August 2019 Program Schedule
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John Sebastian's Wolf
ISSUE 44 MUSIC EDITION JUNE 25, 2007 John Sebastian’s Wolf: The reason for a “transformation” rather than “A Whole ’Nother Animal” a “tweak” was pure and simple, black and white The original Wolf launched on KPLX/Dallas in July mathematics. The ratings before I got here were the worst 1998. In its short history, it has become one of the most back-to-back monthlies in the history of the Wolf. It didn’t honored, storied and imitated of all need a tweak that might get a three share; it needed a Country stations. Veteran programmer transformation to get back to the four’s and five’s and into John Sebastian was named PD of the a Top 3 position in 25-54 Adults. Cumulus Country outlet in mid-March, The Wolf was beginning to sound too much like and in a very short time has transformed KSCS and going off on some tangents that weren’t very the Wolf into a very different animal than mass-appeal. The station was misaligned, with a lot of architect and original PD Brian Philips promotions, events and concentrated efforts targeted to 18- birthed almost nine years ago. 34s and not 35-44s. Based on my knowledge of successful Country radio, if you don’t win 35-44, you’re dead. And Country Aircheck: What were your first impressions the Wolf was getting slaughtered 35-44. Even though the of the Wolf as you considered taking the PD post? Wolf was beating KSCS 18-34, the [ratings] disparity JS: The music was too safe. -
CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. -
Bearsville Theater
BEARSVILLE Heartbeat of Woodstock The 15 acre Bearsville site was designed and built by legendary music impresario Albert Grossman in the 1960’s and 70’s. Albert managed Bob Dylan, Janis Joplin, The Band and countless other remarkable artists. He chose Bearsville because of its pastoral setting alongside the banks of the Sawkill Creek. He saw Bearsville as a utopian home for his artists to live, write, record, and perform new music in a relaxed bucolic environment, just two hours from NYC. Albert was aided by John Storyk, the architect of acoustic spaces architect who famously designed Jimi Hendrix’s Electric Lady Studios in NYC. The studios and record label thrived and were successful, even after Albert’s early and Utopia unexpected passing in 1986. Both enterprises have since closed. At the heart of the Center today stands Bearsville Theater, long enjoyed by musicians and music lovers who want to experience the sights and sounds that inspired some of music’s most important writers, singers and performers. Although the Theater opened in 1989, there followed more than 25 years of ownership changes, and the complex never fulfilled Albert’s complete vision. OVERLEAF x BEARSVILLE THEATER 277-297 Tinker Street • Woodstock, NY 12498 BearsvilleTheater.com In 2019 the social entrepreneur Lizzie Vann purchased the Center and began a wholesale renovation, rebuilding Bearsville back into a place for artist development – as Albert wanted it to be. The goal today is to encourage and support future generations of artists, in the same way that Albert saw the need for a whole-person approach to nurturing the creative spirit of his artists. -
Music Express Song Index V1-V17
John Jacobson's MUSIC EXPRESS Song Index by Title Volumes 1-17 Song Title Contributor Vol. No. Series Theme/Style 1812 Overture (Finale) Tchaikovsky 15 6 Luigi's Listening Lab Listening, Classical 5 Browns, The Brad Shank 6 4 Spotlight Musician A la Puerta del Cielo Spanish Folk Song 7 3 Kodaly in the Classroom Kodaly A la Rueda de San Miguel Mexican Folk Song, John Higgins 1 6 Corner of the World World Music A Night to Remember Cristi Cary Miller 7 2 Sound Stories Listening, Classroom Instruments A Pares y Nones Traditional Mexican Children's Singing Game, arr. 17 6 Let the Games Begin Game, Mexican Folk Song, Spanish A Qua Qua Jerusalem Children's Game 11 6 Kodaly in the Classroom Kodaly A-Tisket A-Tasket Rollo Dilworth 16 6 Music of Our Roots Folk Songs A-Tisket, A-Tasket Folk Song, Tom Anderson 6 4 BoomWhack Attack Boomwhackers, Folk Songs, Classroom A-Tisket, A-Tasket / A Basketful of Fun Mary Donnelly, George L.O. Strid 11 1 Folk Song Partners Folk Songs Aaron Copland, Chapter 1, IWMA John Jacobson 8 1 I Write the Music in America Composer, Classical Ach, du Lieber Augustin Austrian Folk Song, John Higgins 7 2 It's a Musical World! World Music Add and Subtract, That's a Fact! John Jacobson, Janet Day 8 5 K24U Primary Grades, Cross-Curricular Adios Muchachos John Jacobson, John Higgins 13 1 Musical Planet World Music Aeyaya balano sakkad M.B. Srinivasan. Smt. Chandra B, John Higgins 1 2 Corner of the World World Music Africa: Music and More! Brad Shank 4 4 Music of Our World World Music, Article African Ancestors: Instruments from Latin Brad Shank 3 4 Spotlight World Music, Instruments Afro-American Symphony William Grant Still 8 4 Listening Map Listening, Classical, Composer Afro-American Symphony William Grant Still 1 4 Listening Map Listening, Composer Ah! Si Mon Moine Voulait Danser! French-Canadian Folk Song, John Jacobson, John 13 3 Musical Planet World Music Ain't Gonna Let Nobody Turn Me Around African-American Folk Song, arr. -
Omnivore Recordings Releases a Career-Spanning Five-Cd Set Celebrating the Music of Nrbq
OMNIVORE RECORDINGS RELEASES A CAREER-SPANNING FIVE-CD SET CELEBRATING THE MUSIC OF NRBQ November 11 release contains hits, rarities, concert favorites and previously unreleased gems, plus liner notes, ephemera and previously unseen photos. high noon n. : The most advanced, flourishing, or creative stage or period. NRBQ n. : An endlessly creative band on a 50-year high that continually amazes and delights its listeners. BRATTLEBORO, Vt. — There aren’t many bands that have lasted for 50 years, and the list of those still at the top of their creative game is even smaller. High Noon: A 50-Year Retrospective will offer a fascinating look at one of the best. Street date for the set is November 11, 2016. Over the past half century, NRBQ has proven to be a group of peerless and unique musicians, songwriters and performers, continuing to prove it with each new album and live performance. Omnivore Recordings will celebrate this legendary band with the release of High Noon: A 50-Year Retrospective consisting of five CDs of classic recordings all carefully remastered along with many rare and previously unissued gems in an attractive package featuring extensive notes and previously unseen photos. High Noon contains 106 songs and offers a new and fascinating look at a great band, with each disc a unique listening adventure unto itself. The set provides a unique perspective for devoted fans as well as for adventurous newcomers who might only know of NRBQ through other artists’ versions of originals like “Me and the Boys,” “Ridin’ in My Car” and “Christmas Wish” or from hearing their music on TV shows such as The Simpsons, Weeds or Wilfred. -