WTJU Archives Through the Night 434-924-3959 Or

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WTJU Archives Through the Night 434-924-3959 Or

Monday 2/15 Tuesday 2/16 Wednesday 2/17 Thursday 2/18 Friday 2/19 Saturday 2/20 Sunday 2/21 6am 6am Music Which Starting the Week Off I'll Hammer (Dulcimer) in Porching Who Let the Dawg Out? Accordion Delight The Heat of the Melting Pot “Resonates” with a Smile the Morning... Louise Largiadèr DGQ Weird Al Paul Josey Jerry D, Rob, Tut, Cindy, Peter Peter and Billy 8am 8am Roots of Rock 'n' Roll in Gypsy Jazz Yesterday, Moon Tunes Piedmont Blues Donovan in the Sixties Blue Skies Guitar Gospel Black and White Today, & Tomorrow Steve Kindig Lonesome George Stevik & Brett AW1 Crew Rebecca Professor Bebop Django & Stephane 10am 10am Sliabh Luachra Redeux Evolution of Western Evolution of Old-Time w/ Evolution of Rhiannon Evolution of John Prine Evolution of Taj Mahal Redeux Freddy Koella Swing Betse & Clarke Giddens Jennifer Brian Keena Kevin Donleavy & Mark Juddermeister Lonesome George Betse Ellis & Clarke Wyatt Rebecca Rough 12pm 12pm The Soul of Country & Where in the World is Wondrous Women Dead Flowers Songs of the People Evolution of Reggae The American Western Western Music Casey Driessen? Rebecca & Eileen Lonesome George John, Ron & Jordan Goldfinger Cameron Polson The Rum Cove Casey Driessen 2pm 2pm The Sounds of Tim Hardin, Traditional Music from Bagpipes, Uilleann Pipes, Lucinda's Jukebox Merle Travis Alligator Retrospective Children of Neil David Blue, Tim Rose & Dion Scotland and All Their Cousins Steve Harris Juddermeister & Steve Dressel Bill & Members of Alligator Steve Harris Dusty Garwood Craig DuBose Bruce Koplin 4pm 4pm Rayna Gellert's Favorite Missy Raines' Favorite It's Dolly Parton's World... Gratefully Alive Mozaik Evolution of Bob Dylan Out Behind the Barn Old-Time Musicians Love Songs Emily Michael Pillow Pete David Soyka Oliver the Kid Rayna Gellert Missy Raines 6pm 6pm Rise Up Singing and Women in American Voices of Women and Hot Tunes on Cold Wax Second City Folk Paul Simon Turns 80! John Jackson Tribute Rise Again Roots Music LGBTQ in Irish Trad Ryan Marley Grant Steve Kindig Jennifer Martin & Marc Perdue Sumner Brown A'yen Tran & Joe DeJarnette Alex Davis & Tes Slominski 8pm LIVE at WTJU! Live Performances 8-9pm LIVE at WTJU! LIVE! 8pm Bob Girard & Michael Clem & Chamomile & Whiskey Duo Earlysville Bluegrass Boys Beleza The Full Send Blend Charlie Pastorfield Rusty Speidel Alice Clair Oil Derek Sophie 9pm Nick Drake, All About Classic Rock Songbook: The Truth About House of the Rising Sun Beyond the Albums the Banjo & Bass Zydeco Style Cats & Dogs... Nathan Moore David Buie-Moltz Andrew Green & Craig Akin Jay Hertel Michael Mabry 10pm 11pm Trucker Country Folk and Fingerstyle Philly Folks We Are The Roches Anything But Bluegrass Those Young Folk Judee Sill Through the Years Influences of Anthony Pirog Zoe Krylova Don, Rick & Friends Kendall, Actually Paul Cederoth Dave Donahue Truckstop Willie Anthony Pirog & Alex Shoaibi 1am Pledge! WTJU Archives Through The Night 434-924-3959 or 1 a.m. - 6 a.m. Donate online at wtju.net.

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The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s.
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The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
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Read Ebook {PDF EPUB} Don't Go by Dianne Miller Favorite Music Note Chords for Somewhere Trouble Don't Go - Buddy Miller
Read Ebook {PDF EPUB} Don't Go by Dianne Miller favorite music_note Chords for Somewhere Trouble Don't Go - Buddy Miller. share. Miranda Lambert - Somewhere trouble don't go + Lyrics on screen! BUDDY MILLER-SOMETIMES I CRY. Buddy & Julie Miller - Forever Has Come To An End. Fall On The Rock - Buddy Miller. Buddy & Julie Miller - Chalk. Beth & Joe - Nutbush City Limits OFFICIAL Music Video. Buddy Miller "That's How I Got To Memphis" Buddy Miller Somewhere Trouble Don't Go. Buddy Miller : Wide River To Cross (solo) Buddy Miller & Kacey Musgraves - "Love's Gonna Live Here" [AUDIO ONLY] That's How I Got To Memphis Buddy Miller. Buddy Miller - To Love Somebody - Bee Gees Cover - Cayamo 2015. Buddy Miller with Levon Helm & his Midnight Ramble. Gasoline And Matches - Buddy & Julie Miller. Julie and Buddy Miller - Broken Things. "Gasoline and Matches" - Buddy Miller at 2012 Americana Awards Nominee Event. Buddy Miller Water when the well is dry. Buddy Miller & Marc Ribot: "I Found A Love" (wilson pickett) Robert Plant & The Band Of Joy - Somewhere Trouble Don't Go (Live 2011) (Promo Only) Joe Bonamassa - Somewhere Trouble Don't Go - Driving Towards The Daylight. Don't Go Dark on Me. Connor knocks on Asher's apartment door and asks if Gabriel is in his room. Asher says that he does not know and that he hasn't heard anything all day. Connor presses his ear to the wall and hears a sermon with a preacher speaking. The camera moves to Gabriel who is doing pushups while listening to the sermon. Oliver is looking at his reflection in a knife which is a gift from his wedding.
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TIM ROSE So All the Early People Like and I Wrote a Couple of Verses (In the Slug and Fiddle, Dylan All Had Options from and That Arrangement of Mine Sheffield
An interview with TIM ROSE So all the early people like and I wrote a couple of verses (In the Slug And Fiddle, Dylan all had options from and that arrangement of mine Sheffield. 9 February 1997) these places to come back to grew out of a living, breathing Greenwich and get three kind of working art. PT: Were you annoyed by that hundred dollars a week or noisy crowd tonight? something. So you were not aware of the TR: I can't say it. They're Nick fast rock versions of it? Cave’s regulars and it was a They did give exposure, not so No. I never heard it until mine good gig. Any time that you much the club owners because came out. Then it came out of have drinking you are going to they were just taking the walls, but I'd never heard have that. In a concert hall advantage; we were doing any of those versions before. I they have one drink before and them a favour, they were have no idea how that came maybe one drink at half time, doing us a favour of work. But about. It's really strange, there and you don't get that. But the quality musicians that is a guy who has his name on any time that you are in a pub came to New York at that the copyright, and if he did or a bar or that situation. I time, that's what it was all write it then great, but I do mean I just got back from about, that was the attraction.
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1968.07.12, GO Magazone 1.Jpg
Page 4 1968 ... the ye or of Joni Mitchell ? SOUND Just Joni onstage in a long purple robe with her long THAT'S straight blonde hair gleaming in the soft lights focused on the stage of the Biller End in Greenwich Village. Just Joni SOFT, accompanying herself with an acoustic guitar while in a clear voice she sang her songs and the full house al the coffee house listened in quiet enchantment. HAPPY Before the release Of Joni Mitchell's first Reprise album a small Not only do Eternity's circle of hip people knew her from her appearances in small coffee Children have a nice sound on houses and her songs like "The Circle Game" and "The Urge For Goingn. Her reputation was really underground. - their first Tower single "Mrs. N_ow, since the. release of the album earlier this year, Joni is finally _ Bluebird", but they a,re also nice getting the attention she deserves, for she is certainly one of the most people. important songwriters on the scene. In· New York on a cross country In a wa_y, she reminds me just slightly of Donovan, for they both promotion tour, they stopped by the use words ma way that imparts a feeling of beauty and wonder. GO offices for a chat. Together for There is almost a fairy-tale quality in the lovliness of many of her about a year and a half, the group - songs, but they are all very real and personal statements about her based in Baton Rouge, Louisiana - feelings, experiences and swroundings. write all their own material.
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BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] ARTIST Bonnie Dobson TITLE Vive la Canadienne LABEL Bear Family Records CATALOG # BCD 16720 PRICE-CODE AH EAN-CODE ÆxAKABMRy167200z ISBN-CODE 978-3-89916-557-9 FORMAT 1 CD digipac with xx-page booklet GENRE Folk TRACKS 24 PLAYING TIME 81:50 G A long-overdue reissue of the rare folk recordings of Canadian singer Bonnie Dobson G Her 1961 composition Morning Dew continues to draw attention and praise G Her 1960s recordings such as 'Live At Folk City ' reflect the American folk music boom at the height of its creativity and popularity G Her 1964 and 1972 folk albums are combined here, with previously unissued recordings INFORMATION Bonnie Dobson is best known as the composer of Morning Dew.Written in 1961, Morning Dew was subsequently recorded by artists including The Grateful Dead, Clannad, Nazareth, Tim Rose, Lulu, Jeff Beck and Robert Plant. Always a well-respected figure within the folk scene, Dobson was born in Toronto, Canada in 1940. "I was nurtured on the music of Paul Robeson. I have a memory of standing next to the record player and singing along to 'I Still Suits Me'. I guess I must have been about four years old at the time.” When she was barely 20 Dobson went from singing at school assemblies to sharing a stage with Sonny Terry & Brownie McGhee at a major US folk festival. Although she lacked professional experience, the pristine quality of her voice attracted promoters and producers to her.
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Capitol 100-800 Main Series (1968 to 1972)
Capitol 100-800 Main Series (1968 to 1972) SWBO 101 - The Beatles - Beatles [1976] Two record set. Reissue of Apple SWBO 101. Back In The U.S.S.R./Dear Prudence/Glass Onion/Ob-La-Di, Ob-La-Da/Wild Honey Pie/The Continuing Story Of Bungalow Bill/While My Guitar Gently Weeps/Happiness Is A Warm Gun//Martha My Dear/I’m So Tired/Blackbird/Piggies/Rocky Raccoon/Don’t Pass Me By/Why Don’t We Do It In The Road?/I Will/Julia//Birthday/Yer Blues/Mother Nature’s Son/Everybody’s Got Something To Hide Except Me And My Monkey/Sexy Sadie/Helter Skelter/Long, Long, Long//Revolution 1/Honey Pie/Savoy Truffle/Cry Baby Cry/Revolution 9/Good Night ST 102 - Soul Knight - Roy Meriwether Trio [1968] Cow Cow Boogaloo/For Your Precious Love/Think/Mrs. Robinson/If You Gotta Make a Fool of Somebody/Walk With Me//Mission Impossible/Soul Serenade/Mean Greens/Chain of Fools/Satisfy My Soul/Norwegian Wood ST 103 - Wichita Lineman - Glen Campbell [1968] Wichita Lineman/(Sittin’ On) The Dock Of The Bay/If You Go Away/Ann/Words/Fate Of Man//Dreams Of The Everyday Housewife/The Straight Life/Reason To Believe/You Better Sit Down Kids/That’s Not Home ST 104 – Talk to Me, Baby – Michael Dees [1968] Talk to Me, Baby/Make Me Rainbows/Eleanor Rigby/For Once/Beautiful Friendship/Windmills of Your Mind/Nice ‘n’ Easy/Gentle Rain/Somewhere/Sweet Memories/Leaves are the Tears ST 105 - Two Shows Nightly - Peggy Lee [1969] Withdrawn shortly after release.
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Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger on the Shore Acoustic Moods Ensemble Love Is a Losing Game Acoustic Moods Ensemble As Tears Go BY Acoustic Moods Ensemble Martha's Harbour Acoustic Moods Ensemble Guantanamera Acoustic Moods Ensemble Golden Brown Acoustic Moods Ensemble Because The Night Acoustic Moods Ensemble Make It Easy on Yourself Acoustic Moods Ensemble Walk on By Acoustic Moods Ensemble Something Stupid Acoustic Moods Ensemble Cavatina Acoustic Moods Ensemble Summer Breeze Acoustic Moods Ensemble Miss You Nights Acoustic Moods Ensemble Save the Last Dance For Me Acoustic Moods Ensemble Hotel California Acoustic Moods Ensemble Wonderful Tonight Acoustic Moods Ensemble Something Acoustic Moods Ensemble While My Guitar Gently Weeps Acoustic Moods Ensemble Lay Lady Lay Acoustic Moods Ensemble Fields Of Gold Acoustic Moods Ensemble The Wind Beneath My Wings Acoustic Moods Ensemble Wonderful Land Acoustic Moods Ensemble Time In a Bottle Acoustic Moods Ensemble And I Love Her Acoustic Moods Ensemble Yesterday Acoustic Moods Ensemble Here, There and Everywhere Acoustic Moods Ensemble Moon River Acoustic Moods Ensemble Nights In White Satin Acoustic Moods Ensemble Blue Moon Acoustic Moods Ensemble Wonderwall Acoustic Moods Ensemble La Isla Bonita Acoustic Moods Ensemble The Sound of Silence Acoustic Moods Ensemble Time After Time Acoustic Moods Ensemble I Don’t Want to Talk About IT Acoustic Moods Ensemble I'll Stand By You Acoustic Moods Ensemble In Sleep I Dream Of You Acoustic Moods Ensemble In The
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Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 20th November 2018 at 10.00 Viewing: For enquiries relating to the auction 16th & 19th November 2018 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Order of Auction Music Hall & other Historic Disc & Cylinder Records 1-90 Phonographs & Gramophones 91-122 Telephones & Typewriters 123-131 Musical Boxes 132-137 Vinyl Records 138-407 Reel to Reel Tapes 408-415 CDs/ CD Box Sets 416-486 Beatles Memorabilia 487-494 Music Memorabilia 495-554 Music Posters 555-572 Film & TV Posters & Memorabilia 573-589 Musical Instruments 590-618 Hi-Fi 619-631 Lot 110 2 www.specialauctionservices.com Music Hall 11. Zonophone records, 10-inch: 160, 23. Descriptive records, 10-inch, many & other Historic Disc & Cylinder Records acoustic and electric, bands, dance bands, Olly WW1 related (22 Regal, 17 Zonophone, 37 Oakley and comedy, (2 racks) £40-70 Edison Bell/Winner and six others) (82) £20-40 12.
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Hell's Kitchen, Manhattan - Wikipedia, the Free Encyclopedia Hell's Kitchen, Manhattan Coordinates: 40.763186°N 73.994508°W from Wikipedia, the Free Encyclopedia
6/23/13 Hell's Kitchen, Manhattan - Wikipedia, the free encyclopedia Hell's Kitchen, Manhattan Coordinates: 40.763186°N 73.994508°W From Wikipedia, the free encyclopedia Hell's Kitchen, also known as Clinton and Midtown West, is a neighborhood of Manhattan in New York City between 34th Street and 59th Street, from Eighth Avenue to the Hudson River.[1] The area provides transportation, hospital and warehouse infrastructure support to the Midtown Manhattan business district. Its gritty reputation kept real estate prices below those of most other areas of Manhattan until the early 1990s; rents have increased dramatically since and are currently above the Manhattan average.[2] Once a bastion of poor and working-class Irish Americans, Hell's View from between 47th and 48th Kitchen's proximity to Midtown has changed it over the last three streets on Ninth Avenue looking decades of the 20th century and into the new millennium. The 1969 northeast toward Time Warner Center edition of the City Planning Commission's Plan for New York City and Hearst Tower reported that development pressures related to its Midtown location were driving people of modest means from the area. Today, the area is gentrifying. The rough-and-tumble days on the West Side figure prominently in Damon Runyon's stories and the childhood home of Marvel Comics' Daredevil. Being near to both Broadway theatres and Actors Studio training school the area has long been a home to actors learning and practicing their craft. Contents 1 Geography 2 Name 2.1 Alternative names 3 History 3.1 Ethnic conflict 3.2 Special Clinton district 3.3 Windermere 3.4 September 11, 2001 3.5 Boom times 4 Actor and artist neighborhood 5 Transportation 6 Food 7 Parks 8 Education 9 Hell's Kitchen in popular culture 10 Notable current and former residents 10.1 Hell's Kitchen mobsters 11 References en.wikipedia.org/wiki/Hell%27s_Kitchen,_Manhattan 1/15 6/23/13 Hell's Kitchen, Manhattan - Wikipedia, the free encyclopedia 12 External links Geography "Hell's Kitchen" generally refers to the area from 34th to 59th streets.
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[Psychedelic Promotional Handbills for San Francisco Rock Concerts]
http://oac.cdlib.org/findaid/ark:/13030/c87h1q4q No online items Finding Aid to the Psychedelic Promotional Handbills for San Francisco Rock Concerts Collection Michele Loran and Bancroft Library staff. The Bancroft Library The Bancroft Library University of California Berkeley, CA 94720-6000 [email protected] URL: http://bancroft.berkeley.edu/ BANC PIC 2014.070--PIC 1 Contributing Institution: The Bancroft Library Title: [Psychedelic promotional handbills for San Francisco rock concerts] Identifier/Call Number: BANC PIC 2014.070--PIC Physical Description: 180 prints in 1 box: chiefly lithographs; sheets 28 x 22 cm or smaller Date (bulk): 1965-1979, bulk 1966-1971 Abstract: Collection of promotional mailers for rock and popular music concerts in San Francisco, chiefly from the late 1960s. Language of Material: English English Many of the Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the library's online catalog. Access to Collection Collection is open for research. Immediate Source of Acquisition The Psychedelic Promotional Handbills for San Francisco Rock Concerts Collection was purchased by the Bancroft Library in 2014. Organization of the Collection This collection is organized by venue and arranged chronologically. It has been housed and described in 12 series: 1. Avalon Ballroom 2. Bonnie and Ian's 3. Cedar Alley 4. Cow Palace 5. Fillmore 6. Golden Sheaf Bakery 7. Sausalito Ark 8. Winterland 9. Multiple venues 10. Unidentified venue 11. Album release promotions 12. San Francisco Chronicle Clipping, June 10, 2001 Preferred Citation Psychedelic promotional handbills for San Francisco rock concertsCollection, BANC PIC 2014.070, The Bancroft Library, University of California, Berkeley.
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The Carroll Quarterly, Fall 1992
John Carroll University Carroll Collected The aC rroll Quarterly Student Fall 1992 The aC rroll Quarterly, Fall 1992 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollquarterly Recommended Citation John Carroll University, "The aC rroll Quarterly, Fall 1992" (1992). The Carroll Quarterly. 107. http://collected.jcu.edu/carrollquarterly/107 This Book is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll Quarterly by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. \ Carroll Quarterly Autumn 1992 A Publication of John Carroll University Carroll Quarterly Autumn 1992 Editors David Humphries Kate Ranft Stoff Tina Bartsch Francie Bevelaqua Daria Carson Laura Drumm Kevin Ehrlich Maryrose Flanigan Tanya Grossner Mike Halkovich Rima Jesmantas Maggie Kenny Stephen Lamb Nora Mackin Tresa Rice Barb Roche Sally Seckens Mark Stewart Julie Stocker Jeff Zagst Layout & Cover Design PJ Hruschak Advisor Mark Winegardner CarroiiQuorterty, Autumn 1992. el992 bvCorro/IQI.JOrlerly.apubllcotion ol John Carroll University. After first publication.oll rlghtsr~wertto the author. lhevleW$ ellpr~edherein do not nec~arlly reflect those of thesfofforot John Carroll Unlvel1ity The CQconsiderspoetry. fiction. and shorter essays for publicolion. Submissions may be sent to Ca/fo/1 QI.JOrlertv. c/o English Deportment, John Carroll Untverslty.20700NorthPork Blvd .. UnvetSitv Helghts.OH4<ll HI. Please include name. oddr~ . ond phone number. Sub!Tisslons wllhout a sAsE become the properly ot CQ. Deadline fodheSprfngbsue6MOfch 17. 1993. Contents Steve Canfield Kansas 5 Tim Calhoun The Revery's Destructions 6 lynn Zimmerman Untilled 8 Phillip A.
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