DOCSLIB.ORG

Gli Appuntamenti Di Febbraio a Torino 2016-2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gli Appuntamenti Di Febbraio a Torino 2016-2017 GLI APPUNTAMENTI DI FEBBRAIO A TORINO 6 2016-2017 www.sistemamusica.it Poste Italiane S.p.A. – Spedizione in abbonamento postale – 70% NO/Torino - Anno XIX numero 2/2017 – febbraio 2017 Stagione 2016-2017 6 Poste Italiane S.p.A. – Spedizione in abbonamento postale 70% NO/Torino IL DUO ARGERICH RAI LINGOTTO FESTEGGIA AL TEATRO REGIO FRANCESCA LEON: E ZILBERSTEIN NUOVAMUSICA IL COMPLEANNO VA IN SCENA PARLA L'ASSESSORA ALL’UNIONE MUSICALE 2017 DI GIDON KREMER KATIA KABANOVA PER LA CULTURA APPUNTAMENTI Febbraio APPUNTAMENTI Febbraio VENERDÌ 3 MARTEDI 7 DOMENICA 12 MERCOLEDÌ 15 SABATO 18 DOMENICA 19 MERCOLEDÌ 22 MARTEDÌ 28 OSN Rai Accademia Corale Stefano Tempia Unione Musicale Teatro Regio Torino Teatro Regio Torino Unione Musicale Unione Musicale Lingotto Giovani Auditorium Rai, ore 20.30 Tempio Valdese, ore 21 Teatro Vittoria Teatro Regio, ore 20 Teatro Regio, ore 15 Conservatorio, ore 16.30 Auditorium Rai, ore 21 Sala Cinquecento, ore 20.30 Rai NuovaMusica ore 10, ore 11, ore 12 Stagione d’Opera Stagione d’Opera Didomenica Dispari, Pari Percorsi corali Maximilian Hornung violoncello Ateliebebè KATIA KABANOVA KATIA KABANOVA Orchestra Sinfonica Primi suoni con mamma e papà Salvatore Accardo, Franz Liszt Chamber Orchestra Europäischer Kulturpreis Vocal Consort del della Pro Europa Stiftung Nazionale della Rai Coro giovanile da camera Opera di Leoš Janáček Opera di Leoš Janáček Laura Gorna violini Mischa Maisky violoncello Ingo Metzmacher direttore Laboratorio (da 0 a 24 mesi) Francesco Fiore, (Dresda, 2015) della Società Filarmonica Musiche di Čajkovskij, Bruch, Hisako Kawamura pianoforte Frank Peter Zimmermann di San Pietroburgo Marco Angius direttore Marco Angius direttore Simonide Braconi viole Bartók, Liszt violino Cecilia Radic, Musiche di Schumann, Mahler, Yulia Khutoretskaya direttore Orchestra Filarmonica di Torino Robert Carsen regia Robert Carsen regia Musiche di Lindberg, Grisey, con Andrea Dankova, con Andrea Dankova, Amedeo Cicchese violoncelli NESSUN DORMA SESTETTO/OTTETTO Poulenc Teatro Vittoria, ore 17 Varèse DALLA MADRE RUSSIA Štefan Margita, Rebecca de Štefan Margita, Rebecca de ČAJKOVSKIJ. Prova generale Pont Davies, Misha Didyk, Pont Davies, Misha Didyk, I QUARTETTI PER ARCHI Il concerto sarà preceduto Antico repertorio popolare Oliver Zwarg Oliver Zwarg GIOVEDÌ 23 da una guida all’ascolto a DOMENICA 5 e sacro ortodosso Gli Archi dell’Orchestra cura della studentessa Teatro Regio Torino DAMS Francesca Riva Unione Musicale Musiche di Khutoretskaya, Filarmonica di Torino Diretta radiofonica su Radio3 NESSUN DORMA SESTETTO/OTTETTO MARTEDÌ 21 Bortnyansky, Rachmaninov, Sergio Lamberto maestro e su Euroradio Teatro Regio, ore 20 Teatro Vittoria, ore 16 Teatro Regio Torino Kastalsky, Balajirev, concertatore e violino solista Stagione d’Opera OSN Rai Raccontami una nota Tchesnokov, Archangelsky Ula Ulijona Zebriunaite viola Unione Musicale Teatro Regio, ore 20 Unione Musicale KATIA KABANOVA Auditorium Rai, ore 20.30 Favole musicali per famiglie PASSIONI Teatro Vittoria, ore 20 Stagione d’Opera NESSUN DORMA SESTETTO/OTTETTO Conservatorio, ore 21 Mozart KATIA KABANOVA Opera di Leoš Janáček Fuori abbonamento Olivia Manescalchi, Musiche di Negri, Prokof’ev, Atterberg, Schubert Pari Giancarlo Judica Cordiglia Mirko Bertolino, Opera di Leoš Janáček Marco Angius direttore Orchestra Sinfonica attori MERCOLEDÌ 8 Quartetto Modigliani Gianmarco Moneti pianoforte Robert Carsen regia Nazionale della Rai Sandro Zanchi pianoforte Unione Musicale Beatrice Rana pianoforte Marco Angius direttore con Andrea Dankova, Ryan McAdams direttore MARTEDÌ 14 Musiche di Mozart David Garrett violino PLOF! Conservatorio, ore 21 SCHUMANN 1842 Robert Carsen regia Štefan Margita, Rebecca de Spettacolo liberamente ispirato Orchestra Filarmonica di Torino Pont Davies, Misha Didyk, Dispari ore 18.30 guida all’ascolto a Il trattamento Ridarelli Conservatorio, ore 21 ore 19.30 aperitivo con Andrea Dankova, Oliver Zwarg CONCERTO DI CARNEVALE di Roddy Doyle VENERDÌ 17 Štefan Margita, Rebecca de Musiche di Tartini, Monti, Benedetto Lupo pianoforte Gli Archi dell’Orchestra Pont Davies, Misha Didyk, NESSUN DORMA SESTETTO/OTTETTO OSN Rai Paganini, J. Strauss, Bernstein, Musiche di Schumann, Skrjabin, Filarmonica di Torino DOMENICA 19 Oliver Zwarg Offenbach, Bizet, Ginastera LUNEDÌ 6 Rachmaninov Sergio Lamberto maestro Auditorium Rai, ore 20.30 ultima replica Unione Musicale Unione Musicale concertatore e violino solista Rai NuovaMusica NESSUN DORMA SESTETTO/OTTETTO Ula Ulijona Zebriunaite viola Teatro Vittoria Teatro Vittoria, ore 20 VENERDÌ 10 PASSIONI Orchestra Sinfonica ore 10, ore 11, ore 12 GIOVEDÌ 23 L’altro suono Lingotto Musica OSN Rai Musiche di Negri, Prokof’ev, Nazionale della Rai Noteingioco OSN Rai Francesco Lanzillotta direttore Divertirsi con la musica Auditorium del Lingotto, ore 20.30 Auditorium Rai, ore 20.30 Atterberg, Schubert Auditorium Rai, ore 20.30 Ryan McAdams Stéphanie Varnerin soprano Francesco D’Orazio L’Astrée - Gruppo cameristico Rai NuovaMusica violino elettrico Laboratorio (da 18 a 36 mesi) Kremerata Baltica Turno rosso dell’Academia Montis Regalis NESSUN DORMA SESTETTO/OTTETTO Gidon Kremer violino Musiche di Corelli, Cesarini, Orchestra Sinfonica Musiche di Dean, Castiglioni, Mate Bekavac clarinetto VENERDÌ 24 Stradella Nazionale della Rai Unione Musicale Salviucci OSN RAI Musiche di Pärt, Weinberg, OSN RAI Gergely Madaras direttore Auditorium Rai, ore 16.30 Čajkovskij, Musorgskij, Silvestrov Elvio Di Martino fagotto Teatro Vittoria, ore 20 Auditorium Rai, ore 20 Teatro Regio Torino Unione Musicale Le domeniche dell’Auditorium Turno blu Musiche Eötvös, Gubaidulina, Ensemble Orchestral NESSUN DORMA SESTETTO Teatro Regio, ore 20.30 Dai Fujikura, Mason Auditorium del Lingotto, ore 21 Contemporain Complesso d'archi dell’OSN Rai Orchestra Sinfonica I Concerti Fuori abbonamento LE MARTEAU SANS MAÎTRE Roberto Ranfaldi primo violino MERCOLEDÌ 22 Nazionale della Rai Andrea Bacchetti pianoforte Christian Arming direttore Filarmonica Teatro Regio SABATO 11 Musiche di Boulez Martha Argerich pianoforte Teatro Regio Torino Musiche di Bach Coro Maghini Torino Orchestra Filarmonica di Torino Lilya Zilberstein pianoforte Teatro Regio, ore 20.30 Claudio Chiavazza Yutaka Sado direttore ore 18.30 guida all’ascolto +SpazioQuattro , ore 10-13 ore 19.30 aperitivo Musiche di Schumann, Liszt, I Concerti maestro del coro Musiche di J.S. Bach, Haydn, Senza segreti: prove aperte Rachmaninov Teatro Regio Torino Bernarda Bobro soprano Mendelssohn-Bartholdy CAMBIO DATA Teatro Regio, ore 15 Orchestra del Teatro Regio Annalucia Nardi mezzosoprano Gli Archi dell’Orchestra concerto originariamente Stagione d’Opera Marco Angius direttore Filarmonica di Torino previsto sabato 11 febbraio Chiara Muti voce Musiche di Fanny Accademia Corale Stefano Tempia KATIA KABANOVA e Felix Mendelssohn Sergio Lamberto maestro Martina Pelusi voce bianca David Garrett Tempio Valdese, ore 21 concertatore e violino solista Musiche di Corghi, Mahler Percorsi corali Ula Ulijona Zebriunaite viola Opera di Leoš Janáček NESSUN DORMA OTTETTO Marco Angius direttore Vocal Consort del PASSIONI Coro giovanile da camera Robert Carsen regia con Andrea Dankova, della Società Filarmonica Sado Yutaka di San Pietroburgo Martha Argerich e Lilya Zilberstein Štefan Margita, Rebecca de Yulia Khutoretskaya direttore Pont Davies, Misha Didyk, Gidon Kremer Oliver Zwarg RUSSIAN FOLK NESSUN DORMA SESTETTO/OTTETTO Musica popolare con strumenti Stéphanie Varnerin e costumi dell’antica Russia NESSUN DORMA SESTETTO/OTTETTO 4 sistemamusica cittàditorino sistemamusica cittàditorino 5 INTERVISTA vazione, collaborazione pubblico-privato, allar- grandi istituzioni (penso ad esempio alle grandi Francesca Leon gamento della platea, distribuzione delle attività orchestre) e le organizzazioni musicali più pic- sulla città, coproduzione e infine esportazione». cole, tra i professionisti già affermati e i giova- ni che si avvicinano a questo mondo. Ritengo «Sogno una rete culturale aperta, Tema obbligato, la sfida delle periferie. Per che puntare sulla cooperazione e sulla crescita accrescere opportunità e integrazione anche sia più efficace della mera competizione sulle elastica e funzionale a una Torino con la grande musica, il modello resta il de- risorse che, all’inverso, porta chiusura e autore- centramento o abbiamo nuovi strumenti a ferenzialità». disposizione? a più dimensioni» «Quando si parla di cultura emerge il tema della «A Torino vorrei fare...»: il sogno musicale che concentrazione dell’offerta nel centro cittadino. vorrebbe realizzare nel suo mandato. di NICOLA GALLINO Torino è una grande città, e la cultura può di- «Sicuramente il mio sogno non è quello di la- ventare uno degli strumenti per riqualificare i sciare in eredità un rapporto privilegiato con Francesca Paola Leon è dal 30 giugno scorso rete e di fare sistema. Un sistema che esiste già, quartieri più in difficoltà. Occorre lavorare per un genere musicale singolo. Non è più il tempo l’Assessora alla Cultura della Città di Torino nella ma che negli ultimi anni si è ritirato in difesa e fare emergere le identità dei quartieri e pensa- delle barriere mentali o fisiche. Non ci aiutano giunta guidata da Chiara Appendino. Origini ro- oggi la sfida è aprire a nuove forme di collabo- re a Torino come una città policentrica. I primi nel presente e ci tengono lontani dal futuro. mane, ma nata a Washington il 2 giugno 1966, è razione. Il pubblico non è un dato immobile, va presidi sono le biblioteche civiche, le case del Mi piacerebbe che tutti gli strumenti
Load more

Recommended publications
  • 2019-2020 Philharmonia No. 3
    Lynn Philharmonia No. 3 Featuring the winners of the 2019 Lynn Concerto Competition. Saturday, Nov. 9, 2019 Sunday, Nov. 10, 2019 2019-2020 Season Lynn Philharmonia Roster VIOLIN CELLO FRENCH HORN Carlos Avendano Georgiy Khokhlov Chase DeCarlo Alexander Babin Devin LaMarr Alexander Hofmann Zulfiya Bashirova Michael Puryear Ting-An Lee David Brill Clarissa Viera Sarah Rodnick Kayla Bryan Davron Ziyodjonov Christa Rotolo Mingyue Fei Daniel Guevara DOUBLE BASS TRUMPET Benjamin Kremer Luis Gutierrez Diana Lopez Ricardo Lemus Austin King Oscar Mason Shiyu Liu Peter Savage Abigail Rowland Jenna Mangum Benjamin Shaposhnikov Gerson Medina FLUTE Karla Mejias Naomi Franklin TROMBONE David Mersereau Seung Jeon Aaron Chan Moises Molina Scott Quirk Tyler Coffman Nalin Myoung Lydia Roth Mario Rivieccio Sol Ochoa Castro Aaron Small Sebastian Orellana OBOE Francesca Puro Garrett Arosemena Ott Melanie Riordan Jin Cai PERCUSSION Askar Salimdjanov Amy Han Seth Burkhart Mengyu Shen Kari Jenks Justin Ochoa Shuyi Wang Blaise Rothwell Jonathon Winter CLARINET Miranda Smith Yu Xie Dunia Andreu Benitez Mario Zelaya Kelsey Castellanos HARP Taylor Overholt Yana Lyashko VIOLA Abby Dreher BASSOON Ellen Galentas Fabiola Hoyo Gabriel Galley Dennis Pearson Hyemin Lee Meng-Hsin Shih Marina Monclova Lopez Guillermo Yalanda Daniel Moore Vishnu Ramankutty Mario Rivera Jovani Williams Thomas Wong Lynn Philharmonia No. 3 Guillermo Figueroa, music director and conductor Saturday, Nov. 9 – 7:30 p.m. Sunday, Nov. 10 – 4 p.m. Keith C. and Elaine Johnson Wold Performing Arts Center On October 4, 5 and 6, thirty-seven students performed before guest judges Sarah Johnson, violin (Converse College), David Jackson, trombone (University of Michigan), and Baruch Meir, piano (Arizona State University & President of the Bosendorfer/Yamaha USASU International Piano Competition).
    [Show full text]
  • EMI/Virgin Classics News Mai-Juni 2008
    EMI/Virgin Classics News Mai-Juni 2008 Rechtzeitig zur siebten Auflage des Progetto Martha Argerich in Lugano erscheint diese Doppel-CD mit Argerich im Duo mit anderen Pianisten wie Gabriela Montero. Doppel-CD Nr. 2076232 Simon Rattle und seine Berliner Philharmoniker vereinigen Strawinskys drei Sinfonien. CD Nr. 2076312 Diesmal stellt Nigel Kennedy mit seinem Quintett eigene Jazzkompositionen vor; am 6. September auch am Menuhin Festival Gstaad zu erleben. Doppel-CD Nr. 2131712 Berliner Philharmoniker- Oboist Christoph Hartmann lässt auf die 2007 erschienenen Opernfantasien jetzt neapolitanische Oboenkonzerte folgen. CD Nr.5142322 EMI/Virgin Classics News Mai-Juni 2008 Vicente Pradal hat Gedichte von Federico García Lorca vertont. CD Nr. 5190332 www.vicentepradal.com William Christie hat die besten Countertenöre von Jaroussky bis Cencic in seiner Ausgrabung von Stefano Landi aufgeboten. Am 15. Juni leitet er bei uns die Première von Händels „Rinaldo“ am Opernhaus Zürich. DVD Nr. 5189999 Schubert-Lieder mit Ian Bostridge und Leif Ove Andsnes als Klavierpartner jetzt in einer Doppel- CD vereint. Doppel-CD Nr. 5164432 Höhepunkte aus der Diskographie des „Traumpaars der Oper“ Alagna/Gheorghiu. CD Nr. 2145992 EMI/Virgin Classics News Mai-Juni 2008 Giuseppe di Stefano, der kürzlich verstorbene Tenorpartner von Maria Callas wird in einer 3er Box Nr. 2060752 gewürdigt. Weitere Legenden in dieser Reihe sind die Pianisten Dinu Lipatti, Michelangeli und Solomon, die Sängerinnen Mirella Freni und Janet Baker sowie der Hornist Dennis Brain. Die verdienstvolle Reihe American Classics stellt auf 10 CDs Komponisten von John Adams bis Virgil Thomson vor. In der neuen Reihe 20th Century Classics werden zehn der wichtigsten Komponisten des 20.
    [Show full text]
  • Lilya Zilberstein È Salita Alla Ribalta Internazionale Nel 1987, Vincendo Il Concorso Busoni Di Bolzano. Fu Una Vittoria Sensaz
    Lilya Zilberstein è salita alla ribalta internazionale nel 1987, vincendo il Concorso Busoni di Bolzano. Fu una vittoria sensazionale e ci vollero 5 anni prima che il Premio fosse nuovamente assegnato. Da allora la pianista, moscovita di nascita e tedesca d’adozione, non ha smesso di girare tutta l’Europa, l’America del Nord e del Sud e l’Asia. È stata invitata dai Filarmonici di Berlino e Claudio Abbado per la prima volta nel 1991, e insieme hanno suonato ripetutamente e registrato per Deutsche Grammophon i Concerti no.2 e 3 di Rachmaninov. Zilberstein ha suonato con molte altre orchestre prestigiose: Chicago Symphony Orchestra, Orchestra Sinfonica Tchaikovsky di Mosca, London Symphony e Royal Philharmonic Orchestra di Londra, l’Orchestra della Scala a Milano, Staatskapelle di Dresda, ecc. Oltre che con Claudio Abbado, ha suonato con molti importanti direttori quali: John Axelrod, Paavo Berglund, Semyon Bychkov, Gustavo Dudamel, Christoph Eschenbach, Vladimir Fedoseyev, Alun Francis, Leopold Hager, Dmitrij Kitajenko, James Levine, Wassili Sinajski, Michael Tilson Thomas, Jean-Pascal Tortellier, Marcello Viotti e Antonin Witt. Nel 1998, le è stato attribuito a Siena il Premio Internazionale "Accademia Musicale Chigiana". Lilya Zilberstein ha registrato 8 cd per Deutsche Grammophon, con programmi di pianoforte solo e con orchestra il Concerto di Grieg con Järvi e la Gothenburg Symphony Orchestra, il Secondo e Terzo Concerto di Rachmaninov con Abbado e i Filarmonici di Berlino. Ha partecipato alla registrazione dell’opera omnia di Chopin pubblicata da DGG nel 1999 e tra le numerose incisioni più recenti ricorderemo la Sonata di Brahms per due pianoforti con Martha Argerich per EMI e un cd Clementi, Mussorgsky e Rachmaninoff pubblicato da Hänssler Classic.
    [Show full text]
  • Archiv Der Bregenzer Meisterkonzerte 1986-2019
    Bregenzer Meisterkonzerte | Archiv 2018/2019 2017/2018 2016/2017 Camille Thomas VIOLONCELLO Julia Lezhneva SOPRAN Gábor Boldoczki TROMPETE Orchestra dell’ Accademia LUCA PIANC, LAUTE CAPPELLA GABETTA Nazionale di Santa Cecilia Dmitry Sinkovsky VIOLINE & LEITUNG Orchestra & Choir of The Sixteen MIKKO FRANCK, LEITUNG Ensemble La Voce Strumentale HARRY CHRISTOPHERS, LEITUNG Vadim Gluzman VIOLINE Hélène Grimaud KLAVIER Wiener Symphoniker Baskisches Nationalorchester Kammerorchester des TEODOR CURRENTZIS, DIRIGENT ROBERT TREVINO, LEITUNG Symphonieorchesters PATRICIA KOPATCHINSKAJA, VIOLA Antoine Tamestit des bayerischen Rundfunks VIOLINE Wiener Symphoniker RADOSLAW SZULC, LEITUNG BBC Philharmonic Orchestra QUERFLÖTE JUANJO MENA, DIRIGENT FRANCOIS-XAVIER ROTH, LEITUNG Erwin Klambauer Wiener Symphoniker Francesca Dego VIOLINE JULIA FISCHER,VIOLINE LAHAV SHANI, LEITUNG London Symphony Orchestra Orchestra della Toscana Danish String Quartet FRANÇOIS-XAVIER ROTH, Dirigent DANIELLE RUSTIONI, LEITUNG Lucas Debargue KLAVIER Chamber Orchestra of Europe Rafal Blechacz KLAVIER PIOTR ANDERSZEWSKI, KLAVIER Russian National Orchestra Mozarteum Orchester Salzburg MIKHAIL PLETNEV, LEITUNG RICCARDO MINASI, LEITUNG Nicola Benedetti VIOLINE MEZZOSOPRAN Waltraud Meier JAN VOGLER, VIOLONCELLO Kammerorchester Basel MARTIN STADTFELD, KLAVIER PAUL MCCREESH, LEITUNG Royal Scottish National Orchetra PETER OUNDJIAN, LEITUNG 2015/2016 2014/2015 2013/2014 Warschauer Philharmoniker Swedish Radio Symphony Camerata Salzburg JACEK KASPSZYK, DIRIGENT Orchestra LOUIS LANGRÉE,
    [Show full text]
  • July 24—31, 2016
    new orleans international piano Competition XTHIRTY-FOURXTH KEYBOARDV FESTIVALI SEVENTEENTH PIANO INSTITUTE JULY 24—31, 2016 Competition Jury Peter Collins Danny Driver Faina Lushtak Marianna Prjevalskaya Nelita True Daniel Weilbaecher, chair Presented by the P.O. BOX 750698 • NEW ORLEANS, LA 70175-0698 • masno.org CARA MCCooL WooLF, Executive Director DANIEL WEILBAECHER, Artistic Director HOSTED BY LOYOLA UNIVERSITY COLLEGE OF MUSIC STEINWAY & SONS the Official Piano of the New Orleans International Piano Competition — 2016 New Orleans International Piano Competition 11 steinway society 7-16_Layout 1 6/30/16 3:55 PM Page 1 S T E I N W A Y The Official Piano of the New Orleans International Piano Competition From piano competitions for scholarships to providing Special musical and social events throughout the year, The Steinway Society of New Orleans works to further musical appreciation and education. Musical patrons across Louisiana have come together in advancing the musical arts for all ages. As a member of the Steinway Society of New Orleans you join an exceptional circle of friends. For more information call 1-800-STEINWAY, and join with us as we support the Arts and Artists of our communities. S TEINWAY SOCIE TY New Or leans 1-800-SofTEINWAY Schedule of Events 4 T A Welcoming Messages 7–16 B LE MASNO History 17 O MASNO Board of Directors/Competition Committees 18 F C Guest Artists and Recital Programs 20–23 Danny Driver 20–21 on Marianna Prjevalskaya 22–23 TE Competition Prizes 25 N TS Competition Jurors 26–28 Peter Collins 26
    [Show full text]
  • Barbican Centre Annual Review 2006/07
    London Symphony Orchestra port monuments arts festivals historic markets Guildhall School of Music & Drama arts funding City residents Barbican Centre churches City police Museum of London open spaces Barbican Centre Annual Review 2006/07 The 2006 Barbican Annual Review The City of London is the world’s leading international financial and business centre, a global powerhouse at the heart of the UK’s economy. City of London The City of London Corporation supports and promotes the City and the businesses within it. It sustains all the needs of a 24-hour city and helps position it for the future. Its mission is to ensure that the City continues to thrive and retains its place as Europe’s financial capital. and the The Barbican Centre is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation. / Barbican www.cityoflondon.gov.uk 07 2 Barbican Annual Review 06/07 53 The City of The Barbican’s London and vision and tbc the Barbican mission The Barbican Centre is provided by the City of London Driving the arts by leading, challenging and entertaining Corporation as part of its contribution to the cultural life of audiences through an imaginative, diverse and stimulating London and the nation. This contribution also includes the programme, offering quality, diversity and innovation, open Guildhall School of Music & Drama, Tower Bridge and the and accessible to all. Guildhall Art Gallery as well as sponsorship of numerous organisations, festivals and events. Satisfying our audiences by creating a welcoming and friendly environment that provides a total quality experience While providing local government services for an area not throughout the Centre, offering education and outreach, much larger than a square mile, the City Corporation commits expanding our audiences and exceeding our visitors’ more resources to arts and culture than any local authority, expectations.
    [Show full text]
  • Rachmaninov (1873-1943)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.
    [Show full text]
  • The 17Th International Edvard Grieg Piano Competition 17–25 September 2021 • Bergen, Norway
    1ST PRIZE 30 000 EURO The 17th International Edvard Grieg Piano Competition 17–25 September 2021 • Bergen, Norway KODE Edvard Grieg Museum Troldhaugen Bergen Philharmonic Orchestra Stiftelsen Kristian Gerhard Jebsen Ryoma Takagi, Japan, 1st prize winner in 2018 Japan, 1st prize Takagi, Ryoma Photo: Dag Fosse/KODE Dear artists, It is my great pleasure to welcome you to the 17th International Edvard Grieg Piano Competition 2021 in Bergen and at Troldhaugen. Grieg said: “One must first be a human being. All true art grows out of that which is distinctively human”. This last year has reminded us of how important the arts are to our community and to the human experience. You as musicians have the great responsibility and the great privilege of bringing people together through your work. This is what we celebrate here at the Grieg Competition. The first three rounds will be held at Edvard Grieg Museum Troldhaugen, Grieg’s picturesque and well-preserved home, in one of Norway’s finest chamber music halls. The final round will be held in the Grieg Hall, where three finalists will perform with The Bergen Philharmonic Orchestra. We have just passed the end of a very strange and unprecedented year. We really hope for 2021 to be different and filled with live encounters and music. We hope that we will be able to have you here in September and share your artistry with everyone. Welcome – and best of luck to you all! Christian Grøvlen Director The International Edvard Grieg Piano Competition Prizes Jury 1st prize: 30.000 euro Einar Steen-Nøkleberg, Norway (chairman) 2nd prize: 20.000 euro Pablo Galdo, Spain 3rd prize: 10.000 euro Christian Ihle Hadland, Norway Robert Levin, USA Noriko Ogawa, Japan Uta Weyand, Germany Lilya Zilberstein, Germany >>Apply now at www.griegcompetition.com/application Repertoire Semi-final: • The 2nd movement from one of Edvard Grieg’s three violin sonatas Please note that the same piece cannot be (from Op.
    [Show full text]
  • IDAGIO Press Release
    Press Release Winner of the Busoni Competition Releases First Recording on IDAGIO Berlin, 15th of May 2018. For the first time the Ferruccio Busoni International Piano Competition Foundation has produced a studio album, which it has made available exclusively on IDAGIO, the streaming service for classical music. The 20-year old Ivan Krpan, winner of the 2017 competition, took to the legendary Emil Berliner Studios in Berlin to record Chopin's 24 Préludes and Schumann's ​ Fantasie op. 17 and Arabeske op. 18. Classical music lovers around the world can hear the ​ ​ ​ exceptional Croatian pianist from May 15 exclusively on IDAGIO. The Ferruccio Busoni International Piano Competition takes place every two years in Bolzano, northern Italy, and counts as one of the most renowned and demanding events of its type in the world. Founded in 1949 with Arturo Benedetti Michelangeli as an honorary committee member, the competition counts such artists as Martha Argerich and Alfred Brendel as previous prize-winners. The release of this album marks the beginning of a long-term collaboration between IDAGIO and the Busoni Competition, which will see the start of Krpan's career supported by further joint initiatives. The competition is well known for its supporting of talent: beyond prize money, it organises world-wide concert engagements for winners of its first prize. For the first time, these concerts are now accompanied by the exclusive release on IDAGIO, which gives concertgoers the immediate opportunity also to hear Krpan's recording on the streaming platform. Peter Paul Kainrath, Artistic Director of the Busoni Competition, said: "To lay the foundations for a career today, an artist needs to ​ be heard on digital platforms early on.
    [Show full text]
  • Presse- Mitteilung
    PRESSE- MITTEILUNG Lilya Zilberstein: Biografie Die weltweit gefragte Pianistin Lilya Zilberstein begann im Alter von fünf Jahren mit dem Klavierspiel. Nach zwölf Jahren Unterricht bei Ada Traub an der Gnessin- Spezialmusikschule in Moskau setzte sie ihr Studium bei Alexander Satz am Gnes- sin-Institut bis zum Abschlussexamen 1988 fort. Bereits 1985 gewann sie den 1. Preis beim Wettbewerb der Föderativen Russischen Republik und war auch unter den Preisträgern des Allunions-Wettbewerbs in Riga. Seit 1990 lebt Zilberstein in Deutschland. 1991 debütierte sie beim Berliner Philharmonischen Orchester unter Claudio Abbado und legte damit den Grundstein für wiederholte Zusammenarbeit. Ihren ersten internationalen Erfolg erlebte Lilya Zilberstein 1987, als sie den Busoni- Wettbewerb in Bozen gewann. Der Sieg war eine Sensation. Erst fünf Jahre später wurde überhaupt wieder ein erster Preis vergeben. Bereits 1988 konnte die in Mos- kau geborene Pianistin große Tourneen ins westliche Ausland unternehmen. Ihre Konzertreisen führten sie in fast alle europäischen Länder, nach Mexiko, Japan, Ko- rea, Kanada und Brasilien. Auf der Liste ihres Wirkens bei Konzerten stehen namhafte internationale Orchester, wie das Chicago Symphony Orchestra, das Tschaikowsky Symphonieorchester Moskau, das London Symphony und Royal Philharmonic Orchestra, das Orchester der Mailänder Scala, das Staatskapelle Dresden und viele andere. In den vergange- nen Jahren gab die Pianistin Gastspiele in den USA, Asien, Südamerika, Italien, Großbritannien, Frankreich, Schweden, Spanien, Polen und Island und unternahm ausgedehnte Welttourneen als Kammermusikpartnerin von Maxim Vengerov. Erst- mals nach 16 Jahren kehrte sie in ihre Heimatstadt Moskau zurück, wo sie ein umju- beltes Konzert gab. Sie ist regelmäßig Gast bei den größten internationalen Festi- vals. Mit ihrer langjährigen Duopartnerin Martha Argerich feierte sie 2009 zehnjähri- ges Bühnenjubiläum mit Konzerten in vielen europäischen Metropolen.
    [Show full text]
  • Ojai Music Festival
    The 2019 Guide Festivals April 2019 Editor’s Note The 2019 Guide What’s your summer music craving—opera in the Swiss Alps? Perhaps it’s chamber music in a California vineyard or prepared piano at a Massachusetts modern art museum? Such is a sampling from the menu of options in our sixth annual Guide to Summer Festivals—at nearly 100 entries, it’s our largest yet, and certainly the most entertaining to peruse. Just a few highlights: A new production of the Mozart Requiem at the Aix-en-Provence Festival; the “Loud Weekend” at Bang on a Can’s annual Festival at Mass MOCA in the Berkshires; the world premiere of Poul Ruders’s The Thirteenth Child at Santa Fe Opera, where Festivals the stage is often open to a view of the sun setting amid the Jemez Mountain range; pianist Yuja Wang (Musical America’s 2017 Artist of the Year) performing in Croatia at the Dubrovnik Summer Festival; Fabio Luisi conducting Beethoven’s Sixth Symphony in Tuscany, at the Chigiana International Festival; the Pacifica Quartet in a Napa Valley winery at Music in the Vineyards; Handel’s Ariodante at the Drottningholms Slottsteater in Switzerland. Opera in the Ozarks, in Eureka Springs, AR, has Mark Adamo’s Little Women on the docket; while the Mark Morris Dance Group will premiere a new work set to Erik Satie’s Sports et divertissements at Mostly Mozart in New York. Also, as proof that there is no spot on earth too remote for live music of any sort to thrive, the 22nd annual Orcas Island Chamber Music Festival, in the San Juan Islands off the coast of Washington, will present Susan Graham in recital while the Miró Quartet will give the world premiere of Pulitzer Prize-winning composer Kevin Puts’s latest opus.
    [Show full text]
  • Maxim Vengerov Notes.Indd
    Cal Performances Presents Sunday, October , , pm Zellerbach Hall Maxim Vengerov, violin Lilya Zilberstein, piano PROGRAM Wolfgang Amadeus Mozart (–) Adagio in E major, K. () arr. Rostal Ludwig van Beethoven (–) Sonata No. for Piano and Violin in C minor, Op. , No. () Allegro con brio Adagio cantabile Scherzo: Allegro Finale: Allegro INTERMISSION Serge Prokofi ev (–) Sonata No. for Violin and Piano in F minor, Op. (, ) Andante assai Allegro brusco Andante Allegrissimo—Andante assai, come prima Dmitri Shostakovich (–) Ten Selections from the Preludes, Op. arr. Tziganov (–) . Allegretto . Allegretto . Allegro non troppo . Moderato . Largo . Allegretto . Andantino . Allegretto poco moderato . Adagio . Allegretto furioso Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 31 Program Notes Wolfgang Amadeus Mozart (–) the quiet countryside with the assurance that Adagio in E major, K. () the lack of stimulation would be benefi cial to Arranged by Max Rostal. his hearing and his general health. In Heiligenstadt, Beethoven virtually lived It was for Antonio Brunetti, principal violinist the life of a hermit, seeing only his doctor and of the archiepiscopal orchestra in Salzburg from a young student named Ferdinand Ries. In March , , that Mozart wrote the E major , he was still a full decade from being to- Adagio, K. It was composed late in tally deaf. Th e acuity of his hearing varied from as a substitute slow movement for the Concerto day to day (sometimes governed by his inter- No. in A major, K. , since, according to est—or lack thereof—in the surrounding con- a remark by the composer’s father the follow- versation), but he had largely lost his ability to ing year, Brunetti found the original second hear soft sounds by that time, and loud noises movement “zu studiert”—“too studied”—and caused him pain.
    [Show full text]