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Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea) For Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea) For each exam know the CULTURE/STYLE (listed below in CAPS), ARTIST (if known, in bold, first or last name ), TITLE (italics), Medium (material), and city (FOR ARCHITECTURE ONLY). CHAPTER 7: LOOKING OUTWARD: THE SIX DYNASTIES AND SUI AND TAN DYNASTIES (Make sure you are able to analyze the distinct formal elements of each artist) 16. Colossal Attendants of the Buddha, Tang Dynasty, Fengxian Temple, Cave 19, Longmen Grottoes, Luoyang Henon province, 660-676, limestone, fig. 7-1 (see 7-24) 17. Gu Kaizhi (?), Admonitions of the Court Instructress to the Palace Ladies, Six Dynasties, 500-600, handscoll ink and color on silk, fig. 7-2. 18. Colossal Shakyamuni and Smaller Buddha, Northern Wei Dynasty, 460-465, Yungang Grottoes, Daton, Shanxi Province, fig. 7-6. 19. Western Pure Land, Northern Qi Dynasty, 550-577, Xiangtangshan Caves, Fenfen, Heibei province, fig. 7- 10. 20. Zhan Ziqian, Spring Outing or Traveling in Spring, Song Dynasty, handscroll, ink and color on silk, fig. 7- 18. 21. Yan Liben, The Thirteen Emperors, or Scroll of the Emperors, Tang Dynasty, handscroll, ink and color on silk, fig. 7-19. 22. Zhou Fang, Palace Ladies Tuning the Lute, Tang, handscroll, ink and color on silk, fig. 7-22. 23. Main Hall, Nanchan Temple, Wutaishan, Shanxi province, 782, Tang Dynasty, 782. Fig. 7-27. 24. Ewer, Tang Dynasty, 675-750, earthenware with three color (sancai) glaze, fig. 7-31. CHAPTER 8: ART, CONQUEST, AND IDENTITY: THE FIVE DYNASTIES PERIOD AND THE SONG AND YUAN DYNASTIES. (Make sure you are able to analyze the distinct formal elements of each artist) 25. Gu Hongzhong, Night Revels of Han Xizai, Southern Song, 1125-1200, handscroll, ink and color on silk, fig. 8-2. 26. Guo Xi, Early Spring, N. Song, 1071, ink on silk, fig. 8-6. 27. Emperor Huizong, Five-Colored Parakeet on Blossoming Apricot Tree, Northern Song, 1110, handscroll, ink and color on silk, fig. 8-8. 28. Ding Ware: Bowl with Carved Decoration of Lotus, Flowers, and Leaves, Song Dynasty, 1000-1125, porcelain with clear glaze and copper. Fig. 8-10. 29. Ma Yuan, Viewing Plum Blossoms by Moonlight, S. Song, 1190-1225, fan mounted as an album leaf, ink and color on silk, fig. 8-17. 30. Zhou Jichang, The Rock Bridge at Mt. Tiantai, S. Song, 1178, hanging scroll, ink and color on silk, fig. 8- 19. 31. Anige, White Stupa, Buddhist, Miaoying Temple, Beijing, 1279, fig. 8-21. 32. Wang Zhenpeng, Dragon Boat Festival, Yuan Dynasty, 1308, ink on silk, fig. 8-24. 33. Qian Xuan, Wang Xizhi Watching Geese, Yuan Dynasty, 1295, ink and color on paper, fig. 8-25. 34. Fan Kuan, Travelers among Mountains and Streams, N. Song, 1000, handing scroll, ink and color on silk, fig. 8-30. 35. Wang Meng, Dwelling in Reclusion in the Qingbian Mountains, Yuan Dynasty, 1366, hanging scroll, ink on paper, fig. 8-31. CHAPTER 9: The City and th Market in Chinese Art: The Mind and Qing Dynasties 1. Hall of Supreme Harmony, Beijing, 1406/1697, Ming/Qing, fig. 9-2/3. 2. Arrow Vase with Persian Inscriptions and Floral Scrolls, Ming, 1505-1521, porcelain, fig. 9-8. 3. Three String Vase, Qing, 1710-1722, porcelain with peach-bloom glaze, fig. 9-10. 4. Dai Jin, The Hermit Xu You Resting by a Stream, Ming, ink and color on silk, fig. 9-11. 5. Zhou Chen, Beggars and Street Characters (detail), Ming, 1516, ink and color on paper, fig. 9-13. 6. Chen Hongshou, Lady Xuanwenjun Giving Instructions on the Classics, Ming, 1638, fig. 9-15. 7. Shen Zhou, Poet on a Mountaintop, Ming, 1490-1500, ink and color on paper, fig. 9-16. 8. Chen Chen, Hills and Streams After Rain, Ming, ink and color on paper, fig. 9-19. 9. Dong Qichang, Qingbian Mountains, Ming, 1617, ink on paper, fig. 9-21. 10. Chen Su, Flowers (detail), Qing, ink on paper, fig. 9-24. 11. Lang Shining, Inauguration Portraits…, Qing, 1736, ink and color on silk, fig. 9-26. 12. Ren Xiong, Self Portrait, Qing, ink and color on paper, fig. 9-33. CHAPTER 10: THE PUSH FOR MODERNIZATION 1912 TO THE PRESENT 13. Chen Hengke, Viewing Paintings at an Exhibition, Early Republic, 1917, ink and color on paper, fig. 10-2. 14. Hu Yichuan, To The Front!, Social Realism, 1932, woodblock print, fig. 10-4. 15. Ding Cong, Images of Present Times, Social Realism, 1944, gouache on paper, fig. 10-8. 16. Sun Zixi, In Front of Tiananmen , Social Realism, 1964, oil on canvas, fig. 10-10. 17. Shi Lu, Fighting in Northern Shaanxi, Social Realism, 1959, ink and color on paper, fig. 10-11. 18. Let Philosophy Be Transformed into a Sharp Weapon in the Hands of the Masses, Social Realism, 1971, poster, fig. 10-14. 19. Luo Zhongli, Father, Social Realism, 1980, oil on canvas, fig. 10-15. 20. Fang Lijun, Series 2, No. 3, Postmodern, oil on canvas, fig. 10-17. 21. Yu Youhan, A Pocket Western Art History about Mao …, Postmodern, acrylic on canvas, fig. 10-18. 22. Cai Guo-Qiang, Project to Extend the Great Wall by 10,000 Meters…, Postmodern, 2/27/93, fig. 10-24. 23. Ai Weiwei, Dropping a Han Dynasty Urn, Postmodern, 1995, fig. 10-25. 24. Lin Tianmiao, Mother’s!! No. 6 sitting, Postmodern, 2008, mixed media, fig. 10-28. CHAPTER 5: AT THE CROSSROADS: THE ARTS OF SOUTHEAST ASIA 1. Shwe Dragon Pagoda, Buddhist, Yongon, Burma, fig. 5-1. 2. Ban Chiang Painted Pots, Thailand, ceramic, fig. 5-3 3. Ngoc Lu drum, Dong Son, Vietman, bronze, fig. 5-4ab 4. Pangolin, Sa Huynh Culture, 3rd century cbe-2nd ce, bronze, fig. 5-5. 5. Ling-ling-o, Sa Huynh culture, Vietnam, 3000 b.c.e., jade, fig. 5-6. 6. Torajan House, South Sulawesi, Indonesia, fig. 5-7. 7. Yene (Ancestor Figure), South Moluccas, Indonesia, 19th – early 20th century, wood, fig. 5-8. 8. Hinggi (Man’s Cloth), 1920, cotton, Indonesian, 1920, fig. 5-9. 9. Avalokiteshvara, Buddhist, Cambodia, 7-8th century, sandstone, fig. 5-11. 10. Great Stupa, Borobudur, Java, Buddhist, 8-9th century, fig. 5-13. 11. Kung Uposadha Distributing Alms, Borobudor, Java, Buddhist, 8-9th century, volcanic stone, fig. 5-14. 12. Manjushri, Central Java, Buddhist, early 10th century, silver fig. 5-16. 13. Angkor Wat, Siem Reap province, Cambodia, Hindu, 12th Century, fig. 5-18 (see details) 14. Walking Buddha, Sukhothai, Thailand, Buddhist, bronze, fig. 5-24. 15. Wayang Puppet, Thailand, 1900, Hindu, buffalo hide, gold leaf, pigment, fig. 5-27. PART III: KOREA AND JAPAN 25. Crown, Silla, 5-6th century, gold and jade, fig. 11-1. 26. Comb-Patterned Vessel, Neolithic, 3000 b.c.e., earthenware, fig. 11-2. 27. Stele of King Gwanggaeto of Goguryeo, Korean, granite, fig. 11-3. 28. Dancing Scene, Goguryeo, wall painting, fig. 11-4. 29. Bodhisattva Seated in Meditation, Silla, 6-7th Century, Bronze, fig. 11-8. 30. Seated Buddha at Seokguram Cave Temple, Silla, granite, fig. 11-10. 31. Ewer in shape of a bamboo shoot, Goryeo, 1100-1150, celadon, fig. 11-14. 32. Maebyeong Bottle, Goryeo, 12th-13th century, celadon, fig. 11-15. 33. Sungnymun, Joseon, Seoul, 1398, fig. 11-17 (see 11-18 and 19). 34. Jar with Grapevine Decoration, Joseon, 17th century, porcelain, fig. 11-25. 35. The Arhat Deokswei, Joseon, 1562, ink and color on silk, fig. 11-26. 36. Yi Myeong-gi, Portrait of Oh Jaesun, Joseon, 1791, color on silk, fig. 11-27. 37. Sin Yunbok, WOmen on Tano Day, 18th century, ink and color on paper, page 264. 38. Lady Sin Simdang, Mice Nibbling at a Watermelon, Joseon, 16th century, ink and color on silk, fig. 11-32. 39. The Aftermath of Fighting in Seoul, Documentary Photography, 1950, fig. 11-34. 40. Mansudae Studio, Kim Il-Sung, 1972, bronze, fig. 11-36. 41. Han Jun-bin, We’re the Happiest in the world, Social Realism, ink on paper, fig. 11-37. 42. Park Seo-bo, Work No 18-59. Abstract Expressionism, 1959, cement, hemp, oil on canvas, dig. 11-39. 43. Paik Nam June, TV Buddha, 1974, Fluxus, fig. 11-43. 44. Yun Suk Nam, The Kitchen, 1999, Postmodern, mixed media, fig. 11-45. 45. Lee Bul, The Secret Sharer, 2011, Postmodern, mixed media (see textbook), fig. 11-47. 46. Wedded Rocks, Futamigaura, Ise-Shima National Park, fig. 12-1. 47. Main Hall, Inner Shrine, Ise-jingu, Mie Prefecture, 1st century c.e. (last rebuilt 2013), fig. 12-2. 48. Vessel, Middle Jomon, earthenware, 3000-2000 b.c.e., fig. 12-5 (compare to 12-4 1. Dogu (Clay Figurine), Middle Jomon, 1500-1000 b.c.e., earthenware, fig. 12-7. 2. Dotaku, Late Yayoi, 3 cenury b.c., bronze, fig. 12-9 3. Vessel, Late Yayoi, 1st-3rd century c.e., terracotta, fig. 12-12. 4. Tumulus of Emperor Nintoku, Kofun period, Sakai Osaka, Japan, 4th century, fig. 12-15. 5. Sueki vessel, Kofun period, 6th century, pottery, fig. 12-16. 6. Haniwa figure, Kofun period, 6th century, terracotta, fig. 12-18 (see 12-19) 7. Horyu-ji, Asuka period, Nara Prefecture, Japan, 7th century, fig. 12-21 (see 12-23 and 25). 8. Tori Busshi (Master Craftsman Tori), Shaka triad, Asuka period, bronze, 623 b.c., fig. 12-16 9. Tamamushi Shrine, Asuka period, mid 7th century, page 294. CHAPTER 13: EXTERNAL INFLUENCES AND INTERNAL EXPLORATIONS: THE NARA AND HEIAN PERIODS 10. Five-stringed Lute (Biwa), China – Tang Dynasty, 8th century, red sandalwood, fig. 13-3. 11. Buddha Roshana, Nara Period, 8th century, fig. 13-6.
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