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MUSICAL NOTES. Orchestra, at Long Beach, Are Deservedly Praised
THE MUSICAL CRITIC AND TRADE REVIEW. September 5th, 1880 SCHREINER.—Mr. Kleophas Schreiner's Military Band and String MUSICAL NOTES. Orchestra, at Long Beach, are deservedly praised. There is a great deal of strength and precision in the performances, and Mr. Schreiner has a good AT HOME. and varied repertoire. Some of the soloists are excellent. Mr. Hoch is ap- DODWORTH.—Harvey B. Dodworth was engaged to furnish the music plauded after his cornet performances, and Mr. Neubech, the concert master for the Rockaway Beach Improvement Company at the big hotel; but as the of the orchestra, has made many friends by an artistic rendering of Max hotel -was not finished, he was forced to remain idle seven weeks. He now Bruch's first Concerto for the Violin. has a claim against the company for $10,080. THAYER.—The Kate Thayer Concert Company, under the management MARETZEK.—Max Maretzek has accepted the position of "Professor of of Mr. Will E. Chapman, will enter upon a concert tournee on October 17. the School for Operatic Training," in the College of Music of Cincinnati, The company comprises Miss Kate Thayer, Miss Maurer, pianist, the Spanish and "will enter upon his duties about the middle of this month. Students, and some other artistes. Whether the company will appear in New York during the season, we do not know, as the dates of the entire- STEBNBERG.—Heir Constantin Sternberg, a Russian piano virtuoso, season have not been settled upon yet. has been engaged for 100 concerts in America. He will arrive in New York in September. -
Rockland Gazette : October 14, 1880
'he Rockland Gazette. Gazette Job Print I PUBLISHED f.\ERY THURSDAY AFTERNOON bY ESTABLISHMENT. Having every facility in Presses, Type and Material O SE & PORTER. — which we are constantly making additions, w« piepared tv execute with promptness and good 2 I O Matin S treet. every variety of Job Printing, Including Town Reports, Catalogues, By-La^ft* Posters, Shop Bills, Hand Bills, Pro T E R 3*1 H i r paid strictly in advance—l>er«nnum, $2.00. grammes, Circulars, Bill Heads, if payment is delayed o months, 2.26. Letter Heads, Law and Corpor 2.60. t paid till the close of the year, ation Blanks, Receipts, Bills few subscribe! a are expected to make the first of Lading, Business, Ad went in advance. “ dress and Wedding “Ko paper will be diacontlnu^*^ Cards, Tags, ire paid, unless at the option ofv^.he pubiish- Labels, ____ - Single copies five cents—for sale at tliec® cean*i ROCKLAND, MAINE, THURSDAY, OCTOBER 14, 1880. &c., j at the Bookstores. V O L U M E 3 5 . N O . 4 6 . PRINTING IN COLORS AND BRONZINO ’ &. POPE VO8E. J- B. PORTER- will receive prompt attention. were stopped, the wounded member ex left after everything was settled to finish A WEDDING IN CAIRO. desirable acquisitions. The eunuchs vainly [From our Regular Correspondent. M r ® . tracted, hut all bruised and bleeding. the hoy’s education, and the dear, brave endeavor to maintain order, and are nt no Our European Letter. harden f g f lm r . Eleanor’s fingers bound up tho lacerated girl would not let them tell tho young fel A Graphic Picture of the Ceremony iu an pains to enforce their wishes with modera hand in her own small handkerohief, the low how much it was. -
Vol. 4. Contents. No.2
Price, Its Cents. 53.76 Worth of MUSIC in This Number. Vol. 4. No.2. Contents. GENERAL ..........•......................... , ...• page 55 What Care I? (Poetry).-Comical Chords. EDITORIAL ...................................... page 56 Paragraphs.-The People's l\fusical Taste. l\fUSICAL ................ ........................ page 66 Piano Recitals at the St. Louis Fair. l\1ISCELLANEOUS ......... .. ..................... page 58 The Musician to His Love (Poetry) .-Major and Mmor. -Love and Sorrow (Poetry).-New York.-Pleyel. -Anecdote of Beethoven.-Donizetti's Piano -Forte. -l\fnsic and IUedicine.-Answers to Correspondents. -What the PTess Think of lt.-Smith and Jones. MUSIC IN THIS NUMBER. " Careless Elegance," Geo. Schleiffarth ......... page fi7 "Peep o' Day Waltz," Alfred von Rochow ...... page 70 " The Banjo," Claude Melnotte .........•........ page 72 " Greetings of Love" (Duet), Wm. Siebert ...... page 74 ~· 'l'hou'rt Like Unto a Flower," A. Rubinstein ... page 78 "Because 1 Do," J. L. Molloy .................... page 80 "Goldbeck's Harmony" .........................._ page Si KUNKEL BROS., Publishers, ST. LOUIS, MISSOURI. COPYRIGHT, KUNKEL BROS., 1S8l. 50 KUNKEL'S MUSICAL REVIEW, OCTOBER, 1881. "USED BY ALL THE GREAT ARTISTS" THE AJR'll'JI§'Jf§. AR'lfli§'Jf§, LIEBLING, HE~RY F. MILLE~ PI) NOS SHERWOOD, PERRY, PRESTON, ARE PRONOUNCED THE BEST HENRIETTA MAURER, BY '£HE MRS. SHERWOOD, HOFFMAN, Leadin Artists of the Present Time, PEASE, AND ARE USED Bl' THEM CHARLES R. ADAMS, P. BIUGNOLI, IN PUBLIC AND PRIVATE. CLARA LOUlSE KET"LOGG, ANNIE LOUISE CARY, EMMA TIIURSRY, These celebrated instruments arc the favorites, at1d are MARIE ROZE, used in the finest concerts in the principal cities of TOll! KARL, i\mericn. W. II. l<'ESSENDEN, The characteristir.s which have given these Pianos their l\1. -
Boston Symphony Orchestra Concert Programs, Season
INFANTRY HALL PROVIDENCE >©§to! Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 28 AT 8.15 COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER ii^^i^"""" u Yes, Ifs a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extr? dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere 2>ympif Thirty-fifth Season,Se 1915-1916 Dr. KARL MUC per; \l iCs\l\-A Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Fiedler, A. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ew riter face, while others may be fi’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improperalig n m ent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9420996 Music in the black and white conununities in Petersburg, Virginia, 1865—1900 Norris, Ethel Maureen, Ph.D. -
The Bellevue House, Which Opened in 1828, Was One of Newport's First
The Bellevue House, which opened in 1828, was one of Newport’s first grand hotels, providing an unprecedented level of hospitality, comfort, and luxury in the City-by-the-Sea. Image from John Ross Dix. A Hand-Book of Newport, and Rhode Island (Newport, R.I.: C.E. Hammett, Jr, 1852), 157. NEWPORT HISTORICAL SOCIETY. Music and Dancing at the “Queen of Resorts”: The Impact of the Germania Musical Society on Newport’s Hotel Period Brian M. Knoth We have the most absolute faith in steam factories, but we do not wish to see any more built in Newport…Let not the hum of spindles mock the music of the Sea .1 Music and dancing were integral features of Newport’s revival as a popular resort destination during its hotel period that began in the 1840s . Following a long period of economic depression, this era marked Newport’s emergence as a premier watering hole, with the establishment of several large well-appointed seaside hotels . At its height, in the 1850s, Newport was a world-class summer destination, known as the “Queen of Resorts ”. An extraordinary group of German musicians called the Germania Musical Society were instrumental to Newport’s flourishing resort economy during the 1850s . The significance of the Germania on Newport’s summer society, music culture, and resort traditions during the 1850s cannot be overstated . The Germania Musical Society first played in Newport in 1849, and for much of the next decade brought unrivaled musical experiences to Newport summer audiences for the first time, complementing a stunning natural environment and luxurious accommodations . -
Boston Symphony Orchestra Concert Programs, Season 18, 1898
^5^5 BOSTON SYMPHONY OROIESTRK fcs season PRSGRHttrtE |l4J : New Scale, Style AA Believing that there is always demand for the highest possible degree of excellence in a given manufacture, the Mason & Hamlin Company has held steadfast to its original principle, and has never swerved from its purpose of producing instruments of rare artistic merit. As a result the Mason & Hamlin Company has received for its products, since its foundation to the present day, words of greatest commendation from the world's most illustrious musicians and critics of tone. Since and including the Great World's Exposition of Paris, \ 867, the instruments manufactured by the Mason & Hamlin Company have received, wherever exhibited, at all great world's expositions, the HIGHEST POSSIBLE AWARDS. SEND FOR CATALOGUE. mm & ipilm €0. BOSTON. NEW YORK. CHICAGO. Retail Representatives X^m^y 146 BOYLSTON STREET, BOSTON. Boston Symphony Orchestra. MUSIC HALL, BOSTON. EIGHTEENTH SEASON, J> J> J> 1893-99. J> J> J> WILHELM GERICKE, Conductor, r*j*ooi*iV]M:]V£K^ OF THE * FOURTEENTH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP.^** FRIDAY AFTERNOON, FEBRUARY 3, AT 2.30 O'CLOCK. SATURDAY EVENING, FEBRUARY 4. AT 8.00 O'CLOCK. PUBLISHED BY C. A. ELLIS, MANAGER. (489) Steinway & Sons, /lanufacturers Grand and ! \ j^T £ \ ^L of PIANOS/\1^\J^ Upright Beg to announce that they have been officially appointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His riajesty, NICOLAS II., THE CZAR OF RUSSIA. His Majesty, WILLIAM II., EMPEROR OF GERMANY and THE ROYAL COURT OF PRUSSIA. -
February, 1941
Library of The Harvard Musical Association Bulletin No. 10 February, 1941 Library Committee EDWARD B. HILL QUINCY PORTER ALEXANDER W. WILLIAMS RICHARD W. DWIGHT Director of the Library and Custodian of the Marsh Room Library and Marsh Room Marsh Room CHARLES R. NUTTER MURIEL FRENCH PATIENCE POWERS To the Members of the Association: The attention of members is called to an article by President Guild in this issue. * * * * Earlier Bulletins stated that one project of the Association on its organization was the formation of a Library. This project was begun at once, pursued with vigor, and often discussed at Directors’ meetings. Perhaps this concentrated energy was partly due to the fact that a Library was the one project among their several projects which, because it concerned themselves only, could be put through by themselves. For several years there were no funds available for the Library. Consequently accessions depended for a considerable time on the generosity of members, who were constantly urged to give music and books. From some members were received fine and for those days costly editions of classical music. Henry Gassett, on a trip abroad, brought back much music; Nathan Richardson gave a complete set of Bach’s works in 46 volumes, published by the Bach Society in Leipzig. This last was a remarkable gift, for the 46 volumes were costly and beautifully bound. Among other donors were F. H. Jenks; Henry Ware, Jr.; H. K. Oliver, who presented 25 volumes of English Glees collected by the Salem Glee Club and apparently the only edition; the Musical Antiquarian Society of London, which donated copies of “their beautiful and highly valuable publications”; Oliver Ditson and Company, who in 1860 presented 122 volumes of music and books; Joseph Coolidge, who in 1881 gave 50 volumes of music; and Arthur Foote, who during his membership gave much valuable music and some books. -
The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827 Todd R. Jones University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0001-9464-8358 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.133 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Todd R., "The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827" (2017). Theses and Dissertations--Music. 83. https://uknowledge.uky.edu/music_etds/83 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Musical Gazette (New York, 1854-1855)
Introduction to: Randi Trzesinski and Richard Kitson, The Musical Gazette (1854-1855) Copyright © 2007 RIPM Consortium Ltd Répertoire international de la presse musicale (www.ripm.org) The Musical Gazette (1854-1855) The Musical Gazette [MGA] was published weekly on Saturdays in New York City by the Mason Brothers from 11 November 1854 until 5 May 1855, and comprised twenty-six weekly numbers, the first two containing sixteen pages each, the remainder eight pages each. The issues are numbered from 1 through 26 and the pages are numbered consecutively from 1 through 208. In 1851 Daniel Gregory Mason (1820-1869) and his brother Lowell Mason (1823-1885)—sons of music educator and composer Lowell Mason—united with Henry W. Law to create the Mason & Law publishing firm. Daniel Gregory and Lowell Mason, Junior established in 1853 their own firm, the Mason Brothers, publishers of secular and religious music, school textbooks, histories, English and French dictionaries and music periodicals.1 In 1854 they undertook publication of The Choral Advocate and Singing-Class Journal, and began two new musical periodicals in November of that year, The Musical Gazette (edited by Lowell Mason, Junior) and The Musical Review. After 5 May 1855 MGA was absorbed into another music journal published by the Mason Brothers, The New-York Musical Review and Choral Advocate which was then renamed The New-York Musical Review and Gazette.2 The Mason Brothers’ principal goal for MGA was publication of a journal “devoted to the higher departments of musical literature and criticism; … Musical news from all parts of the world, where music is cultivated, will be promptly and regularly given.”3 Each page of MGA is printed in a two-column format and issues are organized in three main parts. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Americans at the Leipzig Conservatory (1843–1918) and Their Impact on AJoamnnae Perpipclean Musical Culture Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AMERICANS AT THE LEIPZIG CONSERVATORY (1843–1918) AND THEIR IMPACT ON AMERICAN MUSICAL CULTURE By JOANNA PEPPLE A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2019 Copyright © 2019 Joanna Pepple Joanna Pepple defended this dissertation on December 14, 2018. The members of the supervisory committee were: S. Douglass Seaton Professor Directing Dissertation George Williamson University Representative Sarah Eyerly Committee Member Iain Quinn Committee Member Denise Von Glahn Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii Soli Deo gloria iii ACKNOWLEDGMENTS I am so grateful for many professors, mentors, family, and friends who contributed to the success of this dissertation project. Their support had a direct role in motiving me to strive for my best and to finish well. I owe great thanks to the following teachers, scholars, librarians and archivists, family and friends. To my dissertation committee, who helped in shaping my thoughts and challenging me with thoughtful questions: Dr. Eyerly for her encouragement and attention to detail, Dr. Quinn for his insight and parallel research of English students at the Leipzig Conservatory, Dr. -
Courier Gazette : May 7, 1895
T he Courier-Gaze V olum e 50. ROCKLAND, MAINE, TUESDAY, MAY 7, 1895. E ntered aa Seeoii artil’ery for the Depa1 GOLD BONDS FOR SALE! Maj.-Gen. Hiram G. Berry HOME HAPPENINGS. took charge of the defens! Hix per cent Electric K. It. Bonds, payable prin Kingston lie a as given cipal and Intercet In gold, by the Bouton Hnfe Halibut has dropped to 16 cents a pound 23d Armv ( np«, which Deposit and Trust Company, and Municipal 4M and it’s nice rating at that figure. ana 6 per cent Ronda. Aleo money Invested in J B I O G l t A P U Y several engagements during tl real estate securities. For eale by F. .M. 811 AW, Charles Smalley has the local agency of the ’64. lie continued in charge o’ Broker. 420 Main Street, Rockland 14-17 Chicago Saturday Blade, a very sharp paper. which w?'c flicially comrnende Written fo r the Courier-Gazette by Edward K. Gould Loved by all When Living, and His in the military division of the Mississi Heavy frost Wednesday night, ice froze, also organized the 1st U. S. Heavy Mrs. Anna (jrangerd)ow ground froze, and also plants that were in I Begun In No. 8. Back numbers can be bad.) Copyrighted—All Rights Reserved. advertently left out in the cold Death Universally Mourned. I of colored troops of the 3d North OF NEW YORK. Mounted Infantry. He subsequently ha' Capt. Farwell doesn’t want delinquent tax command of the District of East Tennessee Takes pleasure In announcing to the mual- XI.