Doris Lessing
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Identity and Narrative in Doris Lessing's and J.M. Coetzee's Life Writings
Identity and narrative in Doris Lessing's and J.M. Coetzee's Life Writings ENG-3992 Shkurte Krasniqi Master’s Thesis in English Literature Faculty of Humanities, Social Sciences and Education University of Tromsø Spring 2013 Acknowledgements I would like to thank my supervisor Professor Gerd Karin Bjørhovde for her constructive criticism and for encouraging me to work on this thesis. She is an inspiration to me. I would also like to thank my family for supporting me from afar: you are always on my mind. Last but not least, I am grateful to have my husband Jørn by my side. Abstract The main focus of this thesis is the manner in which Doris Lessing and J.M Coetzee construct their identities in their life writings. While Lessing has written a “classical” autobiography using the first person and past tense, Coetzee has opted for a more fictional version using the third person and the present tense. These different approaches offer us a unique opportunity to look into the manner in which fiction and facts can be combined and used to create works of art which linger permanently between the two. It is also interesting to see how these two writers have dealt with the complications of being raised in Southern Africa and how that influences their social and personal identities. In the Introduction I present the writers and their oeuvres briefly. In Chapter 1, I explain the terms connected with life writing, identity and narrative. In the second chapter I begin by looking into the manner in which their respective life writings begin and what repercussions does using the first and the third person have? In the third chapter I analyse their relational identities, i.e. -
Making Nonsense of the Little Categories”
“Making Nonsense of the Little Categories” Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction by Georgia Hight A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2017 Contents Contents .................................................................................................................................... ii Abstract .................................................................................................................................... iii Acknowledgements ................................................................................................................... iv List of Abbreviations ................................................................................................................. v Introduction ................................................................................................................................ 1 Story and discourse order definitions and history ............................................................................. 3 Autobiography definitions and history ............................................................................................... 7 Science Fiction definitions and history ............................................................................................ 16 “Unstuck in Time”: Temporal Ordering and Trauma in Slaughterhouse-Five ....................... 27 “The Last -
Read Book Alfred and Emily Ebook Free Download
ALFRED AND EMILY PDF, EPUB, EBOOK Doris Lessing | 288 pages | 10 Mar 2009 | HarperCollins Publishers | 9780007240173 | English | London, United Kingdom Alfred and Emily PDF Book Emily rises in her profession, then enters into a loveless marriage with William, a brilliant surgeon - what the man who drowned might have become. From Wikipedia, the free encyclopedia. She grew up hearing that her mother had been heartbroken when a doctor she deeply loved was drowned. But what I was doing was part of the trying to get free. I know it is. The handsome youth had been caught out, but obviously not disgracefully because he retired to join the spectators while people clapped. There are some vivid pages on the relationships between Europeans and the black population. Lane was delighted with herself and with him. Feb 17, Claude rated it really liked it. She draws conclusions so blunt as to almost be silly, which they would be if they weren't so simply devastating. The more I read of Doris Lessing and it's not really been so much the more I see her to be one of the authors who has written directly upon my life. The second half of the book tells the real-life story of her parents' struggles with life after the Great War. How interesting to write the lives you believe your parents would have enjoyed rather than the ones you half know they have lived. Emily and Alfred, an ill-matched couple, married. During the postwar years, Lessing became increasingly disillusioned with the Communist movement, which she left altogether in Works by Doris Lessing. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
The Construction of Mother Archetypes in Five Novels by Doris Lessing
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Ph.D. Thesis Closing Circles: The Construction of Mother Archetypes in Five Novels by Doris Lessing. Anna Casablancas i Cervantes Thesis supervisor: Dr. Andrew Monnickendam. Programa de doctorat en Filologia Anglesa. Departament de Filologia Anglesa i Germanística. Facultat de Filosofia i Lletres. Universitat Autònoma de Barcelona. 2016. Als meus pares, que mereixen veure’s reconeguts en tots els meus èxits pel seu exemple d’esforç i sacrifici, i per saber sempre que ho aconseguiria. Als meus fills, Júlia i Bernat, que són la motivació, la força i l’alegria en cadascun dels projectes que goso emprendre. ACKNOWLEDGEMENTS I would like to thank my thesis supervisor, Dr. Andrew Monnickendam, for the continuous support and guidance of my Ph.D. study. His wise advice and encouragement made it possible to finally complete this thesis. My sincere thanks also goes to Sara Granja, administrative assistant for the Doctorate programme at the Departament de Filologia Anglesa i Germanística, for her professionalism and efficiency whenever I got lost among the bureaucracy. But the person who unquestionably deserves my deepest gratitude is, for countless reasons, Dr. -
{TEXTBOOK} Under My Skin: Volume One of My Autobiography, to 1949
UNDER MY SKIN: VOLUME ONE OF MY AUTOBIOGRAPHY, TO 1949 PDF, EPUB, EBOOK Doris Lessing | 432 pages | 09 Oct 1995 | HarperCollins Publishers | 9780006548256 | English | London, United Kingdom Under My Skin: Volume One of My Autobiography, to - Doris Lessing - Google книги Visiting the past is revisiting the trap, one that she found herself so nearly caught by. And she shrinks away from its walls even as she recalls them. Shrinking away is not the best artistic posture; she is much better now and then when she bursts into full-throated rage. Otherwise, there are a few moments of unclouded evocation--the beauty and freedom of the African back lands, the quiet rhythm of a farm day--but they quickly cloud over. She attempts to portray the neighboring families they knew, but she wards them off by naming them. Her boarding schools are recounted at a numb distance; so is her marriage to a young and rising civil servant. She played the competent, cheerfully quirky young colonial wife and mother to the point of madness. Her husband and children are present but impalpable, as if the scandal and pain of walking out, moving across a stuffy little colonial capital and going to live with artists and leftists were the exchange of matter for anti-matter, with no connection between them, even that of memory. Only imagination--in her fiction--would make a bridge. Toward the end, before she emigrates to England and her literary career, she, Gottfried Lessing and their baby would occasionally picnic with her first family, but she tells it as if two sets of ghosts were sharing the tea cakes. -
'Second World Life Writing: Doris Lessing's Under My Skin'
Citation: Watkins, SM (2016) ‘Second World Life Writing: Doris Lessing’s Under My Skin’. Journal of Southern African Studies. ISSN 1465-3893 DOI: https://doi.org/10.1080/03057070.2016.1121718 Link to Leeds Beckett Repository record: https://eprints.leedsbeckett.ac.uk/id/eprint/1784/ Document Version: Article (Updated Version) The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis. ‘Second World Life Writing: Doris Lessing’s Under My Skin’ Dr Susan Watkins, Leeds Beckett University, UK Abstract The first volume of Doris Lessing’s official autobiography, Under My Skin (1994) returns her to memories of her African childhood, but also necessitates that she reassess the status of official and ‘fictionalised’ accounts of the past, especially her own story of the impact of colonization and Empire on her family, herself and the native African population in Southern Rhodesia. -
Doris Lessing's the Grass Is Singing
International Journal of English and literature Vol. 4(1), pp. 11-16, January 2013 Available online http://www.academicjournals.org/ijel DOI: 10.5897/IJEL11.119 ISSN 2141-2626 ©2013 Academic Journals Full Length Research Paper Doris Lessing’s The Grass is Singing: Anatomy of a female psyche in the midst of gender, race and class barrier Mohammad Kaosar Ahmed Department of English Language and Literature, International Islamic University Chittagong, Dhaka Campus, Bangladesh. E-mail: [email protected]. Accepted 20 December, 2012 One of the founder mothers of feminism, Doris Lessing made her debut as a novelist with The Grass is Singing (1950). The novel examines the relationship between Mary Turner- a white farmer’s wife and her black servant. The novel does not unswervingly explore the feminist causes. Still, Lessing’s portrayal of Mary Turner warrants a closer examination because of the unique perspective Lessing brings to unfold the female psyche in the midst of gender, race and class barrier. Key words: Gender, psyche, race, sexism. INTRODUCTION The Grass is Singing is a tale of subjection of a woman 1952), a semiautobiographical five-novel series featuring who was defeated and thwarted by the bullying of race, the character Martha Quest (Rosen, 1978), reflects her gender and other social discriminations. Mary Turner, the African experience and is among her most substantial victim of such oppression, is unlike the other characters works. The Golden Notebook (2007), her most widely of Lessing, as she was never been given any freedom. read novel, is a feminist classic. Her masterful short Isolation, mental and economic sterility and emotional stories are published in several collections. -
The Sweetest Dream: Lessing, Zimbabwe and Catholicism
1 The Sweetest Dream: Lessing, Zimbabwe and Catholicism ANTHONY CHENNELLS Professor Extraordinaire, Department of English, University of Pretoria, Pretoria, 0002, South Africa. E-mail: [email protected] In her later work Lessing refers frequently, if in passing, to Roman Catholicism often as part of her growing interest in spirituality which began while she was writing The Golden Notebook. Some of these references are in the accounts of her travels in Zimbabwe but they are also to be found in her autobiographies, reviews and occasional journalism. Because of their frequency she cannot be regarded as entirely indifferent to the church. A valid line of enquiry into Lessing’s work asks whether her dislike for the church, formed during her traumatic four years as a young child in the Salisbury convent, remained her dominant impression - or whether in later life she found in Catholicism, particularly in Zimbabwe, an institution that invited more complex responses. An answer is provided in The Sweetest Dream, her last long novel that deals directly with Africa. The novel is partly set in Zimlia, a country that clearly suggests Zimbabwe. It avoids representing Catholicism and traditional spirituality as antagonistic; the complex plotting at its end rejects a confident division between the sacred and the secular and suggests that, although Catholicism is on the whole a force for good, its powers in Zimlia are limited, confronted as the church is by the literal epidemic of AIDS and the power of traditional spirituality. One possible reading suggests -
Çankaya University the Graduate School of Social Sciences English Literature and Cultural Studies
ÇANKAYA UNIVERSITY THE GRADUATE SCHOOL OF SOCIAL SCIENCES ENGLISH LITERATURE AND CULTURAL STUDIES CONFIGURATION OF ALTERNATIVE SPACES THROUGH PERFORMATIVE AND NOMADIC ACTS IN DORIS LESSING’S SHORT FICTION Ph.D. Dissertation ÖZGE GÜVENÇ JULY 2018 ABSTRACT CONFIGURATION OF ALTERNATIVE SPACES THROUGH PERFORMATIVE AND NOMADIC ACTS IN DORIS LESSING’S SHORT FICTION GÜVENÇ, ÖZGE Department of English Literature and Cultural Studies Ph.D. Dissertation Supervisor: Assoc. Prof. Dr. Özlem Uzundemir July 2018, 255 pages Doris Lessing is a protean author of the twentieth century due to her experimental writing style and a diversity of issues, ranging from race and ethnicity to class and gender. The richness in the material and form of her writing can also be traced in how she values spaces in her fiction set in Africa and England: wild nature, cultivated settler lands and homesteads in the African continent as well as a variety of closed, open and transitory spaces in the city, gain importance with respect to human intervention. Her two collections of African stories – This Was the Old Chief’s Country and The Sun Between Their Feet; two collections of stories set in Europe and England – To Room Nineteen: Collected Stories and The Temptation of Jack Orkney: Collected Stories; and finally, one collection of stories and sketches London Observed lend themselves to an analysis based on the relationship between space and gender. Within the framework of recent theories of space by Henri Lefebvre and Edward Soja, which are related to Judith Butler’s and Rosi Braidotti’s theories on performativity and nomadism, this dissertation discusses to what extent both genders, particularly women, help to constitute an alternative mode of thinking about private/closed, public/open and transitory spaces, and transform them into lived/social ones based on experience, appropriation and movement. -
A Postmodern Study of Doris Lessing's the Golden Notebook In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Burch University 1st International Conference on Foreign Language Teaching and Applied Linguistics May 5-7 2011 Sarajevo A Postmodern Study of Doris Lessing‘s The Golden Notebook in the Light of Jean-Francois Lyotard ‘s Ideas Shahram Kiaei Faculty Member, Department of English, Islamic Azad University, Qom Branch, Qom, Iran [email protected] Ensiyehsadat Azizi Department of English Islamic Azad University, Arak Branch , Arak , Iran [email protected] Fatemeh Azizmohammadi Faculty Member, Department of English, Islamic Azad University, Arak Branch , Arak , Iran [email protected] Abstract: It has become a virtual commonplace of contemporary criticism that postmodern thought challenges the Enlightenment view of human reason, especially its assumption of a stable, autonomous subject capable of directing the forces of history. For this reason some theorists see postmodernism as pivoting on a reformulation of anti-Enlightenment thought that surfaced during the nineteenth-century and which remained active throughout the modernist period. From this perspective, literary modernism's ambivalent stance toward the integrity of the subject is in part the legacy of Marx, Nietzsche, and Freud-- precisely those nineteenth-century thinkers who situate much of the postmodern project. Regarding all the previous criticisms, this study clearly assumes that postmodernism employs quite different critical methodologies from those of modernism. Nevertheless, as Jean-Francois Lyotard suggests, evidence of this postmodern emphasis is latent in modernism itself, most particularly in those highly experimental or transgressive works that challenge traditional notions of referential language, rational order, or the autonomous subject. -
D.H. Lawrence and Doris Lessing
1 Proposal for Collaborative Session MLA Vancouver 2105 Panel Organizer: Nancy L. Paxton, Dept. of English, Northern Arizona University This proposal was developed in collaboration with Alice Ridout, current president of the Doris Lessing Society, and Holly Laird, current president of the D. H. Lawrence Society of North America. It is a revision of the proposal for a collaborative session submitted by Holly Laird for MLA ‘14. (See MLA Reference number A067A) Description of Session In recognition of Doris Lessing’s death on Nov. 17, 2013, the Doris Lessing Society and the D. H. Lawrence Society of North America propose a collaborative session to compare these two writers’ complex narrative responses to trauma, war, and madness. Much of the earlier scholarship comparing Lawrence’s and Lessing’s writing focused on their representations of gender identity, sexuality, or conflicts in their views of feminism. Mark Spilka’s “The Battle of the Sexes” (Contemporary Literature, 1975) and Paul Schlueter’s The Novels of Doris Lessing (1973) are two examples, among many. Inspired in part by Doris Lessing’s preface to the 2006 Penguin edition of Lady Chatterley’s Lover and her 2002 article on Lawrence’s The Fox for The New York Review of Books, this session will explore how Lawrence and Lessing responded in their fiction to the traumas of war, displacement, and madness. D. H. Lawrence was profoundly traumatized by the death and destruction of World War I and by the banning of The Rainbow in 1915; his subsequent writing presents evidence of these traumas, as Mark Kinkead-Weekes, Jill Franks, and many others have shown.