Evelyn Thomas High Energy Mp3, Flac, Wma

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Evelyn Thomas High Energy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: High Energy Released: 1984 Style: Hi NRG, Disco MP3 version RAR size: 1911 mb FLAC version RAR size: 1862 mb WMA version RAR size: 1445 mb Rating: 4.2 Votes: 184 Other Formats: APE VOX WMA TTA MIDI MP4 DTS Tracklist A High Energy (Vocal) B High Energy (Instrumental Dub) Companies, etc. Published By – Record Shack Music Published By – Jess Music Mastered At – Musitech Pressed By – Damont Recorded At – Trident Studios Credits Arranged By – Fiachra Trench Producer – Ian Levine and Fiachra Trench Written-By – Ian Levine/Fiachra Trench* Notes ℗ 1984 Record Shack Music/Jess Music (Leosong). Recorded at Trident Studios, London. Barcode and Other Identifiers Matrix / Runout (Run-out, A-side, etched): SOHO-18 A MVS 5 Matrix / Runout (Run-out, B-side, etched): SOHO-18 B Other versions Category Artist Title (Format) Label Category Country Year Record Shack SOHOT 18, Evelyn High Energy (12", SOHOT 18, Records, Record UK 1984 SOHO(T) 18 Thomas Single) SOHO(T) 18 Shack Records Axwell Feat. Axwell Feat. Evelyn 12SUSU16 Evelyn Thomas - High SuSU 12SUSU16 UK 2003 Thomas Energy (12") Record Shack Records, TSR TSR-833, Evelyn High-Energy (12", TSR-833, Records, Record US 1984 TSR833 Thomas Single) TSR833 Shack Records, TSR Records TSR-833, Evelyn TSR Records, TSR-833, High-Energy (12") US 1984 TSR833 Thomas TSR Records TSR833 Evelyn PDSX 2255 High Energy (12") Polydor PDSX 2255 Canada 1984 Thomas Related Music albums to High Energy by Evelyn Thomas Earlene Bentley - Caught In The Act Evelyn Thomas - The Best Of Evelyn Thomas - High Energy Evelyn Thomas - Standing At The Crossroads Barbara Pennington - Fan The Flame Evelyn Thomas - Cold Shoulder Seventh Avenue - Ending Up On High Evelyn Thomas - Masquerade Evelyn Thomas - High-Energy (Special Remix) Miquel Brown - Close To Perfection Carol Jiani - Vanity.

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BTN6916 LMW NORTHERN SOUL ENTS GUIDE SK.Indd
22-25 SEPT 2017 20-23 SEPT 2019 SKEGNESS RESORT GLORIACELEBRATING 60 YEARS JONES OF MOTOWN BOBBY BROOKS WILSON BRENDA HOLLOWAY EDDIE HOLMAN CHRIS CLARK THE FLIRTATIONS TOMMY HUNT THE SIGNATURES FT. STEFAN TAYLOR PAUL STUART DAVIES•JOHNNY BOY PLUS MANY MORE WELCOME TO THE HIGHLIGHTS As well as incredible headliners and legendary DJs, there are loads WORLD’S BIGGEST AND more soulful events to get involved in: BEST NORTHERN SOUL ★ Dance competition with Russ Winstanley and Sharon Sullivan ★ Artist meet and greets SURVIVORS WEEKENDER ★ Shhhh... Battle of the DJs Silent Disco ★ Tune in to Northern Soul BBC – Butlin’s Broadcasting Company Original Wigan Casino jock and founder of the Soul Survivors Weekender, with Russ! Russ Winstanley, has curated another jam-packed few days for you. It’s an ★ incredible line-up with soul legends ﬂ own in from around the world plus a Northern Soul Awards and Dance Competition host of your favourite soul spinners. We’re celebrating Motown Records 60th Anniversary in 2019. To mark this special occasion we have some of the original Motown ladies gracing the stage to celebrate this milestone birthday. SATURDAY 14.00 REDS Meet and Greet with Eddie Holman, Bobby Brooks Wilson, Tommy Hunt Brenda Holloway, Chris Clark and Gloria Jones will also be joining us for a Q&A session, together with Motown aﬁ cionado, Sharon Davies, on Sunday afternoon in Reds. Not to be missed!! SUNDAY 14.00 REDS Don’t miss the Northern Soul dance classes, DJ Battles, Northern Soul Q&A with Brenda Holloway, Chris Clark, Gloria Jones and Sharon Davis awards and dance competitions across the weekend and be sure to look Hosted by Russ Winstanley and Ian Levine, followed by a meet and greet out for limited edition, souvenir vinyl and merch in the Skyline record stall.
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1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
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Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International
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Year of Publication: 2006 Citation: Lawrence, T
University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability.
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Notre Dame Collegiate Jazz Festival Program, 1981
Archives of the University of Notre Dame Archives of the University of Notre Dame .. ~@~@@@@@~@@@@@@@@@@@@@@@@@@@@@@@@@@~~ ~ ~ ~ ~ ~ ~ ~ ~ MUSIC, ENTERTAINMENT & MORE. .. ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ o=oa ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ FOR THE BEST ENTERTAINMENT: ~ ~ in recorded sounds - ~ ~ JUST FOR THE RECORD ~ ~ ~ ~ ~ ~ in live music - ~ Festival Staff ~ ~e ~ Chairman Tim Griffin ~ ~l( ~ Assistant Kevin Bauer Advertising ......................................................... .. Tom Rosshirt ~ UVlUSIC BOX AfB ~ Assistant Mike Mlynski Applications Jane Andersen Assistant Margie Smith ~ ~. ~ Graphics ........................................................... .. Sandy Pancoe Artists Pat Brunner, Jeff Loustau ~ in Mishawaka ~ High School Festival. ....................................... .. Bob O'Donnell, Joe Staudt ~ ~ ~ Master of Ceremonies .............................................. .. Barry Stevens @ Photography Cathy Donovan, Tim Griffin, Helen Odar . ~ ~ ~ Prizes ...................... James Dwyer Assistants. ........................................ .. Veronica Crosson, Vivian Sierra ~ Enjoy the best of both worlds, ! Production .. .......................................................... Kevin Magers Program Tom Krueger ~ with the best of people! --- ~ Assistants ........................ .. Scott Erbs, Tim Keyes, Scott O'Grady, Doug Ventura ~ ~ Publicity ....................................•........................ Mary Murphy ~ o Assistants Lynn Van Housen, John McBride, Lisa Scapellati ~ J F T R (1leUVlUSIC BOX ~ Security Ron Merriweather
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Track Listing:
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Phil Thornton Interview with Tim Lawrence
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Dance Music 1984.Qxd
THE TOP DANCE SONGS OF 1984 1. CARIBBEAN QUEEN (NO MORE LOVE ON THE RUN) - Billy Ocean (Jive/Arista) 51. DANCE HALL DAYS - Wang Chung (Geffen) 2. GIRLS JUST WANT TO HAVE FUN - Cyndi Lauper (Portrait) 52. OWNER OF A LONELY HEART - Yes (Atco) 3. HIGH ENERGY - Evelyn Thomas (TSR) 53. BREAKIN’... THERE’S NO STOPPING US - Ollie and Jerry (Polydor) 4. JUMP/I’M SO EXCITED - Pointer Sisters (Planet) 54. STATE OF SHOCK - The Jacksons (Epic) 5. DANCING IN THE DARK/PINK CADILLAC - Bruce Springsteen (Columbia) 55. SUNGLASSES AT NIGHT - Corey Hart (MCA) 6. WHEN DOVES CRY/LETS GO CRAZY - Prince (Warner Bros.) 56. (LOVE IS JUST) THE GAME - Peter Brown (Columbia) 7. LUCKY STAR/BORDER LINE - Madonna (Sire) 57. BIG IN JAPAN -Alphaville (Atlantic) 8. FOOTLOOSE - Kenny Loggins (Columbia) 58. CENTIPEDE - Rebbie Jackson (Columbia) 9. LETS HEAR IT FOR THE BOY - Deniece Williams (Columbia) 59. YOU GET THE BEST FROM ME - Alicia Myers (MCA) 10. LIKE A VIRGIN - Madonna (Sire) 60. I CRY JUST A LITTLE BIT - Shakin’ Stevens (Epic) 11. SELF CONTROL - Laura Branigan (Atlantic) 61. I DIDN’T MEAN TO TURN YOU ON - Cherelle (Tabu) 12. I FEEL FOR YOU - Chaka Khan (Warner Bros.) 62. TURN IT AROUND- Gino Soccio (Atlantic) 13. SWEPT AWAY - Diana Ross (RCA) 63. ALL NIGHT PASSION -Alisha (Vanguard) 14. SOMEBODY ELSE’S GUY - Jocelyn Brown (Vinyl Dreams) 64. CRUEL SUMMER - Bananarama (London) 15. RELAX - Frankie Goes to Hollywood (Island) 65. LOVE IS A BATTLEFIELD - Pat Benatar (Chrysalis) 16. GIVE ME TONIGHT- Shannon (Mirage/Emergency) 66. THE WILD BOYS - Duran Duran (Capitol) 17.
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70Er 80Er Dance Und Disco
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The Forging of a White Gay Aesthetic at the Saint, 1980–84
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