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Hamlet Isaxanli in Search of “Khazar”
Hamlet Isaxanli In Search of “Khazar” 2 In Search of "Khazar" The realities of events associated with the establishment and development of Khazar University have left indelible traces in my memory. I intend to pass these events to you in their entirety and in all sincerity. I hope I can relive together with you, readers, those days spent in ‘search of "Khazar". In Search of "Khazar" 3 CHAPTER 1 BETWEEN HEAVEN AND EARTH For a number of years I was familiarizing myself with different universities all over the world, whilst gathering my thoughts on science and education in my own country, Azerbaijan. These ideas and comparisons were taking a distinctive shape in my imagination - the shape of a university. Novel ideas and thoughts seemingly appear unexpectedly, but in reality they are a result of long and intensive subconscious efforts. The information that we absorb, accept and keep in our minds is explored and analyzed in invisible and imperceptible ways. Accor- ding to some hypotheses, this way is simply called a harmonization, putting thoughts into a correct and beautiful order. In this process, suddenly everything falls into place and an idea appears as a patch of light. The first place where I studied after Azerbaijan was Moscow State University. I spent long years there first studying and then researching mathematics. The university’s extremely high scientific potential and pleasant and creative atmosphere seemed to be a new world to me. Later I traveled more and came across more varied systems at universities in Canada and in Europe. I didn’t content myself solely with giving lectures, presenting papers at different conferences, workshops, and conducting new research. -
Violations by Armenia of International Human Rights Law and International Humanitarian Law in the Course of New Armed Aggression Against Azerbaijan
THE COMMISSIONER FOR HUMAN RIGHTS (OMBUDSMAN) OF THE REPUBLIC OF AZERBAIJAN FIFTH INTERIM REPORT ON VIOLATIONS BY ARMENIA OF INTERNATIONAL HUMAN RIGHTS LAW AND INTERNATIONAL HUMANITARIAN LAW IN THE COURSE OF NEW ARMED AGGRESSION AGAINST AZERBAIJAN 27 SEPTEMBER – 31 OCTOBER 2020 CONTENTS ABBREVIATIONS …..………………………………………………………………………………………….…..…………….…/ 2 INTRODUCTION ……………………………………………………………………………………..…………………...........…/ 3 HISTORICAL BACKGROUND OF THE CONFLICT …..…………………………………..…………………...........…/ 6 SECTION 1. VIOLATIONS AGAINST CIVILIANS ………………………………………………………………............/ 7 1.1 Deaths among the Civilian Population ………………………………………………………………………………/ 7 1.2 Civilian Injuries …………………………………………………………………………………………………..……………../ 7 SECTION 2. TARGETING CIVILIAN INFRASTRUCTURE ………………………………………………………………./ 9 2.1 Targeting Public Facilities and Private Property …………………………………………………………………/ 9 2.2 Targeting Civilian Infrastructure ……………………………………………………………………………………../ 15 SECTION 3. VIOLATIONS DURING THE HUMANITARIAN CEASEFIRE ………………………….……….…./ 17 SECTION 4. VIOLATIONS WITH RESPECT TO CIVILIANS IN THE TERRITORIES UNDER CONTROL OF ARMENIA……………………………………………………………………………………………../ 24 SECTION 5. CONCLUSIONS …………………………………………………………………………………………….……../ 27 ANNEX 1 ………..……………………………………………………………………………………………………………………../ 29 Page 1 of 39 ABBREVIATIONS Armenia SSR Armenia Soviet Socialist Republic Azerbaijan SSR Azerbaijan Soviet Socialist Republic ECHR European Court of Human Rights ICRC International Committee of Red Cross IDPs Internally Displaced Persons IHL International -
Azerbaijan's Journey Through Jazz
Art 40 www.irs-az.com 43, SPRING 2020 Ian PEART Saadat IBRAHIMOVA Azerbaijan’s journey through jazz - Another Sarabski Milestone - www.irs-az.com 41 Art Outstanding Azerbaijani composer Uzeyir Hajibeyov istory, geography and character have Azerbaijani was finally persuaded to take on the role of Leyli. As for people ideally placed to enrich their own cul- Majnun, the role proved to be the springboard for the Hture with the best of the many others that pass long and distinguished career of Huseyngulu Sarabski. this way. Cultural exchange was a feature of the ancient An operatic tenor, Sarabski was equally proficient at Silk Road and is likely to continue as the current Belt and singing mugham and in 1926 was a soloist with the Road Initiative progresses. This has been no one-way Eastern Orchestra entrancing Moscow audiences with process; spot the carpets from this region that found traditional songs and music1. Remember that family their way into Renaissance paintings. And over the last name, its reappearance 83 years later forms the second hundred years or so, Azerbaijan has made remarkable part of this story. contributions to cross-cultural exchanges of music. As if Uzeyir bey did not do enough in introducing Musical pioneer opera, promoting local culture and women’s eman- On 12 January 1908, an opera was staged in a Baku cipation among other more liberal social values in his theatre. Composed by the 22-year-old Uzeyir Hajibeyov, theatrical works, he was also instrumental in the found- it was the first opera in the Muslim East; the first to fea- ing of the Azerbaijan State Conservatoire in 1920 (since ture traditional Azerbaijani folk instruments alongside 1991 the Baku Academy of Music). -
Download Booklet
572666 bk Azerbaijan EU_572666 bk Azerbaijan EU 28/07/2011 11:01 Page 1 Murad Adigezalzade Royal Philharmonic Orchestra Murad Adigezalzade was born in 1973 in Baku and in 1980 entered the Bulbul Acknowledged as one of Britain’s most prestigious orchestras, the Royal AZERBAIJANI Secondary Special Music School. In 1991 he entered the Uzeir Gadjibeyli Baku Philharmonic Orchestra enjoys an international reputation for bringing State Music Academy and in 1996 won first prize in the National Pianists’ audiences worldwide first-class performances and the highest possible Competition, winning the titles of Best Pianist of the Year and Best Musician of the standards of music-making across a diverse range of musical repertoire. PIANO CONCERTOS Year. After graduating, he entered the Munich Musikhochschule completing his Since its formation, the orchestra has been directed by some of the world’s studies there in 1998 and embarking on postgraduate studies at the Tchaikovsky finest conductors, continuing with current Artistic Director and Principal Conservatory in Moscow. Since 2004 he has been a soloist of the Moscow State Conductor, Charles Dutoit. The Royal Philharmonic Orchestra is resident Amirov/Nazirova • Adigezalov Academic Philharmonic. In 2005 he was made Honoured Artist of the Azerbaijan at London’s Cadogan Hall, performs regularly at the Royal Albert Hall Photo: Robert Taylor Republic, and in 2007 received the Presidential award. In addition to concert and gives a prestigious series of concerts each year at Southbank Centre’s Guliyev • Badalbeyli activity that has taken him to Turkey and elsewhere, he is piano professor at the Royal Festival Hall. The orchestra is committed to offering an extensive British regional touring programme and has Baku Musical Academy. -
Statesmen and Public-Political Figures
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CONTENTS STATESMEN, PUBLIC AND POLITICAL FIGURES ........................................................... 4 ALIYEV HEYDAR ..................................................................................................................... 4 ALIYEV ILHAM ........................................................................................................................ 6 MEHRIBAN ALIYEVA ............................................................................................................. 8 ALIYEV AZIZ ............................................................................................................................ 9 AKHUNDOV VALI ................................................................................................................. 10 ELCHIBEY ABULFAZ ............................................................................................................ 11 HUSEINGULU KHAN KADJAR ............................................................................................ 12 IBRAHIM-KHALIL KHAN ..................................................................................................... 13 KHOYSKI FATALI KHAN ..................................................................................................... 14 KHIABANI MOHAMMAD ..................................................................................................... 15 MEHDİYEV RAMİZ ............................................................................................................... -
An Old Story
Mugham Jazz About a half dozen articles on jazz, delivered to each floor of the fourteen-story home of the official Soviet Azerbaijani press, all went directly to the waste basket – not read. In the early eighties, now viewed as the final years of the cold war and the beginning of the thawing of the socialist regime, censorship on two levels, official and self-asserted, continued to render jazz as an ambivalent and thus avoidable subject. During the same months that my other articles on music, theater, and the arts were published in various papers and journals, my attempts to offer or promote anything written on jazz met with friendly dismissal or cautious advice. Until one day the editor of the sports section of the major komsomol (Young Communist League) paper Youth of Azerbaijan, himself a jazz fan, proposed a scheme. Substituting for the main editor during a two-day business trip, my fellow conspirator was in charge of daily issues. Upon his call, I left with the secretary, who knew me, a jazz article with, according to our plan, an attached note –“Solicited by the editor – urgent”– the ambiguity of the message simultaneously explaining and excusing the inclusion of the article in that day’s issue. Running to the newsstand the following morning and finding a three-column article in the fresh-smelling newspaper, I, a twenty- five-year-old classically trained pianist and, as a hobby, a free-lance cultural observer, returned home to read simultaneously from several copies, indulging myself with Turkish coffee. Within a few minutes, the phone rang and an official voice stated that in an hour I was expected at the office of the Secretary of the Azerbaijan Young Communist League. -
Economic Development Activity (Seda) Featuring Outcomes Harvesting
EVALUATION REPORT FINAL PERFORMANCE EVALUATION OF THE SOCIO-ECONOMIC DEVELOPMENT ACTIVITY (SEDA) FEATURING OUTCOMES HARVESTING April 2020 This publication was produced at the request of the United States Agency for International Development. It was prepared independently by ME&A, Inc. FINAL PERFORMANCE EVALUATION OF THE SOCIO- ECONOMIC DEVELOPMENT ACTIVITY (SEDA) FEATURING OUTCOMES HARVESTING This publication was produced at the request of the United States Agency for International Development under Contract/Task Order Number: AID-OAA-I-15-00024/72011219F00001 Prepared by: Zehra Kacapor-Dzihic, Team Leader Kathy Selvaggio, Deputy Team Leader Naila Hashimova, Local Technical Expert Chinara Abbasova, Evaluation Assistant Contractor: ME&A, Inc. 4350 East-West Highway, Suite 210 Bethesda, MD 20814 Tel: 301-652-4334 http://www.meandahq.com/ DISCLAIMER The author’s views expressed in this publication do not necessarily reflect the views of the United States Agency for International Development or the United States Government. TABLE OF CONTENTS EXECUTIVE SUMMARY ................................................................................................................................................... i 1.0 INTRODUCTION ............................................................................................................................................. 1 1.1 Evaluation Purpose ................................................................................................................................ 1 1.2 Evaluation Questions -
20 Mustafa MAMMADOV, NOVATORITY in the CREATION
Мистецтвознавство UDC 7.07; 78 DOI https://doi.org/10.24919/2308-4863.3/27.203647 Mustafa MAMMADOV, orcid.org/0000-0002-1712-0362 Teacher of Music Training Department Nakhchivan University (Nakhchivan, Azerbaijan) [email protected] NOVATORITY IN THE CREATION OF RAMIZ MIRISHLI The article extensively describes Ramiz Mirishli’s life and work. Here the author talks about how the favorite singers sing composer’s songs. The author describes in detail the composer Ramiz Mirishli’s great influence in the song’s creativity, as well as having owned lyrics-music by him in this genre. Ramiz Mirishli was born on April 16, 1934 in Nakhchivan. After graduating from high school in Nakhchivan, he studied at the Asaf Zeynalli Music School in 1952– 1954. He graduated from the Azerbaijan State Conservatory named after Uzeyir Hajibayli in 1956–1962 with a degree in compositional education. Ramiz Mirishli began his career in 1954 as a musician at the Azerbaijan Radio and Information Office and worked as a teacher at various music schools throughout the country until 1962. He served as senior editor and editor-in-chief of music at the Azerbaijan State Television and Radio Broadcasting Company from 1962–2005, and was Artistic Director of the Song and Dance Ensemble at the Azerbaijan State Philharmonic in 1987–1995. He manages art for many anniversary concerts. He creates memorable music for the performances on the stage of the Nakhchivan State Musical Drama Theater named after J. Mammadguluzade and the Nakhchivan Poetry Theater named after H. Javid. Having been a teacher, associate professor and professor of the present Baku Music Academy since 1972 and Professor of the Azerbaijan National Conservatory from 2005 until the end of his life, Ramiz Mirishli, who has closely linked his work with pedagogical activity for many years, has used his knowledge and skills to bring up a new generation of musicians and has made a valuable contribution to the formation of professional musicians. -
ELMİ ƏSƏRLƏR 2011, Cild 39
AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI TARİX İNSTİTUTU ELMİ ƏSƏRLƏR 2011, cild 39 SCIENTIFIC WORKS OF THE INSTITUTE OF HISTORY NAS OF AZERBAIJAN 2011, volume 39 ТРУДЫ ИНСТИТУТА ИСТОРИИ НАН АЗЕРБАЙДЖАНА 2011, том 39 1947-ci ildən Nəşr olunur Азярбайcан Милли Елмляр Академийасы А.А.Бакыханов адына Тарих Институту Елми Шурасынын гярары иля чап олунур Баш редактор: Йагуб МАЩМУДОВ АМЕА-нын мцхбир цзвц Redaksiya heyəti: Акад. Наиля ВЯЛИХАНЛЫ, акад. Теймур БЦНЙАДОВ, акад. Исмайыл ЩАЖЫЙЕВ, АМЕА-нын мцхбир цзвц Nərgiz AXUNDOVA, т.ü.е.д. Ирадя БАЬЫРОВА, т.ü.f.d. Жяби БЯЩРАМОВ (баш редактор мцавини), т.ü.е.д. Həsən ƏLİBƏYLİ, Ирадя ЯЛИЙЕВА (бурахылыша мясул), т.ü.е.д Шащин ФЯРЗЯЛИЙЕВ, т.ü.е.д. Гасым HАЖЫЙЕВ, т.ü.f.d. Щажы ЩЯСЯНОВ, r.ü.f.d. Mehri XANBABAYEVA, т.ü.е.д. Ədalət QASIMOV, т.ü.f.d. Ниэар МАКСВЕЛЛ, т.ü.е.д. Адил МЯММЯДОВ, т.ü.f.d. Эющяр МЯММЯДОВА (мясул катиб), т.ü.f.d. Елмар МЯЩЯРРЯМОВ, т.ü.е.д. Тофиг МУСТАФАЗАДЯ, t.ü.f.d. Tofiq NƏCƏFLİ, т.ü.е.д. Мярйям СЕЙИДБЯЙЛИ, т.ü.е.д. Kərim ŞÜKÜROV ISBN © AMEA Tarix İnstitutu, 2011 YUNAN-ROMA VƏ ORTA ƏSR GÜRCÜ MƏNBƏLƏRİNİN MÜQAYİSƏSİNDƏ BUNTÜRKLƏR Ellada Bəkirova* [email protected] Azərbaycan xalqının soykökündə özünəməxsus rolu olan tayfalardan biri buntürklərdir. Cənubi Qafqazın orta əsrlər sakinlərindən hesab olun- salar da, əslində, ərazinin ən qədim aborigenlərindən olmuşlar. Orta əsr gürcü mənşəli mənbələrdə buntürklərin adı miladdan öncəki IV əsr hadisələri ilə bağlı əbəs yerə çəkilmir. Tədqiqatçıların bir qrupu, xüsusilə, gürcü tədqiqatçıları onların miladdan öncəki hadisələrdə, məhz indiki Gürcüstan torpaqlarında xatırladılmasını anaxronizm hesab etsələr də, fik- rimizcə, bu bəzi əhəmiyyətli məqamları gözardı etməklə məsələyə qərəzli yanaşmadan başqa bir şey deyil. -
Zulfiyya Sadigova CV Tel: (+994 55) 703-3911 2 Sabit Orujov Str
Zulfiyya Sadigova CV Tel: (+994 55) 703-3911 2 Sabit Orujov Str. Apt. 25 Cell: (+99450) 315-2569 Baku AZ 1025; Azerbaijan E-mail: [email protected] PROFESSIONAL EXPERIENCE: April 1, 2009 – present Coordinator, Music and Arts Department, Khazar University, Baku Azerbaijan. September 2006 – May 31, 2009 Chairperson, Chair of Descriptive Art; Khazar University, Baku Azerbaijan. October 2004 – June 2007 Music Teacher; Khazar University’s affiliate “Dunya” School, Baku, Azerbaijan. September 1998 – October 2004 Music Teacher, Music Academy, Baku, Azerbaijan September 1993 – September 1998 Teacher at R. Behbudov Children’s Music School, Baku, Azerbaijan EDUCATION: September 1995 – June 1998 Musical Academy, Baku, Azerbaijan PhD Post Graduate Study September 1990 - June 1995 Uzeyir Hajibekov Music Conservatory, Baku, Azerbaijan Five-year Diploma Faculty of Piano Graduation with Distinction (Red Diploma) September 1979 – June 1990 Bul-Bul Music School, Baku, Azerbaijan Graduation with Distinction (Elementary/Secondary/High School), Piano Class (Silver Medal) CONCERTS & PERFORMANCES: 2014 March 7, solo concerts in London, UK. 2013 May 9, solo concerts in Paris and Legl, France. 2012 April, Participated in Azerbaijan cultural days in the cities of Rome, Venice, Milan, and Turino, Italy 2011-2012 May, Staged a student performance of the full opera “Sevil” by genius Fikret Amirov at Khazar University 2011 May, Solo program in Academia Nazionale di Sonto Ceciliya concert hall, Rome, Italy 2011, November, Solo concerts in Rome and Cherveteri, Italy 2009, Solo concert at Murad Kojlayev International Festival, Daghestan 2008, 80th anniversary of Heydar Aliyev and Mir Jalal Pashayev’s 100th anniversary jubilee evening, Bishkek, Kyrgyzstan 2008 December 26, Presentation of First Album/CD. -
Outstanding Azerbaijanis
Outstanding Azerbaijanis ANAR People’s writer Genious COMPOSER THE world OF UZEYIR… AND certainlY THIS world waS created BY UZEYIR HajibaYOV HIMSELF, HIS RICH AUtobiog- RAPHY that WENT throUGH VARIOUS AND coMplicate PERIODS OF LIFE, OUTStanding PERSONALITY, MUltiFaceted creatiVE work AND, UNDOUbtedlY, FIRST OF ALL IMMortal pieceS OF HIS MASterworkS. THESE ARE EVENTS, StorieS, FactS. IT IS A BEAUTIFUL AND DIFFERENT world. he history of our music and Chamanzaminli, Huseyn Javid and Ismayil Efendiyev, Lutfali Abdullayev, theater in the XX-th century, Ahmad Javad, M.S.Ordubadi and Minavvar Kalantarli, Firangiz Tcomplex and contradicting de- Azim Azimzadeh, G.Arablinski and Akhmadova, Lutfiyar Imanov, velopment of political and public life Jafar Jabbarli, Samad Vurgun and Khuraman Gasimova and many in the first half of the century is also Ismayil Hidayatzadeh… more actors, singers, conductors, connected with the name of Uzeyir Drama works of Uzeyir Hajibayov producers – stars of our art – that Hajibayov. To speak of Uzeyir bey represent a true school that has sparkled through the masterpeices means to remember elder person- formed tens of dramatic art mas- of Uzeyir bey… alities of his time – Khurshud Banu ters in Azerbaijan. Majnun of Friend, and a personali ty of Natavan, Mir Mohsun Navvab, Jabbar Huseyngulu Sarabski and Koroglu the time of Uzeyir was Muslim Garyagdi oglu, Hasan bey Zardabi. of Bulbul, Askar of Rashid Behbudov Magomayev…Worthy followers of Talking of public and political and Mashadi Ibad of Mirzaga Aliyev, the composer’s -
Gilman Salakhov's Role and Importance in Azerbaijani Music
Cultural and Religious Studies, June 2020, Vol. 8, No. 6, 346-356 doi: 10.17265/2328-2177/2020.06.003 D D AV I D PUBLISHING Gilman Salakhov’s Role and Importance in Azerbaijani Music Culture Nigar Bayramova Agaverdi Baku Music Academy named after Uzeyir Hajibayli, Baku, Azerbaijan Azerbaijani music has been created and polished by the people for centuries, and reflects the people’s spiritual strength, desire for freedom, ideas, and hopes. Azerbaijani music has been passed down from generation to generation, lived in oral traditions, and has always been distinguished by its antiquity and rich culture. Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages, and categories of aesthetic analysis of music have been formed. Music and musical aesthetics have historically been widespread, and have shaped various socio-cultural forms in a forward-looking way. The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people. Our national musical instruments, adapted to the emotional color, rhythm, tempo and art of Azerbaijani folk music, have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day. They are one of the elements that connect the future of our musical culture with the past. Traditional music and musical instruments, which are still played today, reflect the main features of Azerbaijan’s national musical thinking and artistic creativity. Information on komuz and kilkomuz, the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments, is also found in examples of oral folk art, in the all-Turkic monument “Kitabi-Dada Gorgud”.