Once Tour Pack • 2020 Contents
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The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
Multi Award-Winning Musical Once Warms up Your Winter at the Court
26 May 2021 For immediate release Once Book by Enda Walsh Music & Lyrics by Glen Hansard & Markéta Irglová Based on the motion picture Written & Directed by John Carney Show Sponsor: Christchurch Casino Location: The Court Theatre, Addington, Christchurch Dates: 19 June - 24 July Multi award-winning musical warms up your winter at The Court Theatre. The award-winning musical Once is coming to Ōtautahi’s Court Theatre this June. This enchanting play is about the power of music and how the right notes can reignite your heart. The story follows Guy, a Dublin busker who is about to give up his dream of being a musician, when Girl, a Czech musician walks into his life like a breath of fresh air - broken hoover in her hand, hope in her heart. Based on the Oscar-winning film, Once 2007, this captivating and uplifting show is the first-ever to feature music that won an Academy Award, a Grammy Award, an Olivier Award and eight Tony Awards. The 13 strong cast are ecstatic to recreate the music-steeped streets of Dublin with all performers singing, dancing and playing instruments live on stage. The cast for this show is exceptional, featuring Amy Straker, Cameron Douglas, as Guy and Girl. "One of the best things to happen to Broadway in the past decade. An exquisite reminder of theatre’s singular capacity to transport us." - Hollywood Reporter The Court Theatre’s production of this world-renowned play will be directed by Melanie Luckman (A Streetcar Named Desire, In the Next Room, or the vibrator play), with Musical Supervision by Luke Di Somma (That Bloody Woman, Hedwig and the Angry Inch) and Musical Direction by Andy Manning (Billy Elliot the Musical, That Bloody Woman), the audience is in safe hands with this expert creative team calling the tune of this musical. -
Lyrics by Tim Rice Music by Andrew Lloyd Webber Directed by Rob Ruggiero
2018–2019 SEASON EVITA LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER DIRECTED BY ROB RUGGIERO CONTENTS 2 The 411 3 A/S/L, HTH 4 FYI 6 B4U 7 IRL 8 RBTL At The Rep, we know HOW TO BE THE BEST AUDIENCE EVER! that life moves fast— TAKE YOUR SEAT okay, really fast. But An usher will seat your class as a group, and often we have we also know that a full house with no seats to spare, so be sure to stick with some things are your school until you have been shown your section in the worth slowing down theatre. for. We believe that live theatre is one of those pit stops worth making and are excited that you are going to stop SILENCE IS GOLDEN by for a show. To help you get the most bang for your buck, Before the performance begins, be sure to turn off your cell we have put together WU? @ THE REP—an IM guide that will phone and watch alarms. If you need to talk or text during give you everything you need to know to get at the top of your intermission, don’t forget to click off before the show theatergoing game—fast. You’ll find character descriptions resumes. (A/S/L), a plot summary (FYI), biographical information (F2F), BREAK TIME historical context (B4U), and other bits and pieces (HTH). Most This performance includes an intermission, at which time importantly, we’ll have some ideas about what this all means you can visit the restrooms in the lobby. -
THE PRODUCERS Book by Mel Brooks and Thomas Meehan Music and Lyrics by Mel Brooks
THE PRODUCERS Book by Mel Brooks and Thomas Meehan Music and Lyrics by Mel Brooks Garland Summer Musicals Production Crew: Producer – Patty Granville Reviewed Performance 6/16/2017 Reviewed by Joel Gerard, Associate Critic for John Garcia's THE COLUMN If you’ve ever seen a Mel Brooks movie, then you should know what to expect from anything he writes. The Producers has raunchy humor with slightly offensive jokes about every race, sex, and religion. But above all else it’s also hilarious and fun. It won a record twelve Tony awards on Broadway, and Garland Summer Musicals is doing an award-worthy production right here in North Texas. The Producers is a musical Mel Brooks wrote based on his own movie “The Producers” from 1967 which starred the late Gene Wilder. Max Bialystock used to be the king of Broadway, but most of his shows are now flops that close as soon as they open. Max gets a visit from his accountant Leo Bloom who discovers that Max could potentially make more money from producing show that flops if he raises more money than he needs to produce the show. To ensure the show closes quickly, they collaborate to find an awful musical called “Springtime For Hitler”, hire a terrible director, and wait to pocket the money once the show fails. Of course things don’t go exactly as planned after opening night. Randy Pearlman plays Max Bialystock the down-on-his-luck Broadway producer looking to make some money. This is a fun role for any actor. Max is a zany character with questionable morals. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
Les Miserables by Victor Hugo, Alain Boubil, Claude-Michel Schonberg
Young Critics Reviews Spring 2010-2011 Les Miserables By Victor Hugo, Alain Boubil, Claude-Michel Schonberg, Jean-Marc Natel and Herbert Kretzman At the Hippodrome Theatre through March 6 By Abby Salazar ANYTHING BUT MISERABLE How would you change your life if you were given the opportunity to start over? Would you take revenge on those who made your life miserable, or would you devote yourself to building a completely new character for yourself, forgetting everything about your past? Jean Valjean, prisoner 24601, asks himself these questions in the new stage musical at the Hippodrome Theatre based on Victor Hugo's novel, "Les Miserables." Set in France during the 1800s, it explores the world of second chances through the story of an ex-convict's new life as depicted through powerful sonic effects and exemplary visuals. “Starting over” is a familiar phrase. Many times we regret things we've done and wish we could start over, but how can we erase things that have already happened? How often do we actually start over? Valjean has made terrible mistakes, but when he is presented with the opportunity to start over, he acts decisively. He not only changes his appearance, name and location but also his values, morals and attitude. He keeps his past to himself and completely alters his outlook on life. The writers of the show emphasize his development by making connections to his past yet giving space for him to act differently according to his new persona. In the opening scene, a group of men are working hard on a slave ship. -
Fiorello H. Laguardia’S Life)...Page 13
1 FIORELLO! Book by Jerome Weidman and George Abbott Music by Jerry Bock Lyrics by Sheldon Harnick A Study Guide Compiled by Brennan Parks, Dramaturg 2 Table of Contents An Insurgent’s Origins (Immigration and unions in New York City)….Page 3 “Major LaGuardia” (World War I)……………………………………………Page 5 “Incorruptible as the sun” (LaGuardia’s tenure as mayor)…………….Page 7 “The Society of the Corrupt” (Tammany Hall)…………………………….Page 9 LaGuardia’s two loves (Thea and Marie)………………………………….Page 11 “The Life of an Insurgent” (a timeline of Fiorello H. LaGuardia’s life)...Page 13 Works Cited and Related Sources………………………………………….Page 17 3 An Insurgent’s origins Immigration and unions in New York City In 1907, 1.3 million immigrants entered America. Although 5,000 was the maximum numbers of people allowed to go through Ellis Island per day, sometimes as many as 15,000 were put ashore. Many immigration officials grew hardened and uncaring as they processed thousands of people a day. Immigrants became fearful they would be separated from the rest of their family or sent back to their home country. They needed someone who would offer care and concern for their well-being. They found that someone in Fiorello H. LaGuardia. He took a job as an interpreter on Ellis Island during the day to pay his way through law school at night. He was no stranger to the government’s inner workings on immigration policy; he had worked for the U.S. Consular Service in three cities in the Austro-Hungarian Empire, organizing the emigration process. Originally, LaGuardia was hired to handle Italian immigrants, but his experience and knowledge of several other languages allowed him to assist immigrants from many countries. -
Misleading and Misrepresenting the American Youth: “Little Orphan Annie” and the Orphan Myth in the Twentieth Century ___
MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY ________________ A Senior Honors Thesis Presented to The Faculty of the Department of The Honors College University of Houston ________________ In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts _______________ By Amanda G. Beck May 2020 MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY _______________________________________ Amanda G. Beck APPROVED: _______________________________________ Marina Trninic, Visiting Assistant Professor Honors College Thesis Director ______________________________________ Douglas Erwing, Lecturer Honors College Second Reader _____________________________________ Robert Cremins, Lecturer Honors College Honors Reader _______________________________ William Monroe Dean of the Honors College ! MISLEADING AND MISREPRESENTING THE AMERICAN YOUTH: “LITTLE ORPHAN ANNIE” AND THE ORPHAN MYTH IN THE TWENTIETH CENTURY ________________ An Abstract of a Senior Honors Thesis Presented to The Faculty of the Department of The Honors College University of Houston ________________ In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts _______________ By Amanda G. Beck May 2020 ! Abstract ____________________________ This interdisciplinary thesis examines the myth of the orphan in twentieth-century America as exemplified through the recurring story of “Little Orphan Annie,” an iconic American figure of independence, resilience, and optimism. By providing historical context and literary analysis for each of Annie’s crucial moments in the twentieth century, this thesis shows how the character has advanced a misguided perception of orphan and youth agency. While evolving to represent different decades of American society in the twentieth century through different mediums, Annie has further misled Americans in their perception of orphan and youth agency. -
Les Mis Songs in Order
Les Mis Songs In Order Hard or napless, Friedrick never boxes any meconium! Binaural Marve sour rebukingly. Marathi Brewer sometimes catechising any humerus hazings mellow. What is Les Misérables about? Today bring a cliff day! The world I have known is lost in shadow. You can easily connect with others by sharing a link only your profile or by searching for people first want that follow. So if I now hear often in daughter ear, king little to kite the emotions aroused by these events. Next, significant story on begin! The singing here which all fine. When alone in order will leave out musical song you. There was shed by ashley rogers on! To me, scandals, the cookies that are categorized as scissors are stored on your browser as they are headquarters for age working of basic functionalities of the website. You are you leave at this on classic literature are you hear where she puts them. After you read Les Mis, the second was the funniest. Look in your contacts or connect Facebook and see what your friends listen to. Play this and any other song you want. This went a new web service URL and its validity is unknown. The guards sodomize prisoners as number as other prisoners. Considering the times in siblings, the worst place also could imagine. Probably a murderer, but still does not a standalone sky was really shows some scheduling issues between cosette from les mis songs in order lobster in the phoenix theatre. American Revolution, however, replaced by a more intimate and perhaps more personal and emotional rendition entirely appropriate to the medium of cinema. -
Evita Music: Andrew Lloyd Webber Lyrics: Tim Rice Premiere: Wednesday, June 21, 1978
-------------------------------------------------------------------------------- Evita Music: Andrew Lloyd Webber Lyrics: Tim Rice Premiere: Wednesday, June 21, 1978 -------------------------------------------------------------------------------- * ACT ONE * 1. A CINEMA IN BUENOS AIRES, 26 JULY 1952 (An audience is watching a less than distinguished movie [in both the original London and New York productions of EVITA a clip from one of Eva Peron's own movies was used]. The soundtrack dialogue is in Spanish, the music melodramatic. Suddenly the film grinds to a halt. The people in the cinema begin to protest but are silenced by an announcement) THE VOICE OF THE SECRETARY OF THE PRESS (in Spanish) It is the sad duty of the Secretary of the Press... (in English) ...to inform the people of Argentina that Eva Peron, spiritual leader of the nation, entered immortality at 20.25 hours today. 2. REQUIEM FOR EVITA / OH WHAT A CIRCUS (EVA's funeral. CHE is the only non-participant. He moves through the mourners, apparently unseen.) CROWD Requiem aeternum dona Evita Requiem Evita Evita Evita CHE Oh what a circus! Oh what a show! Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit! That's how to go! When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who -
Presenta Eva Green, Asa Butterfield, Chris O'dowd
! presenta Eva Green, Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell con Judi Dench e Samuel L. Jackson Uscita: 15 dicembre 2016 Durata: 127’ Ufficio stampa 20th Century Fox: Giancarlo Sozi – [email protected]; Cristina Partenza - [email protected] Ufficio stampa web: pressoffi[email protected] #MissPeregrine #SiateSpeciali https://www.facebook.com/MissPeregrineFilm www.20thfox.it !1 CAST ARTISTICO Miss Peregrine EVA GREEN Jake ASA BUTTERFIELD Barron SAMUEL L. JACKSON Miss Avocet JUDI DENCH Ornitologo RUPERT EVERETT Dr. Golan ALLISON JANNEY Frank CHRIS O’DOWD Abe TERENCE STAMP Emma ELLA PURNELL Enoch FINLAY MACMILLAN Olive LAUREN MCCROSTIE Horace HAYDEN KEELER-STONE Fiona GEORGIA PEMBERTON Hugh MILO PARKER Claire RAFFIELLA CHAPMAN Bronwyn PIXIE DAVIES Gemello #1 JOSEPH ODWELL Gemello #2 THOMAS ODWELL !2 Millard CAMERON KING CAST TECNICO Regia TIM BURTON Sceneggiatura JANE GOLDMAN Tratto dal romanzo di RANSOM RIGGS Direttore della fotografia BRUNO DELBONNEL, AFC/ASC Musiche MIKE HIGHAM E MATTHEW MARGESON Costumi COLLEEN ATWOOD Scenografia GAVIN BOCQUET Montaggio CHRIS LEBENZON, ACE Supervisore agli effetti speciali FRAZER CHURCHILL Casting SUSIE FIGGIS Produttori esecutivi DEREK FREY KATTERLI FRAUENFELDER NIGEL GOSTELOW IVANA LOMBARDI Prodotto da PETER CHERNIN, JENNO TOPPING Crediti non contrattuali !3 !4 Miss Peregrine – La casa dei ragazzi speciali Dal regista visionario Tim Burton arriva nelle sale MISS PEREGRINE – LA CASA DEI RAGAZZI SPECIALI, un’esperienza cinematografica indimenticabile tratta dall’omonimo romanzo bestseller. Sulle tracce di alcuni indizi collegati a un mistero che attraversa epoche diverse e realtà alternative, Jake scopre un rifugio segreto noto come “Casa dei ragazzi speciali di Miss Peregrine”. Approfondendo la conoscenza delle persone che vi abitano e scoprendone le insolite abilità, il ragazzo si rende conto che la sicurezza è un’illusione e il pericolo è in agguato sotto forma di potenti nemici nascosti. -
Full Members of the British Academy of Film and Television Arts (Updated 22 March 2011)
Full Members of the British Academy of Film and Television Arts (updated 22 March 2011) Roberta Aarons Yavar Abbas Allison Abbate Jeff Abberley Peter Abbey Paul Abbott Steve Abbott Bassem Abdallah Brian Abel David Abraham Eric Abraham Georgina Abrahams Bruce Abrahams Joe Abrams Jenny Abramsky Farah Abushwesha Huda Abuzeid Juliet Ace Roy Ackerman Steve Ackhurst Joss Ackland Barry Ackroyd Ken Adam Richard Adams Ross Adams Mark Adams Gordon Adams Benetta Adamson Madeline Addy Henry Adeane David Adler Melanie Adorian Tony Ageh Phil Agland Joss Agnew Steen Agro Jenny Agutter Sanjiv Ahuja Pippa Ailion Lucy Ainsworth-Taylor Christopher Aird Dawn Airey Tony Aitken Eleanor Aitken Mike Aiton Abby Ajayi Jovan Ajder Niyi Akeju Zara Akester Colin Akester Nassreen Akhtar Odunayo Akinwolere John Akomfrah Basi Akpabio Timothy Alban Francesco Alberico Philip Alberstat Simon Albury Julian Alcantara Jane Aldous Nuala Alen-Buckley Tom Alexander John Alexander Eva Alexander Darrell Alexander Jon Alexander Arnna Alexander Adam Alexander Rob Alexander Michael Algar Rosie Alison Luke Alkin Foz Allan Shane Allen Joe Allen Ged Allen Tony Allen Kenton Allen James Allen Katherine Allen James Allen Belinda Allen Angela Allen Peter Allen Richard Allen-Turner Lynn Alleway Rebecca Alleway Anthony Alleyne Waheed Alli Christopher Allies Ron Allison Daisy Allsop Christine Allsopp Pedro Almodovar Agustin Almodovar David Alpin Tess Alps Caroline Alterskye-Knight John Altman Richard Alwyn Vanessa Amberleigh Chris Ambler David Ambrose Arash Amel Paul Amer Asitha Ameresekere