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Pioneering the Red Planet
RVD NASA PIONEERING THE RED PLANET Adventures on Martian soil Mars has always obsessed humankind - the Red planet, the ‘New Earth’. And with the recent successful landing of NASA’s Curiosity rover, Mars is closer than ever. Ever since 1960, we have actively been sending probes and rovers to observe the planet, but not without defeat. The road to the red planet is long, and the landing is rough. And since we do not have the technology yet to bring pieces of Mars to our laboratories, we’ll have to bring the laboratories to Mars. TEXT Ivo van der Peijl and Marijn Veraart, Students Aerospace Engineering, President and Treasurer of the 27th Space Department. THE EARLY DAYS ther attempts, the Mars 4 through 7, were velocity of 1cm/s. The main task of the rov- Between October 10, 1960 and 1967, six all partially successful. They all gathered er was to examine rocks nearby the land- Mars missions were undertaken, ! ve by some data, but none of them were able to ing site. Equipped with an Alpha Particle the USSR and one by USA. This was maybe either enter the intended orbit, or make a X-ray Spectrometer (APXS), the composi- too ambitious for the early days, because successful landing. tion of rocks could be determined. two failed to reach earth orbit, two failed It was NASA who had the next success. The oldest Mars-related spacecraft that is to leave it and two had problems en route. The Viking 1 landed on the Martian sur- still in use today is the 2001 Mars Odys- It was December 20, 1967 when the Mari- face July 20, 1976, shortly followed by the sey. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
Obituary "C" Index
Obituary "C" Index Copyright © 2004 - 2021 GRHS DISCLAIMER: GRHS cannot guarantee that should you purchase a copy of what you would expect to be an obituary from its obituary collection that you will receive an obituary per se. The obituary collection consists of such items as a) personal cards of information shared with GRHS by researchers, b) www.findagrave.com extractions, c) funeral home cards, d) newspaper death notices, and e) obituaries extracted from newspapers and other publications as well as funeral home web sites. Some obituaries are translations of obituaries published in German publications, although generally GRHS has copies of the German versions. These German versions would have to be ordered separately for they are kept in a separate file in the GRHS library. The list of names and dates contained herein is an alphabetical listing [by surname and given name] of the obituaries held at the Society's headquarters for the letter combination indicated. Each name is followed by the birth date in the first column and death date in the second. Dates may be extrapolated or provided from another source. Important note about UMLAUTS: Surnames in this index have been entered by our volunteers exactly as they appear in each obituary but the use of characters with umlauts in obits has been found to be inconsistant. For example the surname Büchele may be entered as Buchele or Bahmüller as Bahmueller. This is important because surnames with umlauted characters are placed in alphabetic order after regular characters so if you are just scrolling down this sorted list you may find the surname you are looking for in an unexpected place (i.e. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Conference Program
Conference Program 24th WRMISS Conference Program: Tuesday 3rd September 2019 08.30 – 09:00 Registration 09.00 – 10:00 Opening 10.00 – 10:30 Scientific Session 1 10.30 – 11.30 Coffee/Tea Break 11.30 – 13:00 Scientific Session 2 13:00 – 14:00 Lunch 14.00 – 15:30 Scientific Session 3 15.30 – 16:30 Coffee/Tea Break 16:30 – 18.15 Scientific Session 4 Major of Athens, Ministry of Ministry of digital policy Ministry of Ministry of Development and Investment Opening speeches President of Hellenic Space Center Greek ESA‐ representative NASA Radiation Health Officer: Edward Semones Guenther Reitz, Marianthi Fragopoulou Welcome and Organisational Issues Scientific Session 1 Reviewing ISS‐member cancer and non‐cancer risk models and their Samy El‐Jaby differences for exploration class missions Scientific Session 2 Xiaojing Xu Validation of Trapped Proton Environments with EFT‐1 Measurements Solar Modulation, Forbush decreases and Solar Particle Events by AMS Claudio Cordi onboard ISS Validation of NASA’s Radiation Analysis Tools with ISS Radiation Martha Clowdsley Environment (REM) Measurements Scientific Session 3 Pawel Bilski Fluorescent Nuclear Track detectors based on LiF single crystals Lawrence Pinsky The Timepix 2 from the Medipix 2 Collaboration – First results The AMS‐02 experiment as a cosmic ray flux and radiation monitor on the Valerie Formato ISS Scientific Session 4 GCR flux and dose rates variations observed experimentally by 13 Liulin Tsvetan Dachev Type instruments between 1991 and 2019 Attila Hirn Pille Measurements on ISS (February -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Item 7, Appeal No. 20-042 @ 2900 25Th Street.Pdf
BOARD OF APPEALS, CITY & COUNTY OF SAN FRANCISCO Appeal of Appeal No. 20-042 RICHARD SEGOVIA, ) Appellant(s) ) ) vs. ) ) SAN FRANCISCO PUBLIC WORKS, ) BUREAU OF STREET USE & MAPPING, ) Respondent NOTICE OF APPEAL NOTICE IS HEREBY GIVEN THAT on June 19, 2020, the above named appellant(s) filed an appeal with the Board of Appeals of the City and County of San Francisco from the decision or order of the above named department(s), commission, or officer. The substance or effect of the decision or order appealed from is the ISSUANCE on June 18, 2020 to Extenet Systems LLC, of a Wireless Box Permit (installation of Personal Wireless Service Facility in a Zoning Protected location) at 2900 25th Street. APPLICATION NO. 18WR-0369 FOR HEARING ON July 29, 2020 Address of Appellant(s): Address of Other Parties: Richard Segovia, Appellant(s) Extenet Systems LLC, Determination Holder(s) 2880 25th Street c/o Joseph Camicia, Agent for Determination Holder(s) San Francisco, CA 94110 2000 Crow Canyon Place #210 San Ramon, CA 94582 c/o Rick Hirsch, Agent for Determination Holder(s) 5957 Keith Ave. Oakland, CA 94618 Date Filed: June 19, 2020 CITY & COUNTY OF SAN FRANCISCO BOARD OF APPEALS PRELIMINARY STATEMENT FOR APPEAL NO. 20-042 I / We, Richard Segovia, hereby appeal the following departmental action: ISSUANCE of Wireless Box Permit No. 18WR-0369 by the San Francisco Public Works, Bureau of Street Use & Mapping which was issued or became effective on: June 18, 2020, to: Extenet Systems LLC, for the property located at: 2900 25th Street. BRIEFING SCHEDULE: The Appellant may, but is not required to, submit a one page (double-spaced) supplementary statement with this Preliminary Statement of Appeal. -
Annual Report 2017-2018
ANNUAL REPORT IISc 2017-18 INDIAN INSTITUTE OF SCIENCE VISITOR The President of India PRESIDENT OF THE COURT N Chandrasekaran CHAIRMAN OF THE COUNCIL P Rama Rao DIRECTOR Anurag Kumar DEANS SCIENCE: Biman Bagchi ENGINEERING: K Kesava Rao UG PROGRAMME: Anjali A Karande REGISTRAR V Rajarajan Pg 3 IISc RANKED INDIA’S TOP UNIVERSITY In 2016, IISc was ranked Number 1 among universities by the National Institutional Ranking Framework (NIRF) under the auspices of the Ministry of Human Resource Development. It was the first time the NIRF came out with rankings for Indian universities and institutions of higher education. In both 2017 and 2018, the Institute was again ranked first among universities, as well as first in the overall category. CONTENTS Foreword IISc at a Glance 8 1. The Institute 18 Court 5 Council 20 Finance Committee 21 Senate 21 Faculties 21 2. Staff (administration) 22 3. Divisions 25 3.1 Biological Sciences 26 3.2 Chemical Sciences 58 3.3 Electrical, Electronics, and Computer Sciences 86 3.4 Interdisciplinary Research 110 3.5 Mechanical Sciences 140 3.6 Physical and Mathematical Science 180 3.7 Centres under the Director 206 4. Undergraduate Programme 252 5. Awards/Distinctions 254 6. Students 266 6.1 Admissions & On Roll 267 6.2 SC/ST Students 267 6.3 Scholarships/Fellowships 267 6.4 Assistance Programme 267 6.5 Students Council 267 6.6 Hostels 267 6.7 Institute Medals 268 6.8 Awards & Distinctions 269 6.9 Placement 279 6.10 External Registration Program 279 6.11 Research Conferments 280 7. Events 300 7.1 Institute Lectures 310 7.2 Conferences/Seminars/Symposia/Workshops 302 8. -
Delay (Book PDF)
JAMES NEWITT DELAY JAMES NEWITT JAMES DEL AY CONTEMPORARY ART TASMANIA 1 2 DEL AY (No answer) I replace their desire to return to their homes and cities with the ancient dream of the desert island. Like children, each day they would ask me to repeat for them the description of that island where they would be happy. They began to imagine it vividly, obsessively. These are the last lines that you wrote. You cease to become an observer and in some ways you cease to exist. Everything becomes very simple. No joy, no pity, no terror. In May 2016, Contemporary Art Tasmania staff met with James Contemporary Art Tasmania. The germination of the exhibition, Newitt in lieu of a regular studio visit. His itinerant life between Delay and the film, I Go Further Under likely occurred here, and Hobart and Lisbon meant we had to sit around a laptop while he at that time, from the liberating flow and pull of the Derwent’s surfed video segments and provided insights to the interplay of southbound current. In his 2016/17 research project, A Plan for choreography, physicality, anguish, observation, ideation, repetition Escape, at the Glenorchy Art & Sculpture Park, Newitt uncovered and fatigue that made up the kaleidoscopic narrative structure of the story of Jane Cooper’s lone retreat to De Witt Island, along his 2015 film, The Rehearsal. Later, when viewing The Rehearsal in with the public and official reaction to her perceived psychological its entirety, I was struck by an idea that I had somehow watched it withdrawal and apparent abandonment of humanity. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years.