

classics

978-3-8365-3850-3 978-3-8365-5711-5 978-3-8365-5913-3 978-3-8365-2036-2 Leonardo da Vinci. Modern Art 1870–2000. Monet. Bourgery. Braun/Hogenberg. D’Hancarville. The Graphic Work Impressionism to Today Triumph of Impressionism Atlas of Human Anatomy and Surgery Cities of the World Complete Collection of Antiquities

978-3-8365-5441-1 978-3-8365-5539-5 978-3-8365-5101-4 978-3-8365-5662-0 978-3-8365-5641-5 978-3-8365-5642-2

001-126_TC 2016-2_TAM.indb 78 30.05.16 11:10 001-126_TC 2016-2_TAM.indb 79 30.05.16 11:10 Alchemy & Mysticism Dalí. Van Gogh. Michelangelo. The Paintings The Complete Paintings Drawings New September

art

978-3-8365-4936-3 978-3-8365-4492-4 978-3-8365-5715-3 Hieronymus Bosch. Hiroshige. What Paintings Say. The Complete Works One Hundred Famous Views of Edo 100 Masterpieces in Detail

978-3-8365-5659-0 978-3-8365-5926-3 978-3-8365-3719-3 Impressionist Art The Book of Bibles Bodoni. Manual of Typography

classics

978-3-8365-5441-1 978-3-8365-5539-5 978-3-8365-5101-4 978-3-8365-5662-0 978-3-8365-5641-5 978-3-8365-5642-2

001-126_TC 2016-2_TAM.indb 78 30.05.16 11:10 001-126_TC 2016-2_TAM.indb 79 30.05.16 11:10 Encyclopaedia Anatomica Basilius Besler’s Florilegium. Martius. Mamerot. Book of Plants The Book of Palms A Chronicle of the Crusades New August

comics & graphic Design

978-3-8365-4931-8 978-3-8365-5787-0 978-3-8365-5623-1 A Garden Eden. Piranesi. 100 Illustrators Masterpieces of Botanical Illustration Complete Etchings New September

978-3-8365-5940-9 978-3-8365-5445-9 978-3-8365-2222-9 Prisse d’Avennes. 100 Manga Artists Illustration Now! Portraits Logo Design Oriental Art New New September October

978-3-8365-5942-3 978-3-8365-2024-9 978-3-8365-2647-0 978-3-8365-5660-6 978-3-8365-5634-7 Seba. The World of Ornament 100 Contemporary Fashion Designers 20th-Century Fashion. Cabinet of Natural Curiosities New 100 Years of Apparel Ads August

fashion

978-3-8365-5437-4 978-3-8365-5625-5 978-3-8365-5724-5 978-3-8365-2279-3

001-126_TC 2016-2_TAM.indb 80 30.05.16 11:10 001-126_TC 2016-2_TAM.indb 81 30.05.16 11:11 Encyclopaedia Anatomica Basilius Besler’s Florilegium. Martius. Mamerot. Book of Plants The Book of Palms A Chronicle of the Crusades New August

comics & graphic Design

978-3-8365-4931-8 978-3-8365-5787-0 978-3-8365-5623-1 A Garden Eden. Piranesi. 100 Illustrators Masterpieces of Botanical Illustration Complete Etchings New September

978-3-8365-5940-9 978-3-8365-5445-9 978-3-8365-2222-9 Prisse d’Avennes. 100 Manga Artists Illustration Now! Portraits Logo Design Oriental Art New New September October

fashion

978-3-8365-5437-4 978-3-8365-5625-5 978-3-8365-5724-5 978-3-8365-2279-3

001-126_TC 2016-2_TAM.indb 80 30.05.16 11:10 001-126_TC 2016-2_TAM.indb 81 30.05.16 11:11 Fashion. Racinet. Funk & Soul Covers Jazz Covers Steinweiss. A History from the 18th to the 20th Century The Costume History Inventor of the Modern Album Cover

film

978-3-8365-5719-1 978-3-8365-5540-1 978-3-8365-5626-2 978-3-8365-5636-1 978-3-8365-5776-4 100 All-Time Favorite Movies of the 20th Century The Stanley Kubrick Archives Atget. B lossfeldt. New Paris 1857–1927 New Complete Published Work August September

photography

978-3-8365-5618-7 978-3-8365-2230-4 978-3-8365-5072-7 Movies of the 2000s Curtis. André de Dienes. A History of Photography. New The North American Indian Marilyn Monroe From 1839 to the present October

978-3-8365-6373-4 978-3-8365-5582-1 978-3-8365-5056-7 978-3-8365-5933-1 978-3-8365-4099-5 1000 Record Covers Mailer. Muybridge. P hotographers A-Z MoonFire. Epic Journey of Apollo 11 Human and Animal Locomotion Photographs

music

978-3-8365-5058-1 978-3-8365-5622-4 978-3-8365-5082-6 978-3-8365-5436-7

001-126_TC 2016-2_TAM.indb 82 30.05.16 11:11 076-085_Frontlist_BU_TC 2016-2_CS5-5_TAM.indd 83 30.05.16 13:24 Fashion. Racinet. Funk & Soul Covers Jazz Covers Steinweiss. A History from the 18th to the 20th Century The Costume History Inventor of the Modern Album Cover

film

photography

music

978-3-8365-5058-1 978-3-8365-5622-4 978-3-8365-5082-6 978-3-8365-5436-7

001-126_TC 2016-2_TAM.indb 82 30.05.16 11:11 076-085_Frontlist_BU_TC 2016-2_CS5-5_TAM.indd 83 30.05.16 13:24 New Deal Photography. 20th Century Photography Mid-Century Ads 1000 Nudes. USA 1935–1943 New A History of Erotic Photography from 1839-1939 june

sexy Books

978-3-8365-4102-2 978-3-8365-5632-3 978-3-8365-5446-6 Stieglitz. Araki. Erotica Universalis The Male Nude Camera Work Tokyo Lucky Hole

978-3-8365-3711-7 978-3-8365-4407-8 978-3-8365-5638-5 978-3-8365-4778-9 978-3-8365-5801-3 1000 Pin-Up Girls 1000 Tattoos New Erotic Photography Stanton. Tom of Finland. New Dominant Wives and Other Stories Complete Kake Comics October

popculture

978-3-8365-2050-8 978-3-8365-4992-9 978-3-8365-2671-5 978-3-8365-5448-0 978-3-8365-5051-2 20th Century Classic Cars. Chinese Propaganda Posters The Circus. 100 Interiors Around the World 20th Century Travel 100 Years of Automotive Ads 1870s–1950s

style, food & travel

978-3-8365-4615-7 978-3-8365-5747-4 978-3-8365-5666-8 978-3-8365-5726-9 978-3-8365-5396-4

001-126_TC 2016-2_TAM.indb 84 30.05.16 11:11 001-126_TC 2016-2_TAM.indb 85 30.05.16 11:12 New Deal Photography. 20th Century Photography Mid-Century Ads 1000 Nudes. USA 1935–1943 New A History of Erotic Photography from 1839-1939 june

sexy Books

978-3-8365-4102-2 978-3-8365-5632-3 978-3-8365-5446-6 Stieglitz. Araki. Erotica Universalis The Male Nude Camera Work Tokyo Lucky Hole

popculture

style, food & travel

978-3-8365-4615-7 978-3-8365-5747-4 978-3-8365-5666-8 978-3-8365-5726-9 978-3-8365-5396-4

001-126_TC 2016-2_TAM.indb 84 30.05.16 11:11 001-126_TC 2016-2_TAM.indb 85 30.05.16 11:12 Cézanne Christo and Jeanne-Claude Dalí

Basic Art Series 2.0 Monographs

The world’s bestselling art collection has a 30th birthday makeover. Revised, newly designed, and hardcover bound, Basic Art 2.0 offers an essential Who’s Who of culture and creativity. Hardcover with jacket, 8.3 x 10.2 in., 96 pages Only $ 14.99 978-3-8365-3017-0 978-3-8365-2409-4 978-3-8365-6000-9 Bacon Basquiat Bosch Degas De Lempicka New Duchamp New October September

978-3-8365-5969-0 978-3-8365-5979-9 978-3-8365-5986-7 978-3-8365-3271-6 978-3-8365-3227-3 978-3-8365-3432-1 Bruegel Chagall New Dürer New El Greco Ensor august August

978-3-8365-5306-3 978-3-8365-3081-1 978-3-8365-3453-6 978-3-8365-6056-6 Caravaggio M.C. Escher. Freud Friedrich Graphic Work

978-3-8365-5993-5 978-3-8365-2783-5 978-3-8365-2984-6 978-3-8365-6063-4 978-3-8365-6071-9

001-126_TC 2016-2_TAM.indb 86 30.05.16 11:12 001-126_TC 2016-2_TAM.indb 87 30.05.16 11:12 Cézanne Christo and Jeanne-Claude Dalí

Basic Art Series 2.0 Monographs

978-3-8365-5969-0 978-3-8365-5979-9 978-3-8365-5986-7 978-3-8365-3271-6 978-3-8365-3227-3 978-3-8365-3432-1 Bruegel Chagall New Dürer New El Greco Ensor august August

978-3-8365-5306-3 978-3-8365-3081-1 978-3-8365-3453-6 978-3-8365-6056-6 Caravaggio M.C. Escher. Freud Friedrich Graphic Work

978-3-8365-5993-5 978-3-8365-2783-5 978-3-8365-2984-6 978-3-8365-6063-4 978-3-8365-6071-9

001-126_TC 2016-2_TAM.indb 86 30.05.16 11:12 001-126_TC 2016-2_TAM.indb 87 30.05.16 11:12 Giger New Goya Klein New Klee Klimt october October

978-3-8365-3268-6 978-3-8365-5313-1 978-3-8365-0110-1 978-3-8365-5807-5 Haring Koons Leonardo Lichtenstein

978-3-8365-3420-8 978-3-8365-3049-1 978-3-8365-0872-8 978-3-8365-0215-3 978-3-8365-3207-5 Hiroshige Holbein New Hopper Magritte Manet Marc New October August

978-3-8365-1963-2 978-3-8365-6372-7 978-3-8365-0033-3 978-3-8365-0357-0 978-3-8365-3510-6 978-3-8365-3493-2 Kahlo Kandinsky Kirchner New Matisse New Miró Modigliani September August

978-3-8365-0085-2 978-3-8365-0746-2 978-3-8365-3504-5 978-3-8365-2904-4 978-3-8365-2923-5 978-3-8365-0367-9

001-126_TC 2016-2_TAM.indb 88 30.05.16 11:12 001-126_TC 2016-2_TAM.indb 89 30.05.16 11:13 Giger New Goya Klein New Klee Klimt october October

978-3-8365-3268-6 978-3-8365-5313-1 978-3-8365-0110-1 978-3-8365-5807-5 Haring Koons Leonardo Lichtenstein

978-3-8365-3420-8 978-3-8365-3049-1 978-3-8365-0872-8 978-3-8365-0215-3 978-3-8365-3207-5 Hiroshige Holbein New Hopper Magritte Manet Marc New October August

978-3-8365-1963-2 978-3-8365-6372-7 978-3-8365-0033-3 978-3-8365-0357-0 978-3-8365-3510-6 978-3-8365-3493-2 Kahlo Kandinsky Kirchner New Matisse New Miró Modigliani September August

978-3-8365-0085-2 978-3-8365-0746-2 978-3-8365-3504-5 978-3-8365-2904-4 978-3-8365-2923-5 978-3-8365-0367-9

001-126_TC 2016-2_TAM.indb 88 30.05.16 11:12 001-126_TC 2016-2_TAM.indb 89 30.05.16 11:13 Michelangelo New Mondrian Renoir New Rivera Rodin August August

978-3-8365-5330-8 978-3-8365-3109-2 978-3-8365-0413-3 978-3-8365-5504-3 Monet Rothko Schiele New Toulouse-Lautrec October

978-3-8365-3034-7 978-3-8365-0399-0 978-3-8365-0426-3 978-3-8365-0442-3 978-3-8365-3490-1

Mucha Munch O’Keeffe Turner Van Gogh Velázquez

978-3-8365-5009-3 978-3-8365-2895-5 978-3-8365-4231-9 978-3-8365-0454-6 978-3-8365-2736-1 978-3-8365-3210-5 Pollock Raphael Rembrandt New Vermeer Warhol August

978-3-8365-2907-5 978-3-8365-3242-6 978-3-8365-3213-6 978-3-8365-0489-8 978-3-8365-4389-7

001-126_TC 2016-2_TAM.indb 90 30.05.16 11:13 001-126_TC 2016-2_TAM.indb 91 30.05.16 11:13 Michelangelo New Mondrian Renoir New Rivera Rodin August August

978-3-8365-5330-8 978-3-8365-3109-2 978-3-8365-0413-3 978-3-8365-5504-3 Monet Rothko Schiele New Toulouse-Lautrec October

978-3-8365-3034-7 978-3-8365-0399-0 978-3-8365-0426-3 978-3-8365-0442-3 978-3-8365-3490-1

Mucha Munch O’Keeffe Turner Van Gogh Velázquez

978-3-8365-5009-3 978-3-8365-2895-5 978-3-8365-4231-9 978-3-8365-0454-6 978-3-8365-2736-1 978-3-8365-3210-5 Pollock Raphael Rembrandt New Vermeer Warhol August

978-3-8365-2907-5 978-3-8365-3242-6 978-3-8365-3213-6 978-3-8365-0489-8 978-3-8365-4389-7

001-126_TC 2016-2_TAM.indb 90 30.05.16 11:13 001-126_TC 2016-2_TAM.indb 91 30.05.16 11:13 Cubism Renaissance New October

Basic Art Series 2.0 Genre

The world’s bestselling art collection has a 30th birthday makeover. Revised, newly designed, and hardcover bound, Basic Art 2.0 offers an essential Who’s Who of culture and creativity. Hardcover with jacket, 8.3 x 10.2 in., 96 pages Only $ 14.99 978-3-8365-0539-0 Abstract Art New Abstract Expressionism Baroque New Dadaism September july

978-3-8365-4678-2 978-3-8365-0517-8 978-3-8365-4749-9 978-3-8365-0562-8 978-3-8365-4759-8 The Blaue Reiter Berlin in the 1920s New Expressionism Pop Art Pre-Raphaelites September

978-3-8365-3704-9 978-3-8365-0528-4 978-3-8365-2337-0 978-3-8365-1965-6 Brücke Surrealism Symbolism

978-3-8365-3700-1 978-3-8365-5050-5 978-3-8365-0673-1 978-3-8365-0706-6

001-126_TC 2016-2_TAM.indb 92 30.05.16 11:13 001-126_TC 2016-2_TAM.indb 93 30.05.16 11:14 Cubism Renaissance New October

Basic Art Series 2.0 Genre

The world’s bestselling art collection has a 30th birthday makeover. Revised, newly designed, and hardcover bound, Basic Art 2.0 offers an essential Who’s Who of culture and creativity. Hardcover with jacket, 8.3 x 10.2 in., 96 pages Only $ 14.99 978-3-8365-0539-0 Abstract Art New Abstract Expressionism Baroque New Dadaism September july

978-3-8365-4678-2 978-3-8365-0517-8 978-3-8365-4749-9 978-3-8365-0562-8 978-3-8365-4759-8 The Blaue Reiter Berlin in the 1920s New Expressionism Pop Art Pre-Raphaelites September

978-3-8365-3704-9 978-3-8365-0528-4 978-3-8365-2337-0 978-3-8365-1965-6 Brücke Surrealism Symbolism

978-3-8365-3700-1 978-3-8365-5050-5 978-3-8365-0673-1 978-3-8365-0706-6

001-126_TC 2016-2_TAM.indb 92 30.05.16 11:13 001-126_TC 2016-2_TAM.indb 93 30.05.16 11:14 Bauhaus Eames

Basic Architecture

Crisp, neat architect introductions to the pioneers of our built environment, from Schinkel to Shigeru Ban. Hardcover with jacket, 8.3 x 10.2 in., 96 pages Only $ 14.99

978-3-8365-6021-4 Aalto Ando New Gaudí July

978-3-8365-6010-8 978-3-8365-6014-6 978-3-8365-6028-3 Shigeru Ban New Hoffmann New Hadid New August October July

978-3-8365-3692-9 978-3-8365-3549-6 978-3-8365-5039-0 Calatrava Case Study Houses Chipperfield Kahn New September

978-3-8365-3565-6 978-3-8365-3560-1 978-3-8365-5181-6 978-3-8365-4384-2 978-3-8365-3635-6

001-126_TC 2016-2_TAM.indb 94 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 95 30.05.16 11:14 Bauhaus Eames

Basic Architecture

Crisp, neat architect introductions to the pioneers of our built environment, from Schinkel to Shigeru Ban. Hardcover with jacket, 8.3 x 10.2 in., 96 pages Only $ 14.99

978-3-8365-6021-4 Aalto Ando New Gaudí July

978-3-8365-6010-8 978-3-8365-6014-6 978-3-8365-6028-3 Shigeru Ban New Hoffmann New Hadid New August October July

978-3-8365-3692-9 978-3-8365-3549-6 978-3-8365-5039-0 Calatrava Case Study Houses Chipperfield Kahn New September

978-3-8365-3565-6 978-3-8365-3560-1 978-3-8365-5181-6 978-3-8365-4384-2 978-3-8365-3635-6

001-126_TC 2016-2_TAM.indb 94 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 95 30.05.16 11:14 Lautner New Le Corbusier Loos New Palladio New Schinkel August August october

978-3-8365-4411-5 978-3-8365-6035-1 978-3-8365-4467-2 978-3-8365-3749-0 Mies van der Rohe Meier Niemeyer Wright

978-3-8365-6042-9 978-3-8365-4264-7 978-3-8365-3622-6 978-3-8365-5021-5 978-3-8365-6049-8 Mackintosh New Neutra october

978-3-8365-3596-0 Piano

978-3-8365-6160-0 978-3-8365-3646-2

001-126_TC 2016-2_TAM.indb 96 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 97 30.05.16 11:14 Lautner New Le Corbusier Loos New Palladio New Schinkel August August october

978-3-8365-4411-5 978-3-8365-6035-1 978-3-8365-4467-2 978-3-8365-3749-0 Mies van der Rohe Meier Niemeyer Wright

978-3-8365-6042-9 978-3-8365-4264-7 978-3-8365-3622-6 978-3-8365-5021-5 978-3-8365-6049-8 Mackintosh New Neutra october

978-3-8365-3596-0 Piano

978-3-8365-6160-0 978-3-8365-3646-2

001-126_TC 2016-2_TAM.indb 96 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 97 30.05.16 11:14 The Little Book of Driben The Little Book of Elvgren The Little Book of Vargas

piccolos

Good things come in small packages and nowhere more so than in the pocket-sized piccolos, adorable TASCHEN appetizers of city portraits, pin-up stars, super heroes and more. Flexicover, 4.7 x 6.5 in., 192 pages Only $ 9.99

978-3-8365-2295-3 978-3-8365-2021-8 978-3-8365-2020-1 The Little Book of Her Majesty Doisneau London The Little Book of Tom of Finland. The Little Book of Tom of Finland. The Little Book of Tom of Finland. New Blue Collar Military Men Cops & Robbers October

978-3-8365-6301-7 978-3-8365-4003-2 978-3-365-4516-7 978-3-8365-4075-9 978-3-8365-4074-2 978-3-8365-4073-5 Los Angeles New York Paris The Little Book of Big Breasts The Little Book of Big Penis The Little Book of Butts

978-3-8365-4515-0 978-3-8365-3216-7 978-3-8365-3217-4 978-3-8365-3214-3 978-3-8365-3215-0 978-3-8365-4519-8 The Little Book of Batman The Little Book of Superman The Little Book of Wonder Woman The Little Book of Pussy

978-3-8365-2012-6 978-3-8365-2011-9 978-3-8365-2015-7 978-3-8365-4517-4

001-126_TC 2016-2_TAM.indb 98 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 99 30.05.16 11:15 The Little Book of Driben The Little Book of Elvgren The Little Book of Vargas

piccolos

978-3-8365-2012-6 978-3-8365-2011-9 978-3-8365-2015-7 978-3-8365-4517-4

001-126_TC 2016-2_TAM.indb 98 30.05.16 11:14 001-126_TC 2016-2_TAM.indb 99 30.05.16 11:15 Christo and Jeanne-Claude New July

Posterbox

With 16 ready-to-frame prints, our poster box sets bring masterpieces from the TASCHEN world to your wall. 10 x 13 in., 16 prints Only $ 19.99

Bosch New Grimm’s Fairy Tales Hiroshige Christo and Jeanne-Claude New July July

978-3-8365-4297-5 978-3-8365-5268-4 978-3-8365-5269-1 978-3-8365-4298-2 978-3-8365-4785-7 Kahlo Klimt New Matisse. Cut-Outs July

postcard sets

TASCHEN postcard sets include 25 different images in a box, offering a rich overview of an artist’s work and plenty of mailbox pleasures. 6.7 x 5 in., 25 postcards Only $ 14.99

978-3-8365-4052-0 978-3-8365-4350-7 978-3-8365-5267-7 Pin-Ups. Gil Elvgren Robert Doisneau Sebastião Salgado. Klimt Bosch Sebastião Salgado. GENESIS New New Genesis July July

978-3-8365-5266-0 978-3-8365-5271-4 978-3-8365-5270-7 978-3-8365-4332-3 978-3-8365-4331-6 978-3-8365-4801-4

001-126_TC 2016-2_TAM.indb 100 30.05.16 11:15 001-126_TC 2016-2_TAM.indb 101 30.05.16 11:15 Christo and Jeanne-Claude New July

Posterbox

With 16 ready-to-frame prints, our poster box sets bring masterpieces from the TASCHEN world to your wall. 10 x 13 in., 16 prints Only $ 19.99

Bosch New Grimm’s Fairy Tales Hiroshige Christo and Jeanne-Claude New July July

978-3-8365-4297-5 978-3-8365-5268-4 978-3-8365-5269-1 978-3-8365-4298-2 978-3-8365-4785-7 Kahlo Klimt New Matisse. Cut-Outs July

postcard sets

TASCHEN postcard sets include 25 different images in a box, offering a rich overview of an artist’s work and plenty of mailbox pleasures. 6.7 x 5 in., 25 postcards Only $ 14.99

978-3-8365-4052-0 978-3-8365-4350-7 978-3-8365-5267-7 Pin-Ups. Gil Elvgren Robert Doisneau Sebastião Salgado. Klimt Bosch Sebastião Salgado. GENESIS New New Genesis July July

978-3-8365-5266-0 978-3-8365-5271-4 978-3-8365-5270-7 978-3-8365-4332-3 978-3-8365-4331-6 978-3-8365-4801-4

001-126_TC 2016-2_TAM.indb 100 30.05.16 11:15 001-126_TC 2016-2_TAM.indb 101 30.05.16 11:15 Hieronymus Bosch. Gustav Klimt. Complete Works Complete Paintings XL “It’s all here! The clothes, the boards, the music, the contests, the rivalries, the surfer dudes.” Bestseller —Tatler, London

Hc., fold-out, 9.4 x 12.9 in., 300 pp. Hc., fold-outs, 11.4 x 15.6 in., 676 pp. 978-3-8365-3756-8 $ 39.99 978-3-8365-2795-8 $ 200 The Book of Symbols. Fashion Designers A-Z Gisele Bündchen Reflections on Archetypal Images

Hc., 6.6 x 9.4 in., 808 pp. Hc., 10.3 x 13.2 in., 648 pp. Hc., 9.6 x 13.4 in., 536 pp. 978-3-8365-1448-4 $ 39.99 978-3-8365-2670-8 $ 69.99 978-3-8365-3920-3 $ 69.99

Helmut Newton. SUMO. Mick Rock. Sebastião Salgado. Revised by June Newton The Rise of David Bowie, 1972–1973 GENESIS

XL XL XL

Hc., booklet, book stand, 10.5 x 14.7 in., 464 pp. Hc., lenticular cover, 10.6 x 14.7 in., 300 pp. Hc., fold-outs, 9.6 x 14 in., 520 pp. 978-3-8365-1730-0 $ 150 978-3-8365-6094-8 $ 69.99 978-3-8365-3872-5 $ 69.99 Michael Muller. Andy Warhol. NYT. 36 Hours. Sharks Polaroids USA & Canada

XL XL

Hardcover, clothbound with 3 fold-outs, 11.4 x 15.6 in.), 592 pp. Hc., fold-outs, 11 x 14.6 in., 334 pp. Hc., Swiss binding, 10.6 x 13.4 in., 560 pp. Fc., clothbound, 6.6 x 9.4 in., 744 pp. 978-3-8365-3756-8 978-3-8365-5359-9 $ 69.99 978-3-8365-5156-4 $ 99.99 978-3-8365-5489-3 $ 39.99 $ 200

001-126_TC 2016-2_TAM.indb 102 30.05.16 11:15 001-126_TC 2016-2_TAM.indb 103 30.05.16 11:16 Hieronymus Bosch. Gustav Klimt. Complete Works Complete Paintings XL “It’s all here! The clothes, the boards, the music, the contests, the rivalries, the surfer dudes.” Bestseller —Tatler, London

Hc., 6.6 x 9.4 in., 808 pp. Hc., 10.3 x 13.2 in., 648 pp. Hc., 9.6 x 13.4 in., 536 pp. 978-3-8365-1448-4 $ 39.99 978-3-8365-2670-8 $ 69.99 978-3-8365-3920-3 $ 69.99

Helmut Newton. SUMO. Mick Rock. Sebastião Salgado. Revised by June Newton The Rise of David Bowie, 1972–1973 GENESIS

XL XL XL

XL XL

001-126_TC 2016-2_TAM.indb 102 30.05.16 11:15 001-126_TC 2016-2_TAM.indb 103 30.05.16 11:16 Taschen Distributors

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TASCHEN TASCHEN America TASCHEN France Frontcover: Kay Nielsen’s Hohenzollernring 53 6671 Sunset Blvd 82, rue Mazarine illustration of The Overseer’s XXL D–50672 Köln Los Angeles, CA 90028 F–75006 Paris Tale shows a beautiful young XXL books stand proud and Tel: +49-221-20 18 00 USA Tel: +33-1-40 51 70 93 woman, rushing to the caliph’s tall, at a minimum of 40 cm [email protected] Tel: +1-323-463-4441 [email protected] wife at night, to ask her if she (15.8 in.). [email protected] may marry a pour merchant she TASCHEN Hong Kong has fallen in love with. © Kay TASCHEN Berlin 27/F, The Workst@tion Nielsen, Collection UCLA Grun- XL Kurfürstendamm 213 43 Lyndhurst Terrace wald Center for the Graphic A little more compact, D–10719 Berlin Central, Hong Kong Arts, Hammer Museum. Gift of XL books are at least 35 cm Tel: +49-30-8599420 Tel: +852-2544 8018 the Kay Nielsen Memorial Fund. (13.8 in.) high, with the [email protected] [email protected] Backcover: Rio Bonito do exception of landscape Iguaçu, State of Paraná, Brazil, format titles. TASCHEN Deutschland TASCHEN UK 1996 © Sebastião Salgado Hohenzollernring 53 1 Heathcock Court, Photo credits: Page 2: Each year, we offset our annual carbon emissions with carbon D–50672 Köln 415 Strand Printed in Germany Mark Seelen. For images by credits at the Instituto Terra, a reforestation program in Minas Tel: +49-221-20 18 00 GB–London WC2R 0NS Damien Hirst: © Damien Hirst Gerais, Brazil, founded by Lélia and Sebastião Salgado. [email protected] Tel: +44-20-7845 8585 and Science Ltd. All Rights To find out more about this ecological partnership, please check: [email protected] Reserved/ VG Bild-Kunst, Bonn 2016. For images by www.taschen.com/zerocarbon A.R. Penck: © VG Bild-Kunst, Inspiration: unlimited. Carbon footprint: zero. Bonn 2016 GB / TAM

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001-126_TC 2016-2_TAM.indb 124 30.05.16 11:19 001-126_TC 2016-2_TAM.indb 125 30.05.16 11:19 001-126_TC 2016-2_TAM.indb 126 30.05.16 11:19 001-126_TC 2016-2_TAM.indb 126 30.05.16 11:19