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Identity and Narrative in Doris Lessing's and J.M. Coetzee's Life Writings
Identity and narrative in Doris Lessing's and J.M. Coetzee's Life Writings ENG-3992 Shkurte Krasniqi Master’s Thesis in English Literature Faculty of Humanities, Social Sciences and Education University of Tromsø Spring 2013 Acknowledgements I would like to thank my supervisor Professor Gerd Karin Bjørhovde for her constructive criticism and for encouraging me to work on this thesis. She is an inspiration to me. I would also like to thank my family for supporting me from afar: you are always on my mind. Last but not least, I am grateful to have my husband Jørn by my side. Abstract The main focus of this thesis is the manner in which Doris Lessing and J.M Coetzee construct their identities in their life writings. While Lessing has written a “classical” autobiography using the first person and past tense, Coetzee has opted for a more fictional version using the third person and the present tense. These different approaches offer us a unique opportunity to look into the manner in which fiction and facts can be combined and used to create works of art which linger permanently between the two. It is also interesting to see how these two writers have dealt with the complications of being raised in Southern Africa and how that influences their social and personal identities. In the Introduction I present the writers and their oeuvres briefly. In Chapter 1, I explain the terms connected with life writing, identity and narrative. In the second chapter I begin by looking into the manner in which their respective life writings begin and what repercussions does using the first and the third person have? In the third chapter I analyse their relational identities, i.e. -
Shikasta: Re, Colonised Planet 5 (Vintage International) by Doris Lessing
Shikasta: Re, Colonised Planet 5 (Vintage International) by Doris Lessing Ebook Shikasta: Re, Colonised Planet 5 (Vintage International) currently available for review only, if you need complete ebook Shikasta: Re, Colonised Planet 5 (Vintage International) please fill out registration form to access in our databases Download here >> Series:::: Vintage International+++Paperback:::: 384 pages+++Publisher:::: Vintage; 1st Vintage Books ed edition (August 12, 1981)+++Language:::: English+++ISBN-10:::: 0394749774+++ISBN-13:::: 978-0394749778+++Product Dimensions::::5.2 x 0.9 x 8 inches++++++ ISBN10 0394749774 ISBN13 978-0394749 Download here >> Description: This is the first volume in the series of novels Doris Lessing calls collectively Canopus in Argos: Archives. Presented as a compilation of documents, reports, letters, speeches and journal entries, this purports to be a general study of the planet Shikasta–clearly the planet Earth–to be used by history students of the higher planet Canopus and to be stored in the Canopian archives. For eons, galactic empires have struggled against one another, and Shikasta is one of the main battlegrounds.Johar, an emissary from Canopus and the primary contributor to the archives, visits Shikasta over the millennia from the time of the giants and the biblical great flood up to the present. With every visit he tries to distract Shikastans from the evil influences of the planet Shammat but notes with dismay the ever-growing chaos and destruction of Shikasta as its people hurl themselves towards World War III and annihilation. The Nobel Prize winning author Doris Lessing wrote a series of novels that are illuminating insights based on the idea that we here on planet Earth are but one of hundreds of planetary colonies. -
Read Book Alfred and Emily Ebook Free Download
ALFRED AND EMILY PDF, EPUB, EBOOK Doris Lessing | 288 pages | 10 Mar 2009 | HarperCollins Publishers | 9780007240173 | English | London, United Kingdom Alfred and Emily PDF Book Emily rises in her profession, then enters into a loveless marriage with William, a brilliant surgeon - what the man who drowned might have become. From Wikipedia, the free encyclopedia. She grew up hearing that her mother had been heartbroken when a doctor she deeply loved was drowned. But what I was doing was part of the trying to get free. I know it is. The handsome youth had been caught out, but obviously not disgracefully because he retired to join the spectators while people clapped. There are some vivid pages on the relationships between Europeans and the black population. Lane was delighted with herself and with him. Feb 17, Claude rated it really liked it. She draws conclusions so blunt as to almost be silly, which they would be if they weren't so simply devastating. The more I read of Doris Lessing and it's not really been so much the more I see her to be one of the authors who has written directly upon my life. The second half of the book tells the real-life story of her parents' struggles with life after the Great War. How interesting to write the lives you believe your parents would have enjoyed rather than the ones you half know they have lived. Emily and Alfred, an ill-matched couple, married. During the postwar years, Lessing became increasingly disillusioned with the Communist movement, which she left altogether in Works by Doris Lessing. -
“A Small Voice for the Earth” – a Romantic and Green Reading of Doris Lessing's Shikasta
“A Small Voice for the Earth” – A Romantic and Green Reading of Doris Lessing’s Shikasta Riikka Siltaoja University of Tampere School of Language, Translation and Literary Studies English Philology Master’s Thesis December 2012 Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SILTAOJA, RIIKKA: Ekokriittinen ja romanttinen luenta Doris Lessingin romaanista Shikasta Pro gradu-tutkielma, 73 sivua Syksy 2012 ------------------------------------------------------------------------------------------------------------------------ Tutkielmassani tarkastelen Doris Lessingin science fiction-romaania Shikasta (1979) ekokriittisestä näkökulmasta. Pyrin myös osoittamaan sen yhteyden romanttisen luontokirjallisuuden ja pastoraalin perinteeseen. Doris Lessing on tullut tunnetuksi erityisesti vasemmistolaisena kirjailijana, mutta hän on myös tunnettu siitä, miten vaikea hänen töitään on kategorioida. Väitän tutkielmassani, että Shikastassa on havaittavissa paitsi Lessingin pettymys kommunismiin ja puoluepolitiikkaan, myös selkeä filosofinen siirtymä ’punaisesta vihreään’ politiikkaan. Ensin tarkastelen Shikastan sosialistisia piirteitä pohjautuen Terry Eagletonin etiikkaan teoksessa After Theory (2003), erityisesti suhteessa hänen käsitykseensä objektiivisuudesta ja Aristoteelisesta hyveestä, jotka ovat hänen moraalikäsityksensä perustana. Esitän, että Shikastan esittämä yhteiskuntamalli sekä moraalikäsitys ovat ideologialtaan utopistisen sosialistisia. Ne pohjautuvat erityisesti kollektiiviselle rakkaudelle, -
The Freedom of Exile in Naipaul and Doris Lessinp
The Freedom of Exile in Naipaul and Doris Lessinp ANDREW GURR A XXT THE END of the first "Free Women" section of The Golden Notebook Anna Wulf, the fictional author of the notebooks which form the basis for the whole novel, sits looking down on her material "as if she were a general on the top of a mountain, watching her armies deploy in the valley below."1 Anna as army commander is a sad irony, isolated as she is (a few lines earlier we were told "it was only alone, in the big room, that she was herself"), and fragmented to the very end as her fictions remain. This image of the self-deluding writer of fiction is worth unpack• ing. Its contents are the necessities of the writer of reflexive fic• tions and the writer as a free agent. The image's assumption of command, the writer as controller of fictions, is an irony which links the writing of The Golden Notebook precisely to the reflexive fictions of the last twenty years. Fiction has become the imposition of a subjective vision and the writer cannot be separated from the solipsistic fiction, ordering fantastic armies to do fantastic things which never exist outside the writer's head. The general also stands alone, above the fiction, in an isolation which is a form of exile from the battle he seeks to control. He has issued his orders. He expects to control events according to the pattern he dictates. He has the illusion that he is free to give his own shape to the events he rules over. -
Engaging Macrohistory Through the Present Moment
ARTICLE .3 Engaging Macrohistory through the Present Moment Anthony Judge Encyclopedia of World Problems and Human Potential Belgium Introduction The question explored here is how the text of macrohistory – and its larger dynamic – gets written It is distinctly presumptuous for a non-historian to into the individual psychic fabric. Can it exist otherwise? comment on issues of macrohistory that are the focus of extensive studies1 – or is it? Is it appropriate to frame macrohistory as only being a matter for historians? As Identifying Longer-term Rhythms with war and other matters, is macrohistory too impor- 2 There has long been a preoccupation with the tant to be left to historians? longer-term rhythms of human existence that only The following is therefore a reflection on the signif- much more recently came to provide a context for icance of the rhythms of macrohistory for lived experi- macrohistory – but were notably neglected despite the ence in the present moment – an experience that is a work of Pitrim Sorokin (Social and Cultural Dynamics feature of the lived reality of all. The question is how do, 1937). Much is made of the capacity of the earliest or could, people engage with macrohistory – without observers to explore astronomical cycles and predict being historians? Responding to the details of macrohis- eclipses – in both cases judged as being determining tory over centuries is naturally disempowering to many. factors in the cycles of society and human experience. It might well be expected to engender a sense of apathy This provided a basis for astrology that remains vitally -- despite the sense of perspective some claim it offers. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
The Element of Life and Creation As It Lurks in Doris Lessing's the Golden Notebook
The Element of Life and Creation as it lurks in Doris Lessing’s The Golden Notebook *Jitendra Dimri Ph.D.Research Scholar, Dept. of Humanities, NIT Raipur C.G. **Dr.Anoop Kumar Tiwari Asst. Professor, Dept of Humanities NIT Raipur C.G. & **Anil Manjhi, Ph.D.Research Scholar, Dept of Humanities, NIT Raipur C.G. Abstract Doris Lessing; the Nobel Laureate of literature 2007, is one of those most powerful and significant novelists of the twentieth and twenty first century who dominated the post- war English and has written on various themes like feminism, the battle of the sexes, individuals in search of wholeness, cultural clashes, racial discrimination and the dangers of science and technology. Apart from contributing to the contemporary themes, she has also placed herself successfully to be a power bearer of life and creation as an author. It is an author who gives life and sense to his or her characters literally and while doing so transfers some events, experiences and characteristics of his or her own self to characters, which exists in the work either in lurking or exposed form and The Golden Notebook is one of the masterpieces of Lessing in which such element of life and creation lurks till unveiled and this paper is an attempt for the same. Keywords: Author, character, life and creation, lurking. www.ijellh.com 218 A writer‟s works have a deep impact of his/her personal experiences. In his/her work, a writer can present the situations or characters which s/he faced or met. The impact of their life can be seen on their works as Lessing writes, “First novels are usually autobiographical” (WS 14). -
136 Chapter Six OUTER SPACE FANTASY II: the SIRIAN EXPERIMENTS, the MAKING of the REPRESENTATIVE for PLANET 8 and the SENTIMENTA
136 Chapter Six OUTER SPACE FANTASY II: THE SIRIAN EXPERIMENTS, THE MAKING OF THE REPRESENTATIVE FOR PLANET 8 AND THE SENTIMENTAL AGENTS OF THE VOLYEN EMPIRE Nettled by expressions of dissatisfaction after the publication of Shikasta and Marriages, Leasing explains her purpose once again in a preface to the third novel in this series, The Sirian Experiments (1981) . In sum, Lessing invites readers to see the series "as a framework that enables me to tell (I hope) a beguiling tale or two; to put questions both to myself and to others; to explore ideas and sociological possibilities" (1981:12). Lessing, certainly does this in the next three novels of the series—The Sirian Experiments (1981), The Making of the Representative for Planet 8 (1983) ,_and The Sentimental Agents of the Volven Empire (1983). THE SIRIAN EXPERIMENTS The reviewers find ii\any faults with Lessing's The Sirian Experiments. For instance, Edwin Morgan says that the book "is not as well written as it might be. Misplaced particles abound. Singulars and plurals are confounded, sentences are made verbless quite unnecessarily and there is too much reliance on those magic dots..." (TLS, 1981:431). They find her ideas "too near the 137 surface, too little assimilated" (Wilce, 1981:24) but do not explain which ideas they mean, and hastily conclude that the book is "not good science fiction or good Lessing. Fanatics only " (Niccol, 1981:72). However, Robert Alter's review is a perceptive and interesting one. He considers the Canopus in Arqos series to belong to what Northrop Frye called an "anatomy"; that is, "a combination of fantasy and morality" (NYTBR, 1981:1) which "presents a vision of the world in terms of a single intellectual pattern" (NYTBR, 1981:24). -
What I Am Reading Right Now Is Bolded In
What I am reading right now is bolded in red Scroll down to find out what it is (Books typed in white are what I regard as my favourites, although hopefully this list will constantly change; the 1000th book I read is in green) 1. Abélard and Héloïse — The Letters of Abélard and Héloïse 2. Mark Abley — Spoken Here: Travels Among Threatened Languages 3. Chinua Achebe — Things Fall Apart 4. Chinua Achebe — No Longer at Ease 5. Chinua Achebe — Anthills of the Savannah 6. James Agee — Death in the Family 7. Felipe Alfau — Locos: A Comedy of Gestures 8. Nelson Algren — A Walk on the Wild Side 9. Tariq Ali — Redemption 10. Cristina Ali Farah — Little Mother (“Madre Piccola”) 11. Dante Alighieri — The Inferno (“Il Inferno”) 12. Michael Allen, Sonya Patel Ellis [Eds.] — Nature Tales: Encounters with Britain’s Wildlife 13. Isabel Allende — The House of Spirits (“La Casa de los Espiritus”) 14. Julia Alvarez — In the Time of the Butterflies 15. Jorge Amado — Gabriela, Clove and Cinnamon (“Gabriela, Cravo e Canela”) 16. Jorge Amado — The Violent Land (“Terras do Sem Fim”) 17. Jorge Amado — Home is the Sailor (“Os Velhos Marinheiros”) 18. Jorge Amado — Dona Flor and her Two Husbands (“Dona Flor e seus Dois Maridos”) 19. Syed Amanuddin — Creativity and Reception: Toward a Theory of Third World Criticism 20. Samuel Amell — Literature, the Arts, and Democracy: Spain in the Eighties 21. Jonathan Ames — Wake up, Sir! 22. Kingsley Amis — Lucky Jim 23. Martin Amis — Success 24. Martin Amis — Money: A Suicide Note 25. Martin Amis — Time’s Arrow 26. -
Doris Lessing's Versions of Zimbabwe from the Golden Notebook to Alfred
Doris Lessing’s versions of Zimbabwe from The Golden Notebook to Alfred and Emily Anthony Chennells Department of English University of Pretoria Pretoria 002 Arrupe College 16 Link Road Mount Pleasant Harare Zimbabwe [email protected] Throughout her long career, Doris Lessing frequently wrote about Rhodesia or Zimbabwe often giving the country fictional names including Anna Wulf‘s Central Africa in The Golden Notebook. Anna dismisses her account of the country as falsified by nostalgia but her Black Notebook contains energetic debates about what the country would be like if blacks emerge victorious from an anti-colonial war. In African Laughter, her accounts of her visits to Zimbabwe in the 1980s and early 1990s allow Lessing to consider how accurately these debates anticipated what the country became. Her narrative moves through delight at the new nation to disillusionment at the opportunities that are being wasted. Disillusionment is also the dominant mood of The Sweetest Dream a novel partly set in the newly independent Zimlia and Zimbabwe is explicitly discussed in an influential article called ‗The Tragedy of Zimbabwe‘. In the 1990s she wrote the two volumes of her autobiography and several 2 episodes of the Rhodesian section of the first of these are re-worked in sketches in her final book Alfred and Emily, part novella and part memoir of a Rhodesia that was for her parents an extension of the trauma of the First World War. In each of these different types of narrative Lessing assumes a different subjectivity and there is no single objective account of the country. -
Canopus in Argos: Archives : “Outer” Space Science Fiction Exploring the “Inner” Space Travel Through Eastern Concept of “Planes of Existence”
CANOPUS IN ARGOS: ARCHIVES : “OUTER” SPACE SCIENCE FICTION EXPLORING THE “INNER” SPACE TRAVEL THROUGH EASTERN CONCEPT OF “PLANES OF EXISTENCE” SUMAN CHAUDHARY Research Scholar MGS University Bikaner (Rajasthan) (INDIA) Doris Lessing, a self-proclaimed space science fiction author through a dry, archival format of her five-novel science fiction series, Canopus in Argos: Archives interrogates metaphorical “inner” spiritual space into the cosmic “outer” space. The paper attempts at delineation of this attainment of spiritual advancement of soul through drawing parallels between author’s Cosmological planes with the “Planes of Existence” in Eastern philosophy. Lessing’s Cosmological planes are the real Zones with their physical boundaries, their own government, their weather, and rules. The paper represents that each Zone in Lessing’s world is at certain spiritual level that corresponds to a plane of existence in Esoteric philosophy, and Hindu occultism. The age-old insularities of the Zones are finally broken into achievement of spiritual growth of their inhabitant’s inner soul, and final communion with the “One” or “Brahaman”. Key Words – Planes of Existence, Lokas in Hinduism, Cosmological Zones Introduction Science fiction authors have been delving into the areas of “outer” space from times immemorial, but the 2007 Nobel Prize winner, Doris Lessing has been attempting to fathom the “inner” space metaphor too. Canopus in Argos: Archives is truly a remarkable series of the science fiction genre, with its narrative style too matching the dry, archival and report format of a physicist. Lessing is an unbiased teacher, and thus mentions in the Preface to her opening novel of the series, Shikasta: “The sacred literatures of all races and nations have many things in common.