Degradation Laws of Hysteretic Behaviour for Historical Timber
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UNIVERSITY of CALIFORNIA, IRVINE Soteriology in the Female
UNIVERSITY OF CALIFORNIA, IRVINE Soteriology in the Female-Spirit Noh Plays of Konparu Zenchiku DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSPHY in East Asian Languages and Literatures by Matthew Chudnow Dissertation Committee: Associate Professor Susan Blakeley Klein, Chair Professor Emerita Anne Walthall Professor Michael Fuller 2017 © 2017 Matthew Chudnow DEDICATION To my Grandmother and my friend Kristen オンバサラダルマキリソワカ Windows rattle with contempt, Peeling back a ring of dead roses. Soon it will rain blue landscapes, Leading us to suffocation. The walls structured high in a circle of oiled brick And legs of tin- Stonehenge tumbles. Rozz Williams Electra Descending ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iv CURRICULUM VITAE v ABSTRACT OF DISSERTATION vi INTRODUCTION 1 CHAPTER 1: Soteriological Conflict and 14 Defining Female-Spirit Noh Plays CHAPTER 2: Combinatory Religious Systems and 32 Their Influence on Female-Spirit Noh CHAPTER 3: The Kōfukuji-Kasuga Complex- Institutional 61 History, the Daijōin Political Dispute and Its Impact on Zenchiku’s Patronage and Worldview CHAPTER 4: Stasis, Realization, and Ambiguity: The Dynamics 95 of Nyonin Jōbutsu in Yōkihi, Tamakazura, and Nonomiya CONCLUSION 155 BIBLIOGRAPHY 163 iii ACKNOWLEDGEMENTS This dissertation is the culmination of years of research supported by the department of East Asian Languages & Literatures at the University of California, Irvine. It would not have been possible without the support and dedication of a group of tireless individuals. I would like to acknowledge the University of California, Irvine’s School of Humanities support for my research through a Summer Dissertation Fellowship. I would also like to extend a special thanks to Professor Joan Piggot of the University of Southern California for facilitating my enrollment in sessions of her Summer Kanbun Workshop, which provided me with linguistic and research skills towards the completion of my dissertation. -
The Spreading of Christianity and the Introduction of Modern Architecture in Shannxi, China (1840-1949)
Escuela Técnica Superior de Arquitectura de Madrid Programa de doctorado en Concervación y Restauración del Patrimonio Architectónico The Spreading of Christianity and the introduction of Modern Architecture in Shannxi, China (1840-1949) Christian churches and traditional Chinese architecture Author: Shan HUANG (Architect) Director: Antonio LOPERA (Doctor, Arquitecto) 2014 Tribunal nombrado por el Magfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de de 20 en la Escuela Técnica Superior de Arquitectura de Madrid. Calificación:………………………………. El PRESIDENTE LOS VOCALES EL SECRETARIO Index Index Abstract Resumen Introduction General Background........................................................................................... 1 A) Definition of the Concepts ................................................................ 3 B) Research Background........................................................................ 4 C) Significance and Objects of the Study .......................................... 6 D) Research Methodology ...................................................................... 8 CHAPTER 1 Introduction to Chinese traditional architecture 1.1 The concept of traditional Chinese architecture ......................... 13 1.2 Main characteristics of the traditional Chinese architecture .... 14 1.2.1 Wood was used as the main construction materials ........ 14 1.2.2 -
Table of Codes for Each Court of Each Level
Table of Codes for Each Court of Each Level Corresponding Type Chinese Court Region Court Name Administrative Name Code Code Area Supreme People’s Court 最高人民法院 最高法 Higher People's Court of 北京市高级人民 Beijing 京 110000 1 Beijing Municipality 法院 Municipality No. 1 Intermediate People's 北京市第一中级 京 01 2 Court of Beijing Municipality 人民法院 Shijingshan Shijingshan District People’s 北京市石景山区 京 0107 110107 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Haidian District of Haidian District People’s 北京市海淀区人 京 0108 110108 Beijing 1 Court of Beijing Municipality 民法院 Municipality Mentougou Mentougou District People’s 北京市门头沟区 京 0109 110109 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Changping Changping District People’s 北京市昌平区人 京 0114 110114 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Yanqing County People’s 延庆县人民法院 京 0229 110229 Yanqing County 1 Court No. 2 Intermediate People's 北京市第二中级 京 02 2 Court of Beijing Municipality 人民法院 Dongcheng Dongcheng District People’s 北京市东城区人 京 0101 110101 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Xicheng District Xicheng District People’s 北京市西城区人 京 0102 110102 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Fengtai District of Fengtai District People’s 北京市丰台区人 京 0106 110106 Beijing 1 Court of Beijing Municipality 民法院 Municipality 1 Fangshan District Fangshan District People’s 北京市房山区人 京 0111 110111 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Daxing District of Daxing District People’s 北京市大兴区人 京 0115 -
Parallel Session
Proceedings of Eco-Sophia 2011 Parallel Session -8th International Whitehead Conference- Creativity and Harmony: The Way of Eco-Sophia for the Future of Civilization September 26-29, 2011 The Yotsuya Campus, Sophia University, Tokyo, Japan Table of Contents Parallel Session Papers ABE Yoshihiko (Sophia junior college, Japan) p. 2 Sapientia convivendi in Life of Suso-Narratological Perspective of German Mysticism on the Horizon of Love and Reconciliation ANZAI Masahiro (Sophia University, Japan) p. 9 The reflect of the war-liking of logos-centrism- The way to co-exist and reconcile- Donna BOWMAN (University of Central Arkansas, U.S.A.) p. 16 Needle, Hook, Relational Wisdom: The Prayer Shawl Ministry As Creative Engagement With Fate John T. BRINKMAN (Commission on Ecology and Religion, Japan) p. 18 Harmony, Attribute of the Sacred and Phenomenal CHEN Aihua (Southeast University, China) p. 20 Environmental Moral Philosophical Review on the Logic of "City Charm" FAN Meijun (Center for Process Studies, U.S.A) p. 21 Ecological wisdom in Daoism Alexander HAITOS (Texas A&M University, U.S.A.) p. 33 Foreseeing novelty: Bergson and Whitehead on Possibility and Creation HANAOKA Eiko (Osaka Prefecture University, Japan) p. 52 Eco-sophia in “the Wisdom as prajuna viz. Love as agape” - through the change of paradigms- HAO Dong (China Community Party School, China) p. 58 Low-Carbon Technological Paradigm in Urbanization of China Brian G. HENNING (Gonzaga University, U.S.A.) p. 63 The Ontology of Collective Individuals and the Process Turn HIRATA Ichiro (Kansaigaidai College, Japan) p. 72 Continuity and Atomicity (p. 72-) Final Cause of Whitehead's Process and Reality (p. -
Records of the Transmission of the Lamp (Jingde Chuadeng
The Hokun Trust is pleased to support the fifth volume of a complete translation of this classic of Chan (Zen) Buddhism by Randolph S. Whitfield. The Records of the Transmission of the Lamp is a religious classic of the first importance for the practice and study of Zen which it is hoped will appeal both to students of Buddhism and to a wider public interested in religion as a whole. Contents Foreword by Albert Welter Preface Acknowledgements Introduction Appendix to the Introduction Abbreviations Book Eighteen Book Nineteen Book Twenty Book Twenty-one Finding List Bibliography Index Foreword The translation of the Jingde chuandeng lu (Jingde era Record of the Transmission of the Lamp) is a major accomplishment. Many have reveled in the wonders of this text. It has inspired countless numbers of East Asians, especially in China, Japan and Korea, where Chan inspired traditions – Chan, Zen, and Son – have taken root and flourished for many centuries. Indeed, the influence has been so profound and pervasive it is hard to imagine Japanese and Korean cultures without it. In the twentieth century, Western audiences also became enthralled with stories of illustrious Zen masters, many of which are rooted in the Jingde chuandeng lu. I remember meeting Alan Ginsburg, intrepid Beat poet and inveterate Buddhist aspirant, in Shanghai in 1985. He had been invited as part of a literary cultural exchange between China and the U. S., to perform a series of lectures for students at Fudan University, where I was a visiting student. Eager to meet people who he could discuss Chinese Buddhism with, I found myself ushered into his company to converse on the subject. -
Jewels of the Orient $ Per Person 1999 Twin Share Typically $3599
17 DAY FLY, TOUR & CRUISE JEWELS OF THE ORIENT $ PER PERSON 1999 TWIN SHARE TYPICALLY $3599 BEIJING • SHANGHAI • TOKYO • OSAKA • KOBE THE OFFER 17 DAY: INTERIOR STATEROOM Beijing, Shanghai, Tokyo, Osaka and beyond… the glittering jewels of China and Japan are yours to discover on this inspiring 17 day package featuring the game- $1999 changing Quantum of the Seas, or the brand new Spectrum of the Seas ship. Begin your cultural odyssey with visits to Tiananmen Square and the Forbidden 17 DAY: OCEAN VIEW STATEROOM City, walk along the mighty Great Wall of China, see giant pandas at Beijing Zoo, view the mesmerising Shanghai skyline, and more. Then, set sail for a relaxing seven night cruise aboard Royal Caribbean’s dazzling new Spectrum of $2199 the Seas or the 5-star Quantum of the Seas. Sail through the magical Japanese archipelago to Osaka, Kobe and Tokyo, enjoying free time to enjoy the highlights of these diverse cities at leisure. This incredible-value package includes return 17 DAY: BALCONY STATEROOM flights, eight nights 4-star hotel accommodation, a seven-night Royal Caribbean cruise, a one-way high speed rail journey and so much more! $2399 Want to see more? Upgrade to the 19 day package with Terracotta Warriors pre- tour extension. 19 DAY: INTERIOR STATEROOM $2499 19 DAY: OCEAN VIEW STATEROOM $2699 19 DAY: BALCONY STATEROOM $2899 *Please note: all information provided in this brochure is subject to both change and availability. Prior to purchase please check the current live deal at tripadeal.com.au or contact our customer service team on 135 777 for the most up-to-date information. -
The Process of Making 3D-Vector Scenograph of Ancient Building with Large Quantities of Data
Yixuan, Zhu THE PROCESS OF MAKING 3D-VECTOR SCENOGRAPH OF ANCIENT BUILDING WITH LARGE QUANTITIES OF DATA Yixuan ZHU*, Zhiyong CHEN** Wuhan Technical University of Surveying and Mapping Department of Information Engineering [email protected] Wuhan, China KEY WORDS: Block, Layer, Orthograph, Scenograph. ABSTRACT This paper offers an introduction of the making process of 3D-vector scenograph of an ancient building with large quantities of data with the aid of AutoCAD, which display the effect of scenery drawings. The vital skills and technique involved are illustrated through the example of Pagoda of Thousands of Buddha in Chi Lin Nunnery in HongKong. Which was started in the year of 1996 and finished in 1999 with the concrete structure internal and wood external, imitating the style of buildings in Tang Dynasty. Thus, 3D-vector scenograph become available to users. 1 INTRODUCTION Ancient buildings, as the essence of ancient Chinese culture, characterized by its complex and antique shape, delicate structure, compact combination and graceful sculpture, is welcomed globally. Some ancient buildings made of wood endure long because of its solid structure. For example, the existent Nanchan Temple and Foguang Temple on Wutai Mountain in Shanxi Province of China can be traced back to Tang Dynasty. Nowadays, the building techniques have been constantly renovated due to the integration of both old and new ones. Before the birth of computer, the available drawings and internal structure drawings were all made by hand. The scenery effect of the building perceived by human eyes was demonstrated in the drawings made by building artist. The popularity of the technology of CAD provides sufficient hardware and software environment for the making of 3D scenery effect drawings of shape and internal structure drawings. -
China of Old 古典中國
With increasing modernization and urbaniza- The cost for the Feng Shui Study Tour, including food A Journey through tion, the China of old is fast disappearing in (Chinese), accommodation (3 and 4 Stars), travel, front of our eyes, very few of the traditional admissions and course attendance included, course China of Old architecture and environment is preserved notes, will be Euro 2,850.00. It will cost less if you pay and it is getting harder and harder to find pla- early (Euro 2,600.00 by 01. July 2012) . 古典中國 ces planned and built with good Feng Please note the cost of travel from your country of Shui.This tour is mainly concentrated on origin to China is not included. No prior knowledge of Shanxi, a province in the North of China, Feng Shui fundamentals is required. where the state of Jin existed there during the “Spring and Autumn” Period. The name Your place in the group can be secured with the registration and payment of the deposit for the tour, “Shanxi” literally means "mountain's west", please email or fax the following registration form to which refers to the province's location west Gyda Anders & Howard Choy. of the Taihang Mountains. Since tourism is not highly developed like some of the coastal REGISTRATION FORM FOR STUDY TOUR regions, Shanxi still managed to preserve TEMPLES, ONASTRIES & SACRED MOUNTAINS quite a few of its traditional architecture, Name: temples, towns and villages and we have ………………………………………….M/F…….…..... decided to make this trip and see them befo- Address: re they too vanish before our eyes. -
Experimental Investigation on the Lateral Structural Performance of A
Engineering Structures 167 (2018) 582–591 Contents lists available at ScienceDirect Engineering Structures journal homepage: www.elsevier.com/locate/engstruct Experimental investigation on the lateral structural performance of a T traditional Chinese pre-Ming dynasty timber structure based on half-scale pseudo-static tests ⁎ Xianjie Menga, Qingshan Yangb,c, Jianwei Weia, Tieying Lia, a School of Architecture and Civil Engineering, Taiyuan University of Technology, Taiyuan 030024, China b School of Civil Engineering, Chongqing University, Chongqing, China c Beijing’s Key Laboratory of Structural Wind Engineering and Urban Wind Environment, Beijing, China ARTICLE INFO ABSTRACT Keywords: Existing ancient Chinese timber buildings are frequently subjected to seismic or strong wind loads throughout Ancient timber building their lifetime, hence their lateral structural performance can undergo significant changes. It is essential to Lateral structural performance employ tests in the laboratory to study these variations to protect these existing timber buildings. In this paper, a Energy dissipation single-layer model of a timber building with a geometrical ratio of 1:2 was fabricated according to the pre-Ming Lateral stiffness dynasty construction method. Six pseudo-static tests were conducted under three levels of vertical loads. The Restoring force model timber structure displayed visible rocking characteristics during the tests, and the column feet and mortise-tenon joints were the weak links in the structure. The features of hysteresis curves, envelope curves, strength reduction, energy dissipation, and lateral stiffness of the timber structure were obtained, and their variations associated with loading courses were discussed. Moreover, a simplified restoring force model was built for this type of timber structure. -
Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea) For
Art 125 Slide List: Section IV (China, Southeast Asia, Japan, Korea) For each exam know the CULTURE/STYLE (listed below in CAPS), ARTIST (if known, in bold, first or last name ), TITLE (italics), Medium (material), and city (FOR ARCHITECTURE ONLY). CHAPTER 7: LOOKING OUTWARD: THE SIX DYNASTIES AND SUI AND TAN DYNASTIES (Make sure you are able to analyze the distinct formal elements of each artist) 16. Colossal Attendants of the Buddha, Tang Dynasty, Fengxian Temple, Cave 19, Longmen Grottoes, Luoyang Henon province, 660-676, limestone, fig. 7-1 (see 7-24) 17. Gu Kaizhi (?), Admonitions of the Court Instructress to the Palace Ladies, Six Dynasties, 500-600, handscoll ink and color on silk, fig. 7-2. 18. Colossal Shakyamuni and Smaller Buddha, Northern Wei Dynasty, 460-465, Yungang Grottoes, Daton, Shanxi Province, fig. 7-6. 19. Western Pure Land, Northern Qi Dynasty, 550-577, Xiangtangshan Caves, Fenfen, Heibei province, fig. 7- 10. 20. Zhan Ziqian, Spring Outing or Traveling in Spring, Song Dynasty, handscroll, ink and color on silk, fig. 7- 18. 21. Yan Liben, The Thirteen Emperors, or Scroll of the Emperors, Tang Dynasty, handscroll, ink and color on silk, fig. 7-19. 22. Zhou Fang, Palace Ladies Tuning the Lute, Tang, handscroll, ink and color on silk, fig. 7-22. 23. Main Hall, Nanchan Temple, Wutaishan, Shanxi province, 782, Tang Dynasty, 782. Fig. 7-27. 24. Ewer, Tang Dynasty, 675-750, earthenware with three color (sancai) glaze, fig. 7-31. CHAPTER 8: ART, CONQUEST, AND IDENTITY: THE FIVE DYNASTIES PERIOD AND THE SONG AND YUAN DYNASTIES. (Make sure you are able to analyze the distinct formal elements of each artist) 25. -
Minimum Wage Standards in China August 11, 2020
Minimum Wage Standards in China August 11, 2020 Contents Heilongjiang ................................................................................................................................................. 3 Jilin ............................................................................................................................................................... 3 Liaoning ........................................................................................................................................................ 4 Inner Mongolia Autonomous Region ........................................................................................................... 7 Beijing......................................................................................................................................................... 10 Hebei ........................................................................................................................................................... 11 Henan .......................................................................................................................................................... 13 Shandong .................................................................................................................................................... 14 Shanxi ......................................................................................................................................................... 16 Shaanxi ...................................................................................................................................................... -
Art of the Non-Western World Study Guide
ART OF THE NON- WESTERN WORLD STUDY GUIDE Nancy L. Kelker 1 Contents Introduction: Mastering Art History Chapter 1: Mesoamerica Questions Chapter 2 : Andes Questions Chapter 3: North America Questions Chapter 4: Africa Questions Chapter 5: West Asia Questions Chapter 6: India Questions Chapter 7: Southeast Asia Questions Chapter 8 : China Questions Chapter 9 : Korea and Japan Questions Chapter 10 : Oceanic Questions 2 Introduction : Mastering Art History What does it take to do well in art history classes? A lot of memorizing, right? Actually, doing well in art history requires developing keen observational and analytical skills, not rote memorization. In fact, art history is so good at teaching these skills that many medical schools, including the prestigious Harvard Medical School, are offering art classes to medical students with the aim making them more thoughtful and meticulous observers and ultimately better diagnosticians. So how do you actually develop these good observational skills? The first step is Mindful Looking. Researchers at the J. Paul Getty Museum have found that adult museum- goers spend an average of 30 seconds in front of any work of art1. How much can you glean about a work in half-a-minute? In that time the mind registers a general impression but not much more. Most people hurrying through life (and art museums) aren’t really paying attention and aren’t mindfully looking, which is one of the reasons that studies have shown so-called eye- witnesses to be really bad at correctly identifying suspects. Passively, you saw them but did not observe them. The barrage of media that assaults us 24/7 in the modern digital world exacerbates the problem; the ceaseless flow of inanely superficial infotainment is mind-numbing and the overwhelmed mind tunes out.