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Cambridge University Press 978-1- 107-10982-7 - Hemingway, Style, and the Art of Emotion David Wyatt Index More information Index Anderson, Sherwood, 203 The Portable Hemingway, 88 A Second Flowering: Works and Days of the Lost Baker, Carlos, 27, 84–86, 182, 187, Generation, 5 198 Ernest Hemingway: A Life Story, 84–86 DeVoto, Bernard, 119 Balassi, William, 154 Didion, Joan, 128 Balzac, Honoré de, 211 DiMaggio, Joe, 183, 192 Barthes, Roland, 115 Doctorow, E. L., 150–151, 201 Battlefields of the World War, 83 Billy Bathgate, 150–151 Beegel, Susan F., 114, 125 Dorman-Smith, E. E. “Chink,” 99–100 Bennett, Alan, 95 The Uncommon Reader, 95 Eliot, T. S., 113 Berenson, Bernard, 187 “Tradition and the Individual Talent,” 113 Berg, A. Scott, 160 Ellison, Ralph, 165–166 Bird, William, 102 Shadow and Act, 165 Bishop, Elizabeth, 2, 63 Emerson, Ralph Waldo, 164 Blake, William, 23, 198, 201–202 Esquire, 115, 180 Boni and Liveright, 29, 33 Evans, Robert, 164 Bordeaux, 83 “Hemingway and the Pale Cast of Borges, Jorge Luis, 18 Thought,” 164 Bouchard, Donald, 114, 119–120 Brague, Harry, 203, 220, 222 Faulkner, William, 148, 162–163, 170, Brenner, Gerry, 6, 185 179, 186 Concealments in Hemingway’s Requiem for a Nun, 162–163, 170 Works, 185 Fiedler, Leslie, 16 Burwell, Rose Marie, 5–6, 8, 64, 197–199, 205, Fitzgerald, F. Scott, 50, 56–62, 64–65, 185, 223–224 223–224 Hemingway: The Postwar Years and the The Great Gatsby, 58 Posthumous Novels, 5, 197 Fitzgerald, Zelda, 60 Flaubert, Gustave, 112 Caporetto, 70, 83 Fleming, Robert E., 61 Castro, Fidel, 1 Florence, 85 Cezanne, Paul, 44–45 Ford, Ford Madox, 28 Cirino, Mark, 164 Fossalta, 76, 83, 87, 233 Codroipo, 63 Freud, Sigmund, 17–18, 22, 41–42, 89, 104 Comley, Nancy, 16, 126 “Mourning and Melancholia,” 104 Conrad, Joseph, 2 “The ‘Uncanny’”, 17–18 Copenhaver, Eleanor, 203 Friedan, Betty, 207 Cowley, Malcolm, 5, 85–86, 88, 93 Frisch, Max, 2 “Hemingway’s Wound—And Its Frye, Northrop, 127–128, 156 Consequences for American Literature,” 88 Anatomy of Criticism, 156 267 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1- 107-10982-7 - Hemingway, Style, and the Art of Emotion David Wyatt Index More information 268 Index Ganivet, Angel, 111 The Torrents of Spring, 33, 207 Idearium Espanol, 111 True at First Light, 8, 198 Gellhorn, Martha, 204, 207 Under Kilimanjaro, 8, 198, 203 Gingrich, Arnold, 175 Winner Take Nothing, 35 Gordimer, Nadine, 117–118 Stories and Sketches: Gould, Thomas. E., 151 Another Country, 187 Gradisca d’Isonzo, 63 The Battler, 29–30 Grebstein, Sheldon, 74 Big Two-Hearted River, 17, 21, 28, 32, 34–35, Guthrie, Pat, 61 37–46, 90, 92, 111, 164–167, 179, 219, 226, 230 Havana, 1 Birth of a New School, 61, 95, 225 Heap, Jane, 27 Cat in the Rain, 29, 34 Hemingway, Ernest Cross-Country Snow, 29, 34 Books: The Doctor and the Doctor’s Wife, 29 Across the River and into the Trees, 4, 46, 65, The End of Something, 29, 35, 179, 183 107, 112, 188–190 A False Spring, 228–229 The Dangerous Summer, 49 Fathers and Sons, 35, 42 Dateline: Toronto: The Complete “Toronto Star” A Good Café in the Place St.-Michel, 230 Dispatches, 1920–1924, 4 Hunger Was Good Discipline, 40 Death in the Afternoon, 5, 23, 42, 45, 49, 83, Indian Camp, 5, 13–26, 28–33, 40–46, 89, 99–116, 118, 208, 232 110–111, 130, 172–174, 183, 187, 213, 230 A Farewell to Arms, 4, 7, 24, 34, 41, 63–95, 110, The Last Good Country, 154 157–158, 166–167, 173, 175–176, 183, 187, 207, L’Envoi, 32, 111 214, 234 Mr. and Mrs. Elliot, 29 A Farewell to Arms: The Hemingway Library My Old Man, 27–29, 37 Edition, 8, 74–75, 78–80 Now I Lay Me, 41, 84, 89–92 The First Forty-Nine Stories, 33 On the Quai at Smyrna, 16, 32–33, 111 For Whom the Bell Tolls, 2–5, 23, 46, 111, 122, On Writing, 21, 44–46, 49, 165 125, 147–188, 207, 230, 232 On Writing in the First Person, 94 The Garden of Eden, 3–4, 6, 8, 25, 27, 90–91, Out of Season, 28 181, 197–232 The Pilot Fish and the Rich, 210, 221 Green Hills of Africa, 41, 50, 117–133, 135, 139, 151 The Revolutionist, 29 in our time, 27–46 The Short Happy Life of Francis Macomber, In Our Time, 13–46, 76, 87–88, 110–112, 130, 104, 127–129, 132, 133–143, 155, 163 172–174, 183, 225–226, 230 The Snows of Kilimanjaro, 9, 127–129, 132, 203 Islands in the Stream, 5, 8, 77, 198, 220 Soldier’s Home, 29, 83, 87, 105 The Letters of Ernest Hemingway (Cambridge), The Strange Country, 41, 81 36, 235 There Is Never Any End to Paris, 221–222, Men at War, 4, 24 224, 231 Men Without Women, 35, 150 The Three-Day Blow, 29–30, 35, 42 A Moveable Feast, 4–5, 8, 15, 23, 30–31, 39, Three Shots, 24, 32 43–45, 52, 56, 59, 61, 106–107, 112, 181, The Undefeated, 139 197–232 Up in Michigan, 27–30 A Moveable Feast: The Restored Edition, 8, 94, A Very Short Story, 29 208–211, 220–226, 228, 230–232 A Way You’ll Never Be, 40, 233–234 The Nick Adams Stories, 21–22, 24, 28, 32, 35, Winters in Shruns, 226, 231 44–46 Hemingway, Grace, 180, 197 The Old Man and the Sea, 4, 179–193, 220, 234 Hemingway, Gregory, 180 The Short Stories of Ernest Hemingway, 4 Hemingway, Hadley Richardson, 27–28, 36, 90, The Sun Also Rises, 4, 8, 16, 19, 49–62, 72, 92, 107, 185, 204–205, 207–232 94, 110, 130, 166, 175–176, 183, 204–205, 214 Hemingway, Mary Welsh, 1–2, 6, 160, 198, 203, The Sun Also Rises: The Hemingway Library 220, 222–225 Edition, 4 How It Was, 223 Three Stories and Ten Poems, 28 Hemingway, Pauline Pfeiffer, 147, 180–181, 197, To Have and Have Not, 189 202–204, 207–211, 219–232 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1- 107-10982-7 - Hemingway, Style, and the Art of Emotion David Wyatt Index More information Index 269 Hemingway, Seán, 8, 74–75, 78–80, 208, O’Brien, Edward J., 29 223–224, 231 Oldsey, Bernard, 7, 32, 64, 73–75, 85 Hoffman, Frederick J., 88 “The Secret Wound,” 88 Pamplona, 99, 75 The Twenties, 88 Paris, 27–28, 197, 210, 219, 222, 225 Hovey, Richard, 42, 164 Paris Review, 56, 107 Hemingway: The Inward Terrain, 164 Perkins, Margaret “Peggy,” 160–161 Perkins, Maxwell, 33, 36, 56, 59–60, 92–93, 149, James, Henry, 82, 92–93, 112, 207 159–161, 174, 180, 183, 207, 231 James, William, 157 Peterson, Richard, 151 Jenks, Tom, 25, 93, 204, 220–221 Petosky, 234 Joyce, James, 131 Pfeiffer, Gustavus Adolphus, 207 Finnegans Wake, 29 Pfeiffer, Virginia, 180 Phillips, Jenny, 160 Keats, John, 122 Piggott, Arkansas, 210 John F. Kennedy Library, 1–2, 6, 30, 32, 37, 44, Plimpton, George, 107, 151 58, 73–75, 79, 149, 160, 165, 223, 233–234, 235 Pound, Ezra, 27–29, 36, 100 Kennedy, J. Gerald, 199 Prall, Elizabeth, 203 Kennedy, Jacqueline Bouvier, 2 Price, Reynolds, 47, 67, 77, 124, 185–186 Kennedy, John Fitzgerald, 2 Ketchum, Idaho, 1 Querschnitt, 119 Key West, 209, 234 Reynolds, Michael, 6–7, 24, 63, 74, 78–80, 82, Lamb, Robert Paul, 106, 142 85–87, 114, 119, 126, 197 Lane, Cornelia, 203 Hemingway’s First War, 74, 78–80, 82, Lawrence, D. H., 35, 39 85–87 Leonard, John, 198–199 The Young Hemingway, 86 Lewis, Robert W., 85 Rovit, Earl, 6 “Hemingway in Italy: Making It Up,” 85 Lewis, Wyndham, 164 Sartre, Jean-Paul, 41 Life Magazine, 179 Sassoon, Siegfried, 2 The Little Review, 27, 44 Scholes, Robert, 16, 126 Liveright, Horace, 30, 115 Scribner, Charles Jr., 180–181, 188 Loeb, Harold, 61 Scribner, Charles IV, 203, 222 Lowell, Robert, 81 Scribner’s, 33, 59, 117, 203, 223 Lynn, Kenneth, 88–89 Scribner’s Magazine, 126 Shakespeare, William, 18, 201 McAlmon, Robert, 28, 102 Shenandoah, 179 MacLeish, Archibald, 81 Smith, William, 99, 203 Mann, Charles, 60 Smith, Paul, 30, 32, 91, 138, 142–143 Mann, Thomas, 123 Spilka, Mark, 56, 68–69, 88, 201 Marvell, Andrew, 48 Hemingway’s Quarrel with Androgyny, 88 Milan, 73, 83–84 Stanton, Edward F., 108–109 Milton, John, 65–66, 201–203 Stein, Gertrude, 29, 44, 61 “Lycidas,” 65 Stendhal, 123 Paradise Lost, 201–203 Stevens, Wallace, 63 Mitchell, Tennessee, 203 Stewart, Donald Ogden, 45 Moddelmog, Debra, 89 Stoneback, H. R., 152 Mowrer, Paul, 223 The Story of the Red Cross in Italy, 83 Strychacz, Thomas, 38, 187 Nabokov, Vladimir, 48 Svoboda, Frederic, 50, 55, 60, 87 Nairobi, 130 Hemingway and The Sun Also Rises, 60 New York Sun, 84, 86–87 New York Times, 82, 119 Time Magazine, 55 The New Yorker Magazine, 55 Toklas, Alice B., 44 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1- 107-10982-7 - Hemingway, Style, and the Art of Emotion David Wyatt Index More information 270 Index Tolstoy, Leo, 123 War and Peace, 24 Sevastopol Sketches, 124 Warren, Robert Penn, 5, 165 Toronto, 28 Wilde, Oscar, 100–101 Toronto Star, 102 The Critic as Artist, 100–101 Transatlantic Review, 29, 31 Williams, Bernard, 133–134, 142 Trogdon, Robert, 225 Shame and Necessity, 134 Turgenev, Ivan, 123 Willingham, Kathy, 201 Turnbull, Andrew, 60 Wister, Owen, 14, 73 The Letters of F.
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  • Hemingway in Paris

    Hemingway in Paris

    1 XVIII International Hemingway Conference Hemingway in Paris “Paris est une fête” . Hemingway's Moveable Feast JULY 22-28, 2018 Conference Co-Directors: H. R. Stoneback & Matthew Nickel Paris Site Coordinators: Alice Mikal Craven & William E. Dow Host Institution: The American University of Paris PROGRAM DRAFT This program schedule is subject to change. Moderators have been assigned, so please read carefully, and note misspellings and errors in affiliations to Matthew Nickel at [email protected] by April 15. Those who have not yet registered (as of March 21) are listed in red. Registration closes on June 15, 2018, so if you have not registered by June 15, your name will be removed from the program and you will not be admitted to the conference. Please register now. If you will be unable to attend, please notify Matthew Nickel at [email protected] as soon as possible. REFUND POLICY Medical Reasons: Full refund of Conference Registration for medical reasons with documentation at any time All Other Reasons: No refund after April 15th of Conference/Optional Event Registrations for all other reasons. REGARDING A/V Please keep in mind that each presentation room at The American University of Paris (AUP) is equipped with a PC smart desk and universal VLC capacity in the event that you have American DVDs to show. For those who will utilize A/V for their presentation, we advise the following: 1) bring your presentation on a USB key 2) email your presentation to yourself The above is to ensure that you will have access to your presentation, since AUP does not have sufficient adapters to ensure that American MAC users will be able to connect their computers to the smart desks.