DOCSLIB.ORG

MUSICAL CHAT Brussels

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSICAL CHAT Brussels Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 42 THE MUSICAL CRITIC AND TRADE REVIEW. September 2oih, 1881. KB. GEO. W. COLBY'S VENTURES. There is a report that Mile. Valleria is to succeed Mme. Fursch-Madier at the Theatre de la Monnaie, MUSICAL CHAT Brussels. ABROAD. Prevost, the new tenor of the Chateau d'Eau, Hoffmann has recently completed his new opera, Paris, has signed a three years' engagement for "William of Orange." America with Mr. Mapleson. Anecdotes concerning Franz Liszt are just now The Neue Zeitschriflfvr Musik, has the following the order of the day in Continental journals. The intelligence:—The well-known pianist and compos- following, lately related in the Paris Figaro, may er Xaver Scharwenka, intends opening a new Con- be reproduced in these columns as exhibiting the servatorium in Berlin, on October 1st. Aloys Hen- maestro in one of his most amiable moods. Franz nes, Josef Koteck, Philipp Riifer, M. D. Jahns, Al- Liszt, so the story runs, found himself one evening, bert Becker, O. Lessmann, Dr. Laughaus, etc., are on which he had arranged for a concert in a small already secured as professors. Weber's "Oberon," Bavarian town, in the presence of an audience of under the direction of Dr. Wiillner, will be pro- only seventeen persons. Instead of causing the duced for the first time, in October, at the Ham- money they had paid to be returned to them, the burg Town Theatre, where, as is well known, near- jovial virtuoso forthwith invited the small assembly ly all the German directors will be assembled. to a supper at his hotel. "But we have come Tschaikowsky is now writing a new opera called here for the purpose of hearing music." "Very " Mazeppa." Well," was the reply, " and so you shall—after, we have supped." The little party declared them- La Qazzetta Musicale tells us that the Russianselves ready to go. They found a good table composer Tcha'ikowsky has just published a new spread for them, and after having regaled them- R. ADOLPHE FISCHER, the violoncellist, work, consisting of a very elegant and expressive selves with the good cheer of their host, the latter M "writes to Geo. W. Colby, his sole manager, series of pianoforte pieces, entitled Etude, Chan- redeemed his further promise by playing, iu highly that he will return to America for his farewell sea- son triste, Marche funebre, Deux Mazurkas, Chant animated spirits, until an early hour of the son the latter part of November, after playing at sans paroles, Au village. Deux Vals, Danse Russe, morning. Paris, Liepzig, Cologne, Frankfort, &c. Max Scherzo, and Reverie interrompue. These pieces Bruch, Massenet, Godard, Saint-Saens, Widor and are printed by Fiirstner of Berlin, who has arrang- A correspondent from Copenhagen writes: "Mau- others have written new morceaux for him, which ed to publish all the works of Tchaikowsky. rice Strakosch's star, Miss Emma Thursby, made a he will play this winter. Count Ebethard of Wurtemburg, is writing the brilliant ' hit' in this capital. She has given ten Miss Carrie E. Mason, soprano, of Strong Place music of an operetta entitled "Hilda." concerts, several of which were honored by th« Church, Brooklyn, and pupil of Sig. Errani, of presence of the King of Denmark, at whose special New York city, will make her debut in New York, The Meyerbeer Exhibition of 4,500 marks for an desire the gifted lady was presented to him, as was at her concert, at Chickering Hall, Thursday even- orchestral overture, a dramatic cantata, and an also Herr Robert Fischhof, the eminent pianist ing, Nov. 3rd. Mr. Colby is also her manager. eight-part vocal fugue, has been carried off this from Vienna. From Copenhagen Miss Thursby Mrs. E. Aline Osgood, whose professional affairs year by Engelbert Humperdink, of Xanten on the went to Bergen, in Norway, where she had organ- are directed by Mr. Colby, will sail for America by Rhine, who had already won the Mendelssohn and ized, with the aid of Herr Maurice Strakosch, a the Servia, Oct. 22nd, and make her first appear- Mozart Foundation prizes at Berlin and Frankfort- concert, the proceeds of which are to go to the fund ance in Boston, Nov. 9. She is engaged by the on-the-Maine. now collecting for a monument in commemoration of Ole Bull, ' the Norwegian Paganini' (as he was Handel and Haydn Society of Boston for Christmas M. Alphonse Leduc, music publisher, has been and Good Friday, also by Cincinnati Musical appointed knight of the Legion of Honor, for his called by self and family)".—Musical World, Lon- Festival Association, for Dec. 28, and for a large prizes gained at the Exhibitions of Sidney and don. number of concerts. Melbourne. Baron Kiister has resigned his post as conductor The Arbuckle & Colby Concert Company, are of the Imperial Russian Theatre ; his successor is rapidly filling their time for the coming season. Victor Coche, a celebrated flutist, and for a long waid to be Major-General Wassilkowsky. Dvorak's time professor of the Paris Comservatoire, died new comic opera, "Der Dickschiidel," has been recently in that city at the age of 74 years. accepted for performance at the Vienna Ring- THE WORCESTEK FESTIVAL. The opera by Balfe, entitled "Pittore e Duca," theatre. which it is said was first sung at Trieste, in 1856, rj^HE tenth annual festival of the Worcester The opera, "Cleopatra," by W. Freudenberg, JL County (Mass.) Musical Association will occur is to be revived in an English version under the title of "The Painter of Antwerp." The adapta- director of the Weisbaden Conservatorium, the Sept. 26, 27, 28, 29 and 30. There will be an in- libretto of which has E. Pasque for the author, is creased number of concerts—nine in all—and tion lias been entrusted to a Mr. Barrett, of Lon- don, who is said to be a musician and critic of to be the first novelty of the coming season at the among the important works to be performed are Madgeburg Town Theatre. Verdi's "Requiem," "The Creation," "Elijah," ability. It is reported that this opera has been "Zadock the Priest," and Mendelssohn's unfinish- purchased by Messrs. Cramer, of London, and The Seminary director, Dr. Putting, of Erfurt, ed opera, "Loreley." Among the solo vocalists will be produced under the direction of Mr. H. B. has received the Order of the Red Eagle ; the engaged are Clara Louise Kellogg, Annie Louise Farnie at a (West-end) London theatre in order that music director, Bohne, of the First Madgeburg In- Cary, Tom Karl, M. W. Whitney, Mrs. Emma R. a run may be secured in case of success, and it will fantry Regiment, the princely Hohenzollern gold Dexter, Miss Hattie Louise Simms, Miss Alice be played simultaneously in America. medal of honor ; and the school teacher and chor- Ward, Miss Grace Hiltz Gleason (of Chicago), Madame Patti has returned to her Welsh castle, ister. Schroder, of Achelriede, in the Osnabriick Miss Emily Winant, Mrs. H. F. Knowles, Franz and the usual banners and decorations were again district, has had bestowed on him the general mark Remmertz, and Charles R. Adams. The Schubert trotted out. Report, however, whispers that Mad- of distinction. Concert Company of Boston (eighteen male voices) ame Patti is becoming rather wearied of her Welsh The great Singing Contest in Weisbaden, (men- is also engaged. Mme. Teresa Liebe, violinist, and possession, and that when she returns from Amer- her brother, Mr. Theodore Liebe, a very fine vio- societies from all parts of Germany) came to an ica Craig-y-Nos may not improbably be offered for end on Tuesday., Aug. 30th, after three days' dur- loncello soloist, are likewise to appear. Mr. Fred- sale. erick Archer, the celebrated English organist, is to ation. The first prize, a large gold medal (gift of give an organ lecture-concert. Mr. Carl Zerrahn There must be no shedding of false sentiment the Emperor of Germany) and 1,800 marks, was -will be the conductor of the festival. over the demolition of the house in High Holborn won by the Singing Society of Hanover ; the second in which temporarily sojourned the noble musician, prize, a gold medal and 1,500 marks, was taken by Franz Joseph Haydn. It seems certain that he the Singing Society of Graz (Austria). Mr. Ernest Perabo, of Boston, who was reported wrote his six symphonies here for the Hanover The public performances of " Parsifal " at Bay- some time since as having come to New York with square concerts, and he may have noted down his reuth next summer are fixed for the following the intention of taking up his residence here, has, first ideas of the "Creation " in his Holborn lodg- dates :—July 30th ; August 6th, 13th, 20th, and •we understand, left New York for Berlin, presuma- ings; but it was at his villain the suburbs of Vienna 27th (Sundays); 1st, 8th, 22nd, and 29th (Tu«a- bly to accept the position offered him by Xaver that he completed his immortal work.—Daily Tele- days); 4th, 11th, 18th, and 25th (Fridays). The Scharwenka, at his conservatory in that city. graph, London. grand rehearsal takes place on Monday, the 24th Mr. Edward Heimendahl has organized a string Professor Maria von Booklet, a well-known July ; Wednesday, the 26th, and Friday, the 28th, qnartette, and will give chamber concerts in musician and teacher of the pianoforte at Vienna, aro " Patrons' Days." Chicago, next winter. The quartette will bear the died in that city at the age of eighty.
Load more

Recommended publications
  • MUSICAL NOTES. Orchestra, at Long Beach, Are Deservedly Praised
    THE MUSICAL CRITIC AND TRADE REVIEW. September 5th, 1880 SCHREINER.—Mr. Kleophas Schreiner's Military Band and String MUSICAL NOTES. Orchestra, at Long Beach, are deservedly praised. There is a great deal of strength and precision in the performances, and Mr. Schreiner has a good AT HOME. and varied repertoire. Some of the soloists are excellent. Mr. Hoch is ap- DODWORTH.—Harvey B. Dodworth was engaged to furnish the music plauded after his cornet performances, and Mr. Neubech, the concert master for the Rockaway Beach Improvement Company at the big hotel; but as the of the orchestra, has made many friends by an artistic rendering of Max hotel -was not finished, he was forced to remain idle seven weeks. He now Bruch's first Concerto for the Violin. has a claim against the company for $10,080. THAYER.—The Kate Thayer Concert Company, under the management MARETZEK.—Max Maretzek has accepted the position of "Professor of of Mr. Will E. Chapman, will enter upon a concert tournee on October 17. the School for Operatic Training," in the College of Music of Cincinnati, The company comprises Miss Kate Thayer, Miss Maurer, pianist, the Spanish and "will enter upon his duties about the middle of this month. Students, and some other artistes. Whether the company will appear in New York during the season, we do not know, as the dates of the entire- STEBNBERG.—Heir Constantin Sternberg, a Russian piano virtuoso, season have not been settled upon yet. has been engaged for 100 concerts in America. He will arrive in New York in September.
    [Show full text]
  • Rockland Gazette : October 14, 1880
    'he Rockland Gazette. Gazette Job Print I PUBLISHED f.\ERY THURSDAY AFTERNOON bY ESTABLISHMENT. Having every facility in Presses, Type and Material O SE & PORTER. — which we are constantly making additions, w« piepared tv execute with promptness and good 2 I O Matin S treet. every variety of Job Printing, Including Town Reports, Catalogues, By-La^ft* Posters, Shop Bills, Hand Bills, Pro­ T E R 3*1 H i r paid strictly in advance—l>er«nnum, $2.00. grammes, Circulars, Bill Heads, if payment is delayed o months, 2.26. Letter Heads, Law and Corpor­ 2.60. t paid till the close of the year, ation Blanks, Receipts, Bills few subscribe! a are expected to make the first of Lading, Business, Ad­ went in advance. “ dress and Wedding “Ko paper will be diacontlnu^*^ Cards, Tags, ire paid, unless at the option ofv^.he pubiish- Labels, ____ - Single copies five cents—for sale at tliec® cean*i ROCKLAND, MAINE, THURSDAY, OCTOBER 14, 1880. &c., j at the Bookstores. V O L U M E 3 5 . N O . 4 6 . PRINTING IN COLORS AND BRONZINO ’ &. POPE VO8E. J- B. PORTER- will receive prompt attention. were stopped, the wounded member ex­ left after everything was settled to finish A WEDDING IN CAIRO. desirable acquisitions. The eunuchs vainly [From our Regular Correspondent. M r ® . tracted, hut all bruised and bleeding. the hoy’s education, and the dear, brave endeavor to maintain order, and are nt no Our European Letter. harden f g f lm r . Eleanor’s fingers bound up tho lacerated girl would not let them tell tho young fel­ A Graphic Picture of the Ceremony iu an pains to enforce their wishes with modera­ hand in her own small handkerohief, the low how much it was.
    [Show full text]
  • Vol. 4. Contents. No.2
    Price, Its Cents. 53.76 Worth of MUSIC in This Number. Vol. 4. No.2. Contents. GENERAL ..........•......................... , ...• page 55 What Care I? (Poetry).-Comical Chords. EDITORIAL ...................................... page 56 Paragraphs.-The People's l\fusical Taste. l\fUSICAL ................ ........................ page 66 Piano Recitals at the St. Louis Fair. l\1ISCELLANEOUS ......... .. ..................... page 58 The Musician to His Love (Poetry) .-Major and Mmor. -Love and Sorrow (Poetry).-New York.-Pleyel. -Anecdote of Beethoven.-Donizetti's Piano -Forte. -l\fnsic and IUedicine.-Answers to Correspondents. -What the PTess Think of lt.-Smith and Jones. MUSIC IN THIS NUMBER. " Careless Elegance," Geo. Schleiffarth ......... page fi7 "Peep o' Day Waltz," Alfred von Rochow ...... page 70 " The Banjo," Claude Melnotte .........•........ page 72 " Greetings of Love" (Duet), Wm. Siebert ...... page 74 ~· 'l'hou'rt Like Unto a Flower," A. Rubinstein ... page 78 "Because 1 Do," J. L. Molloy .................... page 80 "Goldbeck's Harmony" .........................._ page Si KUNKEL BROS., Publishers, ST. LOUIS, MISSOURI. COPYRIGHT, KUNKEL BROS., 1S8l. 50 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1881. "USED BY ALL THE GREAT ARTISTS" THE AJR'll'JI§'Jf§. AR'lfli§'Jf§, LIEBLING, HE~RY F. MILLE~ PI) NOS SHERWOOD, PERRY, PRESTON, ARE PRONOUNCED THE BEST HENRIETTA MAURER, BY '£HE MRS. SHERWOOD, HOFFMAN, Leadin Artists of the Present Time, PEASE, AND ARE USED Bl' THEM CHARLES R. ADAMS, P. BIUGNOLI, IN PUBLIC AND PRIVATE. CLARA LOUlSE KET"LOGG, ANNIE LOUISE CARY, EMMA TIIURSRY, These celebrated instruments arc the favorites, at1d are MARIE ROZE, used in the finest concerts in the principal cities of TOll! KARL, i\mericn. W. II. l<'ESSENDEN, The characteristir.s which have given these Pianos their l\1.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    INFANTRY HALL PROVIDENCE >©§to! Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 28 AT 8.15 COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER ii^^i^"""" u Yes, Ifs a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extr? dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere 2>ympif Thirty-fifth Season,Se 1915-1916 Dr. KARL MUC per; \l iCs\l\-A Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Fiedler, A.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ew riter face, while others may be fi’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improperalig n m ent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9420996 Music in the black and white conununities in Petersburg, Virginia, 1865—1900 Norris, Ethel Maureen, Ph.D.
    [Show full text]
  • The Bellevue House, Which Opened in 1828, Was One of Newport's First
    The Bellevue House, which opened in 1828, was one of Newport’s first grand hotels, providing an unprecedented level of hospitality, comfort, and luxury in the City-by-the-Sea. Image from John Ross Dix. A Hand-Book of Newport, and Rhode Island (Newport, R.I.: C.E. Hammett, Jr, 1852), 157. NEWPORT HISTORICAL SOCIETY. Music and Dancing at the “Queen of Resorts”: The Impact of the Germania Musical Society on Newport’s Hotel Period Brian M. Knoth We have the most absolute faith in steam factories, but we do not wish to see any more built in Newport…Let not the hum of spindles mock the music of the Sea .1 Music and dancing were integral features of Newport’s revival as a popular resort destination during its hotel period that began in the 1840s . Following a long period of economic depression, this era marked Newport’s emergence as a premier watering hole, with the establishment of several large well-appointed seaside hotels . At its height, in the 1850s, Newport was a world-class summer destination, known as the “Queen of Resorts ”. An extraordinary group of German musicians called the Germania Musical Society were instrumental to Newport’s flourishing resort economy during the 1850s . The significance of the Germania on Newport’s summer society, music culture, and resort traditions during the 1850s cannot be overstated . The Germania Musical Society first played in Newport in 1849, and for much of the next decade brought unrivaled musical experiences to Newport summer audiences for the first time, complementing a stunning natural environment and luxurious accommodations .
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 18, 1898
    ^5^5 BOSTON SYMPHONY OROIESTRK fcs season PRSGRHttrtE |l4J : New Scale, Style AA Believing that there is always demand for the highest possible degree of excellence in a given manufacture, the Mason & Hamlin Company has held steadfast to its original principle, and has never swerved from its purpose of producing instruments of rare artistic merit. As a result the Mason & Hamlin Company has received for its products, since its foundation to the present day, words of greatest commendation from the world's most illustrious musicians and critics of tone. Since and including the Great World's Exposition of Paris, \ 867, the instruments manufactured by the Mason & Hamlin Company have received, wherever exhibited, at all great world's expositions, the HIGHEST POSSIBLE AWARDS. SEND FOR CATALOGUE. mm & ipilm €0. BOSTON. NEW YORK. CHICAGO. Retail Representatives X^m^y 146 BOYLSTON STREET, BOSTON. Boston Symphony Orchestra. MUSIC HALL, BOSTON. EIGHTEENTH SEASON, J> J> J> 1893-99. J> J> J> WILHELM GERICKE, Conductor, r*j*ooi*iV]M:]V£K^ OF THE * FOURTEENTH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP.^** FRIDAY AFTERNOON, FEBRUARY 3, AT 2.30 O'CLOCK. SATURDAY EVENING, FEBRUARY 4. AT 8.00 O'CLOCK. PUBLISHED BY C. A. ELLIS, MANAGER. (489) Steinway & Sons, /lanufacturers Grand and ! \ j^T £ \ ^L of PIANOS/\1^\J^ Upright Beg to announce that they have been officially appointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His riajesty, NICOLAS II., THE CZAR OF RUSSIA. His Majesty, WILLIAM II., EMPEROR OF GERMANY and THE ROYAL COURT OF PRUSSIA.
    [Show full text]
  • February, 1941
    Library of The Harvard Musical Association Bulletin No. 10 February, 1941 Library Committee EDWARD B. HILL QUINCY PORTER ALEXANDER W. WILLIAMS RICHARD W. DWIGHT Director of the Library and Custodian of the Marsh Room Library and Marsh Room Marsh Room CHARLES R. NUTTER MURIEL FRENCH PATIENCE POWERS To the Members of the Association: The attention of members is called to an article by President Guild in this issue. * * * * Earlier Bulletins stated that one project of the Association on its organization was the formation of a Library. This project was begun at once, pursued with vigor, and often discussed at Directors’ meetings. Perhaps this concentrated energy was partly due to the fact that a Library was the one project among their several projects which, because it concerned themselves only, could be put through by themselves. For several years there were no funds available for the Library. Consequently accessions depended for a considerable time on the generosity of members, who were constantly urged to give music and books. From some members were received fine and for those days costly editions of classical music. Henry Gassett, on a trip abroad, brought back much music; Nathan Richardson gave a complete set of Bach’s works in 46 volumes, published by the Bach Society in Leipzig. This last was a remarkable gift, for the 46 volumes were costly and beautifully bound. Among other donors were F. H. Jenks; Henry Ware, Jr.; H. K. Oliver, who presented 25 volumes of English Glees collected by the Salem Glee Club and apparently the only edition; the Musical Antiquarian Society of London, which donated copies of “their beautiful and highly valuable publications”; Oliver Ditson and Company, who in 1860 presented 122 volumes of music and books; Joseph Coolidge, who in 1881 gave 50 volumes of music; and Arthur Foote, who during his membership gave much valuable music and some books.
    [Show full text]
  • The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827 Todd R. Jones University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0001-9464-8358 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.133 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Todd R., "The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827" (2017). Theses and Dissertations--Music. 83. https://uknowledge.uky.edu/music_etds/83 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Musical Gazette (New York, 1854-1855)
    Introduction to: Randi Trzesinski and Richard Kitson, The Musical Gazette (1854-1855) Copyright © 2007 RIPM Consortium Ltd Répertoire international de la presse musicale (www.ripm.org) The Musical Gazette (1854-1855) The Musical Gazette [MGA] was published weekly on Saturdays in New York City by the Mason Brothers from 11 November 1854 until 5 May 1855, and comprised twenty-six weekly numbers, the first two containing sixteen pages each, the remainder eight pages each. The issues are numbered from 1 through 26 and the pages are numbered consecutively from 1 through 208. In 1851 Daniel Gregory Mason (1820-1869) and his brother Lowell Mason (1823-1885)—sons of music educator and composer Lowell Mason—united with Henry W. Law to create the Mason & Law publishing firm. Daniel Gregory and Lowell Mason, Junior established in 1853 their own firm, the Mason Brothers, publishers of secular and religious music, school textbooks, histories, English and French dictionaries and music periodicals.1 In 1854 they undertook publication of The Choral Advocate and Singing-Class Journal, and began two new musical periodicals in November of that year, The Musical Gazette (edited by Lowell Mason, Junior) and The Musical Review. After 5 May 1855 MGA was absorbed into another music journal published by the Mason Brothers, The New-York Musical Review and Choral Advocate which was then renamed The New-York Musical Review and Gazette.2 The Mason Brothers’ principal goal for MGA was publication of a journal “devoted to the higher departments of musical literature and criticism; … Musical news from all parts of the world, where music is cultivated, will be promptly and regularly given.”3 Each page of MGA is printed in a two-column format and issues are organized in three main parts.
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Americans at the Leipzig Conservatory (1843–1918) and Their Impact on AJoamnnae Perpipclean Musical Culture Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AMERICANS AT THE LEIPZIG CONSERVATORY (1843–1918) AND THEIR IMPACT ON AMERICAN MUSICAL CULTURE By JOANNA PEPPLE A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2019 Copyright © 2019 Joanna Pepple Joanna Pepple defended this dissertation on December 14, 2018. The members of the supervisory committee were: S. Douglass Seaton Professor Directing Dissertation George Williamson University Representative Sarah Eyerly Committee Member Iain Quinn Committee Member Denise Von Glahn Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii Soli Deo gloria iii ACKNOWLEDGMENTS I am so grateful for many professors, mentors, family, and friends who contributed to the success of this dissertation project. Their support had a direct role in motiving me to strive for my best and to finish well. I owe great thanks to the following teachers, scholars, librarians and archivists, family and friends. To my dissertation committee, who helped in shaping my thoughts and challenging me with thoughtful questions: Dr. Eyerly for her encouragement and attention to detail, Dr. Quinn for his insight and parallel research of English students at the Leipzig Conservatory, Dr.
    [Show full text]
  • Courier Gazette : May 7, 1895
    T he Courier-Gaze V olum e 50. ROCKLAND, MAINE, TUESDAY, MAY 7, 1895. E ntered aa Seeoii artil’ery for the Depa1 GOLD BONDS FOR SALE! Maj.-Gen. Hiram G. Berry HOME HAPPENINGS. took charge of the defens! Hix per cent Electric K. It. Bonds, payable prin­ Kingston lie a as given cipal and Intercet In gold, by the Bouton Hnfe Halibut has dropped to 16 cents a pound 23d Armv ( np«, which Deposit and Trust Company, and Municipal 4M and it’s nice rating at that figure. ana 6 per cent Ronda. Aleo money Invested in J B I O G l t A P U Y several engagements during tl real estate securities. For eale by F. .M. 811 AW, Charles Smalley has the local agency of the ’64. lie continued in charge o’ Broker. 420 Main Street, Rockland 14-17 Chicago Saturday Blade, a very sharp paper. which w?'c flicially comrnende Written fo r the Courier-Gazette by Edward K. Gould Loved by all When Living, and His in the military division of the Mississi Heavy frost Wednesday night, ice froze, also organized the 1st U. S. Heavy Mrs. Anna (jrangerd)ow ground froze, and also plants that were in­ I Begun In No. 8. Back numbers can be bad.) Copyrighted—All Rights Reserved. advertently left out in the cold Death Universally Mourned. I of colored troops of the 3d North OF NEW YORK. Mounted Infantry. He subsequently ha' Capt. Farwell doesn’t want delinquent tax­ command of the District of East Tennessee Takes pleasure In announcing to the mual- XI.
    [Show full text]