Dora Budor New Galerie
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DORA BUDOR NEW GALERIE Selected press No. 21, 2016 From Cura magazine DORA BUDOR byDORA Noah BUDORBarker DORAby NoahDORA BUDOR Barker BUDOR by Noahby Noah Barker Barker Dora Budor has a reality complex. Perhaps tus of spectacle into real space, doubling it’s a symptom of her cinephile youth the suture of cinema. Originally anatomi- spentDora wandering Budor has a mental a reality “wilderness complex. Perhapsof cal, tussuture, of spectacle a conceptual into realtransplant space, of doubling La- elsewheres,”it’s a symptom as Robert of her Smithson cinephile descri- youth canianthe psychologysuture of cinema. into film Originally theory, anatomi- besDora spentthe Budor mind wandering has Doraon amovies. reality Budor a mental 1complex. hasIn further a“wilderness reality Perhaps eva- complex. of Perhapsdescribestus ofcal, spectacle suture, thetus outside a into conceptualof spectacle real spectator space, transplant into doublingfilling real an space,of La- doubling luationit’s aelsewheres,” symptom we mightit’s of asa queryher symptom Robert cinephile Lacan: Smithson of does heryouth cinephile the descri- youthabsentthe caniansuture subject ofpsychology cinema.the signified suture Originally into ofby cinema.filmthe frame,theory,anatomi- Originally so anatomi- gazespentbes engrave? wandering the mindspent In aonother mentalwandering movies. words, “wilderness1 In aas furthermental an ofeva- “wildernessascal, toof describessuture, close athe conceptualcal, the fourth suture,outside wall. transplanta spectator conceptualIt is the cine-of filling La-transplant an of La- imageelsewheres,”luation in the we aseye,elsewheres,” might Robert does query anSmithson objectas Lacan: Robert impressdescri- does Smithson the descri-maticcanianabsent mechanism psychology subjectcanian that signifiedinto psychology wraps film theory,by the the into wande- frame, film theory,so 1 1 permanentlybes gazethe mind engrave? upon beson movies. the vision?In othermind InAnd onwords, further movies.if that as eva- ob-anIn further eva-ringdescribesas Budor to close the in describes elsewheres.outside the fourth spectator the wall.The outside atopiaIt fillingis the spectator of ancine- filling an jectluation imagewere we so inmight frequentlytheluation eye,query wedoes film,Lacan: might an “wrapping object doesquery the impressLacan: does theabsentthe maticcinema subject mechanism longabsent signified ago subjectreplaced that by wraps the signified the frame, the utopia wande- byso the frame, so [Budor]gazepermanently engrave? in uncertainty,”gaze In upon other engrave? vision?as words, Smithson In And asother an if conti- thatwords, ob- as anofas thetoring close future. Budor the Seated,as infourth to elsewheres. close lookingwall. the It fourth is outThe the at atopia cine- wall.the Itof is the cine- nues,imageject how in were the might eye,soimage frequently thedoes in world thean object eye,film,continue does “wrapping impress toan ap- object impressculturalmaticthe mechanism cinemalandscape,matic long that it’smechanism ago wrapsno replaced secret the that thatwande- the wraps utopia the wande- pear?permanently[Budor] For a inproper uponpermanently uncertainty,” vision?diagnosis Anduponas weSmithson if vision? thatshould ob- Andconti- if thatblockbusterring ob-of Budor the future. in science ringelsewheres. Seated, Budor fiction inlooking The elsewheres.has atopia inherited out atof Thethe atopia of observeject nues,were the sohow artist’sfrequentlyject might were contagion the sofilm, world frequently “wrapping in continue which film, to “wrapping ap- the culturalrolecinema of proposing longlandscape,the agocinema replacedother it’s long no worlds, secret agothe utopia replacedonce that the utopia cantankerous[Budor]pear? in Foruncertainty,” [Budor] aobjects proper in formed asdiagnosis uncertainty,” Smithson by thewe conti- asmodeshould Smithson theofconti- the blockbusterpursuit future. of Seated, ofbestselling thescience future. looking fiction utopian Seated, out has atnovels looking inheritedthe in out at the ofnues, spectacularobserve how might thenues, production artist’s the how world contagion might infect continue the consciou- inworld whichto ap- continue theculturalto ap-thenineteenth rolelandscape, ofcultural proposingcentury. it’s landscape, no It’s other secret these worlds, thatit’sproduc- no oncesecret that sness,pear?cantankerous Forreined a proper pear?by empirical objects diagnosisFor a properformed reality, we diagnosis shouldwithby the su- mode we shouldtionsblockbusterthe Budor pursuit prefersscienceblockbuster of bestselling to fiction exhume, science has utopian inheritedresuscita- fiction novels has in inherited blimatedobserveof spectacular the specificity. artist’sobserve production contagion the artist’s infectin whichcontagion consciou- in whichtingthe theroletheir nineteenth of unsettled proposingthe role century. remains. otherof proposing It’sworlds, these otheronce produc- worlds, once cantankeroussness, reinedcantankerous objects by empirical formed objects byreality, the formed modewith su- by thethe mode tionspursuit Budor of thebestselling prefers pursuit to ofutopian exhume, bestselling novels resuscita- utopian in novels in Alongof spectacularblimated these lines,specificity.of production spectacular the hall infectof production The consciou- Archi- infect consciou-Inthe Mental tingnineteenth their Parasite unsettledthe century. nineteenth Retreat remains.It’s 1these (2014)century. produc- Budor It’s these produc- tect’ssness, Plan, reined His sness,by Contagion empirical reined andreality, by empiricalSensitive with su- reality, withplaystions su- BudorDr. Frankenstein, preferstions Budor to exhume,integrating prefers resuscita- to the exhume, resuscita- CorridorsblimatedAlong specificity. 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