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Identity and Narrative in Doris Lessing's and J.M. Coetzee's Life Writings
Identity and narrative in Doris Lessing's and J.M. Coetzee's Life Writings ENG-3992 Shkurte Krasniqi Master’s Thesis in English Literature Faculty of Humanities, Social Sciences and Education University of Tromsø Spring 2013 Acknowledgements I would like to thank my supervisor Professor Gerd Karin Bjørhovde for her constructive criticism and for encouraging me to work on this thesis. She is an inspiration to me. I would also like to thank my family for supporting me from afar: you are always on my mind. Last but not least, I am grateful to have my husband Jørn by my side. Abstract The main focus of this thesis is the manner in which Doris Lessing and J.M Coetzee construct their identities in their life writings. While Lessing has written a “classical” autobiography using the first person and past tense, Coetzee has opted for a more fictional version using the third person and the present tense. These different approaches offer us a unique opportunity to look into the manner in which fiction and facts can be combined and used to create works of art which linger permanently between the two. It is also interesting to see how these two writers have dealt with the complications of being raised in Southern Africa and how that influences their social and personal identities. In the Introduction I present the writers and their oeuvres briefly. In Chapter 1, I explain the terms connected with life writing, identity and narrative. In the second chapter I begin by looking into the manner in which their respective life writings begin and what repercussions does using the first and the third person have? In the third chapter I analyse their relational identities, i.e. -
Making Nonsense of the Little Categories”
“Making Nonsense of the Little Categories” Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction by Georgia Hight A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2017 Contents Contents .................................................................................................................................... ii Abstract .................................................................................................................................... iii Acknowledgements ................................................................................................................... iv List of Abbreviations ................................................................................................................. v Introduction ................................................................................................................................ 1 Story and discourse order definitions and history ............................................................................. 3 Autobiography definitions and history ............................................................................................... 7 Science Fiction definitions and history ............................................................................................ 16 “Unstuck in Time”: Temporal Ordering and Trauma in Slaughterhouse-Five ....................... 27 “The Last -
Read Book Alfred and Emily Ebook Free Download
ALFRED AND EMILY PDF, EPUB, EBOOK Doris Lessing | 288 pages | 10 Mar 2009 | HarperCollins Publishers | 9780007240173 | English | London, United Kingdom Alfred and Emily PDF Book Emily rises in her profession, then enters into a loveless marriage with William, a brilliant surgeon - what the man who drowned might have become. From Wikipedia, the free encyclopedia. She grew up hearing that her mother had been heartbroken when a doctor she deeply loved was drowned. But what I was doing was part of the trying to get free. I know it is. The handsome youth had been caught out, but obviously not disgracefully because he retired to join the spectators while people clapped. There are some vivid pages on the relationships between Europeans and the black population. Lane was delighted with herself and with him. Feb 17, Claude rated it really liked it. She draws conclusions so blunt as to almost be silly, which they would be if they weren't so simply devastating. The more I read of Doris Lessing and it's not really been so much the more I see her to be one of the authors who has written directly upon my life. The second half of the book tells the real-life story of her parents' struggles with life after the Great War. How interesting to write the lives you believe your parents would have enjoyed rather than the ones you half know they have lived. Emily and Alfred, an ill-matched couple, married. During the postwar years, Lessing became increasingly disillusioned with the Communist movement, which she left altogether in Works by Doris Lessing. -
“A Small Voice for the Earth” – a Romantic and Green Reading of Doris Lessing's Shikasta
“A Small Voice for the Earth” – A Romantic and Green Reading of Doris Lessing’s Shikasta Riikka Siltaoja University of Tampere School of Language, Translation and Literary Studies English Philology Master’s Thesis December 2012 Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SILTAOJA, RIIKKA: Ekokriittinen ja romanttinen luenta Doris Lessingin romaanista Shikasta Pro gradu-tutkielma, 73 sivua Syksy 2012 ------------------------------------------------------------------------------------------------------------------------ Tutkielmassani tarkastelen Doris Lessingin science fiction-romaania Shikasta (1979) ekokriittisestä näkökulmasta. Pyrin myös osoittamaan sen yhteyden romanttisen luontokirjallisuuden ja pastoraalin perinteeseen. Doris Lessing on tullut tunnetuksi erityisesti vasemmistolaisena kirjailijana, mutta hän on myös tunnettu siitä, miten vaikea hänen töitään on kategorioida. Väitän tutkielmassani, että Shikastassa on havaittavissa paitsi Lessingin pettymys kommunismiin ja puoluepolitiikkaan, myös selkeä filosofinen siirtymä ’punaisesta vihreään’ politiikkaan. Ensin tarkastelen Shikastan sosialistisia piirteitä pohjautuen Terry Eagletonin etiikkaan teoksessa After Theory (2003), erityisesti suhteessa hänen käsitykseensä objektiivisuudesta ja Aristoteelisesta hyveestä, jotka ovat hänen moraalikäsityksensä perustana. Esitän, että Shikastan esittämä yhteiskuntamalli sekä moraalikäsitys ovat ideologialtaan utopistisen sosialistisia. Ne pohjautuvat erityisesti kollektiiviselle rakkaudelle, -
The Freedom of Exile in Naipaul and Doris Lessinp
The Freedom of Exile in Naipaul and Doris Lessinp ANDREW GURR A XXT THE END of the first "Free Women" section of The Golden Notebook Anna Wulf, the fictional author of the notebooks which form the basis for the whole novel, sits looking down on her material "as if she were a general on the top of a mountain, watching her armies deploy in the valley below."1 Anna as army commander is a sad irony, isolated as she is (a few lines earlier we were told "it was only alone, in the big room, that she was herself"), and fragmented to the very end as her fictions remain. This image of the self-deluding writer of fiction is worth unpack• ing. Its contents are the necessities of the writer of reflexive fic• tions and the writer as a free agent. The image's assumption of command, the writer as controller of fictions, is an irony which links the writing of The Golden Notebook precisely to the reflexive fictions of the last twenty years. Fiction has become the imposition of a subjective vision and the writer cannot be separated from the solipsistic fiction, ordering fantastic armies to do fantastic things which never exist outside the writer's head. The general also stands alone, above the fiction, in an isolation which is a form of exile from the battle he seeks to control. He has issued his orders. He expects to control events according to the pattern he dictates. He has the illusion that he is free to give his own shape to the events he rules over. -
The Element of Life and Creation As It Lurks in Doris Lessing's the Golden Notebook
The Element of Life and Creation as it lurks in Doris Lessing’s The Golden Notebook *Jitendra Dimri Ph.D.Research Scholar, Dept. of Humanities, NIT Raipur C.G. **Dr.Anoop Kumar Tiwari Asst. Professor, Dept of Humanities NIT Raipur C.G. & **Anil Manjhi, Ph.D.Research Scholar, Dept of Humanities, NIT Raipur C.G. Abstract Doris Lessing; the Nobel Laureate of literature 2007, is one of those most powerful and significant novelists of the twentieth and twenty first century who dominated the post- war English and has written on various themes like feminism, the battle of the sexes, individuals in search of wholeness, cultural clashes, racial discrimination and the dangers of science and technology. Apart from contributing to the contemporary themes, she has also placed herself successfully to be a power bearer of life and creation as an author. It is an author who gives life and sense to his or her characters literally and while doing so transfers some events, experiences and characteristics of his or her own self to characters, which exists in the work either in lurking or exposed form and The Golden Notebook is one of the masterpieces of Lessing in which such element of life and creation lurks till unveiled and this paper is an attempt for the same. Keywords: Author, character, life and creation, lurking. www.ijellh.com 218 A writer‟s works have a deep impact of his/her personal experiences. In his/her work, a writer can present the situations or characters which s/he faced or met. The impact of their life can be seen on their works as Lessing writes, “First novels are usually autobiographical” (WS 14). -
Doris Lessing's Versions of Zimbabwe from the Golden Notebook to Alfred
Doris Lessing’s versions of Zimbabwe from The Golden Notebook to Alfred and Emily Anthony Chennells Department of English University of Pretoria Pretoria 002 Arrupe College 16 Link Road Mount Pleasant Harare Zimbabwe [email protected] Throughout her long career, Doris Lessing frequently wrote about Rhodesia or Zimbabwe often giving the country fictional names including Anna Wulf‘s Central Africa in The Golden Notebook. Anna dismisses her account of the country as falsified by nostalgia but her Black Notebook contains energetic debates about what the country would be like if blacks emerge victorious from an anti-colonial war. In African Laughter, her accounts of her visits to Zimbabwe in the 1980s and early 1990s allow Lessing to consider how accurately these debates anticipated what the country became. Her narrative moves through delight at the new nation to disillusionment at the opportunities that are being wasted. Disillusionment is also the dominant mood of The Sweetest Dream a novel partly set in the newly independent Zimlia and Zimbabwe is explicitly discussed in an influential article called ‗The Tragedy of Zimbabwe‘. In the 1990s she wrote the two volumes of her autobiography and several 2 episodes of the Rhodesian section of the first of these are re-worked in sketches in her final book Alfred and Emily, part novella and part memoir of a Rhodesia that was for her parents an extension of the trauma of the First World War. In each of these different types of narrative Lessing assumes a different subjectivity and there is no single objective account of the country. -
Female Identity Crisis in Doris Lessing's the Golden Notebook
The People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Abderrahmane Mira University of Bejaia Faculty of Arts and Languages Department of English Female Identity Crisis in Doris Lessing’s The Golden Notebook A Dissertation submitted in Partial Fulfilment of the Requirements for a Master degree in English language, literature and civilization. Candidate: Supervised: Ms. Samia KACI Mrs. Assia MOHDEB Broad of Examiners: Chair: Mrs. Ounissa CHOUKH AIT BENALI Examiner 01: Mr. Hicham LASSOUANI Examiner 02: Mrs. Siham SAIBI Promotion: 2015 Dedication I would like to dedicate this work for all those women who fought for women’s emancipation For all those women who refused to live as shadows for men For all those women who defied patriarchy For all those women who fought to educate themselves. In the memorial of all those women buried alive. II Acknowledgements I would like to express my sincere appreciation for the assistance which was given to me by the teachers of Literature and Civilization, of the English Department who have made my learning an extremely creative and gratifying experience. A special gratefulness to Mrs. Ounissa Chioukh, whose wonderful pedagogical style and literary commitment in teaching greatly influenced my critical evolvement. I would like to express my sincere acknowledgement to Mr. Hicham Lassouani for his literary inspiration and his sense of criticism. Deepest and sincere gratitude to Mrs. Siham Saibi, I really and sincerely regret for not have been your student since my integration to the field of Literature and Civilization. I have the honour to express my earnest and everlasting thanks for my supervisor and second reader Mrs. -
{TEXTBOOK} Under My Skin: Volume One of My Autobiography, to 1949
UNDER MY SKIN: VOLUME ONE OF MY AUTOBIOGRAPHY, TO 1949 PDF, EPUB, EBOOK Doris Lessing | 432 pages | 09 Oct 1995 | HarperCollins Publishers | 9780006548256 | English | London, United Kingdom Under My Skin: Volume One of My Autobiography, to - Doris Lessing - Google книги Visiting the past is revisiting the trap, one that she found herself so nearly caught by. And she shrinks away from its walls even as she recalls them. Shrinking away is not the best artistic posture; she is much better now and then when she bursts into full-throated rage. Otherwise, there are a few moments of unclouded evocation--the beauty and freedom of the African back lands, the quiet rhythm of a farm day--but they quickly cloud over. She attempts to portray the neighboring families they knew, but she wards them off by naming them. Her boarding schools are recounted at a numb distance; so is her marriage to a young and rising civil servant. She played the competent, cheerfully quirky young colonial wife and mother to the point of madness. Her husband and children are present but impalpable, as if the scandal and pain of walking out, moving across a stuffy little colonial capital and going to live with artists and leftists were the exchange of matter for anti-matter, with no connection between them, even that of memory. Only imagination--in her fiction--would make a bridge. Toward the end, before she emigrates to England and her literary career, she, Gottfried Lessing and their baby would occasionally picnic with her first family, but she tells it as if two sets of ghosts were sharing the tea cakes. -
Doris Lessing At
COMMENT BOOKS & ARTS Shikasta presents a revised version of Earth in the titular planet. Reports written by colonial servants of the galactic empire Canopus, historical texts, accounts and case studies create a diffuse narrative. There are echoes of Southern Rhodesia, where white settlers had seeded themselves at the end of the nineteenth century: Lessing described it as “a very nasty little police state”. For instance, native people on Rohanda (a col ony that reappears in the more sociological BILD VIA GETTY SCHIFFER-FUCHS/ULLSTEIN third book, The Sirian Experiments) are subjected to “an allout booster, TopLevel Priority, ForcedGrowth Plan”, an explicit imperialist project. The second book, The Marriages Between Zones Three, Four and Five, set in ‘zones’ of civilization circling Shikasta, is an intense and explosive explo ration of gender dynamics and stereotypical interactions between men and women. In The Making of the Representative for Planet 8, Lessing examines human behaviour in the face of a brutal ice age. The inhabitants of Planet 8 must ultimately accept climate based extinction, aided by a Canopean Doris Lessing, photographed in 1990. official, Doeg. This mythic apocalyptic par able was influenced by Anna Kavan’s 1967 FICTION scifi novel Ice, as well as the death of British explorer Robert Falcon Scott in Antarctica in 1912, which fascinated Lessing. Towards the end, echoing current perceptions of plane Doris Lessing at 100: tary fragility, an inhabitant notes that “what we were seeing now with our new eyes was that all the planet had become a fine frail web roving time and space or lattice, with the spaces held there between the patterns of the atoms”. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 Nortfi Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9218972 The path of love: Sufism in the novels of Doris Lessing Galin, Muge N., Ph.D. The Ohio State University, 1992 UMI 300 N. -
Doris Lessing's Socio- Political Consciousness
International Journal of English Literature and Social Sciences, 5(5) Sep-Oct 2020 | Available online: https://ijels.com/ Doris Lessing’s Socio- political Consciousness Ms. Shikha Sharma1, Dr. N. M. Shah2 1Research Scholar, P.K University, M.P., India 2Associate Professor, GL Bajaj Group of institutions, U.P., India Abstract— Doris Lessing’s socio-political consciousness refers to liberal and progressive outlook on life. She also got interested in communist ideology and became politically involved like the intellectuals of Salisbury who were filled with Marxist idealism. She was impressed by the ideals of the Royal Air Force personals and she contact with them. She experienced the Second World War through her father as it was divided in two groups American and European block. The social and political changes in Great Britain gave rise to the myth of classlessness, which was widely accepted. Domestic peace, colonial retraction and the Cold War on international level, led to the de-politicization of intellectual life. Lessing was one of the founder members and helped organize the first march protesting against nuclear weapons. Her involvement with these developments was primarily as an increasingly well-established, even celebrated writer. Keywords— Lessing's Socio-political consciousness, Doris Lessing's socio-political, consciousness, Political consciousness in novels of Lessing, Social, consciousness of Lessing, Study of consciousness in Lessing's novel. The mostly writers of the thirties was certainly strongly Doris Lessing was influenced by her father and developed a inspired by Karl Marx, and it gave a positive vital force to liberal and progressive outlook on life. She had drifted away their writings.