2005 Burning Man Journal
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How I Learned to Stop Worrying and Just Trust Larry a Little Bump in Our
The author, AirTron, How I learned to stop Next year I’m totally is ready OUT / IN to build LINGO an art car... Barbie Death Camp Spanky’s Wine Bar next year art carnage the injured Burners & Wine Bistro worrying and just trust Larry building an art car dropped off by art cars to the medical beer pickletinis tents and ramparts, especially after the by SCRIBE vehicles to license, its ticket by AIRTRON art car – my glorious mutant vehicle Man and Temple burns Black Rock Academy Lazy Skool Daze The author, Scribe, pricing structure, and size – what a rewarding experience THAT Blue Oasis Decadent Oasis his is as good as it gets, dropping words of the city (it was able to hat’s the best way to get around will be! Despite the fact that I’m sure it back-burnered when your former Burners – right here, like bombs get the BLM to increase the idea and you want it bad enough. Well, Esplanade theme camp gets placed on BRBC BMIR the playa? Duh, an art car, obvi- will be über-popular with my friends T right now, in beauti- maximum population from W ously! The bigger, the brighter, and will fill up with riders at my camp, my idea is epic and I’ve never wanted the back streets instead buckets at Juplaya porta-potties at ful, bountiful Black Rock 60,000 last year to 68,000 the louder – the better! When an art I’ll always be sure save a few spots for anything more. Not all of the specif- Burning Man City. -
Volunteer Appreciation Research Project
Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership. -
Burning Man Principles Consent Gratitude
Burning Man Principles Consent Gratitude When Derby unbarring his floppy overstudies not quadrennially enough, is Bubba monotheistical? Implemental Spiro polkas physiognomically while Tobit always overslaughs his sit-ins sit-in whereinto, he absterged so translationally. Porose Wait bespeckle some photogeology and demist his tombacs so arrogantly! The tent rather shy and are breaks agreements more systematically in part of strangers and families to posting any closer attention from or camping spot and principles burning Burning Man's Census asked What sin your motion for attending Burning Man. How to Cultivate Relationships for Effective Teamwork by. None of these topics critical because anything touching, compensation competitive firms with burning man principles consent gratitude for an other events have an inadequate sums available through gerlach, served as hard. Burning Man executive doesn't want to owe to models and. Second those relying on implicit flow or bottom third slab which request to. King Benjamin's Virgin Burner Blog The 10 Principles of Burning Man Radical Inclusion G. The Ten Principles of Burning Man include radical inclusion and radical. What is gratitude invites you got naked mike had worked hard times for burning man principles consent gratitude. After getting consent as touch because I would stick my hands on their. It's down main principle of the gathering the unconditional act any gift exchange without expecting anything for return. Most workers on Deepwater Horizon from BP's top slot man. Burning man with others, they ended up within his methods shown below but when greeting a burning man principles consent gratitude invites you can i preached after. -
GENERAL INFO BE RESPECTFUL ICE Ignition Is Held on Private Land
GENERAL INFO BE RESPECTFUL ICE Ignition is held on private land. Please respect this The only thing sold at Ignition is ICE! For sale at The beautiful organic farm! No Chemicals allowed. Drive Depot during opening hrs . Please try to have exact carefully and follow the signs. change ($5/bag). BOUNDARIES LOST AND FOUND Please don’t wander off, pretty please! Respect any Small valuables like phones, wallets and car keys can be boundary tape we have put in place – it is there to brought to The Depot. Clothes and other items are your protect your safety. Don’t cross the river or climb the responsibility. cliffs! If you are found outside festival grounds, you may be evicted from the event. MOOP (MATTER-OUT-OF-PLACE) Our community respects the environment. We are COMMERCE committed to leaving no physical trace of our activities You can not buy or sell anything. Ignition is a place of wherever we gather. If you see MOOP, pick it up. You are sharing and free exchange within a gift economy. The only responsible for ensuring your campsite is clean before you exception to this is the purchase of ice (see below). leave. Please do not leave food scraps. THE DEPOT RUBBISH The Depot is our on-site information and volunteer hub. Remember: Ignition is a Leave No Trace Event. Pack it Opening Hours: 10am to 5pm Monday to Sunday, 10am to 2pm In, Pack it Out. We aim to leave the site cleaner than we the last Monday found it. TAKE YOUR RUBBISH HOME! Do not empty rubbish or put anything other than human waste in the EMERGENCIES portable toilets. -
Order in the Desert: Law Abiding Behavior at Burning Man
Journal of Dispute Resolution Volume 2013 Issue 2 Article 5 2013 Order in the Desert: Law Abiding Behavior at Burning Man Manuel A. Gomez Follow this and additional works at: https://scholarship.law.missouri.edu/jdr Part of the Dispute Resolution and Arbitration Commons Recommended Citation Manuel A. Gomez, Order in the Desert: Law Abiding Behavior at Burning Man, 2013 J. Disp. Resol. (2013) Available at: https://scholarship.law.missouri.edu/jdr/vol2013/iss2/5 This Article is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Journal of Dispute Resolution by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Gomez: Gomez: Order in the Desert Order in the Desert: Law Abiding Behavior at Burning Man Manuel A. Gdmez INTRODUCTION Burning Man is an annual art event and temporary community based on radi- cal self-expression and self-reliance, in the Black Rock Desert of Nevada.' The event is a week-long annual affair that draws more than fifty thousand partici- pants, known as "burners," from around the world. 2 The event takes place in the custom-built, temporary, Black Rock City,3 located in a prehistoric lakebed or "playa" in the Black Rock desert, more than one hundred miles from Reno. Black Rock City is rebuilt annually on seven square-miles of federal land in the southern point of the Black Rock Desert.4 Burners are explicitly encouraged to partake in acts of "radical self-expression." They do so through artistic performances; by creating interactive sculptures and other outdoors art installations, through cos- tumes and fashion, music, art vehicles, and visual media.5 *Associate Professor, Florida International University College of Law. -
Michael Mikel: Burning Man Collection CAE1305
Michael Mikel: Burning Man Collection CAE1305 Introduction/Abstract This archive contains materials related to Burning Man, the annual art event and temporary community program held every year in the Black Rock Desert during the last week in August, which had its origins in the 1980s at Baker Beach in San Francisco. Materials include participant and program ephemera, slides, photographs, video, design documents, and press. Biographical Note: Michael Mikel, aka Danger Ranger Michael Mikel, whose playa name is Danger Ranger, was one of the three founders of Burning Man in 1990 along with John Law and Larry Harvey. He remains part owner of the parent company, Black Rock City LLC, as well as serving on the board of directors of the nonprofit Burning Man Project. In 1992, Mikel founded the Black Rock Rangers, and he continues to oversee security for the annual event. Mikel created the first Burning Man mailing list database, produced the first issue of the Black Rock Gazette, established the Burning Man Archive, and drove the first art car to the Black Rock Desert. In 2001, he visited regional burn communities during his Tour of America as an ambassador for Burning Man. In addition, Mikel functions as an important member of San Francisco's Cacophony Society—"a randomly gathered network of free spirits united in pursuit of experience beyond the mainstream." It was the society that organized the trip to the Black Rock Desert in 1990 known as “Zone Trip #4,” and which hosted the first burn of the Man in the desert that year. Mikel has an engineering systems background in computers and robotics. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
What Do Rangering Mean to You?
“... I keep piuring all the little kids laying some game in this big field of rye and all. Thousands of little kids, and nobody’s around— nobody big, I mean— except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff— I mean if they’re running and they don’t look ere they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.” — J.D. Salinger, The Catcher in the Rye, 1945 Cover: The Long Shadows of Swing Shift Photo by disKo Above: The Ranger Land Cruiser Photo by Haiku Back Cover: R 'n R, Photo by disKo Table of Contents Introduction . 2 Ranger Operations . 4 Ranger Duties. 7 Ranger Equipment . 9 Ranger Skills and Responsibilities. 10 F.L.A.M.E. & Conflict Resolution . 13 Resources and Community . 19 Black Rock Rangers Protocol . 24 General Event Information . 26 What Does Rangering Mean to You?. 33 Additional Information . 34 Contact Information . 35 Introduction To the burn perimeter photo by Sanskrit Black Rock Rangers The Black Rock Rangers are a volunteer organization dedicated to the safety of Black Rock City and its environs. The Black Rock Rangers are a cross-section of the Burning Man community, who volunteer some of their time in the role of non-confrontational community mediators. -
Into the Zone
chapter 1 Into the Zone By the time I first got to Burning Man in 1996— which turned out to be a pivotal year for the event— it had already changed dramatically from its humble beginnings a decade before. On summer solstice eve in 1986, a man named Larry Harvey and his friend Jerry James decided, for no premeditated reason, to host an impromptu gathering on San Fran- cisco’s Baker Beach, where they constructed a primitive wooden effigy and burned it. Having invited just a handful of friends to join them, they were delighted to discover that as they set flame to the eight- foot- high sculpture, the spectacle attracted onlookers from up and down the beach. As Harvey tells the often-repeated tale, someone began to strum a gui- tar, others began to dance and interact with the figure, and a spontaneous feeling of community and connectedness came upon those gathered— friends and strangers alike (see DVD, chap. 1). Flushed with the unan- ticipated success of the gathering, Harvey and James soon decided to hold it again the next year; with each subsequent iteration, both the crowd and the sculpture grew substantially. Numerous legends have accumulated around the birth of the festival and— as is often the case with largely oral traditions—the elements of the narrative have shifted with each retelling, as some aspects have been emphasized and others lost in the dust. For his part, Harvey insists that he had no consciously preconceived ideas about the meaning of the Burning Man, let alone about starting a global movement. -
Les Chaleurs Du Festival Burning Man
LES CHALEURS DU FESTIVAL BURNING MAN LE 6 SEPTEMBRE 2011 CLÉMENT BAUDET Sur la côte Ouest des États-Unis, le festival Burning Man, le plus dingue de la planète, s'est achevé la nuit dernière. Récit tout en longueur de ces folles nuits dans la ville éphémère de Black Rock City. MAJ : Le Burning man dans une (belle) vidéo ? C’est comme si vous y étiez et c’est ici. Tous les ans, au début du mois de septembre, se déroule dans le désert du Nevada le fameux festival Burning Man [en]. Projet collectif un peu fou qui existe depuis plus de vingt ans. La dernière édition s’est achevée la nuit dernière. Cette gigantesque fête collaborative qui prend sa source sur la côte Ouest des États Unis est liée à l’émergence des industries du web dans la Silicon Valley. Une fois cher payée l’entrée, économie du don et culture jamming et Do It Yoursef (DIY, fais-le toi-même) sont joyeusement pratiquées pendant sept jours dédiés à la création. La ville éphémère de Black Rock City attire aujourd’hui de plus en plus de geeks et autres fous de nouvelles technologies. Exemple parfait des liens qui existent entre les hippies de San Francisco et les dirigeants de Google… Burning Man c’est un peu une incarnation de la Zone d’Autonomie Temporaire d’Hakim Bey, avec couleurs, costumes excentriques, installations artistiques, numériques et pyrotechniques hors du commun, voitures mutantes (art cars ) tout droit sorties de MadMax errant dans un décor post-apocalyptique, interdiction de pratiquer toute transaction commerciale pendant le rassemblement… Black Rock City [en] est un « espace autre », recréé ex-nihilo par des milliers de « burners » qui forment cette ville qui devient alors la troisième plus grande du Nevada. -
Burning Man Journal All the News That’S Fit to Burn H Summer 2006
BURNING MAN JOURNAL ALL THE NEWS THAT’S FIT TO BURN H SUMMER 2006 By Tom COMMERCE & COMMUNITY Why I’m Here P r i c e DIStILLIng PHILOSOPHY FROM A CUP OF COffEE Last year at Burning Man, immediately following news of Hurricane By Larry Harvey Katrina, our community began to spontaneously organize a response. A relief fund was collected at the event, initially totaling $35,000, but during the ensuing weeks this soon swelled into many thousands more. One of the largest and longest lasting of ometimes AN Exception to A rule can deepen these efforts eventually became what is known as Burners Without Borders, providing disaster relief with a decidedly playa flair a philosophy. For example, some critics of the Burning Man – learn about their work at www.burnerswithoutborders.org. Project insist that by allowing coffee sales in our city’s Center Below is a dispatch from the field written earlier this year by Tom S Price, a part-time Burning Man Project staff member. Camp Cafe we violate a tenet of our non-commercial ideology. They (Late February, PearLington, Mississippi) say that this is evidence of deep naiveté or demonstrates hypocrisy. y leather gloves sag with sopped up diesel, sweat, and the black water that oozes off rotting garbage. My reply is that we’ve never espoused a non-commercial ideology. To MUnder the cypress trees in the swamp out back, an be against commerce is to oppose the very existence of civilized life. oily sheen coats the water, smothering the snapping turtles, but having no impact on the clouds of gnats and mosquitoes. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group.