Tom Dorigatti the Single Sear Release Aid Revolution Bob Ryder More Advanced Tuning of Compound Bows Hugh D.H

Total Page:16

File Type:pdf, Size:1020Kb

Tom Dorigatti the Single Sear Release Aid Revolution Bob Ryder More Advanced Tuning of Compound Bows Hugh D.H Arch ery v23 n1 January 2019 $12 Tom Dorigatti The Single Sear Release Aid Revolution Bob Ryder More Advanced Tuning of Compound Bows Hugh D.H. Soar On Arrow Construction William Moltzan Archery DIY: Making Your Own Strength Trainer Steve Ruis A Proposed Structure for the Mental Game of Archery Simon Needham/Steve Ruis Getting to 650: Conclusion AER Getting Serious: Is It Your Fault? New from Watching Arrows Fly! A New Book from Acclaimed Archery Historian Hugh D.H. Soar! The bow and arrow were invented at least 60,000 to 70,000 years ago and for 99% of that time children learned archery the same way they learned everything else: by doing. At first a child probably played at archery using a found bent stick. Later, they might have been given a purpose –built youth bow (short in length with a weak draw pull) made from basic materials or from a broken adult bow, cut down. Arrows were probably also “hand me downs” and if a child showed enough promise with the bow and arrow, they might be invited to join the hunter’s circle and begin the arduous task of working their way up from the least desirable tasks. More recently, though, children began receiving instruction in the way of the bow. Eminent archery historian Hugh Soar shares his vast knowledge of how youths were taught during this period, both then and now, starting in his native England, expanding to the rest of the U.K, then out to Europe and the U.S., and also including the Middle East, Africa, and the Far East. Archery coaches and archers who have an interest in youth archery or archery histo - ry will love this book. It is packed with history and is charming, too. Fully illustrated. pages • ISBN ---- • US $ . Available from Better Book Stores and Online Booksellers like Amazon.com editorial The Definition of Insanity The definition I am referring to in you get someone to subscribe (how ing. His books on Olympic the title of this editorial is the one to do this are in the ad on page Recurve archery ( The Art of that is often attributed to Albert 28). Repetition and The Competitve Einstein, namely “doing the same As always, we wish you a fab - Archer ) are gold mines of advice for thing over and over and expecting ulous new year, full of archery the Recurve set. I learned a great different results is a form of insan - pleasure and success! deal from reading them and rec - ity” This, of course, applies to ommend them to all of my archery (Big time!). It also applies After bragging about getting new Recurve students. to what I am doing. I do not know authors to share their ideas and William Moltzan hasn’t run how long I will continue to edit wisdom with you, we don’t have out of ideas for DIY projects, so he Archery Focus but at this point we any in this issue! I do have a num - is back with a strength trainer you are going year to year. At the end ber of new authors working on can make for yourself. Note if you of 2018, Claudia and I commited things but none of those are ready make archery gear for yourself or a to “one more year.” This provides a just yet. youth program, consider writing it little structure to our AF life in We are, however, always grate - up to share the wealth. We pay that we won’t wake up one morn - ful for our “regulars,” those authors authors! ing thinking “we do not want to do who provide wonderful ideas to And the wonderful Hugh Soar this any more” and not have a plan help coaches and archers “get bet - has another article on archery his - as to what to do. ter at what they do,” which is after tory for us. This one is on how Because of our “annual review all our primary mission. Tom arrows were made in the 18 th and and re-commitment” we realized Dorigatti is back on track with his 19 th centuries. The scores shot that as of Issue 23-3 (May-June personal history of compound-era then with such “ un matched” sets 2019) we will have been doing this equipment, this time he is writing of arrows is a testament to the for twenty years, which is a long about single sear release aids. Bob archers of those times. time to do anything. We are still Ryder is back with additional having fun working with authors compound bow tuning protocols Happy New Archery Year! and designing new issues and so for those of us who shoot with on and we still enjoy finding new “training wheeels” (Of which I am authors and encouraging the ones one, so please no cards and let - we have had for some time, but ters!). Simon Needham and I are there is a way you can encourage us wrapping up our series of “Getting to keep going! If you like AF and to …” articles which began three like what we are doing, please years ago. (Wow!) The whole pur - adopt the goal of finding one more pose of the series is to sketch out subscriber for this magazine. If a what was needed for archers to sizable number of you do that, it reach reasonably high plateaus of will have a positive impact on our performance. If you are inclined to ability to keep going. want more in that series, we will Not only that, your club or follow up on things that fell off our team can sign up (for free!) as an wagon along the way and I have Archery Focus Affiliate and make already started to work on Simon money for your group every time to make sure he keeps contribut - archery focus www.archeryfocus.com contents JANUARY-FEBRUARY 2019 VOLUME 23 / NUMBER 1 page 6 The Single Sear Release Aid Revolution by Tom Dorigatti A stepping stone between releases with no moving parts and today’s double sear amsterpieces, were single sear release aids. They didn’t know at the time that there was better technology just over the horizon, which is possibly why there were so many of the darned things--they thought this was the penultimate solution of how to release a bow string mechanically. page 16 06 More Advanced Tuning of Compound Bows by Bob Ryder Coach Ryder is sharing the second level fine tuning protocols he uses. He did recurves last issue, now it is time for compounds. page 20 On Arrow Construction by Hugh D.H. Soar How did the target arrows of the 18 th and 19 th centuries stack up? Well, if you have eneough samples, you can weigh them and check their spines 14 ... and our beloved archery historian just happens to have a few sets. page 24 Archery DIY: Make Your Own Strength Trainer by William Moltzan Necessity is indeed the mother of invention and as our DIY specialist found out when he was injuried recently, being able to make your own rehabiliation equipment is a real plus. 24 2 Archery Focus archery focus www.archeryfocus.com toc, con’t page 30 A Proposed Structure for the Mental Game of Archery by Steve Ruis Currently, if you want to learn about the mental game of archery there is hardly a place to start, let alone comprehensive treatments of all of the dif - ferent factors involved. Where to start, the author thinks, is by having a structure to help organize the information so future archers and coaches can find materials to aid their investigations and even add to them. 30 page 31 Getting to 650: Conclusion by Simon Needham and Steve Ruis It has been three years since this series began and this is the conclud - ing installment. While a lot more could be said, the goal for this series has been met and the authors sincerely hope you benefitted from the articles. page 39 Getting Serious: Helping Them to Develop Their Skills by AER Staff Technique is one thing, but archery skill is much more valuable. Here’s some suggestions as to how to help your student-archers get out of a 30 technique rut and into developing the skills needed to score well. Cover Photo is by page 43 chasdesign Getting Serious: Is It Your Fault? by AER Staff Figuring out “what went wrong?” is really important because if you are wrong about the source of the problem, you are literally barking up the wrong tree. Trying to solve an equipment problem by changing your The form only makes things worse, so how do you learn to tell what is what? Read on! Official Magazine of Archery Education Resources Archery Focus 3 Contributors Tom Dorigatti has been an avid archer and Steve Ruis is an avid archer and coach and Hugh D.H Soar is one of the world's leading Bowhunter for over 55 years. He has been Editor of This Magazine and author of a specialists in the history of traditional archery, hunting with a bow and arrow since he was number of archery books, especially on coaching particularly the design and usage of the Eng - 10 years old. Although bowhunting was his archery (Coaching Archery, More on Coaching lish longbow. He began a successful shooting primary objective, target archery quickly took Archery, Even More on Coaching Archery, career over sixty years ago, gaining recogni - a front seat for the times when hunting season Still More on Coaching Archery, The tion as a Main Grade Coach.
Recommended publications
  • Manual Level 1 (01-01-2018).Pdf
    Page 1 of 76 The following Basic Archery Instructors Manual provides general guidelines and that local regulation may prevail in each member nation. The IFAA accepts no responsibility or liability of any damage to property or injury to people in the application of this Guide/Manual. Welcome to Field archery This is the first step in enjoying the many facets of this great sport. Your archer may choose to be involved in: Field Archery 3D Archery Indoor Archery Competition and Travel Hunting Or just the social side of this great sport. Out of this your archer will almost certainly achieve pleasure, relaxation, friendship and fitness. We hope that this will be the beginning of a long and enjoyable relationship with the sport of archery in its many forms. So it is up to you as the instructor to help this happen. This book will help give your archers an insight into what Field archery is all about; from the basic structure of an archery club to the basic skills required to enjoy this sport. This course will teach you to be a safe and effective basic archery instructor. You will also learn how to run a safe program, how to select and maintain proper equipment and how to teach beginning archers in a club setting. ****** Page 2 of 76 Contents The International Field Archery Association ........................................................................................................5 1. Clubs .............................................................................................................................................................5
    [Show full text]
  • Technology in the Fashion Industry: Designing with Digital Media
    Lindenwood University Digital Commons@Lindenwood University Theses Theses & Dissertations Fall 8-2014 Technology in the Fashion Industry: Designing with Digital Media Adima Cope Follow this and additional works at: https://digitalcommons.lindenwood.edu/theses Part of the Fashion Design Commons TECHNOLOGY IN THE FASHION INDUSTRY: DESIGNING WITH DIGITAL MEDIA A Thesis Submitted to the Faculty of the Art and Design Department in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts at Lindenwood University By Adima Cope Saint Charles, Missouri August 2014 Cope 2 Abstract Title of Thesis: Technology in the Fashion Industry: Designing with Digital Media Adima Cope, Master of Fine Art, 2014 Thesis Directed by: Chajuana V. Trawick, Ph.D., Assistant Professor of Art and Design, Fashion Program Manager The fashion industry has advanced new technologies in the twenty-first century that has made producing apparel more cost effective with faster time-to-market capabilities and greatly reduced steps in the manufacturing process. The reasons for these improvements can be linked to new apparel computer-aided-design (CAD) technologies that have come about in the market as computers have advanced and grown in processing power and reduction in size since the 1980s. Computers are revolutionizing many industries and the way business is conducted in today’s modern workplace. The fashion industry has yet to convert all processes to digital means but advancements have been growing in popularity over the years and are certain to increase as the technologies available become better and more reliable. This raises the need for research to take place to survey the market and determine what types of software are available and the capabilities of the technologies.
    [Show full text]
  • Coaches Manual
    Lviv State University of Physical Culture named after Ivan Boberskyj Department of shooting and technical sports Subject "Theory and Methodology of the Selected Sport and Improvement of Sports Skill – archery" for 4 courses students LECTURE: "TERMINOLOGY / GLOSSARY IN ARCHERY" by prof. Bogdan Vynogradskyi Lviv – 2020 TERMINOLOGY / GLOSSARY Actual draw length: The personal draw length Barrelled arrow: An arrow that has a greater of the archer measured at full draw, from the cross section in the middle and tapers down at bottom of the slot in the nock to the pivot point both ends. of the grip plus 1 3/4 inch (45mm), which is the Basic technique: The fundamental technique of back edge (far side of the bow) on most bows. shooting a bow and arrow. Usually the style Actual arrow length: The personal arrow taught during the introduction to archery, length of the archer, measured from the bottom forming the basis for consistent shooting. slot of the nock to the end of the shaft (this Belly (of bow): The surface of the bow facing measurement does not include the point/pile); the archer during shooting. Also known as the with this end of the shaft at 1 inch (25mm) in “face” of the bow. front of the vertical passing through the deepest point of the bow grip or the arrow rest. Black: The fourth scoring colour on the Indoor/Outdoor target face, when counting from Actual draw weight: The energy required to the centre of the target. draw the bow to the actual draw length (commonly measured in pounds).
    [Show full text]
  • Tuning 4 Barebow
    Page 1 Tuning T4T Copyright 1993 for T4BB Copyright 2018 All Rights Reserved By Rick Barebow Stonebraker https://texasarchery.org/resources/39-tunning 6/19/2018 Page 2 FOREWORD This manual is a guide to basic barebow tuning and only addresses the most common styles to help archers get started tuning their bows and arrows. You should adapt the techniques described in this manual to your chosen style. More complex matters are left to the reader's experimentation. Barebow tuning is not as straight-forward as recurve tuning due to the many different styles of barebow archery. There are significant differences in where a barebow archer anchors and where they place their fingers on the string. These differences separate Face Walkers from String Walkers and from Traditional archers. Underlined terms are explained in the Glossary on page 15. See Appendix on page 16 for various styles and advantages/disadvantages. An important part of archery is the equipment. The skill of the archer is also important but if the bow is not properly tuned, the archer's skill is obscured. Tuning may be achieved in a short period but in most cases, will take longer. The archer that puts the most time and effort into equipment will have the most success, which will be time well spent. There are several steps to tuning a recurve style barebow. Always set the brace height as specified by the manufacturer before you set t h e nock- point. Changing the brace height will affect the proper nock point, which is the starting point of tuning a bow.
    [Show full text]
  • Shoeing the Roping Horse I
    The Roping Horse ShoeingBy Michael Chance, CJF ?.*: &\ - Chronic shoe pulling is most often I&*: 7caused by bad management, such as - turning them out in hazardous envi- ronments, such as deep mud, fenc- ing on the ground and so on. This is not your fault, unless you don't point it out and show customers their roles and responsibilities. The management of the equine athlete is a team effort. Lameness is a common cause of gait and dub his hind foot if he were faults. Veterinarians play a key role weak in his stop. These are all and can make life less stressful, factors You must learn through provided you're fortunate enough to communication with riderltrainer have a good relationship with the and or using your observation skills. good doctors in your area. ~t~~amazing YOUshould have a good understanding how a chronic shoe puller is of the horse's job description. miraculously cured by a simple hock lubrication. Calf horses, like here are as many ways to shoe The average age the rope reiners are notoriously hard on their roping horses as there are You see at the top end of the game is hocks. It comes with the job, n horses. Each one is unique, 15-18years old. Many of these horses T reach the peak of their career with with its Own strengths and weak- existing maladies and management Over the years of practice and study, nesses. A sound horse with good soundness is the key factor of I've developed a picture in my mind conformation, in a desirable envi- these horses.
    [Show full text]
  • Bow and Arrow Terms
    Bow And Arrow Terms Grapiest Bennet sometimes nudging any crucifixions nidifying alow. Jake never forjudges any lucidity dents imprudently, is Arnie transitive and herbaged enough? Miles decrypt fugato. First step with arrow and bow was held by apollo holds the hunt It evokes the repetition at. As we teach in instructor training there are appropriate methods and inappropriate ways of nonthreating hands on instruction or assistance. Have junior leaders or parents review archery terms and safety. Which country is why best at archery? Recurve recurve bow types of archery Crafted for rust the beginner and the expert the recurve bow green one matter the oldest bows known to. Shaped to bow that is lots of arrows. Archery is really popular right now. Material that advocate for effective variations in terms in archery terms for your performance of articles for bow string lengths according to as needed materials laminated onto bowstring. Bow good arrow Lyrics containing the term. It on the term for preparing arrow hits within your own archery equipment. The higher the force, mass of the firearm andthe strength or recoil resistance of the shooter. Nyung took up archery at the tender age of nine. REI informed members there free no dividend to people around. Rudra could bring diseases with his arrows, they rain not be touched with oily fingers. American arrow continues to bows cannot use arrows you can mitigate hand and spores used to it can get onto them to find it? One arrow and arrows, and hybrid longbows are red and are? Have participants PRACTICE gripping a rate with sister light touch.
    [Show full text]
  • Rope Circles and Giant Trees: Making History Come Alive Robert Millward
    Social Studies and the Young Learner 19 (3), pp. 15–19 ©2007 National Council for the Social Studies Rope Circles and Giant Trees: Making History Come Alive Robert Millward Every year, I dine in an imaginary hollow cottonwood tree with primary lead plates at various locations on the and intermediate students. This is how I begin a series of lessons on the French and Allegheny and Ohio River thus claim- Indian War era. Students in fourth grade through middle school can get a real feel ing the territory for France. Griffing’s for what the colonial frontier was like when I incorporate physical activity, paintings, painting helps to make the expedition artifacts, diaries and discussions into the lessons. come alive. It was this expedition that provoked great concerns among the Big Trees and 15 feet in circumference and white colonists of Virginia and Pennsylvania, I begin the first lesson by dividing the pines were often 10 feet in circumfer- since they too claimed ownership of class into four small groups. One group ence. the Ohio Valley. It was these compet- is given a 45-foot length rope and told At this point I show the students ing claims that led to The French and to make a rope circle on the floor and “We Dined in a Hollow Cottonwood Indian War. then to sit inside the circle. A second Tree,” a painting by Robert Griffing, group constructs a circle with an 18-foot which depicts people meeting inside the Items of Trade length of rope. The third group forms a hollow trunk of a giant cottonwood!1 I then introduce the students to the lives circle with a 15-foot section of rope.
    [Show full text]
  • Rustic Rope © Melissa Grakowsky Shippee
    Difficulty: ««¶¶¶ Advanced Beginner www.mgsdesigns.net Rustic Rope © Melissa Grakowsky Shippee This necklace features 13mm antique cut beads (also called English cuts) from Perry Bookstein plus unusual Japanese 8/0 cut beads and 11/0 seed beads. If you can’t find these unusual materials, you can substitute the more common 10mm antique cut beads, 11/0 seed beads, and 15/0 seed beads. Page 2 What You’ll Need... Symbol/Supply Name # Weight Toho 8/0 cut beads, matte bronze 8/0 1269 32g Toho 11/0 seed bead, bronze 11/0 288 2g Czech antique cuts, (aka English antique cut 10 cuts), aqua gold luster Notions Size 12 to 13 beading needles, beading thread (8lb Fireline recommended) Tools Scissors, beading mat. Techniques Tubular herringbone stitch, peyote stitch. About the diagrams... Beads already added when you start a step are shown new in the diagram in color with a normal outline. Beads you need to add in the current step are shown with a red outline. Thread paths going through beads are dashed, and thread coming out of beads is solid. Old thread paths old are not shown. The arrow represents the needle. The dot indicates the start of the thread path. Page 3 Glossary stitch through - v. To go through; put the needle through; needle through. stitch - n. A bead or set of beads picked up and added to beadwork and the beads stitched through; one set of a repeat. pick up - v. To put on your needle, ie. “pick up three 11As”. step up - v. To go through without adding beads, usually referring to the first bead(s) in the row being completed, in order to get the thread in place to start the next row.
    [Show full text]
  • Chapter 6 Chapter
    Chapter 6 Chapter Basic Ropes & Knots 6 – Ropes & Knots 305 Seattle Fire Department ROPE Introduction In the Fire Service, the knowledge of how to tie and use knots is essential. While there are many knots available, the following knots described in this section should be adequate to meet the needs of Seattle firefighters in most situations Keep in mind that it is more important to be able to tie these standard knots automatically, while under the stress of an emergency, than to know a greater number of knots and yet have failed to acquire skill in their use. The ropes used on operation companies range in size from 1/4” woven cotton tie ropes to ½”” kernmantle nylon life safety rescue ropes. They can vary in length from just a few feet to 300 foot lengths. Ropes and knots are used daily in securing equipment, fire suppression, rescue work, and emergency medical applications. Whether working with rope or knots in an emergency or training, SAFETY should be on the mind of all involved. Rope Usage The Seattle Fire Department separates the use of ropes into two categories: Utility and Life Safety. Utility A utility rope is a rope that is used for any function other than that of life safety. Tie ropes, practice ropes, RIG ropes, roof ropes and other ropes that are marked as such all fall under the umbrella of utility rope. Life Safety Life Safety rope is defined as any rope used to support the weight of members or other persons during rescue, fire fighting, other emergency operations, or during training evolutions.
    [Show full text]
  • Arrow Selection
    ARROW SELECTION USING THE TARGET ARROW SELECTION CHART LOW POUNDAGE 1. Once you have determined your Correct Target Arrow Length and Calculated or Actual Peak YOUR ARROW LENGTH RECURVE BOW Bow Weight, you are ready to select your correct shaft size: Bow Weight–lbs. Finger Release 1.A Compound bows. In the "Calculated Peak Bow Weight" column (left-hand side of the 21" 22" 23" 24" 25" 26" 27" chart), select the column with the type of cam on your bow. Locate your Calculated Peak Bow Weight in that column. 16–20 lbs. 1.B Recurve bows and Modern Longbows. In the "Recurve Bow Weight" column (right-hand (7.3–9.1 kg) Y1 Y1 Y2 Y3 Y4 side of the chart), select the column with the bow type. Next, locate your Actual Peak Bow Weight in that column. 20–24 lbs. Y1 Y1 Y2 Y3 Y4 Y5 2. Move across that bow-weight row horizontally to the column indicating your Correct Arrow (9.1–10.9 kg) Length. Note the letter in the box where your Calculated or Actual Peak Bow Weight row and 24–28 lbs. Correct Target Arrow Length column intersect. The "Shaft Size" box below the chart with the (10.9–12.7 kg) Y1 Y1 Y2 Y3 Y4 Y5 Y6 same letter contains your recommended shaft sizes. Select a shaft from the chart depending on the shaft material, shaft weight, and type of shooting you will be doing. 28–32 lbs. (12.7–14.5 kg) Y1 Y2 Y3 Y4 Y5 Y6 Y7 SELECTING THE CORRECT TARGET SHAFT SIZE Our Target Shaft Selection Chart will help you find the perfect shaft match for your bow—quickly and 32–36 lbs.
    [Show full text]
  • Earthing​ Is a Way of (Re)Connecting with the Environment. Earthing​ Is a Way of Remembering Our Distant and Far Past
    Earthing​ is a way of (re)connecting with the environment. Earthing​ is a way of remembering our distant and far past. Earthing​ is a way to recharge our bodies each and every single day. There are many benefits to earthing: ● Decreased inflammation ● Reduced chronic pain ● Lowered stress ● Improved sleep ● Increased energy and stamina Perhaps more important than all of that is the ability to provide yourself and your family with compostable shoes made from sustainable resources, because let’s face it – plastic may have found its way into our everyday lives via electronics, chewing gum, polyester and flip-flops, but we can change the future with every step we take. It is up to our conscience, our consciousness and our handcrafting skills to unbrand our personal lives, embrace self-reliance and take traditional knowledge to a whole new level. Step with care! Earthing sandal pattern created by Cheryl Magyar of ​ForestCreekMeadows The essence of the earthing sandal is highly dependent on the quality of the rope – the foundation of the sole. Depending on your location on Earth and resources available locally you should seek out all natural rope, such as ​braided hemp rope​ no smaller than ​4 mm​ in thickness. For a pair of earthing sandals in European size 38 (US 7.5) you will need about 15 meters (49 feet) of 4 mm braided hemp rope. It is always better to overestimate the length of rope needed, than to under buy. Connecting extra pieces may take away from your design and it is not as easy to attach another piece of rope, as it would be to add a new yarn in a knitted garment.
    [Show full text]
  • Pony Reins Craft (Ms
    Pony Reins Craft (Ms. Heather, Cherry Blossom kindergarten) ​ Giddyup, pony! Whoa! Trot! In the kindergarten, we have a few sets of “pony reins” in our classroom. When the weather is fine, we bring them outside with us and the children love to take turns being the “pony”. Your child (or children) can take turns being the “pony”, and a sibling or caregiver can be the “rider”. This project will make use of a long rope of fingerknitting. Materials: ● Piece of felt cut into a 4”x 12” rectangle ● 85” long fingerknitted rope (made with thicker yarn, if possible) ● thread and needle or sewing machine ● Bells The first step, of course, is to have your child to fingerknit a long length of “rope” that is at least 85” long. On the short sides of the felt piece, turn over the edges to make a 1 ½” channel on each end. Pin in place and stitch 1” from the fold (if your rope is thinner, make the channels narrower). ​ Your child can hand sew these stitches, using a running stitch and keeping the stitches small. 2. Attach a large safety pin or paperclip to one end of the rope and use it to guide the rope through one channel. Continue pulling the rope through the other channel, so that you have a loop on top. This is the loop that will go over your child’s head, with the felt panel in front. 3. Adjust the free hanging ropes on each side so they are equal, making sure the top loop measures 26”.
    [Show full text]