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112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Gap Band IV Mp3, Flac, Wma
The Gap Band Gap Band IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gap Band IV Country: US Released: 1982 Style: Soul, Funk, Disco MP3 version RAR size: 1288 mb FLAC version RAR size: 1134 mb WMA version RAR size: 1570 mb Rating: 4.3 Votes: 772 Other Formats: APE AU XM MMF WMA DMF VOX Tracklist Hide Credits Early In The Morning A1 6:28 Written-By – C. Wilson*, L. Simmons*, R. Taylor* Season's No Reason To Change A2 4:47 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Lonely Like Me A3 5:08 Written-By – L. Simmons*, R. Wilson*, R. Taylor* Outstanding A4 3:10 Written-By – R. Cathound* Stay With Me B1 4:15 Written-By – R. Wilson* You Dropped A Bomb On Me B2 5:10 Written-By – C. Wilson*, L. Simmons*, R. Taylor* I Can't Get Over You B3 6:02 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Talkin' Back B4 6:27 Written-By – C. Wilson*, L. Simmons*, Robert Wilson, R. Wilson*, R. Taylor* Companies, etc. Recorded At – Total Experience Studios Mixed At – Total Experience Studios Mastered At – Allen Zentz Mastering Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Published By – Total Experience Music Pressed By – PRC Recording Company, Richmond, IN Credits Arranged By [Horns] – Robert Wilson, Ronnie Wilson Backing Vocals – Alisa Peoples, Cavin Yarbrough, Charlie Wilson, David Drew , Lonnie Simmons, Marva King, Maxayne Lewis*, Robert Wilson, Ronnie Wilson, Rudy Taylor, Sheila Young , The Gap Band, Val Young -
Gap Band IV Mp3, Flac, Wma
The Gap Band Gap Band IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gap Band IV Country: Greece Released: 1982 Style: Soul, Funk, Disco MP3 version RAR size: 1348 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1217 mb Rating: 4.9 Votes: 302 Other Formats: MP1 DMF AA TTA ASF AUD DXD Tracklist Hide Credits Early In The Morning A1 6:28 Written-By – C. Wilson*, L. Simmons*, R. Taylor* Season's No Reason To Change A2 4:47 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Lonely Like Me A3 5:08 Written-By – L. Simmons*, R. Wilson*, R. Taylor* Outstanding A4 3:10 Written-By – R. Cathound* Stay With Me B1 4:15 Written-By – R. Wilson* You Dropped A Bomb On Me B2 5:10 Written-By – C. Wilson*, L. Simmons*, R. Taylor* I Can't Get Over You B3 6:02 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Talkin' Back B4 6:27 Written-By – C. Wilson*, L. Simmons*, Robert Wilson, R. Wilson*, R. Taylor* Companies, etc. Recorded At – Total Experience Studios – MC 7141223 Mixed At – Total Experience Studios Mastered At – Allen Zentz Mastering Manufactured By – G.P.I. S.A. Credits Arranged By [Horns] – Robert Wilson, Ronnie Wilson Backing Vocals – Alisa Peoples, Cavin Yarbrough, Charlie Wilson, David Drew , Lonnie Simmons, Marva King, Maxayne Lewis*, Robert Wilson, Ronnie Wilson, Rudy Taylor, Sheila Young , The Gap Band, Val Young Bass – Dionne Oliver, Robert Wilson Drums – Melvin Webb, Raymond Calhoun, Ronnie Kaufman Engineer [Assistant] – Bill Poppy, Glenn Weinrauch, Rudy Taylor Engineer [Mixing] – Bob Hughes, Jack Rouben, Michael -
CB-1982-06-05.Pdf
Last year she sang her way to stardom with three Top 10 singles from the platinum album Juice. The success story continues... the new album featuring the single LOVE’S BEEN A UTTLE BIT HARD ON ME” by Richard Landis for Outlandis Productiors sgement: Stage Right Ltd. Q!|SH BOX — 2 — June 1982 HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIV NUMBER 5, OISHBCK EDITORWL The Real Test GEORGE ALBERT As we enter this fourth annual Black Music Month, ing threatened. Financial problems that trouble President and Publisher a number of thoughts come to mind. First, it is good black retail and radio even in the best of times NICK ALBARANO to see that the initial enthusiasm that burst forth threaten to grow to overwhelming proportions if Vice President when President Jimmy Carter proclaimed the com- something can’t be done to reverse the trend. ALAN SUTTON Vice President and Editor In Chief memorative event four years ago is not only still But all is not lost. As we all do when something we J.B. CARMICLE there, but much stronger in fact. At that time, few in love is threatened, the industry has begun to muster Vice President and General Manager. East Coast the industry could forecast the troubles that would support for efforts to help alleviate the situation. Ap- JIM SHARP Vice President. Nashville descend upon the U.S. economy in the following propriately, the Black Music Assn., which was not Car- RICHARD IMAMURA years, and it was easy to be enthusiastic. coincidentally formed the same year President Managing Editor However, today, with the nation on the verge of a ter created Black Music Month, has taken the lead in MARK ALBERT in Marketing Director depression, according to a number of economic this area. -
The Gap Band the Boys Are Back in Town Mp3, Flac, Wma
The Gap Band The Boys Are Back In Town mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Boys Are Back In Town Country: US Released: 1979 MP3 version RAR size: 1624 mb FLAC version RAR size: 1954 mb WMA version RAR size: 1923 mb Rating: 4.3 Votes: 541 Other Formats: MMF DMF AU DTS AAC MOD WMA Tracklist A The Boys Are Back In Town 3:22 B The Boys Are Back In Town 3:22 Companies, etc. Phonographic Copyright (p) – Phonogram, Inc. Published By – Total Experience Music Publishing Co. Produced For – Total Experience Productions Manufactured By – Phonogram, Inc. Distributed By – Phonogram, Inc. Pressed By – PRC Recording Company, Richmond, IN Credits Written-By – Charles Wilson*, Malvin 'Dino' Vice Written-By, Producer – Lonnie Simmons Notes From Mercury's Album SRM-1-3804 "THE GAP BAND II" 72 on Label representing the PRC Pressing Plant Side A - Mono Side B - Stereo Barcode and Other Identifiers Matrix / Runout (Side A Label): 1-56012 Matrix / Runout (Side B Label): 2-56012 Matrix / Runout (Side A Runout): MONO-1-56012-DJ568 B2 1—1 PRC Matrix / Runout (Side B Runout): STEREO-2-56012-PRCR2 1—1 PRC Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The Gap Party Lights (12", MK-138 Mercury MK-138 US 1979 Band Promo) The Gap Party Lights (7", Single, 76062 Mercury 76062 US 1979 Band 72) The Gap The Boys Are Back In Mercury, 76062, DJ-568 76062, DJ-568 US 1979 Band Town (7", Promo) Mercury The Gap Party Lights (7", Mercury, 76062, DJ-567 76062, DJ-567 US 1979 Band Promo) Mercury The Gap 76062 Party Lights (7") Mercury 76062 US 1979 Band Related Music albums to The Boys Are Back In Town by The Gap Band The Gap Band - Gap Band 8 Bobby Braddock - Ruby Is A Groupie (With A Cosmic Cowboy Band) Jody - Where The Boys Are The Gap Band - Burn Rubber On Me (Why You Wanna Hurt Me) The Gap Band - Humpin' The Gap Band - Gap Band IV The Gap Band - Outstanding Thin Lizzy - Trouble Boys. -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Cudd Dissertation to Deposit
©2020 Michael Seth Cudd ALL RIGHTS RESERVED FUNCTIONAL AND LENGTHY: PREVAILING CHARACTERISTICS WITHIN SUCCESSFUL LONG SONGS By MICHAEL SETH CUDD A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Christopher Doll And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey May 2020 ABSTRACT OF THE DISSERTATION Functional and Lengthy: Prevailing Characteristics within Successful Long Songs by MICHAEL SETH CUDD Dissertation Director: Christopher Doll Successful long popular songs consistently utilize formal structures and compositional techniques that are inherently particular to them. As a result, these recordings differ in more ways than simply length, because there are “long song” characteristics that distinguish this music. In order to better discuss these characteristics, it was important to develop a method for visually depicting songs in a manner that clearly outlines each groove. These “groove analyses” are used to discuss each piece of music in detail. As a result, groove is a primary point of discussion throughout this study, because most long song characteristics are directly linked to this quality within music. This type of analysis is explained in detail, and afterwards, it is utilized throughout much of the dissertation. It is also hypothetically possible that the structures and techniques in question can impact the listener’s perception of time when used outside of the context of a long song. A simple experiment was run in order to better understand how these concepts influence a person’s sense of duration, and the results were promising and demonstrated trends that merit further research. -
Phonogram Polygram LP's 1970-1983
AUSTRALIAN RECORD LABELS PHONOGRAM - POLYGRAM LP’S 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, JANUARY 2017 1 POLYDOR 2302 016 ISLE OF WIGHT JIMI HENDRIX POLYDOR 2302 018 HENDRIX IN THE WEST JIMI HENDRIX 1972 POLYDOR 2302 023 THE CRY OF LOVE JIMI HENDRIX 6.79 POLYDOR 2302 046 THESE FOOLISH THINGS BRYAN FERRY 8.85 POLYDOR 2302 059 LIZARD KING CRIMSON 10.80 POLYDOR 2302 060 ISLANDS KING CRIMSON POLYDOR 2302 061 LARKS TONGUE IN ASPIC KING CRIMSON POLYDOR 2302 065 STARLESS AND BIBLE BLACK KING CRIMSON POLYDOR 2302 066 RED KING CRIMSON 10.80 POLYDOR 2302 067 U.S.A. KING CRIMSON 10.80 POLYDOR 2302 106 FACE DANCES THE WHO 4.81 EG 2302 112 DISCIPLINE KING CRIMSON 10.81 POLYDOR 2302 127 THE FRIENDS OF MR CAIRO JON AND VANGELIS 5.82 VERVE 2304 024 THE VERY BEST OF STAN GETZ STAN GETZ VERVE 2304 057 THE BILL EVANS TRIO ‘LIVE’ IMPORT BILL EVANS TRIO 5.72 VERVE 2304 058 THE VERY BEST OF COUNT BASIE COUNT BASIE 6.72 VERVE 2304 062 THE VERY BEST OF OSCAR PETERSON OSCAR PETERSON 11.72 VERVE 2304 071 GETZ / GILBERTO STAN GETZ & JOAO GILBERTO 4.81 VERVE 2304 105 COMMUNICATIONS STAN GETZ 10.73 VERVE 2304 124 LADY SINGS THE BLUES BILLIE HOLIDAY 3.85 VERVE 2304 138 MUSIC FOR ZEN MEDITATION TONY SCOTT 10.81 VERVE 2304 145 ONLY VISITING THIS PLANET LARRY NORMAN 11.73 VERVE 2304 151 NIGHT TRAIN OSCAR PETERSON 2.81 VERVE 2304 153 THE CAT JIMMY SMITH 3.85 VERVE 2304 155 ELLA IN BERLIN ELLA FITZGERALD VERVE 2304 185 STAN GETZ & BILL EVANS IMPORT STAN GETZ, BILL EVANS 1.75 VERVE 2304 186 JOHNNY HODGES IMPORT JOHNNY HODGES 1.75 VERVE 2304 -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # No One's Gonna Love Just the Way You Local 1 SOS Band 6:42 8 1984 RnB 4 128 You Like It Disk Local 2 Five Star All Fall Down 3:25 Luxury of Life 2 1985 Pop 128 Disk Nothing Can Come Stronger Than Local 3 Sade 4:24 3 1988 Soul 128 Between Us Pride Disk Billboard Hot Local 4 Sheila E A Love Bizarre 3:50 100 Singles 83 1986 Pop 1 180 Disk 1986 Wake Me Up Before You Local 5 Wham 3:51 Make It Big 1 1984 RnB 128 Go-Go Disk Eric B & Follow The Local 6 Microphone Fiend 5:13 2 1988 Rap 3 128 Rakim Leader Disk Sign O the Local 7 Prince Forever In My Life 3:30 9 1987 Pop 128 Times Disk Let My People Local 8 Winans Redeemed 4:57 2 1985 Gospel 128 Go Disk Say You (Would Love for Local 9 Whispers 4:58 Imagination 3 1980 Soul 128 Me Too) Disk Malcolm McLaren Presents World Famous Malcolm Local 10 Buffalo Gals (Extended) 5:04 Supreme Team 1981 Rap 4 128 McClaren Disk Show Round The Outside, Round The Outside! Big Daddy Long Live the Local 11 Ain't No Half Steppin' 5:20 6 1988 Rap 3 150 Kane Kane Disk Local 12 D Nice Call Me D 3:49 Call Me D-Nice 2 1989 Rap 3 128 Disk Atlantic All in Name of Local 13 Interlude 1:34 12 1986 Pop 3 128 Starr Love Disk Local 14 Beastie Boys Time to Get Ill 3:39 Licensed to Ill 13 1986 Rap 2 128 Disk NWA & The Local 15 NWA 8 Ball (Remix) 4:52 6 1988 Rap 4 162 Possie Disk Billboard Hot James Local 16 One Hundred Ways 4:18 100 Singles 61 1982 Pop 2 185 Ingram Disk 1982 Local 17 Lo Key I Got a Thang 4 Ya! 5:40 Where Dey At? 1989 RnB 2 128 -
First Amended Complaint for Federal Copyright
Arista Records LLC et al v. Lime Wire LLC et al Doc. 45 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ARISTA RECORDS LLC; ATLANTIC RECORDING CORPORATION; BMG MUSIC; CAPITOL RECORDS, INC.; ELEKTRA ENTERTAINMENT GROUP INC.; INTERSCOPE RECORDS; LAFACE RECORDS LLC; ECF CASE MOTOWN RECORD COMPANY, L.P.; PRIORITY RECORDS LLC; SONY BMG MUSIC FIRST AMENDED COMPLAINT FOR ENTERTAINMENT; UMG RECORDINGS, INC.; FEDERAL COPYRIGHT VIRGIN RECORDS AMERICA, INC.; and INFRINGEMENT, COMMON LAW WARNER BROS. RECORDS INC., COPYRIGHT INFRINGEMENT, Plaintiffs, UNFAIR COMPETITION, CONVEYANCE MADE WITH v. INTENT TO DEFRAUD AND UNJUST ENRICHMENT LIME WIRE LLC; LIME GROUP LLC; MARK GORTON; GREG BILDSON, and M.J.G. LIME 06 Civ. 05936 (GEL) WIRE FAMILY LIMITED PARTNERSHIP, Defendants. Plaintiffs hereby allege on personal knowledge as to allegations concerning themselves, and on information and belief as to all other allegations, as follows: NATURE OF THE ACTION 1. Plaintiffs are record companies that produce, manufacture, distribute, sell, and license the vast majority of commercial sound recordings in this country. Defendants' business, operated under the trade name "LimeWire" and variations thereof, is devoted essentially to the Internet piracy of Plaintiffs' sound recordings. Defendants designed, promote, distribute, support and maintain the LimeWire software, system/network, and related services to consumers for the well-known and overarching purpose of making and distributing unlimited copies of Plaintiffs' sound recordings REDACTED VERSION - COMPLETE VERSION FILED UNDER SEAL Dockets.Justia.com without paying Plaintiffs anything. Plaintiffs bring this action to stop Defendants' massive and daily infringement of Plaintiffs' copyrights. 2. The scope of infringement caused by Defendants is staggering. Millions of infringing copies of Plaintiff s sound recordings have been made and distributed through LimeWire — copies that can be and are permanently stored, played, and further distributed by Lime Wire's users. -
CASH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 9 — July 24, 1982
A VERY CURRENT ALBUM FROM ASYLUM RECORDS & CASSETTES PRODUCED BY WADDY WACHTEL, GREG LADANYI & WARREN ZEVON DIRECTION: IRVING AZOFF/FRONT LINE MANAGEMENT ©1982 ELEKTRA/ASYLUM RECORDS Q A WARNER COMMUNICATIONS COMPANY CASH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 9 — July 24, 1982 OISHBCK EDITORML Look To The Future GEORGE ALBERT effort to get the ball rolling on the courage to make the necessary changes before it President and Publisher The Philips/Sony Compact Digital Disc (CD) demands was too late. ALAN SUTTON Vice President and Editor In Chief closer examination by the music industry. In line Just like the case of the fuel efficient compacts vs. with the continuing trend towards miniaturization in the American gas guzzlers, Europe and Japan again J.B. CARMICLE Vice President and General Manager, East Coast electronic technology and the now-clear fact that the hold the technological and business edge in the im- JIM SHARP 12 inch disc is probably not the configuration that plementation of the compact disc program. It has Vice President, Nashville will carry this industry into the future, it seems im- taken years for the American auto industry to re-tool RICHARD IMAMURA perative that labels today look carefully into the to the point where it could compete on an even Managing Editor possibility of change. footing with the Volkswagens, T oyotas, Datsuns and MARK ALBERT Marketing Director Many label people today say that the costs in- Fiats — could it be that the American recorded East Coast Editorial herent in a switch from the 1 2-inch disc to the 5-inch music industry is headed toward the same fate? FRED GOODMAN, Bureau Chief LARRY RIGGS digital compact disc are too high at the moment.