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EDWARD THOMAS: Towards a Complete Checklist of His
Edward Thomas: A Checklist © Jeff Cooper EDWARD THOMAS Towards a Complete Checklist Of His Published Writings Compiled by Jeff Cooper First published in Great Britain in 2004 by White Sheep Press Second edition published on-line in 2013; third edition, 2017 © 2013, 2017 Jeff Cooper All rights reserved. No part of this publication may be copied or reproduced for publication or transmitted in any form or by any means, electronic, mechanical, or otherwise stored in a retrieval system, without the prior permission of the copyright owner and the publishers. The rights of Jeff Cooper to be identified as the author of this work has been asserted by him in accordance with the UK Copyright, Designs and Patents Act 1988. Preface This is the third edition, with some additions and amendments (and a complete re-numbering), of the edition originally published in 2004 under Richard Emeny’s name, with myself as the editor. The interest in Edward Thomas’s poetry and prose writings has grown considerably over the past few years, and this is an opportune moment to make the whole checklist freely available and accessible. The intention of the list is to provide those with an interest in Thomas with the tools to understand his enormous contribution to criticism as well as poetry. This is very much a work in progress. I can’t say that I have produced a complete or wholly accurate list, and any amendments or additions would be gratefully received by sending them to me at [email protected]. They will be incorporated in the list and acknowledged. -
An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin
An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin Gregory G. C. Moore* Eagleton, T. Scholars Et Rebels in Nineteenth Century Ireland. Blackwell. Oxford, 2000. Pp. 177. ISBN 0-631-21445-3. Terry Eagleton, the Thomas Warton Professor of English Literature at Oxford University and irreverent commentator on all things post-modern, has written an astonishing book on that remarkable community of intellectuals that raised Trinity College, Dublin, and indeed the town of Dublin itself, to its cultural and scholastic apogee in the second half of the nineteenth century. The work is the final part of a trilogy of books by Eagleton on the main cultural currents of Irish history, the first two of which were Heathcliff and the Great Hunger (1995) and Crazy John and the Bishop (1998). The intellectuals he examines in the final part of this series include, amongst others, William Wilde (Oscar Wilde’s father), Jane Elgee (Lady Wilde), Charles Lever, William Edward Lecky and Samuel Ferguson, and, which will be of slightly more interest to the readers of the hermetic articles of staid economic journals, that curious melange of nineteenth-century Irish political economists, Isaac Butt, T.E. Cliffe Leslie, John Elliot Cairnes and John Kells Ingram. Eagleton is interested less in tracing the individual theoretical contributions of these scholars, and more with delineating their activities as a community or clerisy and, through this exercise, meditating on the role of the intellectual in society. To this end, he draws upon Antonio Gramsci’s celebrated notions of the ‘traditional’ and ‘organic’ intellectual to portray the Irish intellectual community as being torn between old and new visions of the intellectual’s function; that is, between the ‘traditional’ intellectual’s search for transcendent values through disinterested inquiry and the ‘organic’ intellectual’s employment of knowledge as a ‘practical, emancipatory force’ (1999:2). -
Virginia Woolf, Arnold Bennett, and Turn of the Century Consciousness
Colby Quarterly Volume 13 Issue 1 March Article 5 March 1977 The Moment, 1910: Virginia Woolf, Arnold Bennett, and Turn of the Century Consciousness Edwin J. Kenney, Jr. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 13, no.1, March 1977, p.42-66 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kenney, Jr.: The Moment, 1910: Virginia Woolf, Arnold Bennett, and Turn of the The Moment, 1910: Virginia Woolf, Arnold Bennett, and Turn ofthe Century Consciousness by EDWIN J. KENNEY, JR. N THE YEARS 1923-24 Virginia Woolf was embroiled in an argument I with Arnold Bennett about the responsibility of the novelist and the future ofthe novel. In her famous essay "Mr. Bennett and Mrs. Brown," she observed that "on or about December, 1910, human character changed";1 and she proceeded to argue, without specifying the causes or nature of that change, that because human character had changed the novel must change if it were to be a true representation of human life. Since that time the at once assertive and vague remark about 1910, isolated, has served as a convenient point of departure for historians now writing about the social and cultural changes occurring during the Edwardian period.2 Literary critics have taken the ideas about fiction from "Mr. Bennett and Mrs. Brown" and Woolfs other much-antholo gized essay "Modern Fiction" as a free-standing "aesthetic manifesto" of the new novel of sensibility;3 and those who have recorded and discussed the "whole contention" between Virginia Woolf and Arnold Bennett have regarded the relation between Woolfs historical observation and her ideas about the novel either as just a rhetorical strategy or a generational disguise for the expression of class bias against Bennett.4 Yet few readers have asked what Virginia Woolf might have nleant by her remark about 1910 and the novel, or what it might have meant to her. -
A Proposal for Teaching the Literary Essay Through a Rhetorical Analysis
A Proposal for Teaching the Literary Essay through a Rhetorical Analysis Margarita Esther Sánchez Cuervo, University of Las Palmas de Gran Canaria, Spain The European Conference on Literature and Librarianship 2014 Official Conference Proceedings Abstract The literary essay is a heterogeneous genre that may contain expository, narrative, descriptive and argumentative types of text. Due to its indefinite nature, it is difficult to find critical studies that develop an accurate understanding of the essay that may lead to an objective teaching of this genre. However, as an exemplar of the argumentative discourse, the literary essay can be studied following a rhetorical model of analysis. Rhetoric can be seen as a general model of text production and as an instrument of textual analysis. In this vein, some rhetorical principles related to inventio, dispositio and elocutio can be recognised in the construction of the modern essay. Inventio is concerned with the generation of arguments. Dispositio is related to the order of the arguments, and contains the partes orationis: exordium, narratio/expositio, argumentatio and conclusio. By means of elocutio, the students recognise the expressive devices that contribute to defining the style of the essay, such as rhetorical figures. To illustrate my proposal, I use several extracts from Virginia Woolf’s short essays. Woolf wrote a large number of literary reviews for the press that can be read following this rhetorical approach and that provide a rich source of arguments and rhetorical figures. In the course of my analysis, I offer undergraduate students of English language and literature some guidelines for the analysis. By using this model, these students can also acquire the training to examine other essays belonging to past and present essayists. -
Systematic Theology (Volume 1 of 3) by Augustus Hopkins Strong
The Project Gutenberg EBook of Systematic Theology (Volume 1 of 3) by Augustus Hopkins Strong This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Systematic Theology (Volume 1 of 3) Author: Augustus Hopkins Strong Release Date: October 25, 2013 [Ebook 44035] Language: English ***START OF THE PROJECT GUTENBERG EBOOK SYSTEMATIC THEOLOGY (VOLUME 1 OF 3)*** Systematic Theology A Compendium and Commonplace-Book Designed For The Use Of Theological Students By Augustus Hopkins Strong, D.D., LL.D. President and Professor of Biblical Theology in the Rochester Theological Seminary Revised and Enlarged In Three Volumes Volume 1 The Doctrine of God The Judson Press Philadelphia, Boston, Chicago, St. Louis, Los Angeles, Kansas City, Seattle, Toronto 1907 Contents Preface . .3 Part I. Prolegomena. .9 Chapter I. Idea Of Theology. .9 I. Definition of Theology. .9 II. Aim of Theology. 10 III. Possibility of Theology. 12 IV. Necessity of Theology. 41 V. Relation of Theology to Religion. 50 Chapter II. Material of Theology. 61 I. Sources of Theology. 61 II. Limitations of Theology. 82 III. Relations of Material to Progress in Theology. 86 Chapter III. Method Of Theology. 90 I. Requisites to the study of Theology. 90 II. Divisions of Theology. 96 III. History of Systematic Theology. 103 IV. Order of Treatment in Systematic Theology. 117 V. Text-Books in Theology. 119 Part II. -
Thomas Henry Huxley: the War Between Science and Religion Author(S): Sheridan Gilley and Ann Loades Source: the Journal of Religion , Jul., 1981, Vol
Thomas Henry Huxley: The War between Science and Religion Author(s): Sheridan Gilley and Ann Loades Source: The Journal of Religion , Jul., 1981, Vol. 61, No. 3 (Jul., 1981), pp. 285-308 Published by: The University of Chicago Press Stable URL: https://www.jstor.org/stable/1202815 REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/1202815?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Religion This content downloaded from 140.160.244.146 on Wed, 24 Mar 2021 03:52:12 UTC All use subject to https://about.jstor.org/terms Thomas Henry Huxley: The War between Science and Religion Sheridan Gilley and Ann Loades / University of Durham Viewers of the recent BBC television series, "The Voyage of Charles Darwin,"1 must have been amused at the portrayal of Samuel Wilberforce, bishop of Oxford, at the famous meeting of the British Association at Oxford in 1860, where Wilberforce condemned the evolutionary doctrine of Darwin's Origin of Species. -
(2021) (R)Evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf
McCracken, Saskia (2021) (R)evolutionary animal tropes in the works of Charles Darwin and Virginia Woolf. PhD thesis. https://theses.gla.ac.uk/82313/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] (R)evolutionary Animal Tropes in the Works of Charles Darwin and Virginia Woolf Saskia McCracken BA (Hons) MLitt Submitted in fulfilment of the requirements for the Degree of PhD School of Critical Studies College of Arts University of Glasgow July 2021 © Saskia McCracken 2021 1 Abstract This thesis is the first full-length study of Woolf’s preoccupation, across her writing, with Darwin’s works. I will draw on the recent animal turn in literary criticism to provide original insight into the politics of Darwin’s animal tropes, and Woolf’s Darwinian animal tropes. My central research questions are how, to what extent, and with what effect, did Woolf engage with Darwin’s works, particularly his animal tropes? I will make two key claims in this thesis. First, I will argue that Woolf’s engagement with Darwin’s works – particularly the critically overlooked Descent of Man (1871) – was more sustained, extensive, and subversive than previously recognised. -
Selected Letters of Leslie Stephen Volume 1: 1864-1882
J.W. Bicknell (Ed.) Selected Letters of Leslie Stephen Volume 1: 1864-1882 Since F.W. Maitland's Life and Letters of Leslie Stephen (1907), there has been no volume of the letters written by this extraordinary and eminent Victorian. Alpinist, literary critic, god-killer, editor of The Cornhill Magazine and The Dictionary of National Biography, biographer, historian of ideas, and father of Vanessa Bell and Virginia Woolf, Stephen corresponded with a host of men and women, including such notables as his American friends - James Russell Lowell, Justice Holmes and art historian Charles E. Norton; such contemporaries among the intelligentsia as John Morley, Henry Sidgwick, George Eliot, Robert Louis Stevenson, F.W. Maitland, and Thomas Hardy; and the members of his family - Minny, his first wife; his sister-in-law, Anny Ritchie; his son Thoby; and his best beloved second wife, Julia. In his letters, always readable, we find his enthusiasms, his ironic humour, his self-doubt and self-pity, his anguish over his retarded child Laura, his candour, his lively portraits of people and places, his delight in the young - Nessa, Ginia and Thoby, and his direct and easy style as he responds to his reader's interests and needs. This second volume follws the demanding years Stephen spent as Editor of The Dictionary of National Biography, his happy life with Julia until her death in 1895 and his continuing 1st ed. 1996, XXI, 284 p. devotion to literature, a source of much solace in his last years. A product of Palgrave Macmillan UK eBook eBook Available from your bookstore or ▶ springer.com/shop MyCopy Printed eBook for just ▶ € | $ 24.99 ▶ springer.com/mycopy. -
A Biographical Sketch of William Edward Hearn (1826-1888): a Slightly ‘Irish’ Perspective
The University of Notre Dame Australia ResearchOnline@ND Business Conference Papers School of Business 2005 A Biographical Sketch of William Edward Hearn (1826-1888): A Slightly ‘Irish’ Perspective Gregory C G Moore University of Notre Dame Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/bus_conference Part of the Business Commons This conference paper was originally published as: Moore, G. C. (2005). A Biographical Sketch of William Edward Hearn (1826-1888): A Slightly ‘Irish’ Perspective. 34th Annual Conference of Economists. http://doi.org/10.1080/09672560903114883 http://doi.org/10.1080/09672560903114883 This conference paper is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/bus_conference/16. For more information, please contact [email protected]. A Biographical Sketch of William Edward Hearn (1826-1888): A Slightly ‘Irish’ Perspective. 1 1. Introduction. William Edward Hearn was the first Australian economist of international note. His major publication in the discipline of economics, Plutology (1863), was praised by most of the leading economists of the late-Victorian period, including William Stanley Jevons, Alfred Marshall and Francis Ysidro Edgeworth. Hearn’s economic ideas (and to a lesser extent his life) have subsequently been the subject of more books, monographs and essays than those of any other Australian economist. 2The scholarship contained in these publications is, to say the least, breathtaking. Unfortunately, however, nearly all of the authors of these publications have been pre- occupied with that part of Hearn’s career that transpired after he had migrated from Ireland to Australia in 1854-5. -
THE IDEA of PROGRESS J.B. Bury Bury Regarded History As A
THE IDEA OF PROGRESS J.B. Bury Bury regarded history as a methodological science, though involving factors sufficiently fortuitous to discourage inference of general laws or of didactic guidance. His skepticism, however, was limited; in general, he represented the Victorian generation and its ultimate faith in the growth of reason and its capacity to elucidate the European past and make intelligible the present. His History of Freedom of Thought probably best expresses his conception of history as the record of man's rational struggles and progress. In addition to providing high standards of scholarly excellence, he was one of the first English historians to participate in the revival of Byzantine studies, including philosophy, art, culture, and architecture, as valid representations of a civilization's history. THE IDEA OF PROGRESS · J.B. Bury p. 2a THE IDEA OF PROGRESS · J.B. Bury p. 2b Dedicated to the memories of Charles Francois Castel de Saint- Pierre, Marie Jean Antoine Nicolas Caritat de Condorcet, Auguste Comte, Herbert Spencer, and other optimists mentioned in this THE IDEA OF PROGRESS volume. AN INQUIRY INTO Tantane uos generis tenuit fiducia uestri? ITS ORIGIN AND GROWTH BY J. B. BURY REGIUS PROFESSOR OF MODERN HISTORY, AND FELLOW OF KING'S COLLEGE, IN THE UNIVERSITY OF CAMBRIDGE THE IDEA OF PROGRESS · J.B. Bury p. 3a THE IDEA OF PROGRESS · J.B. Bury p. 3b institutions was judged. Monasticism, for instance, throve under its aegis, while liberty of conscience had no chance. With a new idea in control, this has been reversed. Religious freedom has PREFACE thriven under the aegis of Progress; monasticism can make no appeal to it. -
All Works by Sir James Fitzjames Stephen, Unless Otherwise Stated)
Notes Abbreviations (all works by Sir James Fitzjames Stephen, unless otherwise stated): EB Essays by a Barrister ( 1862). History History of the Criminal Law ofEngland ( 1883). GV A General View of the Criminal Law of England ( 1863). (2nd edn 1890; references are to the lst edn, unless otherwise stated.) HS Horae Sabbaticae ( 1892). Life Leslie Stephen, The Life ofSir James Fit:;James Stephen ( 1895). LEF Liberty, Equality, Fraternity, ed. R. j. White (1967). CHAPTER l: CULTURE AND DEMOCRACY I. G. K. Chesterton, The Victorian Age in Literature, Home University Library edn (London, 1966) p. 3. 2. Noel Annan, 'The Intellectual Aristocracy', in J. H. Plumb (ed.), Studies in Social History: A Tribute to G. M. Trevelyan (London, 1955) pp. 243-87. 3. James Fitzjames Stephen, 'Autobiographical Fragment', University Library, Cambridge, Add. MSS 7349 ( 1884) p. 37. 4. See the excellent study by Merle M. Bevington, The 'Saturdqy Review', 185~1868: Representative Educated Opinion in Victorian England (New York, 1941). For a complete list of Stephen's contributions to the Saturday, see ibid., pp. 373-81. 5. Ibid., pp. 58-9. 6. Ibid., p. 59. 7. Ibid., p. 71. 8. Bevington, The 'Saturday Review', p. 26. 9. Ibid., p. 25. 218 Notes to pages 4-11 219 10. Anthony Trollope, Autobiograplry, ed. Frederick Page (London, 1950) p. 199. 11. Bevington, The 'Saturday Review', p. 31. Emphasis as m original. 12. Leslie Stephen, The Life q[Sir James Fit:(james Stephen (London, 1895) p. 177. (Hereafter cited as Life.) 13. Bevington, The 'Saturday Review', p. 31. 14. Norton to James Russell Lowell, 1 Jan 1869; in Charles Eliot Norton, Letters, vol. -
Intellectual Backgrounds
Notes NOTES TO THE INTRODUCTION l. These are Renato Poggioli's terms in The Theory ofthe Avant-Garde. eh. 2. Poggioli's entire account illuminates how Bloomsbury was and was not avant-garde. 2. Bloomsbury writers were closely associated at times with the Nation and the New Statesman, but the political and even parts ofthe literary halves ofthese periodicals were edited and written by journalists largely unassociated with the Group. Desmond MacCarthy edited two periodicals that might be considered small magazines, and, though both had Bloomsbury con tributors, neither the Speaker nor Lift and Letters could be called a Blooms bury magazine. 3. Desmond MacCarthy can serve as an illustration of what is involved in determining the membership of Bloomsbury. Recently MacCarthy's son in-law David Cecil has denied his connection with Bloomsbury: 'As he bimself said, "Bloomsbury has never been a spiritual horne to me'" (Cecil, 'Introduction', p. 15). Cecil omits the other half of the sentence from MacCarthy's Bloomsbury memoir, wbich is 'but let me add that I have not got one, although at Cambridge for a few years I fancied that I had'. MacCarthy goes on to call Bloornsbury ahorne away frorn horne and note how he converged on the Group through the Apostles, Clive Bell and the Stephen sisters (SPRlBG, p. 28). To these connections could be added bis association with Roger Fry, wbieh led to bis writing the introduction for the catalogue of the first post-impressionist exhibition. Like Strachey, MacCarthy was more closely involved in Old than New Bloomsbury, but in both he edited periodicals that depended on bis Bloomsbury friends for contributions.