Remote Camera Trap Installation and Servicing Protocol
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XF Camera System User Manual
XF Camera System User Manual XF Camera System Manual | Table of Contents 1 Jump to Table of Contents XF Camera System Manual | Table of Contents 2 Content | XF Camera System Manual Primary parts of the XF Camera System 4 XF Camera System Capture Modes 59 Lens, XF Camera Body, IQ Digital Back 4 XF Camera System Exposure Modes 61 Dials, Buttons and Touch Screen Interface 6 Lens, XF Camera Body, IQ Digital Back 6 Exposure Compensation 63 Assembling the XF Camera System 8 Long Exposure 64 Digital Back and camera body modularity 8 Electronic Shutter (ES) 65 Readying the camera system 10 General advice for using the battery and charger 11 Live View 67 Live View on the LCD, Capture One or HDMI monitor 67 Navigating the XF Camera System 14 XF Camera Body Controls 15 XF Custom Presets and System Backup 70 Customizing buttons and dials 18 Flash Photography 73 Profoto Remote Tool 74 OneTouch User Interface Flow Diagram 20 Triggering a Capture with the Profoto Remote 75 XF Camera Menu Overview 20 Flash Analysis Tool 76 IQ Digital Back Menu Overview 22 Rear Curtain sync and Trim 76 Shutter Mechanisms and Flash Synchronization range 77 OneTouch User Interface Overview 25 XF Camera Body Navigation 25 XF Camera System Lenses 78 Top Touch Screen Display 26 Capture One Pro 79 XF Tools on the Top Touch Screen 28 Capture One Tethered Use 82 IQ Digital Back Navigation 33 IQ Digital Back Navigation Shortcuts 34 Built-In WiFi and Capture Pilot 84 IQ Digital Back Viewing images 34 A-series Camera System 87 IQ Digital Back Contextual Menu 35 Overview of Contextual -
On the Complexities of Using New Visual Technologies to Communicate About Wildlife Communication
Verma A, Van der Wal R, Fischer A. Microscope and spectacle: On the complexities of using new visual technologies to communicate about wildlife communication. Ambio 2015, 44(Suppl. 4), 648-660. Copyright: © The Author(s) 2015 Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. DOI link to article: http://dx.doi.org/10.1007/s13280-015-0715-z Date deposited: 05/12/2016 This work is licensed under a Creative Commons Attribution 4.0 International License Newcastle University ePrints - eprint.ncl.ac.uk Ambio 2015, 44(Suppl. 4):S648–S660 DOI 10.1007/s13280-015-0715-z Microscope and spectacle: On the complexities of using new visual technologies to communicate about wildlife conservation Audrey Verma, Rene´ van der Wal, Anke Fischer Abstract Wildlife conservation-related organisations well-versed in crafting public outreach and awareness- increasingly employ new visual technologies in their raising activities. These range from unidirectional educa- science communication and public engagement efforts. tional campaigns and advertising and branding projects, to Here, we examine the use of such technologies for wildlife citizen science research with varying degrees of public conservation campaigns. We obtained empirical data from participation, the implementation of interactive media four UK-based organisations through semi-structured strategies, and the expansion of modes of interpretation to interviews and participant observation. -
Camera Installation Instructions
Camera Installation Instructions Before going into the field: The following field equipment and supplies need to be ready and packed before the team leaves for a field assignment: 1) Trail camera unit. Unit should include the actual trail camera with 8 Eneloop batteries and SD card already in place, the trail camera armored case with label attached, and the master python cable lock with matching key on keychain. REMEMBER!!! When packing the camera traps to take in the field do not store them with food or any other substances that might attach odors to the camera trap. Food or other smells might attract animals to the camera trap in the field, thus biasing the estimates of detection probability. 2) GPS capable device. This can either be a portable or handheld GPS unit or a GPS- capable smartphone with either the TopoMaps+ (iPhone) or Backcountry Navigator (Android) application downloaded. 3) Fieldwork folder. The fieldwork folder should include this camera installation sheet; the datasheet required for each check; the station placard to be displayed after a deployment, check, or takedown; a dry erase marker, and a pen. 4) Hiking equipment. Please make sure to have AT LEAST the following whenever going out into the field: a. Daypack and hiking partner (all volunteers MUST be accompanied by AT LEAST one other person b. Map, GPS, or compass c. Extra clothing, food, and water d. First-aid kit e. Headlamp or flashlight f. Matches and fire-starting kit or lighter g. Knife or multi-use camping tool h. Sunglasses and sunscreen i. Water treatment device j. -
Underwater Survey for Oil and Gas Industry: a Review of Close Range Optical Methods
remote sensing Review Underwater Survey for Oil and Gas Industry: A Review of Close Range Optical Methods Bertrand Chemisky 1,*, Fabio Menna 2 , Erica Nocerino 1 and Pierre Drap 1 1 LIS UMR 7020, Aix-Marseille Université, CNRS, Université De Toulon, 13397 Marseille, France; [email protected] (E.N.); [email protected] (P.D.) 2 3D Optical Metrology (3DOM) Unit, Bruno Kessler Foundation (FBK), Via Sommarive 18, 38123 Trento, Italy; [email protected] * Correspondence: [email protected] Abstract: In both the industrial and scientific fields, the need for very high-resolution cartographic data is constantly increasing. With the aging of offshore subsea assets, it is very important to plan and maintain the longevity of structures, equipment, and systems. Inspection, maintenance, and repair (IMR) of subsea structures are key components of an overall integrity management system that aims to reduce the risk of failure and extend the life of installations. The acquisition of very detailed data during the inspection phase is a technological challenge, especially since offshore installations are sometimes deployed in extreme conditions (e.g., depth, hydrodynamics, visibility). After a review of high resolution mapping techniques for underwater environment, this article will focus on optical sensors that can satisfy the requirements of the offshore industry by assessing their relevance and degree of maturity. These requirements concern the resolution and accuracy but also cost, ease of implementation, and qualification. With the evolution of embedded computing resources, in-vehicle optical survey solutions are becoming increasingly important in the landscape of large-scale mapping solutions and more and more off-the-shelf systems are now available. -
USING SONY A900 for ASTROPHOTOGRAPHY • TELESCOPE ADAPTORS - PRIME FOCUS - EYEPIECE PROJECTION
USING SONY a900 for ASTROPHOTOGRAPHY • TELESCOPE ADAPTORS - PRIME FOCUS - EYEPIECE PROJECTION • REMOTE RELEASE - SONY CABLE RELEASE RM-S1AM - SONY REMOTE COMMANDER RMT-DSLR1 - GADGET INFINITY RADIO S1 REMOTE - JJC-JR-C IR MODULAR REMOTE - HÄHNEL HW433S80 RF WiFi REMOTE - JJC TM-F LCD DIGITAL TIMER / INTERVALOMETER • DRIVE FUNCTION - MIRROR LOCK-UP • FOCUS - SCREEN L - DIOPTRE CORRECTION - RIGHT ANGLE MAGNIFIER • FINE FOCUS - RACK & PINION FOCUSER - MOTORISED FOCUS - REMOTE DIGITAL FOCUSER - DEPTH OF FOCUS • TRACKING FOCUS • SEEING • UN-DAMPED VIBRATION - ELECTROMAGNETIC SHUTTER RELEASE • CHECKING FOCUS • LAPTOP REMOTE CAPTURE & CONTROL vs LCD VIEW SCREEN • EXPOSURE - MANUAL MODE OPTION - CALCULATING EXPOSURE TIMES - ISO SETTING & RESOLUTION - ISO vs SEEING - BRACKETING vs DR-O USING SONY a900 for ASTROPHOTOGRAPHY The Sony a900 DSLR is capable of taking fine photographs of the Sun in H-alpha and white light, the Moon, and deep sky objects. It has a 35mm Fx format CMOS sensor specifically designed for low light level photography. The twin BIONZ processors are designed to produce high resolution, low noise, high dynamic range images. The 3-inch LCD view screen may enlarge raw images x19, and its resolution is sufficient to judge precise focus without having to resort to a remote laptop monitor. The optical viewfinder affords 100% frame coverage, and has internal dioptre correction and interchangeable focusing screens. • TELESCOPE ADAPTORS - PRIME FOCUS The Sony 'Exmor' CMOS sensor size is 35.9mm x 24.0mm, giving a frame diagonal 43.2mm. The throat clearance I.D. of the prime focus adaptor needs to accommodate an image circle 43.3mm diameter (allowing 0.1mm clearance) otherwise the frame corners will be mechanically vignetted. -
Camera Trapping for Science
Camera Trapping for Science Richard Heilbrun Tania Homayoun, PhD Texas Parks & Wildlife Texas Parks & Wildlife Session Overview •Introduction to Camera Trapping Basics (1hour) •Hands‐on Practice with Cameras (1.5 hours) •Break (10 min) •Processing Results Presentation & Activity (1 hour 20min) Introduction to Camera Trapping T. Homayoun Overview •Brief history of camera trapping •Various uses of camera trapping •Camera trapping for citizen science: Texas Nature Trackers program •Camera trapping basics •Considerations for the field History of Camera Trapping • 1890s – George Shiras’s trip wire photography of wildlife • 1927 – Frank M Chapman’s photo censusing of Barro Colorado Island, Panama –Starting to document individuals based on markings • 1930s ‐ Tappan George’s North American wildlife photos –Documentation of set‐up, photo processing, logistics George Shiras, 1903, trip wire photo History of Camera Trapping • 1950s – flash bulb replaces magnesium powder –Still using trip wires, often with bait –Recording behaviors & daily activity • 1960s – using beam of light as trip wire –Series of photos, more exposures –6V car batteries to maintain power –Still very heavy set‐ups (~50lbs) • 1970s‐80s – 35mm cameras –Time‐lapse –Much lighter (6‐13 lbs) George Shiras, 1903, trip wire photo History of Camera Trapping • 1990s – infrared trigger system available –Much smaller units –Drastic jump in quality and affordability • Robustness and longevity make more locations and situations accessible to researchers Camera trap records wolves in Chernobyl -
Ilca-99M2 Α99ii
Interchangeable Lens Digital Camera ILCA-99M2 α99II Names of parts/Icons and indicators Names of parts Front side [1] Rear side [2] Top side [3] Sides [4] Bottom [5] Basic operations Using the multi-selector [6] Using the front multi-controller [7] Using MENU items [8] Using the Fn (Function) button [9] How to use the Quick Navi screen [10] How to use the keyboard [11] Icons and indicators List of icons on the monitor [12] Indicators on the display panel [13] Switching the screen display (while shooting/during playback) [14] DISP Button (Monitor/Finder) [15] Preparing the camera Checking the camera and the supplied items [16] Charging the battery pack Charging the battery pack using a charger [17] Inserting/removing the battery pack [18] Battery life and number of recordable images [19] Notes on the battery pack [20] Inserting a memory card (sold separately) Inserting/removing a memory card [21] Memory cards that can be used [22] Notes on memory card [23] Recording images on two memory cards Selecting which memory card to record to (Select Rec. Media) [24] Attaching a lens Attaching/removing a lens [25] Attaching the lens hood [26] Attaching accessories Vertical grip [27] Setting language, date and time [28] In-Camera Guide [29] Shooting Shooting still images [30] Focusing Focus Mode [31] Auto focus Auto focus mechanism [32] Focus Area [33] Focus Standard [34] AF/MF control [35] AF w/ shutter (still image) [36] AF On [37] Eye AF [38] AF Range Control [39] AF Rng.Ctrl Assist (still image) [40] Center Lock-on AF [41] Eye-Start AF (still image) [42] AF drive speed (still image) [43] AF Track Sens (still image) [44] Priority Set in AF-S [45] Priority Set in AF-C [46] AF Illuminator (still image) [47] AF Area Auto Clear [48] Wide AF Area Disp. -
Peter Read Miller on Sports Photography
Final spine = 0.5902 in. PETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated® photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes P ETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes PETER READ MILLER ON SPORTS PHOTOGRAPHY A Sports Illustrated ® photographer’s tips, tricks, and tales on shooting football, the Olympics, and portraits of athletes Peter Read Miller New Riders www.newriders.com New Riders is an imprint of Peachpit, a division of Pearson Education Find us on the Web at www.newriders.com To report errors, please send a note to [email protected] Copyright © 2014 by Peter Read Miller Acquisitions Editor: Ted Waitt Project Editor: Valerie Witte Senior Production Editor: Lisa Brazieal Developmental and Copy Editor: Anne Marie Walker Photo Editor: Steve Fine Proofreader: Erfert Fenton Composition: Kim Scott/Bumpy Design Indexer: Valerie Haynes Perry Cover and Interior Design: Mimi Heft Cover Images: Peter Read Miller NOTICE OF RIGHTS All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. NOTICE OF LIABILITY The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. -
Fundamentals of Photography Course Guidebook
Topic Subtopic Better Living Arts & Leisure Fundamentals of Photography Course Guidebook Joel Sartore Photographer, National Geographic Fellow PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfi elds Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-832-2412 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 2012 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. Joel Sartore Professional Photographer National Geographic Magazine oel Sartore is a photographer, a speaker, an author, a teacher, and a regular contributor Jto National Geographic magazine. He holds a bachelor’s degree in Journalism, and his work has been recognized by the National Press Photographers Association and the Pictures of the Year International competition. Mr. Sartore was recently made a Fellow in the National Geographic Society for his work as a conservationist. The hallmarks of his professional style are a sense of humor and a midwestern work ethic. Mr. Sartore’s assignments have taken him to some of the world’s most beautiful and challenging environments, from the Arctic to the Antarctic. He has traveled to all 50 states and all seven continents, photographing every- thing from Alaskan salmon-fi shing bears to Amazonian tree frogs. His most recent focus is on documenting wildlife, endan gered species, and landscapes, bringing public attention to what he calls “a world worth saving.” His interest in nature started in child hood, when he learned about the very last passenger pigeon from one of his mother’s TIME LIFE picture books. -
Smithsonian Institution Fiscal Year 2021 Budget Justification to Congress
Smithsonian Institution Fiscal Year 2021 Budget Justification to Congress February 2020 SMITHSONIAN INSTITUTION (SI) Fiscal Year 2021 Budget Request to Congress TABLE OF CONTENTS INTRODUCTION Overview .................................................................................................... 1 FY 2021 Budget Request Summary ........................................................... 5 SALARIES AND EXPENSES Summary of FY 2021 Changes and Unit Detail ........................................ 11 Fixed Costs Salary and Related Costs ................................................................... 14 Utilities, Rent, Communications, and Other ........................................ 16 Summary of Program Changes ................................................................ 19 No-Year Funding and Object-Class Breakout .......................................... 23 Federal Resource Summary by Performance/Program Category ............ 24 MUSEUMS AND RESEARCH CENTERS Enhanced Research Initiatives ........................................................... 26 National Air and Space Museum ........................................................ 28 Smithsonian Astrophysical Observatory ............................................ 36 Major Scientific Instrumentation .......................................................... 41 National Museum of Natural History ................................................... 47 National Zoological Park ..................................................................... 55 Smithsonian Environmental -
AW-HN40H Operating Instructions
Operating Instructions <Operations and Settings> HD Integrated Camera Model No. AW‑HN40HWPC Model No. AW‑HN40HKPC Model No. AW‑HN40HWE Model No. AW‑HN40HKE Model No. AW‑HN38HWPC Model No. AW‑HN38HKPC Model No. AW‑HN38HWE Model No. AW‑HN38HKE ● How the Operating Instructions are configured <Basics>: The <Basics> describes the procedure for basic operation and installation. Before installing this unit, be sure to take the time to read through <Basics> to ensure that the unit will be installed correctly. <Operations and Settings> (this manual): This <Operations and Settings> describes how to operate the unit and how to establish its settings. ENGLISH W1217TY0 -FJ DVQP1509ZA Trademarks and registered trademarks Abbreviations ● Microsoft®, Windows®, Windows® 7, Windows® 8, The following abbreviations are used in this manual. Windows® 8.1, Internet Explorer® and ActiveX® are ● Microsoft® Windows® 7 Professional SP1 32/64-bit is either registered trademarks or trademarks of Microsoft abbreviated to “Windows 7”. Corporation in the United States and other countries. ● Microsoft® Windows® 8 Pro 32/64-bit is abbreviated to ● Intel® and Intel® CoreTM are trademarks or registered “Windows 8”. trademarks of Intel Corporation in the United States and ● Microsoft® Windows® 8.1 Pro 32/64-bit is abbreviated to other countries. “Windows 8.1”. ● Adobe® and Reader® are either registered trademarks or ● Windows® Internet Explorer® 8.0, Windows® Internet trademarks of Adobe Systems Incorporated in the United Explorer® 9.0, Windows® Internet Explorer® 10.0 and States and/or other countries. Windows® Internet Explorer® 11.0 are abbreviated to ● HDMI, the HDMI logo and High-Definition Multimedia “Internet Explorer”. -
Efficient Pipeline for Camera Trap Image Review
Efficient Pipeline for Camera Trap Image Review Sara Beery Dan Morris Siyu Yang [email protected] [email protected] [email protected] California Institute of Technology Microsoft AI for Earth Microsoft AI for Earth Pasadena, California Redmond, Washington Redmond, Washington Figure 1: Example results from our generic detector, on images from regions and/or species not seen during training. ABSTRACT Previous work has shown good results on automated species Biologists all over the world use camera traps to monitor biodi- classification in camera trap data [8], but further analysis has shown versity and wildlife population density. The computer vision com- that these results do not generalize to new cameras or new geo- munity has been making strides towards automating the species graphical regions [3]. Additionally, these models will fail to recog- classification challenge in camera traps [1, 2, 4–16], but it has proven nize any species they were not trained on. In theory, it is possible difficult to to apply models trained in one region to images collected to re-train an existing model in order to add missing species, but in in different geographic areas. In some cases, accuracy falls off cata- practice, this is quite difficult and requires just as much machine strophically in new region, due to both changes in background and learning expertise as training models from scratch. Consequently, the presence of previously-unseen species. We propose a pipeline very few organizations have successfully deployed machine learn- that takes advantage of a pre-trained general animal detector and ing tools for accelerating camera trap image annotation.