The Gap Band the Boys Are Back in Town Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Gap Band the Boys Are Back in Town Mp3, Flac, Wma The Gap Band The Boys Are Back In Town mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Boys Are Back In Town Country: US Released: 1979 MP3 version RAR size: 1624 mb FLAC version RAR size: 1954 mb WMA version RAR size: 1923 mb Rating: 4.3 Votes: 541 Other Formats: MMF DMF AU DTS AAC MOD WMA Tracklist A The Boys Are Back In Town 3:22 B The Boys Are Back In Town 3:22 Companies, etc. Phonographic Copyright (p) – Phonogram, Inc. Published By – Total Experience Music Publishing Co. Produced For – Total Experience Productions Manufactured By – Phonogram, Inc. Distributed By – Phonogram, Inc. Pressed By – PRC Recording Company, Richmond, IN Credits Written-By – Charles Wilson*, Malvin 'Dino' Vice Written-By, Producer – Lonnie Simmons Notes From Mercury's Album SRM-1-3804 "THE GAP BAND II" 72 on Label representing the PRC Pressing Plant Side A - Mono Side B - Stereo Barcode and Other Identifiers Matrix / Runout (Side A Label): 1-56012 Matrix / Runout (Side B Label): 2-56012 Matrix / Runout (Side A Runout): MONO-1-56012-DJ568 B2 1—1 PRC Matrix / Runout (Side B Runout): STEREO-2-56012-PRCR2 1—1 PRC Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The Gap Party Lights (12", MK-138 Mercury MK-138 US 1979 Band Promo) The Gap Party Lights (7", Single, 76062 Mercury 76062 US 1979 Band 72) The Gap The Boys Are Back In Mercury, 76062, DJ-568 76062, DJ-568 US 1979 Band Town (7", Promo) Mercury The Gap Party Lights (7", Mercury, 76062, DJ-567 76062, DJ-567 US 1979 Band Promo) Mercury The Gap 76062 Party Lights (7") Mercury 76062 US 1979 Band Related Music albums to The Boys Are Back In Town by The Gap Band The Gap Band - Gap Band 8 Bobby Braddock - Ruby Is A Groupie (With A Cosmic Cowboy Band) Jody - Where The Boys Are The Gap Band - Burn Rubber On Me (Why You Wanna Hurt Me) The Gap Band - Humpin' The Gap Band - Gap Band IV The Gap Band - Outstanding Thin Lizzy - Trouble Boys.
Recommended publications
  • 2016 Awards List
    2016 Awards List Presentation Date : 1 November 2016 Covered Period : 1 January 2015 – 31 December 2015 Cantonese Pop Work Wu Tiao Jian Composer :Eric Kwok Author :Calvin Poon Publisher :Poon Power Ltd Warner/Chappell Music Hong Kong Ltd Performer :Eason Chan Downloaded Song Luo Sheng Men Composer :Ronald Ng Author :Wyman Wong Publishers :RNLS Publishing Ltd / Wyman Ltd (Admin by Universal Music Publishing Ltd) Sub-publisher :Universal Music Publishing MGB Hong Kong Ltd Performer :Juno Mak / Kay Tse Mandarin Pop Work Duo Yuan Dou Yao Zai Yi Qi Composer / Author :G.E.M. Publisher :Hummingbird Music Ltd Sub-publisher :Warner/Chappell Music Hong Kong Ltd. Performer :G.E.M. English Pop Work Uptown Funk Composer / Author :Bruno Mars / Devon Gallaspy / Jeff Bhasker / Lonnie Simmons / Mark Ronson / Nicholas Williams / Philip Lawrence / Rudolph Taylor / The Gap Band Publishers:BMG Gold Songs Imagem CV Mars Force Music New Songs Administration Ltd Northside Independent Music Publishing LLC Songs Of Zelig Sony ATV Songs LLC Sony/ATV Ballad Thou Art the Hunger TIG7 Publishing Trinlanta Publishing Way Above Music ZZR Music LLC Sub-publishers:Sony/ATV Music Publishing (Hong Kong) Universal Music Publishing Ltd Warner/Chappell Music Hong Kong Ltd Fujipacific Music (S. E. Asia) Ltd Peermusic (S. E. Asia) Ltd Performer :Mark Ronson ft Bruno Mars Chinese Operatic Work Li Hou Zhu Zhi Qu Guo Gui Xiang Composer :Traditional Author :Yip Shiu Tuck Local Serious Work Yue Xia Feng Qing Composer :Connie Ng Highest No. of New Works Performed Composer - Cheung Ka Shing Author - Chan Wing Him .
    [Show full text]
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • Gap Band IV Mp3, Flac, Wma
    The Gap Band Gap Band IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gap Band IV Country: US Released: 1982 Style: Soul, Funk, Disco MP3 version RAR size: 1288 mb FLAC version RAR size: 1134 mb WMA version RAR size: 1570 mb Rating: 4.3 Votes: 772 Other Formats: APE AU XM MMF WMA DMF VOX Tracklist Hide Credits Early In The Morning A1 6:28 Written-By – C. Wilson*, L. Simmons*, R. Taylor* Season's No Reason To Change A2 4:47 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Lonely Like Me A3 5:08 Written-By – L. Simmons*, R. Wilson*, R. Taylor* Outstanding A4 3:10 Written-By – R. Cathound* Stay With Me B1 4:15 Written-By – R. Wilson* You Dropped A Bomb On Me B2 5:10 Written-By – C. Wilson*, L. Simmons*, R. Taylor* I Can't Get Over You B3 6:02 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Talkin' Back B4 6:27 Written-By – C. Wilson*, L. Simmons*, Robert Wilson, R. Wilson*, R. Taylor* Companies, etc. Recorded At – Total Experience Studios Mixed At – Total Experience Studios Mastered At – Allen Zentz Mastering Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Published By – Total Experience Music Pressed By – PRC Recording Company, Richmond, IN Credits Arranged By [Horns] – Robert Wilson, Ronnie Wilson Backing Vocals – Alisa Peoples, Cavin Yarbrough, Charlie Wilson, David Drew , Lonnie Simmons, Marva King, Maxayne Lewis*, Robert Wilson, Ronnie Wilson, Rudy Taylor, Sheila Young , The Gap Band, Val Young
    [Show full text]
  • Gap Band IV Mp3, Flac, Wma
    The Gap Band Gap Band IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gap Band IV Country: Greece Released: 1982 Style: Soul, Funk, Disco MP3 version RAR size: 1348 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1217 mb Rating: 4.9 Votes: 302 Other Formats: MP1 DMF AA TTA ASF AUD DXD Tracklist Hide Credits Early In The Morning A1 6:28 Written-By – C. Wilson*, L. Simmons*, R. Taylor* Season's No Reason To Change A2 4:47 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Lonely Like Me A3 5:08 Written-By – L. Simmons*, R. Wilson*, R. Taylor* Outstanding A4 3:10 Written-By – R. Cathound* Stay With Me B1 4:15 Written-By – R. Wilson* You Dropped A Bomb On Me B2 5:10 Written-By – C. Wilson*, L. Simmons*, R. Taylor* I Can't Get Over You B3 6:02 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Talkin' Back B4 6:27 Written-By – C. Wilson*, L. Simmons*, Robert Wilson, R. Wilson*, R. Taylor* Companies, etc. Recorded At – Total Experience Studios – MC 7141223 Mixed At – Total Experience Studios Mastered At – Allen Zentz Mastering Manufactured By – G.P.I. S.A. Credits Arranged By [Horns] – Robert Wilson, Ronnie Wilson Backing Vocals – Alisa Peoples, Cavin Yarbrough, Charlie Wilson, David Drew , Lonnie Simmons, Marva King, Maxayne Lewis*, Robert Wilson, Ronnie Wilson, Rudy Taylor, Sheila Young , The Gap Band, Val Young Bass – Dionne Oliver, Robert Wilson Drums – Melvin Webb, Raymond Calhoun, Ronnie Kaufman Engineer [Assistant] – Bill Poppy, Glenn Weinrauch, Rudy Taylor Engineer [Mixing] – Bob Hughes, Jack Rouben, Michael
    [Show full text]
  • General News
    3 General News NEW YORK -Black radio's po- Market," a general session on in- tential for growth, and the problems creasing black music sales, with attending that growth, will receive Black Radio Growth Potential black radio to be a key part of the special attention at the fourth an- discussion. Moderated by Barry nual Black Music Assn. conference, Richards, program director of New which begins Thursday (3) at the Is Focus Of BMA Conference Orleans' WAIL, the panel will in- New Orleans Hilton. By NELSON GEORGE clude Pierre Sutton, president of In- Four of the panels will deal with ner City Broadcasting and of the black radio, including discussions ference's concern with broadcasting hamian music to the attendees. as to whether it can be applied na- National Assn. of Black -Owned about the survival of black-owned will lay the ground for a special con- This year's conference is divided tionally." Broadcasters; Joe Cohen, executive stations and job security for air per- ference on the subject in the near fu- into two formats, five "summit" ses- Preparations for this conference, vice president of the National Assn. sonalities. ture. sions and two working sessions. Ac- says Ware, started late, but he has of Recording Merchandisers; and The association's executive direc- Other highlights of the conference cording to Ware, "summits" are gen- been encouraged by response to the Wayne Cornils, vice president of the tor, George Ware, acknowledges will be: Georgia State Senator Ju- eral discussions of issues of national new setup. "If the momentum con- National Assn.
    [Show full text]
  • Total Experience Records, Inc
    WHO'S WHO ATTOTAL EXPERIENCE RECODRS Lonnie Simmons, President As owner of the TOTAL EXPERIENCE RECORDING STUDIOS, TOTAL EXPERIENCE RECORDS, INC. and MAX 151, Lonnie Simmons has laid the foundation for what he sees as an independent, black owned and operated record label and film company complex. Simmons came to Hollywood in the late '60s after graduating from North Texas State University. In his last year of law school he dropped out and started one of the first unisex clothing stores at the corner of La Cienega and Sunset. The store boomed and Simmons set out to buy a nightclub. "It took us about one-and-a-half years to put together a club that would have taken the average person two months because at this time I was taking the capital from my job and from the clothing store and trying to make ends meet." Simmons had loyal friends, relatives, and a few paid craftsmen working on the club that finally opened one night in 1972. "There was chaos going on all night," he remembers, "but the people didn't know it. It was like a Diana Ross opening. People wore mink and there were limos outside. The club featured top black recording acts and was a success-not a small feat for such an establishment in Crenshaw." "Though we were doing well," says Simmons "we always had a problem to develop the club in the Crenshaw area. The music industry just didn't want to accept it. The Club is still going today." In an attempt to find an inexpensive studio to record some demos, Simmons happened upon a facility at the corner of Yucca and Argyle where the hourly rate was so cheap, he questioned its financial stability and offered to buy a piece of the action.
    [Show full text]
  • N M Technician North Carolina State University's Student Newspaper Since 1920 Volume LXIV, Number 27 Many Crimes Never Reporte
    M N Technician North Carolina State University’s Student Newspaper Since 1920 Volume LXIV, Number 27 Monday. November 1,' 19m Brieigh, North Carolina xHIens mom-em Many crimes never reported Larceny rate remains high by James Nana where we do not get a report. because bags. four wallets and a calculator On- report, Aline Roberson, of the <. Writer the person either feels that the loss is ly one larceny has been reported from Students' Supply Stores. said. “There Staff insignificant or that nothing can be Carmichael Gym . are two things that i recommend Public Safety crime statistics for solved. But. we encourage people to students to do when they get a book. September show that larceny remains report to us when something is “Carmichael Gym was a problem. The first is to put their name in it. Se the most common criminal offense. stolen.” McGinnis said. We've taken a good deal of precaution 'cond. as soon as a book is stolen. Of190 reports filed by Public Safety there - checking for IDs and a report it." officers in September. 101 were cases Larceny reports in the past reveal strengthened security force. We did According to Capt. McGinnis. the of larceny. Larceny has long been the to Public Safety where problem areas this to offset the number of crimes checking of identification when books most common offense on campus. as in are. The most common targets of there. and there has been a significant are taken back is especially effective 1981. when Public Safety handled larceny are books. purses. wallets. improvement." McGinnis said.
    [Show full text]
  • CB-1982-06-05.Pdf
    Last year she sang her way to stardom with three Top 10 singles from the platinum album Juice. The success story continues... the new album featuring the single LOVE’S BEEN A UTTLE BIT HARD ON ME” by Richard Landis for Outlandis Productiors sgement: Stage Right Ltd. Q!|SH BOX — 2 — June 1982 HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIV NUMBER 5, OISHBCK EDITORWL The Real Test GEORGE ALBERT As we enter this fourth annual Black Music Month, ing threatened. Financial problems that trouble President and Publisher a number of thoughts come to mind. First, it is good black retail and radio even in the best of times NICK ALBARANO to see that the initial enthusiasm that burst forth threaten to grow to overwhelming proportions if Vice President when President Jimmy Carter proclaimed the com- something can’t be done to reverse the trend. ALAN SUTTON Vice President and Editor In Chief memorative event four years ago is not only still But all is not lost. As we all do when something we J.B. CARMICLE there, but much stronger in fact. At that time, few in love is threatened, the industry has begun to muster Vice President and General Manager. East Coast the industry could forecast the troubles that would support for efforts to help alleviate the situation. Ap- JIM SHARP Vice President. Nashville descend upon the U.S. economy in the following propriately, the Black Music Assn., which was not Car- RICHARD IMAMURA years, and it was easy to be enthusiastic. coincidentally formed the same year President Managing Editor However, today, with the nation on the verge of a ter created Black Music Month, has taken the lead in MARK ALBERT in Marketing Director depression, according to a number of economic this area.
    [Show full text]
  • Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
    ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical.
    [Show full text]
  • 234 MOTION for Permanent Injunction.. Document Filed by Capitol
    Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A.
    [Show full text]
  • Cudd Dissertation to Deposit
    ©2020 Michael Seth Cudd ALL RIGHTS RESERVED FUNCTIONAL AND LENGTHY: PREVAILING CHARACTERISTICS WITHIN SUCCESSFUL LONG SONGS By MICHAEL SETH CUDD A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Christopher Doll And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey May 2020 ABSTRACT OF THE DISSERTATION Functional and Lengthy: Prevailing Characteristics within Successful Long Songs by MICHAEL SETH CUDD Dissertation Director: Christopher Doll Successful long popular songs consistently utilize formal structures and compositional techniques that are inherently particular to them. As a result, these recordings differ in more ways than simply length, because there are “long song” characteristics that distinguish this music. In order to better discuss these characteristics, it was important to develop a method for visually depicting songs in a manner that clearly outlines each groove. These “groove analyses” are used to discuss each piece of music in detail. As a result, groove is a primary point of discussion throughout this study, because most long song characteristics are directly linked to this quality within music. This type of analysis is explained in detail, and afterwards, it is utilized throughout much of the dissertation. It is also hypothetically possible that the structures and techniques in question can impact the listener’s perception of time when used outside of the context of a long song. A simple experiment was run in order to better understand how these concepts influence a person’s sense of duration, and the results were promising and demonstrated trends that merit further research.
    [Show full text]
  • Phonogram Polygram LP's 1970-1983
    AUSTRALIAN RECORD LABELS PHONOGRAM - POLYGRAM LP’S 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, JANUARY 2017 1 POLYDOR 2302 016 ISLE OF WIGHT JIMI HENDRIX POLYDOR 2302 018 HENDRIX IN THE WEST JIMI HENDRIX 1972 POLYDOR 2302 023 THE CRY OF LOVE JIMI HENDRIX 6.79 POLYDOR 2302 046 THESE FOOLISH THINGS BRYAN FERRY 8.85 POLYDOR 2302 059 LIZARD KING CRIMSON 10.80 POLYDOR 2302 060 ISLANDS KING CRIMSON POLYDOR 2302 061 LARKS TONGUE IN ASPIC KING CRIMSON POLYDOR 2302 065 STARLESS AND BIBLE BLACK KING CRIMSON POLYDOR 2302 066 RED KING CRIMSON 10.80 POLYDOR 2302 067 U.S.A. KING CRIMSON 10.80 POLYDOR 2302 106 FACE DANCES THE WHO 4.81 EG 2302 112 DISCIPLINE KING CRIMSON 10.81 POLYDOR 2302 127 THE FRIENDS OF MR CAIRO JON AND VANGELIS 5.82 VERVE 2304 024 THE VERY BEST OF STAN GETZ STAN GETZ VERVE 2304 057 THE BILL EVANS TRIO ‘LIVE’ IMPORT BILL EVANS TRIO 5.72 VERVE 2304 058 THE VERY BEST OF COUNT BASIE COUNT BASIE 6.72 VERVE 2304 062 THE VERY BEST OF OSCAR PETERSON OSCAR PETERSON 11.72 VERVE 2304 071 GETZ / GILBERTO STAN GETZ & JOAO GILBERTO 4.81 VERVE 2304 105 COMMUNICATIONS STAN GETZ 10.73 VERVE 2304 124 LADY SINGS THE BLUES BILLIE HOLIDAY 3.85 VERVE 2304 138 MUSIC FOR ZEN MEDITATION TONY SCOTT 10.81 VERVE 2304 145 ONLY VISITING THIS PLANET LARRY NORMAN 11.73 VERVE 2304 151 NIGHT TRAIN OSCAR PETERSON 2.81 VERVE 2304 153 THE CAT JIMMY SMITH 3.85 VERVE 2304 155 ELLA IN BERLIN ELLA FITZGERALD VERVE 2304 185 STAN GETZ & BILL EVANS IMPORT STAN GETZ, BILL EVANS 1.75 VERVE 2304 186 JOHNNY HODGES IMPORT JOHNNY HODGES 1.75 VERVE 2304
    [Show full text]