Acquisition of Take That Producer Royalties

Total Page:16

File Type:pdf, Size:1020Kb

Acquisition of Take That Producer Royalties Acquisition of Take That producer royalties Released : 18 Jan 2021 07:00 RNS Number : 9127L One Media iP Group PLC 18 January 2021 18 January 2021 One Media iP Group Plc ("One Media" or the "Company") Acquisition of Take That producer royalties One Media iP Group Plc (AIM: OMIP), the digital music rights acquirer, publisher and distributor, is pleased to announce that it has acquired the producer royalties of a selection of tracks by one of the most renowned pop groups in the United Kingdom, Take That, from Ian Levine, British songwriter, producer and DJ. Take That has achieved 28 top 40 singles and 17 top 5 singles in the UK Singles Chart since the band's formation in Manchester in 1990, 12 of which have reached number one, including 'Back for Good' and 'Greatest Day'. The Group has also had 8 number one albums on the UK Albums Chart. Internationally, Take That has had 56 number one singles and 39 number one albums, and has received 8 Brit Awards and an Ivor Novello Award. As part of the deal, One Media has acquired the producer royalties of great hits 'A Million Love Songs', 'Could It Be Magic' and 'I Found Heaven', all from Take That's 1992 debut studio album, Take That & Party, which has been certified two‐times platinum in the UK. The Company has also acquired the producer royalties of two other recorded Take That tracks which have never been released. The acquisition, which was for a modest consideration, was completed through One Media's Harmony IP asset release programme. Harmony IP allows music rights holders advanced access to the future earnings of their intellectual property by purchasing a portion of their rights upfront. Michael Infante, CEO of One Media iP, commented: "2021 has got off to an excellent start for One Media with our acquisition of the producer royalties of these Take That smash hits from Ian Levine, with whom we have worked closely since 2006 after signing our first digital deal for his Motorcity Records and Hi‐NRG and Pop recordings. "The acquisition follows our successful £6 million fundraise announced in August 2020 and marks the first of a strong pipeline of deals to be executed through our innovative Harmony IP programme. Given the current global crisis and corresponding impact on the live music sector, we have found an increasing number of artists are evaluating alternative income opportunities and are looking favourably upon our initiative. "We remain focused on building momentum and scaling the business, and look forward to keeping the market updated on our progress." ‐Ends‐ One Media iP Group Plc +44 (0)175 378 5500 Michael Infante ‐ CEO Claire Blunt ‐ Chairman +44 (0)175 378 5501 Cenkos Securities plc (Broker) +44 (0)20 7397 8900 Max Hartley Max Gould Michael Johnson (Sales) Yellow Jersey PR (PR & IR) +44 (0)20 3004 9512 Charles Goodwin Annabel Atkins About One Media iP Group Plc One Media is a digital music rights acquirer, publisher and distributor. The Group specialises in purchasing and monetising intellectual property rights with proven, repeat income streams. One Media adds value to its content by maximising its availability in over 600 digital stores globally, including Apple Music, YouTube, Amazon and Spotify. One Media's music is also widely used for synchronisation in film, TV and digital gaming whilst its video content is primarily viewed on YouTube where One Media operates over 20 YouTube channels as a certified partner. One Media is listed on the London Stock Exchange on the AIM index, under the symbol 'OMIP'. For further information, please visit www.omip.co.uk and http://www.harmonyip.com/ This information is provided by Reach, the non-regulatory press release distribution service of RNS, part of the London Stock Exchange. Terms and conditions relating to the use and distribution of this information may apply. For further information, please contact [email protected] or visit www.rns.com. RNS may use your IP address to confirm compliance with the terms and conditions, to analyse how you engage with the information contained in this communication, and to share such analysis on an anonymised basis with others as part of our commercial services. For further information about how RNS and the London Stock Exchange use the personal data you provide us, please see our Privacy Policy. END NRAUVAVRAVUAAAR.
Recommended publications
  • Britsad 2015Ad.Indd
    Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona Lewis Isle of Wight Festival The BRIT Awards The Horrors Ronan Keating Lionel Richie The Saturdays Charlie Simpson Herb Lester Ping Pong Cosmo Awards Take That MTV Brand New MTV Crashes Andreya Triana Jermain Jackman Woman’s Hour The Smashing Pumpkins Two Door Cinema Club The Gaslight Anthem Troy Gary Barlow Jamie Cullum 5 Seconds of Summer Katherine Jenkins Laura Doggett Soundgarden Ride Laura Mvula Manny Norte Queens Of The Stone Age Black Sabbath Paul McCartney James Corden Freddie Flintoff Leona
    [Show full text]
  • BTN6916 LMW NORTHERN SOUL ENTS GUIDE SK.Indd
    22-25 SEPT 2017 20-23 SEPT 2019 SKEGNESS RESORT GLORIACELEBRATING 60 YEARS JONES OF MOTOWN BOBBY BROOKS WILSON BRENDA HOLLOWAY EDDIE HOLMAN CHRIS CLARK THE FLIRTATIONS TOMMY HUNT THE SIGNATURES FT. STEFAN TAYLOR PAUL STUART DAVIES•JOHNNY BOY PLUS MANY MORE WELCOME TO THE HIGHLIGHTS As well as incredible headliners and legendary DJs, there are loads WORLD’S BIGGEST AND more soulful events to get involved in: BEST NORTHERN SOUL ★ Dance competition with Russ Winstanley and Sharon Sullivan ★ Artist meet and greets SURVIVORS WEEKENDER ★ Shhhh... Battle of the DJs Silent Disco ★ Tune in to Northern Soul BBC – Butlin’s Broadcasting Company Original Wigan Casino jock and founder of the Soul Survivors Weekender, with Russ! Russ Winstanley, has curated another jam-packed few days for you. It’s an ★ incredible line-up with soul legends fl own in from around the world plus a Northern Soul Awards and Dance Competition host of your favourite soul spinners. We’re celebrating Motown Records 60th Anniversary in 2019. To mark this special occasion we have some of the original Motown ladies gracing the stage to celebrate this milestone birthday. SATURDAY 14.00 REDS Meet and Greet with Eddie Holman, Bobby Brooks Wilson, Tommy Hunt Brenda Holloway, Chris Clark and Gloria Jones will also be joining us for a Q&A session, together with Motown afi cionado, Sharon Davies, on Sunday afternoon in Reds. Not to be missed!! SUNDAY 14.00 REDS Don’t miss the Northern Soul dance classes, DJ Battles, Northern Soul Q&A with Brenda Holloway, Chris Clark, Gloria Jones and Sharon Davis awards and dance competitions across the weekend and be sure to look Hosted by Russ Winstanley and Ian Levine, followed by a meet and greet out for limited edition, souvenir vinyl and merch in the Skyline record stall.
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Page 1 FLOATING STAGE CONCERTS THURSDAY 9TH
    FLOATING STAGE CONCERTS WEDNESDAY 8TH JULY THURSDAY 9TH JULY FRIDAY 10TH JULY Sponsored by Westcoast 20.45 20.45 20.35 22.15 S O P H I E SARA COX MADNESS JAMES BLUNT PRESENTS ELLIS-BEXTOR JUST CAN’T GET ENOUGH 80s Sophie Ellis-Bextor shot to fame as a vocalist on If you’ve got fond memories of legwarmers and Spiller’s huge number one single Groovejet, followed spandex, ‘Just Can’t Get Enough 80s’ is a new show by Take Me Home and her worldwide smash hit, set to send you into a retro frenzy. Murder on the Dancefloor. Join Sara Cox for all the hits from the best decade, Her solo debut album, Read My Lips was released in delivered with a stunning stage set and amazing visuals. 2001 and reached number two in the UK Albums Chart Huge anthems for monumental crowd participation and was certified double platinum by the BPI. moments making epic memories to take home. Her subsequent album releases include Shoot from the Hip (2003), Trip the Light Fantastic (2007) and Make a Scene (2011). In 2014, in a departure from her previous dance pop Madness is a band that retains a strong sense of who and what it is. Ticket prices The five-time Grammy nominated and multiple BRIT award winning Ticket prices Ticket prices albums, Sophie embarked on her debut singer/songwriter Many of the same influences are still present in their sound – ska, Grandstand A £140 artist James Blunt is no stranger to festival spotlight and will the Grandstand A £140 Grandstand A £135 album Wanderlust with Ed Harcourt as co-writer and reggae, Motown, rock’n’roll, rockabilly, classic pop, and the pin-sharp Grandstand B £120 wow crowds at Henley Festival.
    [Show full text]
  • Years and Years
    Years and Years Years & Years are a three-piece synthpop band, founded in London. Years & Years’ music has been described as electropop, mixing R&B and 1990s house elements. The band’s first studio album,Communion , debuted at number one on the UK Albums Chart in July 2015 and was the fastest-selling debut album of the year from a UK signed band. Their biggest hit single King reached number one in the UK Singles Chart in March 2015, and peaked within the top ten of the charts in Australia, Austria, Bulgaria, Denmark, Germany, Luxembourg, the Netherlands, Ireland and Switzerland. Martha Kinn of Machine Management reflects on how Momentum made a difference to the rapid success of Years & Years. We were at a point where we’d reached the end of the line in terms of what we could do with our own resources. We had a real vision. We had a bit of a fan-base forming; they started to write amazing songs. We wanted to keep going independently. I remember the question (in the Momentum form) “where do you see the band in 3 years time”? We achieved that and more… Momentum funding enabled the band – then unsigned - to go on tour and campaign to further build their audience and profile. The vision was: To have a top ten single and album; to be commercially and creatively credible. We wanted to sell out Brixton. We ended up doing Brixton twice. Martha sees Momentum funding as giving the band additional space and time to develop – its sound, audience and profile – before being signed by a label: The funding gave us an extended life of independence.
    [Show full text]
  • Popular Repertoire (1960’S – Present Day)
    ! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club
    [Show full text]
  • The 2015 Brit Awards the Brit Awards 2015 in Association with Mastercard Were Held for the Fifth Year Running at the 02, London
    PRODUCTION PROFILE: The BRIT Awards THE 2015 BRIT AWARDS THE BRIT AWARDS 2015 IN ASSOCIATION WITH MASTERCARD WERE HELD FOR THE FIFTH YEAR RUNNING AT THE 02, LONDON. WITH A SET DESIGN BY ES DEVLIN BUILT BY STEEL MONKEY. A HOST OF OTHER TOP SUPPLIERS INCLUDING LIGHT INITIATIVE, BRITANNIA ROW, PRG, OUTBACK RIGGING, STAGECO AND STRICTLY FX ENABLED THIS CHALLENGING SHOW TO HAPPEN. PRESENTED BY TV FAVOURITES ANT & DEC, THE AWARDS FEATURED LIVE PERFORMANCES FROM NINE GLOBAL SUPERSTARS CULMINATING IN A GRAND FINALE FROM MADONNA, HER FIRST APPEARANCE AT THE BRIT AWARDS FOR 20 YEARS. SIMON DUFF REPORTS ON A NIGHT OF AMBITION AND COURAGE. The trophy for 2015 BRIT Awards was and Lisa Shenton of Papilo Productions, read: ‘congratulations on your talent, on your designed by British artist Tracey Emin who is to manage the production of the event, life - on everything you give to others - thank famed for her innovative conceptual art. A contracted on behalf of the BPI. Other you’, were almost invisibly arrayed above the bold and triumphant design, it set the tone key suppliers included Steel Monkey, Eat stage and audience. Bryn Williams, Managing for this year’s main event, which included Your Hearts Out, Show & Event Security, Director for Light Initiative: “There were a a 36-metre wide video screen. A total of Showstars, Stage Miracles, Oglehog and number of practical issues we had to confront 14 large neon writing signs - inspired by Lovely Things. when delivering this project,” he explained. Emin’s work - were brought into the room LED powerhouse, Light Initiative, worked “Our biggest challenges were time constraints by Es Devlin’s bold design, hung over the in collaboration with scenery builders Steel and the scale of the project itself.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • Sennheiser 2019 BRIT Awards
    PRESS RELEASE 1/4 2019 BRIT AWARDS Sennheiser Performs Through Fire and Rain London/Wedemark, 13 March 2019 – The 2019 BRIT Awards were once again supported by Sennheiser, with its mics and IEMs delivering on the UK’s biggest live music awards show. The audio package was supplied - for the 22nd year - by Britannia Row Productions, and the ceremony was held in late-February at London’s O2 Arena in celebration of the best in British and international pop music. Winners on the night included Ariana Grande, Ed Sheeran, Drake, Little Mix and Nicki Minaj. As well as the show’s presenters, the evening also saw performances using a combination of Sennheiser products, including those from Hugh Jackman, Ms Banks and P!NK, who won the ‘Outstanding Contribution to Music’ award. “On a show of this size, ease and continuity are very important,” says Colin Pink, long-time Sound Designer / BRITs Engineer. “For all the presenters and award winners, we used the Sennheiser 6000 Series Handhelds with ME 9005 capsules, the perfect choice when clarity and low handling noise are extremely important.” P!NK using a Sennheiser 6000 Series transmitter with a 9235 capsule for her performance P!NK’s much-deserved accolade was boosted by a highly anticipated closing set that lasted over 11 minutes. The production saw the US singer’s incredible vocal range transmit from backstage through the arena’s thick, concrete walls, descend from the venue’s roof in a gymnastic gag, sound out through pyrotechnics and hit perfect notes during rainfall. PRESS RELEASE 2/4 Colin continues: “P!NK sang seamlessly in the rain using her 6000 Series transmitter with 9235 capsule – a true testament to the quality of both the design and manufacturing standards at Sennheiser.” “The 9235 capsule on the 9000 or 6000 Series is more than just my 'go to’ vocal mic, it has proven itself repeatedly with Cher, Adele and P!NK since the launch of digital transmission systems,” comments Dave Bracey, P!NK’s FOH Engineer.
    [Show full text]
  • The Uk's Top 200 Most Requested Songs in 2014
    The Uk’s top 200 most requested songs in 2014 1 Killers Mr. Brightside 2 Kings Of Leon Sex On Fire 3 Black Eyed Peas I Gotta Feeling 4 Pharrell Williams Happy 5 Bon Jovi Livin' On A Prayer 6 Robin Thicke Blurred Lines 7 Whitney Houston I Wanna Dance With Somebody 8 Daft Punk Get Lucky 9 Journey Don't Stop Believin' 10 Bryan Adams Summer Of '69 11 Maroon 5 MovesLike Jagger 12 Beyonce Single Ladies (Put A Ring On It) 13 Bruno Mars Marry You 14 Psy Gangam Style 15 ABBA Dancing Queen 16 Queen Don't Stop Me Now 17 Rihanna We Found Love 18 Foundations Build Me Up Buttercup 19 Dexys Midnight Runners Come On Eileen 20 LMFAO Sexy And I Know It 21 Van Morrison Brown Eyed Girl 22 B-52's Love Shack 23 Beyonce Crazy In Love 24 Michael Jackson Billie Jean 25 LMFAO Party Rock Anthem 26 Amy Winehouse Valerie 27 Avicii Wake Me Up! 28 Katy Perry Firework 29 Arctic Monkeys I Bet You Look Good On The Dancefloor 30 John Travolta & Olivia Newton-John Grease Megamix 31 Guns N' Roses Sweet Child O' Mine 32 Kenny Loggins Footloose 33 Olly Murs Dance With Me Tonight 34 OutKast Hey Ya! 35 Beatles Twist And Shout 36 One Direction What Makes You Beautiful 37 DJ Casper Cha Cha Slide 38 Clean Bandit Rather Be 39 Proclaimers I'm Gonna Be (500 Miles) 40 Stevie Wonder Superstition 41 Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life 42 Swedish House Mafia Don't You Worry Child 43 House Of Pain Jump Around 44 Oasis Wonderwall 45 Wham! Wake Me Up Before You Go-go 46 Cyndi Lauper Girls Just Want To Have Fun 47 David Guetta Titanium 48 Village People Y.M.C.A.
    [Show full text]
  • 1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
    "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
    [Show full text]
  • Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
    Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International
    [Show full text]