Smithsonian Institution Fiscal Year 2021 Budget Justification to Congress
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ARTIFICIAL INTELLIGENCE and ALGORITHMIC LIABILITY a Technology and Risk Engineering Perspective from Zurich Insurance Group and Microsoft Corp
White Paper ARTIFICIAL INTELLIGENCE AND ALGORITHMIC LIABILITY A technology and risk engineering perspective from Zurich Insurance Group and Microsoft Corp. July 2021 TABLE OF CONTENTS 1. Executive summary 03 This paper introduces the growing notion of AI algorithmic 2. Introduction 05 risk, explores the drivers and A. What is algorithmic risk and why is it so complex? ‘Because the computer says so!’ 05 B. Microsoft and Zurich: Market-leading Cyber Security and Risk Expertise 06 implications of algorithmic liability, and provides practical 3. Algorithmic risk : Intended or not, AI can foster discrimination 07 guidance as to the successful A. Creating bias through intended negative externalities 07 B. Bias as a result of unintended negative externalities 07 mitigation of such risk to enable the ethical and responsible use of 4. Data and design flaws as key triggers of algorithmic liability 08 AI. A. Model input phase 08 B. Model design and development phase 09 C. Model operation and output phase 10 Authors: D. Potential complications can cloud liability, make remedies difficult 11 Zurich Insurance Group 5. How to determine algorithmic liability? 13 Elisabeth Bechtold A. General legal approaches: Caution in a fast-changing field 13 Rui Manuel Melo Da Silva Ferreira B. Challenges and limitations of existing legal approaches 14 C. AI-specific best practice standards and emerging regulation 15 D. New approaches to tackle algorithmic liability risk? 17 Microsoft Corp. Rachel Azafrani 6. Principles and tools to manage algorithmic liability risk 18 A. Tools and methodologies for responsible AI and data usage 18 Christian Bucher B. Governance and principles for responsible AI and data usage 20 Franziska-Juliette Klebôn C. -
Smithsonian Institution Archives (SIA)
SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2020 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 2.0 (Updated January 2020) Copyright © 2020 by Smithsonian Institution Table of Contents Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 6 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 7 Cooper-Hewitt, -
African American History & Culture
IN September 2016 BLACK AMERICAsmithsonian.com Smithsonian WITH CONTRIBUTIONS FROM: REP. JOHN LEWIS BLACK TWITTER OPRAH WINFREY A WORLD IN SPIKE LEE CRISIS FINDS ANGELA Y. DAVIS ITS VOICE ISABEL WILKERSON LONNIE G. BUNCH III HEADING NATASHA TRETHEWEY NORTH BERNICE KING THE GREAT ANDREW YOUNG MIGRATION TOURÉ JESMYN WARD CHANGED WENDEL A. WHITE EVERYTHING ILYASAH SHABAZZ MAE JEMISON ESCAPE FROM SHEILA E. BONDAGE JACQUELINE WOODSON A LONG-LOST CHARLES JOHNSON SETTLEMENT JENNA WORTHAM OF RUNAWAY DEBORAH WILLIS SLAVES THOMAS CHATTERTON WILLIAMS SINGING and many more THE BLUES THE SALVATION DEFINING MOMENT OF AMERICA’S ROOTS MUSIC THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY & CULTURE OPENS IN WASHINGTON, D.C. SMITHSONIAN.COM SPECIAL�ADVERTISING�SECTION�|�Discover Washington, DC FAMILY GETAWAY TO DC FALL�EVENTS� From outdoor activities to free museums, your AT&T�NATION’S�FOOTBALL� nation’s capital has never looked so cool! CLASSIC�® Sept. 17 Celebrate the passion and tradition of IN�THE� the college football experience as the Howard University Bisons take on the NEIGHBORHOOD Hampton University Pirates. THE�NATIONAL�MALL NATIONAL�MUSEUM�OF� Take a Big Bus Tour around the National AFRICAN�AMERICAN�HISTORY�&� Mall to visit iconic sites including the CULTURE�GRAND�OPENING Washington Monument. Or, explore Sept. 24 on your own to find your own favorite History will be made with the debut of monument; the Martin Luther King, Jr., the National Mall’s newest Smithsonian Lincoln and World War II memorials Ford’s Th eatre in museum, dedicated to the African are great options. American experience. Penn Quarter NATIONAL�BOOK�FESTIVAL� CAPITOL�RIVERFRONT Sept. -
SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
Museum Archivist
Newsletter of the Museum Archives Section Museum Archivist Summer 2020 Volume 30, Issue 2 Letter From the Chair Fellow MAS and SAA members, To be blunt, we are currently in the midst of a challenging period of historic proportions. On top of a charged atmosphere filled with vitriol, 2020 has witnessed the unfolding of both a global pandemic and racial tensions exacerbated by systemic racism in law enforcement. The combination of this perfect storm has sowed a climate of chaos and uncertainty. It is easy to feel demoralized and discouraged. For your own mental health, allow yourself to feel. Allow yourself to take a breath and acknowledge that you are bearing witness to a uniquely challenging period like few in global history. Yet, there is reason to hope. The trite phrase, “that which does not kill us only makes us stronger” has significance. We adapt, learn, grow and improve. If this all is to be viewed as an incredible challenge, rest assured, we will overcome it. (To use yet another timeless phrase, “this, too, shall pass.”) I am curious to see what new measures, what new policies, what new courses of action we, as professionals in the field(s) of libraries, archives, and museums (LAMs) will implement to further enhance and reinforce the primary goals of our respective professions. One question that keeps coming to mind is how the archives field—specifically as it relates to museums— will survive and adapt in the post-COVID-19 world. People will continue to turn to publicly available research material to learn and educate others. -
Practical Homomorphic Encryption and Cryptanalysis
Practical Homomorphic Encryption and Cryptanalysis Dissertation zur Erlangung des Doktorgrades der Naturwissenschaften (Dr. rer. nat.) an der Fakult¨atf¨urMathematik der Ruhr-Universit¨atBochum vorgelegt von Dipl. Ing. Matthias Minihold unter der Betreuung von Prof. Dr. Alexander May Bochum April 2019 First reviewer: Prof. Dr. Alexander May Second reviewer: Prof. Dr. Gregor Leander Date of oral examination (Defense): 3rd May 2019 Author's declaration The work presented in this thesis is the result of original research carried out by the candidate, partly in collaboration with others, whilst enrolled in and carried out in accordance with the requirements of the Department of Mathematics at Ruhr-University Bochum as a candidate for the degree of doctor rerum naturalium (Dr. rer. nat.). Except where indicated by reference in the text, the work is the candidates own work and has not been submitted for any other degree or award in any other university or educational establishment. Views expressed in this dissertation are those of the author. Place, Date Signature Chapter 1 Abstract My thesis on Practical Homomorphic Encryption and Cryptanalysis, is dedicated to efficient homomor- phic constructions, underlying primitives, and their practical security vetted by cryptanalytic methods. The wide-spread RSA cryptosystem serves as an early (partially) homomorphic example of a public- key encryption scheme, whose security reduction leads to problems believed to be have lower solution- complexity on average than nowadays fully homomorphic encryption schemes are based on. The reader goes on a journey towards designing a practical fully homomorphic encryption scheme, and one exemplary application of growing importance: privacy-preserving use of machine learning. -
On the Complexities of Using New Visual Technologies to Communicate About Wildlife Communication
Verma A, Van der Wal R, Fischer A. Microscope and spectacle: On the complexities of using new visual technologies to communicate about wildlife communication. Ambio 2015, 44(Suppl. 4), 648-660. Copyright: © The Author(s) 2015 Open Access This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. DOI link to article: http://dx.doi.org/10.1007/s13280-015-0715-z Date deposited: 05/12/2016 This work is licensed under a Creative Commons Attribution 4.0 International License Newcastle University ePrints - eprint.ncl.ac.uk Ambio 2015, 44(Suppl. 4):S648–S660 DOI 10.1007/s13280-015-0715-z Microscope and spectacle: On the complexities of using new visual technologies to communicate about wildlife conservation Audrey Verma, Rene´ van der Wal, Anke Fischer Abstract Wildlife conservation-related organisations well-versed in crafting public outreach and awareness- increasingly employ new visual technologies in their raising activities. These range from unidirectional educa- science communication and public engagement efforts. tional campaigns and advertising and branding projects, to Here, we examine the use of such technologies for wildlife citizen science research with varying degrees of public conservation campaigns. We obtained empirical data from participation, the implementation of interactive media four UK-based organisations through semi-structured strategies, and the expansion of modes of interpretation to interviews and participant observation. -
Southwest Retort
SOUTHWEST RETORT SIXTY-NINTH YEAR OCTOBER 2016 Published for the advancement of Chemists, Chemical Engineers and Chemistry in this area published by The Dallas-Fort Worth Section, with the cooperation of five other local sections of the American Chemical Society in the Southwest Region. Vol. 69(2) OCTOBER 2016 Editorial and Business Offices: Contact the Editor for subscription and advertisement information. Editor: Connie Hendrickson: [email protected] Copy Editor: Mike Vance, [email protected] Business Manager: Danny Dunn: [email protected] The Southwest Retort is published monthly, September through May, by the Dallas-Ft. Worth Section of the American Chemical Society, Inc., for the ACS Sections of the Southwest Region. October 2016 Southwest RETORT 1 TABLE OF CONTENTS Employment Clearing House………….......3 Fifty Years Ago……………………….….....6 ARTICLES and COLUMNS Schulz Award Winner Gale Hunt………….7 And Another Thing……………………….11 Around the Area………………………….14 Letter from the Editor….…..……….........17 SPECIAL EVENTS National Chemistry Week…………………9 NEWS SHORTS Former pesticide ingredient found in dolphins, birds and fish……………………8 Coffee-infused foam removes lead from contaminated water………………………10 Snake venom composition could be related to hormones and diet……………………..13 Detecting blood alcohol content with an electronic skin patch………………...……16 INDEX OF ADVERTISERS Huffman Laboratories……………....……..4 Contact the DFW Section Vance Editing…..…………….…….……….4 General: [email protected] UT Arlington………………………………..4 Education: [email protected] ANA-LAB……………………...….…...……5 Elections: [email protected] Facebook: DFWACS Twitter: acsdfw October 2016 Southwest RETORT 2 EMPLOYMENT CLEARING HOUSE Job applicants should send name, email, and phone, along with type of position and geographical area desired; employers may contact job applicants directly. -
Charles Lang Freer and His Gallery of Art : Turn-Of-The-Century Politics and Aesthetics on the National Mall
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2007 Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall. Patricia L. Guardiola University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guardiola, Patricia L., "Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall." (2007). Electronic Theses and Dissertations. Paper 543. https://doi.org/10.18297/etd/543 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements F or the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky August 2007 CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Approved on June 8, 2007 By the following Thesis Committee: Thesis Director ii DEDICATION In memory of my grandfathers, Mr. -
Visit Smithsonianeducation.Org
Looking for Something? WELCOME For directions and assistance during the event, to Smithsonian Teachers’ Night please ask a volunteer wearing a white National Portrait Gallery Smithsonian Teachers’ Night cap. Smithsonian American Art Museum Listen Friday, September 28, 2012 Enjoy performances throughout the evening by: 7:00–9:30 pm Graham Road Percussion Ensemble Kogod Courtyard, First Floor Refreshments Smithsonian Jazz Masterworks Trio Kogod Courtyard, First Floor Luce Center, Third Floor Great Hall and Luce Center, Third Floor Please note that food and drinks are not Smile! permitted in the exhibition galleries. Check flickr.com/smithsonianeducation for photos taken at this and past events. Please note that attendees may be filmed, photographed, or recorded for educational Door Prizes and promotional uses, which may include posting on the Smithsonian’s and other public Kogod Courtyard, First Floor websites and social media channels. Check your totebag for a certificate to see if you are a winner. Prizes must be claimed by 9:00 pm. Prizes donated by the Smithsonian Center for Education and Museum Studies, Connect the Smithsonian’s education offices, Smithsonian Enterprises, and Target. Join Smithsonian Education on Totebag Distribution Visit SmithsonianEducation.org Kogod Courtyard, First Floor Enrich your classroom throughout the year by Turn in your coupon for your Smithsonian Teachers’ visiting smithsonianeducation.org. You will find Night totebag. Totebags are available for the first more than 2,000 classroom resources, aligned to 3,000 attendees. state and Common Core standards. Museum Stores Thank you First Floor Smithsonian Teachers’ Night is sponsored by Visit the museum store to receive a 10% discount on purchases of $50 or more. -
The Grand Challenges in the Chemical Sciences
The Israel Academy of Sciences and Humanities Celebrating the 70 th birthday of the State of Israel conference on THE GRAND CHALLENGES IN THE CHEMICAL SCIENCES Jerusalem, June 3-7 2018 Biographies and Abstracts The Israel Academy of Sciences and Humanities Celebrating the 70 th birthday of the State of Israel conference on THE GRAND CHALLENGES IN THE CHEMICAL SCIENCES Participants: Jacob Klein Dan Shechtman Dorit Aharonov Roger Kornberg Yaron Silberberg Takuzo Aida Ferenc Krausz Gabor A. Somorjai Yitzhak Apeloig Leeor Kronik Amiel Sternberg Frances Arnold Richard A. Lerner Sir Fraser Stoddart Ruth Arnon Raphael D. Levine Albert Stolow Avinoam Ben-Shaul Rudolph A. Marcus Zehev Tadmor Paul Brumer Todd Martínez Reshef Tenne Wah Chiu Raphael Mechoulam Mark H. Thiemens Nili Cohen David Milstein Naftali Tishby Nir Davidson Shaul Mukamel Knut Wolf Urban Ronnie Ellenblum Edvardas Narevicius Arieh Warshel Greg Engel Nathan Nelson Ira A. Weinstock Makoto Fujita Hagai Netzer Paul Weiss Oleg Gang Abraham Nitzan Shimon Weiss Leticia González Geraldine L. Richmond George M. Whitesides Hardy Gross William Schopf Itamar Willner David Harel Helmut Schwarz Xiaoliang Sunney Xie Jim Heath Mordechai (Moti) Segev Omar M. Yaghi Joshua Jortner Michael Sela Ada Yonath Biographies and Abstracts (Arranged in alphabetic order) The Grand Challenges in the Chemical Sciences Dorit Aharonov The Hebrew University of Jerusalem Quantum Physics through the Computational Lens While the jury is still out as to when and where the impressive experimental progress on quantum gates and qubits will indeed lead one day to a full scale quantum computing machine, a new and not-less exciting development had been taking place over the past decade. -
Opens March 30 at Smithsonian American Art Museum's
March 30, 2018 Media only: [email protected] Media website: americanart.si.edu/pr “No Spectators: The Art of Burning Man” Opens March 30 at Smithsonian American Art Museum’s Renwick Gallery Exhibition Brings Large-Scale Installations From Famed Desert Gathering to Washington Cutting-edge artwork created at Burning Man, the annual desert gathering that is one of the most influential events in contemporary art and culture, will be exhibited in the nation’s capital for the first time this spring. “No Spectators: The Art of Burning Man” will take over the entire Renwick Gallery building, exploring the maker culture, ethos, principles and creative spirit of Burning Man. Several artists will debut new works in the exhibition. In addition to the in-gallery presentation, the Renwick exhibition will expand beyond its walls for the first time through an outdoor extension titled “No Spectators: Beyond the Renwick,” displaying sculptures throughout the surrounding neighborhood. Nora Atkinson, the museum’s Lloyd Herman Curator of Craft, is organizing the exhibition in collaboration with the Burning Man Project, the nonprofit organization responsible for producing the annual Burning Man event in Black Rock City. The outdoor extension of the exhibition is presented in partnership with Washington, D.C.’s Golden Triangle Business Improvement District, a 43-square-block neighborhood that stretches from the White House to Dupont Circle. The Burning Man community was instrumental in suggesting artworks for inclusion in the exhibition. “No Spectators: The Art of Burning Man” opens March 30, 2018. The Renwick is the sole venue for the exhibition, which will close in two phases.