Order in the Desert: Law Abiding Behavior at Burning Man
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Burning Man's Mathematical Underbelly
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2018 Burning Man’s Mathematical Underbelly Seth S. Cottrell CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/306 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Burning Man’s Mathematical Underbelly A math degree can take you to a lot of places, both physically and figuratively, and if you play your cards right, you too can argue counterfactual definiteness with a shaman. First in 2008, and several times since, a fellow math PhD and I traveled to the Burning Man art festival to sit in the desert and talk with the locals about whatever they happened to be curious about. Burning Man began in 1986, when a group of people (who would argue endlessly over any finite list of their names) decided to assemble annually on a San Francisco beach and burn a wooden human effigy. In 1990, membership and a lack of fire permits forced Burning Man to combine with Zone #4, a “Dadaist temporary autonomous zone” piloted by the Cacophony Society, in the Black Rock Desert 110 miles outside of Reno, Nevada. Figure 1: Although The Man itself changes very little from year to year, his surroundings do. In this version from 2009, he’s surrounded by a forest of two by fours. -
How I Learned to Stop Worrying and Just Trust Larry a Little Bump in Our
The author, AirTron, How I learned to stop Next year I’m totally is ready OUT / IN to build LINGO an art car... Barbie Death Camp Spanky’s Wine Bar next year art carnage the injured Burners & Wine Bistro worrying and just trust Larry building an art car dropped off by art cars to the medical beer pickletinis tents and ramparts, especially after the by SCRIBE vehicles to license, its ticket by AIRTRON art car – my glorious mutant vehicle Man and Temple burns Black Rock Academy Lazy Skool Daze The author, Scribe, pricing structure, and size – what a rewarding experience THAT Blue Oasis Decadent Oasis his is as good as it gets, dropping words of the city (it was able to hat’s the best way to get around will be! Despite the fact that I’m sure it back-burnered when your former Burners – right here, like bombs get the BLM to increase the idea and you want it bad enough. Well, Esplanade theme camp gets placed on BRBC BMIR the playa? Duh, an art car, obvi- will be über-popular with my friends T right now, in beauti- maximum population from W ously! The bigger, the brighter, and will fill up with riders at my camp, my idea is epic and I’ve never wanted the back streets instead buckets at Juplaya porta-potties at ful, bountiful Black Rock 60,000 last year to 68,000 the louder – the better! When an art I’ll always be sure save a few spots for anything more. Not all of the specif- Burning Man City. -
Consumer Cynicism: Developing a Scale to Measure Underlying Attitudes Influencing Marketplace Shaping and Withdrawal Behaviours Amanda E
bs_bs_banner International Journal of Consumer Studies ISSN 1470-6423 Consumer cynicism: developing a scale to measure underlying attitudes influencing marketplace shaping and withdrawal behaviours Amanda E. Helm1, Julie Guidry Moulard2 and Marsha Richins3 1Division of Business, Xavier University of Louisiana, New Orleans, LA 70125, USA 2College of Business, Louisiana Tech University, Ruston, LA 71272, USA 3Department of Marketing, College of Business, University of Missouri, Columbia, MO 65211, USA Keywords Abstract Consumer activism, consumer rebellion, consumer cynicism, consumer skepticism, This article develops the construct of consumer cynicism, characterized by a perception of consumer alienation, consumer trust. a pervasive, systemic lack of integrity in the marketplace and investigates how cynical consumers behave in the marketplace. The construct was developed based on a qualitative Correspondence study and triangulated through developing a scale and investigating antecedents and Amanda E. Helm, Division of Business, Xavier consequential marketplace behaviours. The cynicism construct is uniquely suited to explain University of Louisiana, New Orleans, LA the underlying psychological processes hinted at in practitioner perceptions of the growing 70125, USA. E-mail: [email protected] mistrust and consumer research about rebellion behaviours, as well as to offer insight on consumers’ response to the increasingly sophisticated market. Previous research has doi: 10.1111/ijcs.12191 offered a glimpse of extreme rebellion behaviours such -
Burning Man Principles Consent Gratitude
Burning Man Principles Consent Gratitude When Derby unbarring his floppy overstudies not quadrennially enough, is Bubba monotheistical? Implemental Spiro polkas physiognomically while Tobit always overslaughs his sit-ins sit-in whereinto, he absterged so translationally. Porose Wait bespeckle some photogeology and demist his tombacs so arrogantly! The tent rather shy and are breaks agreements more systematically in part of strangers and families to posting any closer attention from or camping spot and principles burning Burning Man's Census asked What sin your motion for attending Burning Man. How to Cultivate Relationships for Effective Teamwork by. None of these topics critical because anything touching, compensation competitive firms with burning man principles consent gratitude for an other events have an inadequate sums available through gerlach, served as hard. Burning Man executive doesn't want to owe to models and. Second those relying on implicit flow or bottom third slab which request to. King Benjamin's Virgin Burner Blog The 10 Principles of Burning Man Radical Inclusion G. The Ten Principles of Burning Man include radical inclusion and radical. What is gratitude invites you got naked mike had worked hard times for burning man principles consent gratitude. After getting consent as touch because I would stick my hands on their. It's down main principle of the gathering the unconditional act any gift exchange without expecting anything for return. Most workers on Deepwater Horizon from BP's top slot man. Burning man with others, they ended up within his methods shown below but when greeting a burning man principles consent gratitude invites you can i preached after. -
Revolutionary Games and Repressive Tolerance: on the Hopes and Limits of Ludic Citizenship
http://dx.doi.org/10.7592/EJHR2015.3.2.3.shepard European Journal of Humour Research 3 (2/3) 18–34 www.europeanjournalofhumour.org Revolutionary Games and repressive tolerance: on the hopes and limits of ludic citizenship Benjamin Shepard Human Services Dept., City University of New York [email protected] Abstract This essay considers examples of boisterous game play, including ludic movement activity and humour in the context of the Occupy Wall Street movement in the USA. This form of auto- ethnography makes use of the researcher’s feelings, inviting readers into the personal, emotional subjectivities of the author. In this case, the author explores games, play, and humour highlighting a few of the possibilities and limits of play as a mechanism of social change, looking at the spaces in which it controls and when it liberates. While play has often been relegated to the sports field and the behaviour of children, there are other ways of opening spaces for play for civic purposes and political mobilization. The paper suggests play as a resource for social movements; it adds life and joyousness to the process of social change. Without playful humour, the possibilities for social change are limited. Keywords: play, Occupy Wall Street, Marx, Burning Man, pie fights. 1. Introduction Art and activism overlap in countless ways throughout the history of art and social movements. This essay considers the ways games, humour and play intervene and support the process. Here, social reality is imagined as a game, in which social actors play in irreverent, often humorous ways. Such activity has multiple meanings. -
Michael Mikel: Burning Man Collection CAE1305
Michael Mikel: Burning Man Collection CAE1305 Introduction/Abstract This archive contains materials related to Burning Man, the annual art event and temporary community program held every year in the Black Rock Desert during the last week in August, which had its origins in the 1980s at Baker Beach in San Francisco. Materials include participant and program ephemera, slides, photographs, video, design documents, and press. Biographical Note: Michael Mikel, aka Danger Ranger Michael Mikel, whose playa name is Danger Ranger, was one of the three founders of Burning Man in 1990 along with John Law and Larry Harvey. He remains part owner of the parent company, Black Rock City LLC, as well as serving on the board of directors of the nonprofit Burning Man Project. In 1992, Mikel founded the Black Rock Rangers, and he continues to oversee security for the annual event. Mikel created the first Burning Man mailing list database, produced the first issue of the Black Rock Gazette, established the Burning Man Archive, and drove the first art car to the Black Rock Desert. In 2001, he visited regional burn communities during his Tour of America as an ambassador for Burning Man. In addition, Mikel functions as an important member of San Francisco's Cacophony Society—"a randomly gathered network of free spirits united in pursuit of experience beyond the mainstream." It was the society that organized the trip to the Black Rock Desert in 1990 known as “Zone Trip #4,” and which hosted the first burn of the Man in the desert that year. Mikel has an engineering systems background in computers and robotics. -
Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
Street Art, Sweet Art? Reclaiming the “Public” in Public Place
Street Art, Sweet Art? Reclaiming the “Public” in Public Place LUCA M. VISCONTI JOHN F. SHERRY JR. STEFANIA BORGHINI LAUREL ANDERSON Consumer research has paid scant attention to public goods, especially at a time when the contestation between categorizing public and private goods and con- trolling public goods is pronounced. In this multisited ethnography, we explore the ways in which active consumers negotiate meanings about the consumption of a particular public good, public space. Using the context of street art, we document four main ideologies of public space consumption that result from the interaction, both conflict and common intent, of urban dwellers and street artists. We show how public space can be contested as private and commercialized, or offered back as a collective good, where sense of belonging and dialogue restore it to a mean- ingful place. We demonstrate how the common nature of space both stimulates dialectical and dialogical exchanges across stakeholders and fuels forms of layered agency. An empty wall is an empty population. (Field Venkatesh 2006, 307) via negotiated consumption behaviors site wall graffiti) (Murray 2002; Thompson and Haytko 1997). Those forms he variety of roles consumers play in the marketplace of consumer agency include acts of resistance (Kates 2002; T has long captivated the imagination of researchers. Not Kozinets 2002; Murray and Ozanne 1991), social move- only do consumers function as objects in the market, as ments (Kozinets and Handelman 2004), labor (Cova and targets of practitioners’ strategies, but also they act as sub- Dalli 2009), and political consumerism (Bostro¨m et al. 2005; jects by means of agentic “processes through which selves Micheletti, Follesdal, and Dietlind 2003). -
2009 Annual Report
MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES 2009 Annual Report VOLUME XIX NUMBER 3 Psychedelic Science in the 21st Century A Continuing Medical Education (CME) Conference with concurrent presentations in a non-CME track For physicians, medical & therapeutic professionals and the general public. April 15-18, 2010 • San Jose, California Presented by the Multidisciplinary Association for Psychedelic Studies (MAPS) Featuring presentations by: co-founder of transpersonal psychology Stanislav Grof, M.D. consciousness researcher & psychotherapist Ralph Metzner, Ph.D. visionary artists Alex and Allyson Grey founders of Erowid.org Earth and Fire Erowid pharmacologist & chemist Alexander “Sasha” Shulgin, Ph.D. Psychedelic integrative medicine proponent Andrew Weil, M.D. Matt Baggott, Ph.D. Candidate, (UC Berkeley, LSD, MDMA, MDA, salvia divinorum researcher) Jose Carlos Bouso, Ph.D. Candidate (Spain, MDMA/PTSD researcher) SCIENCE Alicia Danforth, Ph.D. Candidate (ITP, UCLA psilocybin researcher) IN THE Rick Doblin, Ph.D. (executive director & founder of MAPS) Frank Echenhofer, Ph.D. (California Institute of Integral Studies) James Fadiman, Ph.D. (Institute of Transpersonal Psychology) Amanda Feilding, (Director of The Beckley Foundation) Twenty-first Peter Gasser, M.D. (Switzerland, LSD/end-of-life anxiety researcher) Neal Goldsmith, Ph.D. (author, psychotherapist) Roland Griffiths, Ph.D. (JHU, psilocybin/mystical experiences researcher) Century Charles Grob, M.D. (UCLA, psilocybin/cancer anxiety researcher) John Halpern, M.D. by video link (Harvard, neurocognitive consequences of ecstasy researcher) A Continuing Julie Holland, M.D. (NYU School of Medicine, psychiatric emergency services) Medical Sergio Marchevsky, M.D. (Israel, MDMA/PTSD researcher) John Mendelson, M.D. (CPMC RI, LSD, MDMA, MDA, salvia divinorum researcher) Education Michael Mithoefer, M.D. -
Contentious Politics, Culture Jamming, and Radical
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation David Matthew Iles, III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Iles, III, David Matthew, "Boxing with shadows: contentious politics, culture jamming, and radical creativity in tactical innovation" (2009). LSU Master's Theses. 878. https://digitalcommons.lsu.edu/gradschool_theses/878 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BOXING WITH SHADOWS: CONTENTIOUS POLITICS, CULTURE JAMMING, AND RADICAL CREATIVITY IN TACTICAL INNOVATION A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by David Matthew Iles, III B.A., Southeastern Louisiana University, 2006 May, 2009 ACKNOWLEDGEMENTS This thesis was completed with the approval and encouragement of my committee members: Dr. Xi Chen, Dr. William Clark, and Dr. Cecil Eubanks. Along with Dr. Wonik Kim, they provided me with valuable critical reflection whenever the benign clouds of exhaustion and confidence threatened. I would also like to thank my friends Nathan Price, Caroline Payne, Omar Khalid, Tao Dumas, Jeremiah Russell, Natasha Bingham, Shaun King, and Ellen Burke for both their professional and personal support, criticism, and impatience throughout this process. -
The Handy Condensed Library of Art Sal Randolph
THE HANDY CONDENSED LIBRARY OF ART SAL RANDOLPH MATERIAL PROCESS STRUCTURE ACTION SITUATION DURATION SOCIAL COLOR SUBJECT STYLE ANTAGONISM POST RULES MATERIAL PLASTIC WAX GIFT MACHINERY TRASH WORDS LIGHT MATH COPPER BOOK PACKAGING ART STONE FIBER GLASS HERBS IRON TEXT AIR SPACE BAMBOO TALK DIRT TOY WOOD HARDWARE SUN CLOTHING COLOR DARKNESS INSTRUCTIONS MAIL SILK FURNITURE INSECTS FABRIC FOOD TEMPERATURE BRICK METAPHOR MINERAL SOUND PAPER HABITS VINYL WIRE STEEL PLASTER LEAD WATER MOTORS STYROFOAM TOOL NYLON SMELL EQUIPMENT SALT PASTEL CEMENT CLAY ACTION COTTON LANGUAGE INK TIN WOOL LABOR SHELTER ENERGY SIGN ALUMINUM PAINT LIQUID RUBBER WHEAT FLOUR JELLO BEDDING PHILOSOPHY FLOWERS SNOW ICE PLANTS CARDBOARD GLUE PEOPLE MYLAR SUGAR MILK METAL TILE COFFEE CERAMIC IDEAS SHELL INTERACTIONS BONE LEAVES HAIR MONEY CUM VOICE FORMICA SPIT GESTURE WIND FRIENDS FUR BOARDS PLATES ARGUMENT LATEX NUMBERS MYTH SAND RULES BEER TAFFETA AROMA VAPOR SKY CONVERSATION GAS MOUNTAIN DIALOGUE BULBS CHAIRS LETTERS BREATH SPICES MOVEMENT WATERCOLOR MIRROR GEARS LEATHER BUILDING MEASUREMENT SEA NOISE FLAG GRASS EXPECTATION GAME DOUGH CLOTH STORIES OIL CASH GOLD CAKE PROCESS ROLL POUR DYE PICKLE SPRAY AERATE WEAVE DRY CONQUER PLAY ENTER DISINTEGRATE INVERT ENCLOSE MELT OPEN PIERCE INVADE CATCH PROPEL SLICE SOFTEN PILE REGULATE BITE STAIN VARNISH PROP RUB APPLY MEND DESCRIBE IMPROVE OPPOSE DECORATE SERVE BAKE IDENTIFY PERFORM BREAK RELEASE TEAR BURY REVEAL PLEAT INTERROGATE CLOSE HANG SEAL DISPLACE MEDICATE BURDEN REFINE CAST PIN DRILL NARRATE GLUE EXAMINE TRIM CATALOG -
What Do Rangering Mean to You?
“... I keep piuring all the little kids laying some game in this big field of rye and all. Thousands of little kids, and nobody’s around— nobody big, I mean— except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff— I mean if they’re running and they don’t look ere they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.” — J.D. Salinger, The Catcher in the Rye, 1945 Cover: The Long Shadows of Swing Shift Photo by disKo Above: The Ranger Land Cruiser Photo by Haiku Back Cover: R 'n R, Photo by disKo Table of Contents Introduction . 2 Ranger Operations . 4 Ranger Duties. 7 Ranger Equipment . 9 Ranger Skills and Responsibilities. 10 F.L.A.M.E. & Conflict Resolution . 13 Resources and Community . 19 Black Rock Rangers Protocol . 24 General Event Information . 26 What Does Rangering Mean to You?. 33 Additional Information . 34 Contact Information . 35 Introduction To the burn perimeter photo by Sanskrit Black Rock Rangers The Black Rock Rangers are a volunteer organization dedicated to the safety of Black Rock City and its environs. The Black Rock Rangers are a cross-section of the Burning Man community, who volunteer some of their time in the role of non-confrontational community mediators.