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A Study of Prisoners of War in the Twentieth Century
City University of New York (CUNY) CUNY Academic Works Student Theses Baruch College 1-1-1997 A study of prisoners of war in the twentieth century Victor Montejo Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_etds/45 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A STUDY OF PRISONERS OF WAR IN THE TWENTHIETH CENTURY by Victor Montejo © April 28, 1997 Submitted to the Committee on Undergraduate Honors of Baruch College of The City University of New York in partial fulfillment of the requirements for the degree of Bachelor of Arts in History with Honors ACKNOWLEDGEMENTS INTRODUCTION Status of prisoners of war in the Middle Ages Philosophical and Humanitarian opinions Jean-Jacques Rousseau and Emmerich de Vattel Red Cross and Francis Lieber Geneva Convention, Hague Convention and the Red Cross First World War Industrialization and modern warfare The European Front Russian treatment of prisoners of war German treatment of prisoners of war British treatment of prisoners of war The Pacific Front Japanese treatment of prisoners of war The Middle East British treatment of prisoners of war The Interwar years League of Nations Geneva Convention of 1929 The Spanish Civil War Conflict of Idealism; Fascism, Communism, and Democracy Second World War The Pacific Front Japanese treatment of prisoners of war Allied treatment of prisoners -
I. Rekonstruktion
Stand: 29.4.2008 Sylvia Klötzer Vorbereitung DB ARCHIV SIMONE BARCK Dies ist eine vorläufige und z.T. unvollständige Übersicht über den NL – die später vervollständigt werden wird. Sinn dieser Übersicht ist es jedoch, dass Materialien aufgefunden werden können – u.z. über eine Stichwortsuche. Durch die nummerische Ordnung der Aktenordner u. Mappen lassen sich diese dann auch auffinden. Um Hinweise und Informationen geben zu können, bitte ich um eine mail: kloetzer@uni- potsdam.de SK fett „“ = Original-Bezeichnung des Aktenordners, der Mappe usw. O = Original-Material Fk = Fotokopie Nummerierung: Sylvia Klötzer (basierend auf Übersicht „häusl. Arbeitszimmer“) gelb markiert: noch offene/nicht zugeordnete Akten grün markiert: nur zugeordnet, jedoch noch nicht gesichtet blau markiert sind die Aktenordner – denn diese stehen gesondert! I. Rekonstruktion der in der Übersicht „häusliches Arbeitszimmer“ (Schulz/Stoecker) verzeichneten Unterlagen: Einführung eines nummerischen System nach Original-Standort; Zuordnung der Materialien, Präzisierung, Ergänzung und Korrektur Schrank 2 (2/*) (Aktenordner!) 2/1 - „17.6.53 in der Literatur“ (Aktenordner) Archivkopien AdK Literaturkopien (Artikel) Text SB (für ZZF): Der 17. Juni als literarischer Stoff in beiden deutschen Staaten 2/2 - „DY 30 / IV A 2 / 2.028, 2.024 / Hager 70er Jahre“ (Aktenordner) Archivkopien Bundesarchiv / SAPMO Büro Hager (u.a. Druckgenehmigungen) Prag 1968 W. Abendroth DDR- Zeitschriften 2 2/3 - „ZK-SED Abt. Agitation & Propaganda >9.02 / ...“ (Aktenordner) Archivkopien SAPMO 2/4 - „BA DY 55 (VVN) 1996ff.“ (Aktenordner) Archivkopien SAPMO 2/5 - „DFG-Projekt Antifa Materialien zu Teil I = VVN Teil II = Widerstand“ (Aktenordner) Archivkopien SAPMO Literaturkopien wenige Notizen 2/6 - „ZPA ZK d. SED Büro A. Kurella IV 2/2026 / ...“ (Aktenordner) Archivkopien SAPMO 2/7 - „Kopien zu: Lit.wiss. -
Julia Von Dem Knesebeck National Socialism in Post-War Germany
hirty years passed before it was accepted, in West Germany and elsewhere, that the Roma (Germany’s Gypsies) THE ROMA STRUGGLE FOR COMPENSATION STRUGGLE THE ROMA Thad been Holocaust victims. And, similarly, it took thirty years for the West German state to admit that the sterilisation of Roma had been part of the ‘Final Solution’. Drawing on a substantial body of previously unseen sources, this book examines the history of the struggle of Roma for recognition as racially persecuted victims of Julia von dem Knesebeck National Socialism in post-war Germany. Since modern academics belatedly began to take an interest in them, the Roma have been described as ‘forgotten victims’. This book looks at the period in West Germany between the end of the War and the beginning of the Roma civil rights movement in the early 1980s, during which the Roma were largely passed over when it came to compensation. The complex reasons for this are at the heart of this Germany in Post-War book. In looking at how the West German compensation process for victims of racial, religious and political persecution affected Roma, Dr von dem Knesebeck shows not only how the Roma were treated but also how they themselves perceived the process. The case of the Roma reveals how the West German administrative and legal apparatus defined and classified National Socialist injustice, and in particular where pejorative attitudes were allowed to continue unchallenged. The main obstacle for Roma seeking compensation was the question, unresolved for many years, of whether National Socialist policies against Roma had been racially motivated as opposed to having been mere policing measures. -
HOLOCAUSTO Y BIENES CULTURALES HOLOCAUSTO CULTURALES (Eds.) GLORIA FERNÁNDEZARRIBAS LUIS PÉREZ-PRAT DURBÁN Y BIENES
HOLOCAUSTO Y BIENES CULTURALES LUIS PÉREZ-PRAT DURBÁN GLORIA FERNÁNDEZ ARRIBAS (Eds.) HOLOCAUSTO Y BIENES CULTURALES Este libro dispone de versión EBOOK HOLOCAUSTO Y BIENES CULTURALES HOLOCAUSTO Y BIENES CULTURALES LUIS PÉREZ-PRAT DURBÁN GLORIA FERNÁNDEZ ARRIBAS (EDS.) COLLECTANEA DATOS EDICIÓN CE P PRIMERA EDICION EN FORMATO EBOOK: AGOSTO 2019 Holocausto y bienes culturales / Luis Pérez- PRIMERA EDICIÓN EN FORMATO PAPEL: AGOSTO 2019 Prat Durbán/Gloria Fernández Arribas (eds.) – Huelva : Universidad de Huelva, 2019 © Servicio de Publicaciones Universidad de Huelva 272 p. ; 24 cm.—(Collectanea (Universidad de Huelva ; 219) © Luis Pérez-Prat Durbán © Gloria Fernández Arribas ISBN (papel) 978-84-17776-18-3 ISBN (.pdf) 978-84-17776-19-0 I.S.B.N. (papel): 978-84-17776-18-3 ISBN (epub) 978-84-17776-20-6 EI.S.B.N. (pdf): 978-84-17776-19-0 1. Holocausto judío 2. Patrimonio histórico – EI.S.B.N. (epub): 978-84-17776-20-6 Protección – Derecho. 3. Derecho internacional. Depósito legal: H 70- 2019 4. Guerra, 1939-1945 (Mundial, 2ª) – Confiscacio- nes y contribuciones I. Pérez-Prat Durbán, Luis. PA P EL II. Universidad de Huelva. III. Título. IV. Serie Papel 341.324.5(100)”1939/45” Offset industrial ahuesado de 90 g/m2 351.852/.853(100) Impreso en papel de bosque certificado Encuadernación Obra sometida al proceso de evaluación de Tapa dura, cola PUR calidad editorial por el sistema de revisión por Printed in Spain. Impreso en España. pares. Maquetación y Ebook Publicaciones de la Univesidad de Huelva es MAQUETACCIÓN miembro de UNE Reservados todos los derechos. Ni la totalidad ni parte de este libro puede reproducirse o transmitirse por ningún procedimiento electrónico o mecánico, incluyendo fotocopia, grabación magnética o cualquier almacenamiento de información y sistema de recuperación, sin permiso escrito del editor. -
The Compromise of Return: Viennese Jews After the Holocaust
PRAISE FOR THE COMPROMISE OF RETURN “In an engaging, thoroughly researched study, Elizabeth Anthony reveals how and why Jewish returnees came back to ‘their’ city, Vienna, but not to Austria. They persisted in reclaiming their familial, professional, and polit- ical homes, as they compromised with ongoing individual and governmen- tal antisemitism, including the refusal to return their property. Elegantly written, Anthony’s book highlights the hardships and disappointments of Jewish survivors as they settled back ‘home.’” —Marion Kaplan, author of Hitler’s Jewish Refugees: Hope and Anxiety in Portugal “With The Compromise of Return Elizabeth Anthony brings history alive. She paints a vivid picture of the life of Jewish Austrians who chose to remain in or returned to Vienna after the fall of the Nazi regime. Through poignant personal interviews coupled with meticulous archival research and in conversation with international scholarship, the author convinc- ingly argues how their unique Jewish-Viennese identities allowed them to remain in an anti-Semitic society that presented itself as Hitler’s first vic- tim. The Compromise of Return, the first comprehensive English-language study on the topic, constitutes a major contribution to post-war Austrian and Holocaust histories.” —Jacqueline Vansant, author of Reclaiming Heimat: Trauma and Mourning in Memoirs by Jewish Austrian Reémigrés “Deeply researched and beautifully written, this book tells the poignant story of Jewish survivors’ return to Vienna, really for the first time. Brim- ming with insights, it gives voice to the returnees; it is they who stand at the core of this history.” —Dirk Rupnow, Institute for Contemporary History, University of Innsbruck The Compromise of Return THE COMPROMISE OF RETURN VIENNESE JEWS AFTER THE HOLOCAUST ELIZABETH ANTHONY WAYNE STATE UNIVERSITY PRESS Detroit © 2021 by Elizabeth Anthony. -
Ulturmötenen Festskrift Till C Hristin E Farhan
Kulturmöten En festskrift till Christine Farhan Red. Amelie Björck, Eva Jonsson, Claudia Lindén och Mattias Pirholt Kulturmöten En festskrift till Christine Farhan Red. Amelie Björck, Eva Jonsson, Claudia Lindén och Mattias Pirholt Södertörns högskola Södertörns högskola Biblioteket SE-141 89 Huddinge www.sh.se/publications © Författarna Denna utgåva distribueras under Creative Commons-licens Erkännande 3.0 Unported (CC BY 3.0) Omslagsbild: ”Abend über Potsdam” (1930) av Lotte Laserstein (1898–1939), olja på trä, 110 × 205.5 cm. Nationalgalerie Berlin © bpk/Nationalgalerie SMB Omslag: Jonathan Robson Grafisk form: Per Lindblom & Jonathan Robson Tryckt hos Elanders, Stockholm 2020 ISBN 978-91-88663-92-4 (tryckt) ISBN 978-91-88663-93-1 (digital) Till Christine Mötet är ett ledord i Christine Farhans långa gärning som forskare, lärare och ledare. Alla vi som har haft förmånen att arbeta tillsammans med henne – i undervisningssituationer, i forskningsprojekt, i seminarierummet eller i ledningssammanhang – känner hennes förmåga att med ett öppet sinne vända sig till den andre. Utan denna öppenhet sker inga verkliga möten mellan ens egna och den andras erfarenheter. Med denna insikt har Christine lotsat studenter genom litteraturhistorien, bedrivit ämnesöver- skridande forskningsprojekt och lett de humanistiska ämnenas utveckling på Södertörns högskola. Christines eget liv präglas av ständiga kulturmöten. Hon föddes i tyska Lübeck 1955, och efter studier i Berlin kom hon till Sverige 1981, där hon utbildade sig till ämneslärare i tyska och engelska. Den akademiska kar- riären inleddes med doktorsavhandlingen Geniestreich, Lehrstück, Revolu- tionsgestammel. Zur Rezeption des Dramas ”Marat/Sade” von Peter Weiss in der Literaturwissenschaft und auf den Bühnen der BRD, DDR und Sch- wedens, som hon lade fram vid Stockholms universitet 1992. -
Jens Birkmeyer Bilder Des Schreckens
Jens Birkmeyer Bilder des Schreckens. Dantes Spuren und die Mythosrezeption in Peter Weiss' Roman »Die Ästhetik des Widerstands« Wiesbaden: DUV, Dt. Univ.-Verl., 1994 Zugl.: Frankfurt (Main), Univ., Diss., 1992. Inhalt Einleitung ............................................................................................................................... 1 ERSTER TEIL: SCHREIBMOTIVE DER WIDERSTANDSPROSA .......................... 10 I. Voraussetzungen der "Ästhetik des Widerstands" .......................................................... 10 1. Neubeginn der Erzählprosa: Das Divina Commedia-Fragment ................................. 10 2. "Rekonvaleszenz": Die Todeskrise als Wendepunkt ................................................. 33 II. Das Experiment personalen Erzählens .......................................................................... 47 1. Der Standort des Erzählers ......................................................................................... 47 2. Der narrative Diskurs: Das Erzählverfahren der "Ästhetik des Widerstands" ........... 58 3. Mnemosyne im Konjunktiv: Erzählgestus und Selbstreflexivität der Schlußkonstruktion......................................................................................................... 77 Exkurs: Die postmoderne Kritik politischen Erzählens ................................................. 86 III. Erfahrung der Kunst - Kunst der Erfahrung ................................................................. 96 1. Ästhetik des erweiterten Realismus .......................................................................... -
Worcester Historical
Strassler Center for Holocaust and Genocide Studies 11 Hawthorne Street Worcester, Massachusetts ARCHIVES 2019.01 Kline Collection Processd by Casey Bush January 2019 1 TABLE OF CONTENTS Series Page Box Collection Information 3 Historical/Biographical Notes 4 Scope and Content 4 Series Description 5 1 Antisemitic Material 7-15 1-2, 13 2 Holocaust Material 16-22 2-3, 13 3 Book Jackets 23 4-9 4 Jewish History material 24-29 10-11, 13 5 Post-war Germany 30-32 12 6 The Second World War & Resistance 33-37 28 7 French Books 38-41 14 8 Miscellaneous-language materials 42-44 15 9 German language materials 45-71 16-27 10 Yiddish and Hebrew language materials 72-77 29-31 11 Immigration and Refugees 78-92 32-34 12 Oversized 93-98 35-47 13 Miscellaneous 99-103 48 14 Multi-media 104-107 49-50 Appendix 1 108 - 438 2 Collection Information Abstract : This collection contains books, pamphlets, magazines, guides, journals, newspapers, bulletins, memos, and screenplays related to anti-Semitism, German history, and the Holocaust. Items cover the years 1870-1990. Finding Aid : Finding Aid in print form is available in the Repository. Preferred Citation : Kline Collection – Courtesy of The Strassler Center for Holocaust and Genocide Studies at Clark University, Worcester, Massachusetts. Provenance : Purchased in 1997 from Eric Chaim Kline Bookseller (CA) through the generosity of the following donors: Michael J. Leffell ’81 and Lisa Klein Leffell ’82, the Sheftel Family in memory of Milton S. Sheftel ’31, ’32 and the proceeds of the Carole and Michael Friedman Book Fund in honor of Elisabeth “Lisa” Friedman of the Class of 1985.