Of the Riders Alisalwinter 2019 Your Guide to WINTER FUN
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LSD, Ecstasy, "Rave" Parties and the Grateful Dead Someaccountssuggestthatdrugusefacilitatesentrytoan Otherwiseunavailablespirituaworl Ld
The New Psychedelic Culture: LSD, Ecstasy, "Rave" Parties and The Grateful Dead Someaccountssuggestthatdrugusefacilitatesentrytoan otherwiseunavailablespirituaworl ld. by ROBERT B. MILLMAN, MD and RELATIONSHIPOFPSYCHOPATHOLOGYTOPATTERNS ANN BORDWINE BEEDER, MD OFUSE Hallucinogens and psychedelics are terms sychedelics have been used since an- and synthetic compounds primarily derived cient times in diverse cultures as an from indoles and substituted phenethylamines i/ integral part of religious or recrea- usedthat induceto describechangesbothinthethoughtnaturallyor perception.occurring tional ceremony and ritual. The rela- The most frequently used naturally occurring tionship of LSD and other psychedelics to West- substances in this class include mescaline ern culture dates from the development of the from the peyote plant, psilocybin from "magic drug in 1938 by the chemist Albert Hoffman. I mushrooms," and ayuahauscu (yag_), a root LSD and naturally occurring psychedelics such indigenous to South America. The synthetic as mescaline and psilocybin have been associ- drugs most frequently used are MDMA ('Ec- I ated in modem times with a society that re- stasy'), PCP (phencyclidine), and ketamine. jected conventional values and sought transcen- Hundreds of analogs of these compounds are dent meaning and spirituality in the use of known to exist. Some of these obscure com- drugs and the association with other users, pounds have been termed 'designer drugs? During the 1960s the psychedelics were most Perceptual distortions induced by hallu- oi%enused by individuals or small groups on an cinogen use are remarkably variable and de- intermittent basis to _celebrate' an event or to pendent on the influence of set and setting. participate in a quest for spiritual or cultural Time has been described as _standing still" by values, peoplewho spend long periodscontemplating Current use varies from the rare, perhaps perceptual, visual, or auditory stimuli. -
Logic and Sets Clast Mathematics Competencies
5 LOGIC AND SETS CLAST MATHEMATICS COMPETENCIES IE1: Deduce facts of set inclusion or set non-inclusion from a diagram IIE1: Identify statements equivalent to the negations of simple and compound statements IIE2: Determine equivalence or non-equivalence of statements IIE3: Draw logical conclusions from data IIE4: Recognize that an argument may not be valid even though its conclusion is true IIIE1: Recognize valid reasoning patterns as illustrated by valid arguments in everyday language IIIE2: Select applicable rules for transforming statements without affecting their meaning IVE1: Draw logical conclusions when facts warrant them 226 5.1 EQUIVALENT STATEMENTS The word logic is derived from the Greek word logos which may be interpreted to mean reason or discourse. Most of the study of logic revolves around the idea of a statement which we shall discuss next. T TERMINOLOGY -- STATEMENTS DEFINITION OF A STATEMENT EXAMPLES A statement is a declarative sentence which I will study today. can be classified as true or false. 2 is an even number. CONJUNCTIONS (p and q) Let e represent the statement "2 is an even If two statements are connected by the word Let w represent the statement "and" (or an equivalent word such as "but"), "2 is a whole number". The statement: the resulting statement is called a conjunction "2 is an even number and 2 is a whole and is denoted by p ∧ q. number" is a conjunction which can be written The CLAST simply uses the notation p and q. as "e ∧ w" or as "e and w". DISJUNCTIONS (p or q) Let h be: I will study hard If two statements are connected by the word and f be: I will fail the test "or" (or an equivalent word), the resulting The statement "I will study hard or I will fail statement is called a disjunction and is denoted the test" is a disjunction which can be written by p ∨ q. -
Private Dining [email protected]
LARGE GROUP DINING & CATERING Pat Leone, Director of Private Dining [email protected] Rails Steakhouse 10 Whitehall Road Towaco, NJ 07082 973.487.6633 cell / text 973.335.0006 restaurant 2 Updated 8/2/2021 PRIVATE DINI NG P L A N N I N G INFORMATION RAILS STEAKHOUSE IS LOCATED IN MORRIS COUNTY IN THE HEART ROOM ASSIGNMENTS OF MONTVILLE TOWNSHIP AND RANKS AMONG THE TOP ROOMS ARE RESERVED ACCORDING TO THE NUMBER OF PEOPLE STEAKHOUSES IN NEW JERSEY. RAILS IS KNOWN FOR USDA PRIME ANTICIPATED AT THE TIME OF THE BOOKING. ROOM FEES ARE AND CAB CORN-FED BEEF, DRY-AGED 28-30 DAYS ON PREMISE IN APPLICABLE IF GROUP ATTENDANCE DROPS BELOW THE ESTIMATED OUR DRY AGING STEAK ROOM, AND AN AWARD WINNING WINE ATTENDANCE AT THE TIME OF BOOKING. RAILS RESERVES THE LIST RECOGNIZED BY WINE SPECTATOR FIVE CONSECTUTIVE YEARS. RIGHT TO CHANGE ROOMS TO A MORE SUITABLE SIZE, WITH NOTIFICATION, IF ATTENDANCE DECREASES OR INCREASES. DINING AT RAILS THE INTERIOR DESIGN IS BREATHTAKING - SPRAWLING TIMBER, EVENT ARRANGEMENTS NATURAL STONE WALLS, GLASS ACCENTS, FIRE AND WATER TO ENSURE EVERY DETAIL IS HANDLED IN A PROFESSIONAL FEATURES. GUESTS ARE INVITED TO UNWIND IN LEATHER MANNER, RAILS REQUIRES THAT YOUR MENU SELECTIONS AND CAPTAIN'S CHAIRS AND COUCHES THAT ARE ARRANGED TO INSPIRE SPECIFIC NEEDS BE FINALIZED 3 WEEKS PRIOR TO YOUR FUNCTION. CONVERSATION IN ONE OF THREE LOUNGES. AT THAT POINT YOU WILL RECEIVE A COPY OF OUR BANQUET EVENT ORDER ON WHICH YOU MAY MAKE ADDITIONS AND STROLL ALONG THE CATWALK AND EXPLORE RAFTER'S LOUNGE DELETIONS AND RETURN TO US WITH YOUR CONFIRMING AND THE MOSAIC ROOM. -
F Ield Small P Lates Local Vendors Non-Alcoholic
Gracious hospitality is at the heart of every Wisconsin Supper Club. F ield Small Plates We believe that is not a motto but a way of life. CENTER CUT ICEBERG WEDGE SALAD ............................8.99 We aspire to bring you the finest in local Thousand Island, cherry tomato, applewood bacon, chopped egg, crispy fried onions Add grilled chicken • filet mignon • scampi shrimp ingredients and products whenever possible. broiled salmon We promise to always take that 5.99 9.99 9.99 SNOW BIRD SALAD .................................................. 9.99 15.99 extra step for you. Mixed greens, avocado, pulled chicken, grape tomato, palm hearts, cucumber, grilled citrus vinaigrette We greatly appreciate your TABLE SIDE “SPINNING BOWL” CAESAR SALAD. 7.99 patronage. pumpernickel croutons, parmigianino reggiano, lemon Add fresh Spanish anchovy • grilled chicken -Chef Dave filet mignon • scampi shrimp3.99 • broiled salmon5.99 9.99 9.99 9.99 STEAK HOUSE SALAD ............................................... 16.99 Charred pepper, grilled filet, gorgonzola, fried onions, tomato, Local Vendors green goddess dressing FRESH BAKED, JUMBO BAVARIAN PRETZEL......................... 8.99 STOCKYARDS BEEF Chicago, IL Merkt’s cheddar, maille honey mustard, tomato jam, maldon sea salt FORTUNE FISH & GOURMET Bensenville, IL CLASSIC FRIED CHEESE CURDS................................ 8.99 C.L.B. lager beer batter, sriracha, green goddess crema RED HEN BREAD Chicago, IL GOEBBERTS FARM Hampshire, IL GO-RO FRESH Union, IL F armSmall Plates JONEY DAIRY FARM Fort Atkins, WI LOCAL CHARCUTERIE MEAT PLATE .......................... 14.99 MIGHTY VINE TOMATOES Rochelle, IL Chef’s whim, crostini, IPA mustard, onion confit, country olives, LIVING WATER FARM Strawn, IL pickled mustard seeds SASSY COW CREAMERY Columbus, WI CHILLED PICNIC EGGS ................................................ -
Fraud Risk Management: a Guide to Good Practice
Fraud risk management A guide to good practice Acknowledgements This guide is based on the fi rst edition of Fraud Risk Management: A Guide to Good Practice. The fi rst edition was prepared by a Fraud and Risk Management Working Group, which was established to look at ways of helping management accountants to be more effective in countering fraud and managing risk in their organisations. This second edition of Fraud Risk Management: A Guide to Good Practice has been updated by Helenne Doody, a specialist within CIMA Innovation and Development. Helenne specialises in Fraud Risk Management, having worked in related fi elds for the past nine years, both in the UK and other countries. Helenne also has a graduate certifi cate in Fraud Investigation through La Trobe University in Australia and a graduate certifi cate in Fraud Management through the University of Teeside in the UK. For their contributions in updating the guide to produce this second edition, CIMA would like to thank: Martin Birch FCMA, MBA Director – Finance and Information Management, Christian Aid. Roy Katzenberg Chief Financial Offi cer, RITC Syndicate Management Limited. Judy Finn Senior Lecturer, Southampton Solent University. Dr Stephen Hill E-crime and Fraud Manager, Chantrey Vellacott DFK. Richard Sharp BSc, FCMA, MBA Assistant Finance Director (Governance), Kingston Hospital NHS Trust. Allan McDonagh Managing Director, Hibis Europe Ltd. Martin Robinson and Mia Campbell on behalf of the Fraud Advisory Panel. CIMA would like also to thank those who contributed to the fi rst edition of the guide. About CIMA CIMA, the Chartered Institute of Management Accountants, is the only international accountancy body with a key focus on business. -
8Th Grade Text Structure Lesson, Practice, and Answer Key (Study Island) 1
8th Grade Text Structure Lesson, Practice, and Answer Key (Study Island) 1 Text Structure When you understand how the writer has organized information, you will understand and remember the text better. Writers organize text in several different ways. Cause/Effect The text shows that one event causes another thing to happen. Look for words like "because," "then," "since," and "as a result." Example: It rained for the first few days of the camping trip. As a result, most of the campers were restless and wanted to go home. Comparison/Contrast The text shows how ideas or things are alike or different. Look for words like "best," "more," "better," "less," "worse," "easier," and "than." Example: The best time to visit the Rocky Mountains is early fall. The weather is cooler in the fall than in the summer. You will see fewer people and more animals. The fall colors are more beautiful. Description When you want to paint a picture with words, use description to organize your ideas. To make the picture come alive in your reader's mind, use a lot of adjectives and describe what you would see, taste, smell, feel, or hear. Adjectives are words like "pretty," "sweet," "smooth," and "loud." Example: The cellar was cold, damp, and dark. It smelled musty and old. Problem/Solution The text is split into two parts: One part presents a problem, and the other part gives the solution to the problem. Look for words like "problem," "solution," "solve," and "plan." Example: The city of Taylor has fifteen public swimming pools. In the past, plenty of lifeguards have been available for staffing the pools throughout the summer. -
Filosofia Del Gusto
Filosofia del Gusto index SAUCES AND CONDIMENTS PAGE 6 BUTTER AND SALT PAGE 10 TRUFFLE FLAVORED OILS PAGE 11 BALSAMIC VINEGAR PAGE 12 FLAVORED OILS PAGE 13 WHITE TRUFFLE PAGE 15 SUMMER TRUFFLE PAGE 16 DRIED SUMMER TRUFFLE PAGE 18 BIANCHETTO TRUFFLE PAGE 19 WINTER TRUFFLE PAGE 20 PASTA PAGE 23 RICE AND POLENTA PAGE 24 FLOUR AND READYMADE PAGE 25 CHEESE AND CURED MEATS PAGE 26 NATURAL LINE TRUFFLES PAGE 27 LIQUORS PAGE 29 GIFTS AND ARTICLES PAGE 30 WHO WE ARE Giving only the bestOur of the best. ThisStory has been our belief since 1986 when we gave life to the Sacchi Tartufi brand, a line of high quality ga- stronomical products where the precious tuber is the protagonist. The search for excellence begins with a scrupulous selection of truf- fles originating from a territory with an ideal microclimate. A selectivity exalted in our laboratory by uniting artisanship with modern technology, respecting high quality standards and love for what we do. Coordinating the entire production process, from the selection and cle- aning of the best truffles to sterilization and packaging, allows us to maintain the unaltered and organoleptic characteristics of this precious fruit and to exalt its remarkable personality. An always sought after qua- lity which today is certified according to the FSSC 22000, ISO 22005, ISO 9001:2008, IFS food e BRC food standards. The goodness of the products and the commitment to putting our custo- mer’s needs first has allowed us to grow over the years: that’s why we are chosen by delicatessens, specialty food markets, restaurants and large distributors every day. -
Truffle Guide 2016 the FOUR ITALIAN TRUFFLES
ITALFOODS Truffle guide 2016 THE FOUR ITALIAN TRUFFLES WHITE TRUFFLES (Tuber Magnatum Pico) The white truffle is the most rare and precious of all truffles. It is picked only between the months of September and December in the town of Alba in the Piemonte region. The smooth, yellow surface of the truffle hides an interior that varies from brown to pale hazelnut with thin, light veins. Its unmistakable aroma is extremely intense, yet delicate. The key to its use is to use it raw. The classic combination would be egg paparadelle tossed with butter, the best grated Parmigiano Reggiano cheese, and then at the end the White Truffle thinly shaved on top. Preferably at tableside for dramatic effect. BLACK WINTER TRUFFLES (Tuber Melanosporum Vitt) This “black diamond” can be found as far as 20 inches under the ground, near oak trees, hornbeams, and hazelnut trees. It is picked in the Umbrian region of Italy between December and March. Its surface is black and wrinkled, with minute warts and its pulp is a purplish black with numerous, thin veins. Best tossed with warm olive oil and seasoning to taste. BIANCHETTO TRUFFLES (Tuber Albidum Pico) The season for picking the Bianchetto truffles, which is the smallest of the truffles, is between the months of January and April. They are whitish in color, while the pulp is a pale hazelnut with white veins. Their taste is sharp, but added to butter or olive oil, they tend to taste very similar to the precious white truffles. BLACK SUMMER TRUFFLES (Tuber Aestivum Vitt) The easy availability of these truffles makes them the most widely used. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Intel® She Will Connect: Connecting Women in Africa to Opportunity
WOMEN AND THE WEB Bridging the Internet Gender Gap* BILLION Regional Internet Access Women’s Internet Access INTEL®USERS SHE WILL CONNECT 2.4ConnectingWORLDWIDE women in Africa to opportunity through technology. 79% 64% 28% 40% The Women and the WebEgypt 32% report16% outlined nearly 25 percent fewer women than men are online in emerging markets. In Sub-Saharan Africa that number rises to 45 percent. In response to the report’s findings, Intel and Mexico 34% 43% its partners committed to reducing the InternetIndia 8% gender gap by helping to put the Internet within the grasp of women in Africa. Women and girls willUganda 9% benefit from the information, knowledge, and connections available on the web and through information and communication technologies (ICTs). We are striving to enable the social IN ASIA andINTERNET economic ACCESS empowerment of women through access to opportunities, educational, financial, health and IN NORTH AMERICA 8% genderIS NEARLY specificTHA Tinformation, OF 28% e-governmentOF WOMEN services, and national and global news. Our goal is to reach 5 million AFRICA OF THE POPULATION IN INDIA HAVE women5X in the region byHAS the INTERNET end AC CESSof 2020.INTERNET ACCESS DEVELOPING COUNTRIES AND THE INTERNET GENDER GAP Women in developing countries frequently lack access to the Internet. Why Women? Women in developing countries are nearly 600 25% less likely to be online than men. 800 MILLION MILLION Women perform 60 percent of the world’s work, produce 50 percent of the food—but earn 10 percent of the income, and own 1 percent of the 43% 10% assets. -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Discovering the Oregon Truffle by David C
t h e w i l d e p i c u r e (Re) Discovering the Oregon Truffle by David C. Work Now, I haven’t traipsed the forest floor for Oregon Truffles, bringing them, dirt clods clinging, to my nostrils, the streaming sunspears piercing the moss-encrusted Douglas fir canopy above, but I have met the Oregon truffle with a beginner’s mind and have discovered in the kitchen an ally of joyful power and subtlety, an ingredient full of surprising contortionistic capabilities that challenges me to leave precon- ceptions behind and rediscover myself in a creative exploration of the senses. Someone once said that people who don’t like truffles don’t like sex. Oregon truffles are a world-class, gourmet ingredient. In 1983, “the father of American gastronomy,” Portland-born James Beard, declared their culinary values to be at least as good as their European cousins, the French Black and the Italian White. But they are (thankfully) quite different from those cousins. Me and Truffles Man, there is very little in this world comparable to the experi- ence of good food, mixed with good people, wine, and truffles. The innately pheromonal nature of the truffle and its effect on some mammals encourages direct raw comparisons to sex and other blissful states of sensual intensity sought after and cel- ebrated by dedicated epicureans around the world. Over the years as a chef, my experience with quality fresh truffles has necessarily been limited to relatively few occasions underwritten by the curiosity and decadence of those in whose employ I was fortunate enough to reside.