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40 Recent Prints by 30 American Artists

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40 Recent Prints by 30 American Artists LOCAL ORANGE ( THE MUSEUM OF MODERN ART |1 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: C1RCLI 5-8900 PRESS PREVIEW Tuesday, 2-5 p.m.' $10628 - 37 FOR WEDNESDAY RELEASE 1|0 RECENT PRINTS BY 30 AMERICAN ARTISTS ACQUIRED AND SHOWN BY MUSEUM FOR FIRST TIME Some American Prints: 19U5-50. a collection of l|0 recently acquired prints, many In color, will be on view in a gallery on the third floor of the Museum of Modern Art, 11 West 53 Street, from July k through August 5« The average age of the 30 artists exhibiting is 36 years; many are women. The exhibition has been organized by William S. Lieberman, Associate Curator in charge of prints. The variety of subject matter includes heroes of classical mythology, dramas from the Old and New Testaments, places and people of the American scene, beasts of the jungle, the world transformed by fantasy, and by abstract analysis. As varied as the subject matter are the many graphic techniques themselves: etching and most intaglio media, woodcut and engraving, lithography and serigraphy (prints from silk screens). Shown together as a group are several color woodcuts of except­ ional scale and boldness by Misch Kohn, Louise Krueger, Seong Moy, Anne Ryan and Louis Schanker. Another wall displays prints of mystery and magic where the use of allegory is as free as the treatment of form and symbol. A few titles offer some indication: "Way through the Woods," "Paw-Paw," "Witches Parade," "Sign of the Lobster," "Memory Machine." Bernard Reder and Andre Racz are represented by several prints offering a survey of their recent work. In France, Reder, best known as a sculptor, was an intimate friend of Aristide Maillol. Now in America, Reder began in 19^8 a series of illustrations to the story of Noah. Some of these, which have never before been published or exhi­ bited, are shown with a pair of large color woodcuts. Andre Racz has engraved several portfolios of prints, most ambitious of which is tlie VIa Crucis published in 19l|8. In the following year, he began adding tone plates of color aquatint to the black and white engravings of these stations of the cross. ( The artists represented in this small collection come from California, Chicago and the Middle West as well as from the East, Raca and Reder, though born in Rumania, have been in America for a decade and became citizens in 19U6• Three Chilean artists who have recently worked in North America are also represented: Pablo Burchard, Nemecio Antunez and his brother Enrique Zanartu. These prints have been acquired through the Mrs. John D. Rocke­ feller Jr. Purchase Fund; the Spaeth Foundation, through the courtesy of Mr. and Mrs. Otto L. Spaeth; the Museum's Inter-American Fund; and through gifts of Mr. John Hay Whitney, the National Serigraph Society, and the group of artists known as Printmakers. All prints have been acquired"since the showing of the American section in the Master Prints exhibition of May 19^9• Other recent American print acquisi­ tions may be seen in the Museum1s Abby Aldrich Rockefeller Print Room which is open to the public from 2 to $9 Monday through Friday. A complete check list with notes will be available at the press preview on Tuesday, July 2, from 2 to 5 P«nu MUSEUM OFFICIAL TO JURY ART EXHIBITION FOR ILLINOIS STATE FAIR Mr. Andrew Carnduff Ritchie, the Museum's Director of the Department of Painting and Sculpture, will visit Springfield, Illinois, on July 5 for the purpose of jurying an exhibition for the Illinois State Pair. The entries will consist of paintings and graphic works by artists in the Old Northwest Territory which includes Ohio, Indiana, Illinois, Michigan and Wisconsin. This will be the 5th Old Northwest Territory Annual Art Exhibition, and will be held from August 10 to 19, 19S1, under the chairmanship of Governor Adlai E. Stevenson of Illinois. THE MUSEUM OF MODERN ART H WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE CIRCLI 5-S900 SOME AMERICAN PRINTS t 19fr.5-50 RECENT ADDITIONS TO THE MUSEUM COLLECTION • » ' ' •"•'' i» '»•!• • • m i i • in CHECKLIST ANTUNEZ, Nemecio, Born 1918 City Dwellers. 1950. Lithograph printed in color• Inter- American Fund BOTHWELL, Dorr. Born 1902 Memory Machine, 19U7# Serigraph. Purchase Fund BURCHARD, Pablo. Born 1919 Cuernavaca. 1950. Lithograph. Inter-American Fund CITRON, Minna. Born 1896 Way through the Woods. 19U8, Etching, stenciled color. Purchase Fund COLKER, Edward. Witches1 Parade. 1950. Engraving and etching. Purchase Fund COUNTEY, Edward. Born 1921 Paw-Paw. 19W. Etching, engraving, offset color. Purchase Fund de YCAZA, Ana Rosa. Bom 1915 A Tiniebla • 19 W, Aquatint and etching. Purchase Fund DYER, Carlus, Born 1917 Two Figures. 19U8. Etching and color aquatint. Purchase Fund FULLER, Sue. Born 191ll Snake. 19^6. Three-color relief etching. Purchase Fund GWATHMEY, Robert. Born 1903 Hitchhiker,, 19U5. Serigraph. Purchase Fund HIRSCH, Joseph. Born 1910 The Hecklers. 1918, Lithograph. Gift of Jean Deniau JOHNSTON, Ynez. Born 1920 Bullfight No. 2. 1950. Etching. Spaeth Foundation KOHN, Misch. Born 1916 Tiger. 19^9• Wood engraving. Spaeth Foundation KRUEQER, Louise. Born 192b The Boaters, 19U8, Woodcut printed in color. Spaeth Foundation LEBRUN, Rico. Born 1900 Rabbit, 19U5* Lithograph, Spaeth Foundation MARK, Henry. Born 1915 Eternal Wanderer. 191*7. Serigraph, Gift of the National Serigraph Society MARTINELU, E«io, Born 1913 Bison. Engraving, etching printed in color. Purchase Fund CHECKLIST (cont.) MOT, Seong. Born 1921 Chinese Actor. 19U8. Woodcut printed in color. Spaeth Foundation Inscription of T'chap Pa6. 1950. Woodcut printed in color. Gift of John Hay Whitney PETERDI, Oabor. Born 1915 Price of Glory, 19U7. Engraving. Mrs* John D. Rockefeller, Jr. Purchase Fund The Sign of the Lobster. 19U7-W. Etching, engraving, color aquatint. Mrs. John D. Rockefeller, Jr9 Purchase Fund PICKENS, Alton. Born 1917 The Children»s Game. 19W. Woodcut. Purchase Fund The Great Orange. "T9U6. Woodcut printed in color. Purchase Fund RACZ, Andre1. Bom 1916 Perseus Beheading Medusa IV. 19IS* Engraving and etching. Spaeth Foundation Perseus Beheading Medusa VIII. 19U5* Engraving, etching, color ""aquatint. Spaeth Foundation Jesus Dies upon the Cross. 19U8. Engraving. Gift of the artist rtThere was darkness over the whole earth". 19h9. Engraving and color aquatint. Spaeth Foundation 2 August 19li9 - Nativity. 191*9. Engraving printed in sanguine. Spaeth Foundation REDER, Bernard. Bom 1897 From the Flood series. 19ii8. Woodcuts. Mrs. John D. Rockefeller, Jr. Purchase Fund Bacchanal before the Flood. The Meal inside the Ark. Still Life after the Flood. Sacrifice of Noah. Clown and Centaur. 19U9. Woodcut printed in color. Mrs, John D. Rockefeller, Jr. Purchase Fund Lady of the Middle Ages. 19i»9. Woodcut printed in color. Mrs. John D. Rockefeller, Jr. Purchase Fund RYAN, Anne. Bom 1889 The Captive. 19U6. Woodcut printed in color. Spaeth Foundation SCHANKER, Louis, Bom 1903 Carnival. 191*5. Woodcut printed in color. Spaeth Foundation Arrangement of Forms. 19b9. Woodcut printed in color. Spaeth Foundation STEFFEN, Bernard. Born 1907 Mountain Monster. 19W. Serigraph. Purchase Fund ZANARTU, Enrique. Born 1921 The Lost Prince. (Le prince perdu.) 19U8. Relief etching and aquatint, color added. Inter-American Fund NOTES This small exhibition consists of American prints from 19U5 to 1950, all recent additions to the Huoeum Collection* The artists average about 36 years .of aga. As varied as their choice pf subject* is their use of the many graphic techniques. Other recent American acquisitions as well as the entire collection of over 3000 prints may be seen in the Abby Aidrich Rockefeller Print Room on the Uth floor *of the Museum open weekday afternoons from 2 to 5» page 3* Atelier 17: The renaissance in American printmaking of the past 15 years received its greatest stimulus in 19i|0 when the Englishman Stanley William Hayter transferred his workshop Atelier 17 from Paris to New York. His Inspired teaching and extraordinary technical ingenuity attracted many artists throughout the country* Among those engravers and etchers in the present exhibition who have studied or worked with Hayter are Citron, Countey, Dyer, Fuller, Peterdi, Ycaza and Zanartu. Their etchings and engravings, exhibited together on one wall reflect the close ties of Hayter to the original surrealist movement as well as the free use of form and symbol characteristic of so many young American artists. Chilean artists working in North America: Pablo Burchard, the brothers Enrique Zanartu and Nemecio Antunez. Inez Johnston was included in the second of the Museum's New Talent Exhibitions held in the Memberfs Penthouse, November 19f>0* Alton Pickens' first one man show was in the Museum's Fourteen •••MMMPBI Americans exhibition, 19l*6. Bernard Reder was born in Czernowitz, Bukowina (Rumania, now Russia)• After many years in France, where he was an intimate friend of the sculptor Aristide Maillol, he came to the United States in 19U3. He is now a citizen. Best known as a sculptor, Reder has also done several series of woodcuts on themes such as the Apocalypse according to St. John, and Rabelais' Gargantua and Pantagruel. In 19U8 Reder began illustrations to the story of Noah* Inspired by the two accounts in Genesis, he also borrowed and interpreted freely other legends of the Flood* Four from the complete, yet unpub­ lished series of h$ woodcuts are shown: a bacchanal such as caused the punishment of the Flood, a meal inside the ark, the wrecked interior of a room once the waters had receded, Noah's final sacrifice to God after the flood. page U. Andre Racz was born in Rumania. He studied briefly at the University of Bucharest, but left to devote himself, without any formal training, to painting and the graphic arts.
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