Intel® She Will Connect: Connecting Women in Africa to Opportunity
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Logic and Sets Clast Mathematics Competencies
5 LOGIC AND SETS CLAST MATHEMATICS COMPETENCIES IE1: Deduce facts of set inclusion or set non-inclusion from a diagram IIE1: Identify statements equivalent to the negations of simple and compound statements IIE2: Determine equivalence or non-equivalence of statements IIE3: Draw logical conclusions from data IIE4: Recognize that an argument may not be valid even though its conclusion is true IIIE1: Recognize valid reasoning patterns as illustrated by valid arguments in everyday language IIIE2: Select applicable rules for transforming statements without affecting their meaning IVE1: Draw logical conclusions when facts warrant them 226 5.1 EQUIVALENT STATEMENTS The word logic is derived from the Greek word logos which may be interpreted to mean reason or discourse. Most of the study of logic revolves around the idea of a statement which we shall discuss next. T TERMINOLOGY -- STATEMENTS DEFINITION OF A STATEMENT EXAMPLES A statement is a declarative sentence which I will study today. can be classified as true or false. 2 is an even number. CONJUNCTIONS (p and q) Let e represent the statement "2 is an even If two statements are connected by the word Let w represent the statement "and" (or an equivalent word such as "but"), "2 is a whole number". The statement: the resulting statement is called a conjunction "2 is an even number and 2 is a whole and is denoted by p ∧ q. number" is a conjunction which can be written The CLAST simply uses the notation p and q. as "e ∧ w" or as "e and w". DISJUNCTIONS (p or q) Let h be: I will study hard If two statements are connected by the word and f be: I will fail the test "or" (or an equivalent word), the resulting The statement "I will study hard or I will fail statement is called a disjunction and is denoted the test" is a disjunction which can be written by p ∨ q. -
Pronouns: a Resource Supporting Transgender and Gender Nonconforming (Gnc) Educators and Students
PRONOUNS: A RESOURCE SUPPORTING TRANSGENDER AND GENDER NONCONFORMING (GNC) EDUCATORS AND STUDENTS Why focus on pronouns? You may have noticed that people are sharing their pronouns in introductions, on nametags, and when GSA meetings begin. This is happening to make spaces more inclusive of transgender, gender nonconforming, and gender non-binary people. Including pronouns is a first step toward respecting people’s gender identity, working against cisnormativity, and creating a more welcoming space for people of all genders. How is this more inclusive? People’s pronouns relate to their gender identity. For example, someone who identifies as a woman may use the pronouns “she/her.” We do not want to assume people’s gender identity based on gender expression (typically shown through clothing, hairstyle, mannerisms, etc.) By providing an opportunity for people to share their pronouns, you're showing that you're not assuming what their gender identity is based on their appearance. If this is the first time you're thinking about your pronoun, you may want to reflect on the privilege of having a gender identity that is the same as the sex assigned to you at birth. Where do I start? Include pronouns on nametags and during introductions. Be cognizant of your audience, and be prepared to use this resource and other resources (listed below) to answer questions about why you are making pronouns visible. If your group of students or educators has never thought about gender-neutral language or pronouns, you can use this resource as an entry point. What if I don’t want to share my pronouns? That’s ok! Providing space and opportunity for people to share their pronouns does not mean that everyone feels comfortable or needs to share their pronouns. -
Fraud Risk Management: a Guide to Good Practice
Fraud risk management A guide to good practice Acknowledgements This guide is based on the fi rst edition of Fraud Risk Management: A Guide to Good Practice. The fi rst edition was prepared by a Fraud and Risk Management Working Group, which was established to look at ways of helping management accountants to be more effective in countering fraud and managing risk in their organisations. This second edition of Fraud Risk Management: A Guide to Good Practice has been updated by Helenne Doody, a specialist within CIMA Innovation and Development. Helenne specialises in Fraud Risk Management, having worked in related fi elds for the past nine years, both in the UK and other countries. Helenne also has a graduate certifi cate in Fraud Investigation through La Trobe University in Australia and a graduate certifi cate in Fraud Management through the University of Teeside in the UK. For their contributions in updating the guide to produce this second edition, CIMA would like to thank: Martin Birch FCMA, MBA Director – Finance and Information Management, Christian Aid. Roy Katzenberg Chief Financial Offi cer, RITC Syndicate Management Limited. Judy Finn Senior Lecturer, Southampton Solent University. Dr Stephen Hill E-crime and Fraud Manager, Chantrey Vellacott DFK. Richard Sharp BSc, FCMA, MBA Assistant Finance Director (Governance), Kingston Hospital NHS Trust. Allan McDonagh Managing Director, Hibis Europe Ltd. Martin Robinson and Mia Campbell on behalf of the Fraud Advisory Panel. CIMA would like also to thank those who contributed to the fi rst edition of the guide. About CIMA CIMA, the Chartered Institute of Management Accountants, is the only international accountancy body with a key focus on business. -
8Th Grade Text Structure Lesson, Practice, and Answer Key (Study Island) 1
8th Grade Text Structure Lesson, Practice, and Answer Key (Study Island) 1 Text Structure When you understand how the writer has organized information, you will understand and remember the text better. Writers organize text in several different ways. Cause/Effect The text shows that one event causes another thing to happen. Look for words like "because," "then," "since," and "as a result." Example: It rained for the first few days of the camping trip. As a result, most of the campers were restless and wanted to go home. Comparison/Contrast The text shows how ideas or things are alike or different. Look for words like "best," "more," "better," "less," "worse," "easier," and "than." Example: The best time to visit the Rocky Mountains is early fall. The weather is cooler in the fall than in the summer. You will see fewer people and more animals. The fall colors are more beautiful. Description When you want to paint a picture with words, use description to organize your ideas. To make the picture come alive in your reader's mind, use a lot of adjectives and describe what you would see, taste, smell, feel, or hear. Adjectives are words like "pretty," "sweet," "smooth," and "loud." Example: The cellar was cold, damp, and dark. It smelled musty and old. Problem/Solution The text is split into two parts: One part presents a problem, and the other part gives the solution to the problem. Look for words like "problem," "solution," "solve," and "plan." Example: The city of Taylor has fifteen public swimming pools. In the past, plenty of lifeguards have been available for staffing the pools throughout the summer. -
Preferred Gender Pronouns: for Faculty (Or, How to Take Important Steps in Becoming a Trans Ally!)
Preferred Gender Pronouns: For Faculty (Or, How to Take Important Steps in Becoming a Trans Ally!) What is a pronoun? ñ A pronoun is a word that refers to either the people talking (like I or you) or someone or something that is being talked about (like she, it, them, and this). Gender pronouns (like he and hers) specifically refer to people that you are talking about. What is a “preferred gender pronoun”? ñ A "preferred gender pronoun" (or PGP) is the pronoun that a person chooses to use for themself. For example: If Xena's preferred pronouns are she, her, and hers, you could say "Xena ate her food because she was hungry." What are some commonly used pronouns? ñ She, her, hers and he, him, his are the most commonly used pronouns. Some people call these "female/feminine" and "male/masculine" pronouns, but many avoid these labels because, for example, not everyone who uses he feels like a "male" or "masculine." ñ There are also lots of gender-neutral pronouns in use. Here are a few you might hear: ‹ They, them, theirs (Xena ate their food because they were hungry.) This is is a pretty common gender-neutral pronoun.... And yes, it can in fact be used in the singular. ‹ Ze, hir (Xena ate hir food because ze was hungry.) Ze is pronounced like "zee" can also be spelled zie or xe, and replaces she/he/they. Hir is pronounced like "here" and replaces her/hers/him/his/they/theirs. ñ Just my name please! (Xena ate Xena's food because Xena was hungry) Some people prefer not to use pronouns at all, using their name as a pronoun instead. -
AN INTRODUCTORY GRAMMAR of OLD ENGLISH Medieval and Renaissance Texts and Studies
AN INTRODUCTORY GRAMMAR OF OLD ENGLISH MEDievaL AND Renaissance Texts anD STUDies VOLUME 463 MRTS TEXTS FOR TEACHING VOLUme 8 An Introductory Grammar of Old English with an Anthology of Readings by R. D. Fulk Tempe, Arizona 2014 © Copyright 2020 R. D. Fulk This book was originally published in 2014 by the Arizona Center for Medieval and Renaissance Studies at Arizona State University, Tempe Arizona. When the book went out of print, the press kindly allowed the copyright to revert to the author, so that this corrected reprint could be made freely available as an Open Access book. TABLE OF CONTENTS PREFACE viii ABBREVIATIONS ix WORKS CITED xi I. GRAMMAR INTRODUCTION (§§1–8) 3 CHAP. I (§§9–24) Phonology and Orthography 8 CHAP. II (§§25–31) Grammatical Gender • Case Functions • Masculine a-Stems • Anglo-Frisian Brightening and Restoration of a 16 CHAP. III (§§32–8) Neuter a-Stems • Uses of Demonstratives • Dual-Case Prepositions • Strong and Weak Verbs • First and Second Person Pronouns 21 CHAP. IV (§§39–45) ō-Stems • Third Person and Reflexive Pronouns • Verbal Rection • Subjunctive Mood 26 CHAP. V (§§46–53) Weak Nouns • Tense and Aspect • Forms of bēon 31 CHAP. VI (§§54–8) Strong and Weak Adjectives • Infinitives 35 CHAP. VII (§§59–66) Numerals • Demonstrative þēs • Breaking • Final Fricatives • Degemination • Impersonal Verbs 40 CHAP. VIII (§§67–72) West Germanic Consonant Gemination and Loss of j • wa-, wō-, ja-, and jō-Stem Nouns • Dipthongization by Initial Palatal Consonants 44 CHAP. IX (§§73–8) Proto-Germanic e before i and j • Front Mutation • hwā • Verb-Second Syntax 48 CHAP. -
Pronoun Primer
What are pronouns? Pronouns take the place of a noun (a person, place, or thing). Pronouns can be seen when referring to someone during a conversation or in written communication. Example of “she” series: “Hope has been doing very well in adjusting to her time at Tufts. I hope she continues to support staff and faculty in her efforts to create a respectful and affirming environment for all students!” How do pronouns affect me? Tufts University has announced that students on all campuses can change their names in various online Tufts systems such as the Student Information System (SIS). SIS updates class rosters which contains the names of students. When updated, class rosters include the students preferred name as well as the pronouns students are using at that particular time (yes, pronouns can change!). Rosters are points of contact for many student and professor interactions. Students are more likely to come to class and maintain retention if they feel affirmed and respected in classroom spaces. How are pronouns being used? In the chart below there are three examples of the most common pronouns used; she, he, and they. We are familiar with the most common pronouns (he and she) being used in the singular form; referring to only one person. The pronoun series “they”, in this instance, is used in a similar way (in the singular form, referring to one person). Typically, “they” is an example of gender neutral or non-binary pronouns. Example of “they” series as a singular: “I like Cool’s work ethic, they are such a hard-working employee. -
Beginning Old English / Carole Hough and John Corbett
© Carole Hough and John Corbett 2007 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Beginning Old Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. English Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this Carole Hough and John Corbett work in accordance with the Copyright, Designs and Patents Act 1988. First published 2007 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN-13: 978–1–4039–9349–6 hardback ISBN-10: 1–4039–9349–1 hardback ISBN-13: 978–1–4039–9350–2 paperback ISBN-10: 1–4039–9350–5 paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. -
Ciao Florentina
Ciao Florentina December 2011 Peace, Love Food! An Italian Christmas With Fabio Viviani - Contact - Contents – December 2011 Ciao Florentina - E-Mail/Online - [email protected] MENU www.ciaoflorentina.com Christmas alla twitter.com/CiaoFlorentina Florentina facebook.com/CiaoFlorentina - Customer Service - Shellfish Ciao Florentina takes pride in providing its subscribers with fast, friendly, small- Risotto town service. Subscribe – Give a Gift – Advertise Jacopo Falleni Letters: Mixologist To write to the editor, use the address above. Ciao Florentina is published monthly. All An Italian rights reserved. Subscriptions are free. Christmas No part of this publication may be used without written permission by the publisher. © 2011. Every effort is made to avoid errors, misspellings, and omissions. If, however, an error comes Fabio Viviani to your attention, please accept our Recipes sincere apologies and notify us. Thank you. Florentina’s - Staff - Favorite Things Florentina Lile – Founder - Editor in Chief Fabio Viviani – Chow Ciao Host Jacopo Falleni – Master Mixologist Cameron Davison – Executive Managing Editor Plus Tiramisu, the Library Bar, Must Watch Christmas Movies & More! Miha Matei – Photographer Front Cover – Florentina Lile and Fabio Viviani on the set of Chow Ciao – Photography by Miha Matei www.mihamatei.com 1 www.ciaoflorentina.com Letter from the Editor It has been a wonderful year and there's magic in the air all around me. I find more and more that everything always works together for good, so I'm learning every day to be grateful for everything and everyone in my life. I really had the best of times meeting and working with some of the most wonderful and talented people this year, playing with fabulous food and watching one of my dreams come true: the Ciao Florentina Magazine! My introduction wouldn't do the December issue any justice, so I'll just let you dive straight into the magic and artistic passion of those talented people who made it possible and who I'm honored to call my friends. -
Music and Your Child a Guide for Parents and Caregivers
Music and Your Child A Guide for Parents and Caregivers Kenneth K. Guilmartin Founder/Artistic Director Music Together Worldwide Lili M. Levinowitz, Ph.D. Professor of Music Education Rowan University Music and Your Child A Guide for Parents and Caregivers Music and Your Child: A Guide for Parents and Caregivers ©1989, 1992, 1996, 2000, 2003, 2017 by Music Together LLC. No part of this publication may be photocopied, recorded, stored, transmitted, or reproduced in any form or by any means, electronic, mechanical, or otherwise, without prior written permission of Music Together LLC, 174 Nassau Street #340, Princeton NJ 08542 (800) 728-2692. Music Together® Music Together is a music and movement ap- proach to early childhood music development for infants, toddlers, preschoolers, and kindergarten children and their parents, teachers, and other primary caregivers. Originally offered to the public in 1987, it pioneered the concept of a research- based, developmentally appropriate early child- hood music curriculum that strongly emphasizes and facilitates adult involvement. The Music Together approach develops every child’s birthright of basic music competence by encouraging the actual experiencing of music rather than the learning of concepts or information about music. For further information about our program, teacher training, parent education, child-safe instruments, or national or international classes, please visit: www.musictogether.com Contents Chapter 1 ...................................................................... 7 Music Is a Basic Life Skill • Your Role Is Essential Regardless of Your Own Music Ability • What Should I Expect of My Child? • What Should I Expect of Myself? • An Important Note to Remember • Hints for Music Together at Home Chapter 2 ................................................................... -
Spring & Summer • Wedding Family Style Dinner
SPRING & SUMMER • WEDDING FAMILY STYLE DINNER Thank you for considering Oak Avenue Catering for your special day. It will be an honor and a pleasure to be a part of your wedding day. If you would like a better understanding of our services and pricing, we will be happy to confirm our availability for your day of choice and forward you menus and a preliminary proposal. In order to provide you with the very best experience we do require that you have the consultation of a wedding coordinator. More comprehensive and individually tailored proposals will be provided after a coordinator is confirmed. Your wedding day is comprised of multiple vendors coming together to create the perfect ceremony and reception. He or she will be able to present you with options for each vendor service and speak with vendors on your behalf to create the wedding you envision. We will be happy to provide a list of coordinators that we have been fortunate enough to partner with over the years. Each is as good as the next. If you have a preferred coordinator not on our list, we will be happy to approve the coordinator of your choice based on their experience and referrals. Wedding family style dinners are priced per person. Pricing is inclusive of a 20% service charge and exclusive of California sales tax. Service staff and chef labor are included for a 3.5 hour event. Additional event time will require additional event work hours. A minimum guest count of 50 is required. Please inquire about additional charges for parties of less than 50 guests. -
Anisa Anisa Has Made a Lot of Progress at Playing the Recorder
Anisa has made a lot of progress at playing the recorder during music. At the beginning of the school year, she really struggled to make a good sound on the recorder, as her fingers didn't cover the holes properly. However, her motor coordination has improved significantly and she is now able to play B, A, and G with clarity. In order to improve, Anisa needs to practice using her right hand to play low E and low D. I have been very pleased with Anisa's progress and I Anisa hope that she will choose to join the Recorder Club and pursue her music exams during Year 4. Bella has always enjoyed music lessons and she has done very well in Year 3. She quickly learned to play the recorder and is able to play lots of different pitches accurately. Bella has excellent listening skills, which has helped her to hear others while playing and to correct her own mistakes. Bella is learning two songs that she could play for a special music exam. I hope that Bella will join the Recorder Club during Year 4, as she will be able to make even more Bella progress on the recorder, and begin exams that will help to document her success. I look forward to what Bella can achieve in music as she gets older. Aymen has excellent musical abilities. Since he was in Year 1, Aymen has always enjoyed singing and playing instruments, and he is able to listen and copy simple rhythms accurately. His musical skills have benefitted him in Year 3, as he has learned to play the recorder.