Doris Lessing

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Doris Lessing . Primary reading Doris Lessing, The Marriages Between Zones Three, Four and Five (1980) . Secondary reading (to be provided on handouts) - Christopher Bigsby, ‘The Need to Tell Stories’. - B.F. Nellist, ‘Surviving Change’. - Phyllis Sternberg Perrakis, ‘Sufism, Jung and the Myth of Kore: Revisionist Politics in Lessing’s Marriages’. Secondary reading (library) - Harold Bloom (editor), Doris Lessing: Bloom’s Modern Critical Views (Philadeliphia: Chelsea House Publishers, 2003) [PR6062.E8 DOR] - Phyllis Sternberg Perrakis (editor), Spiritual exploration in the works of Doris Lessing (Westport, Conn.: Greenwood Press, 1999) [PR6062.E8 SPI]. - Roberta Rubenstein, The novelistic vision of Doris Lessing: Breaking the forms of consciousness (London : University of Illinois Press, 1979) [PR6062.E8 RUB]. Other works by Lessing The other novels in the ‘Canopus in Argos: Archives’ series are: Shikasta (1979), The Sirian Experiments (1980), The Making of the Representative for Planet 8 (1982) and The Sentimental Agents in the Volyen Empire (1983). For a contrasting exploration of marriage, see Lessing in realist mode in A Proper Marriage (1954). Her most famous novel, The Golden Notebook (1962), is a prelude to the spiritual and/or psychological questions she confronts in the 'Canopus in Argos' sequence; it is also an example of the novel as documentary realism. The ‘Preface’ later added to the book is a provocative commentary on reactions to it (including feminist responses). A recent novel, The Cleft (2007), is a playful exploration of an idea that women preceded men, creating a new myth of origin. Prisons We Choose to Live Inside (1987), based on a series of lectures, articulates Lessing's belief that we are ‘dominated by our savage past, as individuals and groups’, an idea that informs much of her fiction. Biography There is, as yet, no major biography of Lessing (she has fiercely resisted several attempts). The most useful source therefore remains the first volume of her autobiography, Under My Skin (1994). The second volume, Walking in the Shade (1997) is thinner and deliberately elides much of the spiritual awakening that Lessing herself experienced. On Cats (2002; a combination of two earlier books) is also revealing. Tom Sperlinger [email protected].

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Read Book Alfred and Emily Ebook Free Download
ALFRED AND EMILY PDF, EPUB, EBOOK Doris Lessing | 288 pages | 10 Mar 2009 | HarperCollins Publishers | 9780007240173 | English | London, United Kingdom Alfred and Emily PDF Book Emily rises in her profession, then enters into a loveless marriage with William, a brilliant surgeon - what the man who drowned might have become. From Wikipedia, the free encyclopedia. She grew up hearing that her mother had been heartbroken when a doctor she deeply loved was drowned. But what I was doing was part of the trying to get free. I know it is. The handsome youth had been caught out, but obviously not disgracefully because he retired to join the spectators while people clapped. There are some vivid pages on the relationships between Europeans and the black population. Lane was delighted with herself and with him. Feb 17, Claude rated it really liked it. She draws conclusions so blunt as to almost be silly, which they would be if they weren't so simply devastating. The more I read of Doris Lessing and it's not really been so much the more I see her to be one of the authors who has written directly upon my life. The second half of the book tells the real-life story of her parents' struggles with life after the Great War. How interesting to write the lives you believe your parents would have enjoyed rather than the ones you half know they have lived. Emily and Alfred, an ill-matched couple, married. During the postwar years, Lessing became increasingly disillusioned with the Communist movement, which she left altogether in Works by Doris Lessing.
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The Construction of Mother Archetypes in Five Novels by Doris Lessing
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Ph.D. Thesis Closing Circles: The Construction of Mother Archetypes in Five Novels by Doris Lessing. Anna Casablancas i Cervantes Thesis supervisor: Dr. Andrew Monnickendam. Programa de doctorat en Filologia Anglesa. Departament de Filologia Anglesa i Germanística. Facultat de Filosofia i Lletres. Universitat Autònoma de Barcelona. 2016. Als meus pares, que mereixen veure’s reconeguts en tots els meus èxits pel seu exemple d’esforç i sacrifici, i per saber sempre que ho aconseguiria. Als meus fills, Júlia i Bernat, que són la motivació, la força i l’alegria en cadascun dels projectes que goso emprendre. ACKNOWLEDGEMENTS I would like to thank my thesis supervisor, Dr. Andrew Monnickendam, for the continuous support and guidance of my Ph.D. study. His wise advice and encouragement made it possible to finally complete this thesis. My sincere thanks also goes to Sara Granja, administrative assistant for the Doctorate programme at the Departament de Filologia Anglesa i Germanística, for her professionalism and efficiency whenever I got lost among the bureaucracy. But the person who unquestionably deserves my deepest gratitude is, for countless reasons, Dr.
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Doris Lessing's Socio- Political Consciousness
International Journal of English Literature and Social Sciences, 5(5) Sep-Oct 2020 | Available online: https://ijels.com/ Doris Lessing’s Socio- political Consciousness Ms. Shikha Sharma1, Dr. N. M. Shah2 1Research Scholar, P.K University, M.P., India 2Associate Professor, GL Bajaj Group of institutions, U.P., India Abstract— Doris Lessing’s socio-political consciousness refers to liberal and progressive outlook on life. She also got interested in communist ideology and became politically involved like the intellectuals of Salisbury who were filled with Marxist idealism. She was impressed by the ideals of the Royal Air Force personals and she contact with them. She experienced the Second World War through her father as it was divided in two groups American and European block. The social and political changes in Great Britain gave rise to the myth of classlessness, which was widely accepted. Domestic peace, colonial retraction and the Cold War on international level, led to the de-politicization of intellectual life. Lessing was one of the founder members and helped organize the first march protesting against nuclear weapons. Her involvement with these developments was primarily as an increasingly well-established, even celebrated writer. Keywords— Lessing's Socio-political consciousness, Doris Lessing's socio-political, consciousness, Political consciousness in novels of Lessing, Social, consciousness of Lessing, Study of consciousness in Lessing's novel. The mostly writers of the thirties was certainly strongly Doris Lessing was influenced by her father and developed a inspired by Karl Marx, and it gave a positive vital force to liberal and progressive outlook on life. She had drifted away their writings.
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Doris Lessing
Doris Lessing: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Lessing, Doris, 1919-2013 Title: Doris Lessing Papers Dates: 1943-2008, undated Extent: 76 document boxes (31.92 linear feet), 1 oversize folder (osf), 9 galley files (gf) Abstract: The Doris Lessing Papers document the English author's creative life through artwork, clippings, correspondence, galley proofs, journal pages, libretti, manuscripts, notes, objects, page proofs, photographs, play scripts, printed material, screenplays, and sound recordings. The focus of the collection is on her professional rather than personal life. Call Number: Manuscript Collection MS-2460 Language: Predominantly English , with some (mostly printed) material in Dutch, French, German, Japanese, Norwegian , Portuguese, and Spanish Access: Open for research Administrative Information Acquisition: Acquisition: Purchases, 1999 (R14457, R16015); 2015 (15-01-012-P) Processed by: Processed by: Liz Murray, 1999; Richard Workman, 2016 Repository: The University of Texas at Austin, Harry Ransom Center Lessing, Doris, 1919-2013 Manuscript Collection MS-2460 Biographical Sketch Doris Lessing was born in 1919 to English parents who were resident in Persia (now Iran) at the time. Her father, Alfred Tayler, was a bank employee. The family lived in Persia until Doris was five years old, when her father bought a farm in what was then Southern Rhodesia (now Zimbabwe). Lessing spent the next 25 years in Africa, marrying and divorcing twice and having three children before she took her youngest child, Peter, and moved to England in 1949. The next year her first novel, The Grass Is Singing, was published. She supported herself and her son by writing poetry, articles, stage plays, screenplays for television and film, short stories, and novels, including the Children of Violence novel series (1952-1969).
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A Postmodern Study of Doris Lessing's the Golden Notebook In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Burch University 1st International Conference on Foreign Language Teaching and Applied Linguistics May 5-7 2011 Sarajevo A Postmodern Study of Doris Lessing‘s The Golden Notebook in the Light of Jean-Francois Lyotard ‘s Ideas Shahram Kiaei Faculty Member, Department of English, Islamic Azad University, Qom Branch, Qom, Iran [email protected] Ensiyehsadat Azizi Department of English Islamic Azad University, Arak Branch , Arak , Iran [email protected] Fatemeh Azizmohammadi Faculty Member, Department of English, Islamic Azad University, Arak Branch , Arak , Iran [email protected] Abstract: It has become a virtual commonplace of contemporary criticism that postmodern thought challenges the Enlightenment view of human reason, especially its assumption of a stable, autonomous subject capable of directing the forces of history. For this reason some theorists see postmodernism as pivoting on a reformulation of anti-Enlightenment thought that surfaced during the nineteenth-century and which remained active throughout the modernist period. From this perspective, literary modernism's ambivalent stance toward the integrity of the subject is in part the legacy of Marx, Nietzsche, and Freud-- precisely those nineteenth-century thinkers who situate much of the postmodern project. Regarding all the previous criticisms, this study clearly assumes that postmodernism employs quite different critical methodologies from those of modernism. Nevertheless, as Jean-Francois Lyotard suggests, evidence of this postmodern emphasis is latent in modernism itself, most particularly in those highly experimental or transgressive works that challenge traditional notions of referential language, rational order, or the autonomous subject.
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Lessing and Emerson: Conscious Evolution and Ideal Reality
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2000 Lessing and Emerson: Conscious Evolution and Ideal Reality Rachel Hills Newell Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Newell, Rachel Hills, "Lessing and Emerson: Conscious Evolution and Ideal Reality" (2000). Masters Theses. 1608. https://thekeep.eiu.edu/theses/1608 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS/FIELD EXPERIENCE PAPER REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of request from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow these to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Author's Signature Date I respectfully request Booth Library of Eastern Illinois
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Emily and Annie
University of Richmond UR Scholarship Repository English Faculty Publications English 11-2010 Emily and Annie: Doris Lessing's and Jamaica Kincaid's Portraits of the Mothers They Remember and the Mothers That Might Have Been Daryl Cumber Dance University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the Caribbean Languages and Societies Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Modern Literature Commons, Other Languages, Societies, and Cultures Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Dance, Daryl Cumber. "Emily and Annie: Doris Lessing's and Jamaica Kincaid's Portraits of the Mothers They Remember and the Mothers That Might Have Been." Journal of West Indian Literature 19, no. 1 (November 2010): 1-21. This Article is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Emily and Annie: Doris Lessing's and Jamaica Kincaid's Portraits of the Mothers They Remember and the Mothers That Might Have Been Daryl Cumber Dance ... that is one of the reasons to outlive all the people who can have anything to say about you, not letting them have the last word. (Kincaid, My Brother 110-11) In 2008 at the age of eighty-nine, Nobel laureate Doris Lessing returned to the mother who has haunted her life and her literature in order to rewrite a fictional account of the life that might have been and a biographical account of the life that she actually lived in Alfred &.
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The Theme of Alienation in the Major Novels of Doris Lessing
International Journal on Studies in English Language and Literature (IJSELL) Volume 6, Issue 1, January 2018, PP 40-42 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) http://dx.doi.org/10.20431/2347-3134.0601006 www.arcjournals.org The Theme of Alienation in the Major Novels of Doris Lessing Narendra Kumar Singh1*, Dr. Chhaya Jain2 1Research Scholar, C.S.J.M. University, Kanpur, Uttar Pradesh 2Asso.Prof. Dept.of English, V.S.S.D.College, Kanpur, Uttar Pradesh *Corresponding Author: Narendra Kumar Singh, Research Scholar, C.S.J.M. University, Kanpur, Uttar Pradesh Abstract : This paper aims to conduct a detailed thematic analysis of Doris Lessing’s major novels. The term alienation is currently used to describe objectively observable state of separateness occurring in human group. An older usages viewed alienation as a subjective, an individual condition. It is defined variously in different eras. It depends on the ideologies and classificatory system widespread at the time. People, who are alienated, will often reject loved ones or society and feel distant. Alienation, a sociological concept developed by several classical and contemporary theorists is “A condition in social relationship reflected by a low degree of integration or common values and a high degree of distance or isolation between individuals.” In short, the alienation is the inconsistency between man and attitude. Such inconsistency can be frequently seen in the novels of Lessing. Many writers have made significant contribution on the theme of alienation. A lot of research work has been done on the very theme with reference to different poets, dramatists and fiction writers but the theme of alienation and estrangement in the novels of Doris Lessing is yet to be explored.
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Martha Quest's Reading Habit in Doris Lessing's the Children of Violence
www.the-criterion.com The Criterion [email protected] An International Journal in English ISSN 0976-8165 Seeing Herself through Literature: Martha Quest’s Reading Habit in Doris Lessing’s The Children of Violence Mohammad Kaosar Ahmed Assistant Professor and Head Department of English Language and Literature International Islamic University Chittagong Dhaka Campus, Bangladesh & Sultana Jahan Assistant Professor Department of English Northern University Bangladesh Abstract: Most of Doris Lessing’s female protagonists are widely read and they frequently think in literary, especially fiction, terms. Martha Quest, the protagonist of Lessing’s The Children of Violence Series, is no exception, for as we shall see, she too demonstrates this capacity for image-making in literary sensitivity. She does so by developing a self contained, fictional world that shaped her life. Her romantic teen-age thinking, sexual life, maturity, marriage, and divorce – every phase of her life is flourished in the domain of fiction. This article is an attempt to illustrate how Martha Quest’s life journey from an inexperienced teen-age period to maturity is merged into her fictional world. Doris Lessing’s five-volume series, The Children of Violence (Martha Quest, A Proper Marriage, A Ripple from the Storm, Landlocked and The Four-Gated City) shows Martha Quest as developing from one volume to another in this series from a self confident though inexperienced teenage girl to a self-assured and relatively “free” woman. Her reading habit helps her in the journey towards maturity. Books, pamphlets and newspapers have become an integral part of Martha’s personal education. Besides sharpening her personal and political sensitivity, she sometimes finds that reading has therapeutic values.
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The Cartography of Love in Doris Lessing's Love, Again
Contents lists available at Vilnius University Press Respectus Philologicus eISSN 2335-2388 2020, vol. 38(43), pp.130–140 DOI: http://dx.doi.org/10.15388/RESPECTUS.2020.38.43.62 The Cartography of Love in Doris Lessing’s love, again Lilia Miroshnychenko Taras Shevchenko National University of Kyiv Institute of Philology 14 Shevchenko Blvd, Kyiv, Ukraine 01601 Email: [email protected] ORCID: https://orcid.org/0000-0003-1339-7708 Research interests: the contemporary British novel, relations between literature and philosophy, history of literature, and Dutch literature Abstract. In her late novel, love, again (1996), Doris Lessing represents a penetrative insight of love, providing the widest perspective of love than in any of her previous work. The abundance and variety of plausible les affaires d’amour, which transgress the boundaries of gender, age, geography, and social status, make love, again Lessing’s most “loveful” novel. The narrative responds to this multiplicity accordingly. The essay explores the theme of romantic love of the central female character, Sarah Durham, who is at the centre of the narrative and whose emotional landscape is meticulously mapped. It also aims to unveil the ways Doris Lessing exploits a longstanding tradition of interpreting love in Western philosophy and culture – from Plato to contemporary theorists, including Alain Badiou. Special attention is paid to the interweaving of love and friendship in the relationship of woman and man as well as friendship’s “healing” power for unrequited love encapsulated in the character of Stephen Ellington-Smith. Also, by tracing the transformative impulse of love, the essay tries to bring light on the constructive (in the case of Sarah) and problematic (Stephen) consequences of love.
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Durham E-Theses
Durham E-Theses The good parodist: beyond images of escape in the ction of Doris lessing Ridout, Alice Rachel How to cite: Ridout, Alice Rachel (1997) The good parodist: beyond images of escape in the ction of Doris lessing, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5067/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE GOOD PARODIST: BEYOND IMAGES OF ESCAPE IN THE FICTION DORIS LESSING ALICE RACHEL RIDOUT M.A. BY THESIS UNIVERSITY OF DURHAM DEPARTMENT OF ENGLISH STUDIES 1997 The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. - 6 OCT 1397 ALICE RACHEL RIDOUT DEPARTMENT OF ENGLISH STUDIES UNIVERSITY OF DURHAM M.A. BY THESIS, 1997 THE GOOD PARODIST-L BEYOND IMAGES OF ESCAPE IN THE FICTION OF DORIS LESSING ABSTRACT In her earlier fiction, Doris Lessing presents images of escape from what Cohen and Taylor term "everyday life".
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DORIS LESSING Women Writers General Editors: Eva Figes and Adele King
DORIS LESSING Women Writers General Editors: Eva Figes and Adele King Published titles Margaret Atwood, Barbara Hill Rigney Jane Austin, Meenakshi Mukherjee Elizabeth Barrett Browning, Majorie Stone Elizabeth Bowen, Phyllis Lassner Anne Bronte", Elizabeth Langland Charlotte Bronte~ Pauline Nestor Emily Bronte", Lyn Pykett Willa Cather, Susie Thomas Colette, Diana Holmes ivy Compton-Burnett, Kathy Justice Gentile Emily Dickinson, Joan Kirkby George Eliot, Kristin Brady Elizabeth GaskeIl, Jane Spencer Doris Lessing, Margaret Moan Rowe Sylvia Plath, Susan Bassnett Christina Stead, Diana Brydon Gertrude Stein, Jane Palatini Bowers Eudora Welty, Louise Westling Edith Wharton, Katherine Joslin Virginia Woolf, Clare Hanson Forthcoming N.adine Gordimer, Kathy Wagner Katherine Mansfield, Diane DeBell Toni Morrison, Nellie McKay Jean Rhys, Carol Rumens Christina Rossetti, Linda Marshall Stevie Smith, Romana Huk Women Writers Doris Lessing Margaret Moan Rowe M MACMILLAN © Margaret Moan Rowe 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1994 by THE MACMILLAN PRESS L TD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world ISBN 978-0-333-55487-6 ISBN 978-1-349-23622-0 (eBook) DOI 10.1007/978-1-349-23622-0 A catalogue record for this book is available from the British Library.
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