Pippin Themes and Meaning the Following Questions and Answers
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“Hello, Dolly!” the Tony Award-Winning Be
FOR RELEASE ON JULY 23, 2018 “The best show of the year. ‘Hello, Dolly!’ must not be missed.” NPR, David Richardson “This ‘Dolly!’ is classic Broadway at its best.” Entertainment Weekly, Maya Stanton “It is, in a word, perfection.” Time Out New York, Adam Feldman TONY AWARD®-WINNING BROADWAY LEGEND BETTY BUCKLEY STARS IN FIRST NATIONAL TOUR OF “HELLO, DOLLY!” THE TONY AWARD-WINNING BEST MUSICAL REVIVAL WILL BEGIN PERFORMANCES SEPTEMBER 30 AT PLAYHOUSE SQUARE SINGLE TICKETS ON SALE JULY 27 Cleveland, OH – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Playhouse Square announced today that single tickets for the National Tour starring Broadway legend Betty Buckley will go on sale Friday, July 27. Tickets will be available at the Playhouse Square Ticket Office (1519 Euclid Avenue in downtown Cleveland), by visiting playhousesquare.org, or by calling 216-241-6000. Group orders of 15 or more may be placed by calling 216-640-8600. HELLO, DOLLY! comes to Playhouse Square September 30 through October 21, 2018 as part of the KeyBank Broadway Series. Tony Award-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Winner of four Tony Awards including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. -
Pippin Buy Tickets
New York Subscribe to Time Out New York Search Things To Do Food & Drink Arts & Culture Film Music & Nightlife Shopping & Style City Guide Tickets & Offers Pippin Buy tickets Musicals Revival Music Box Theatre Until Sun Dec 22 Near Music Box Theatre Bars and Restaurants Shops pubs and cafés Photograph: Joan Marcus Paramount Bar and Grill Pippin Time Out rating: User ratings: Critics' pick Paramount Bar Rate this Comments 3 Time Out says Add + Marriott Marquis Hotel Thu Apr 25 2013 Like 406 Tweet 23 Theater review by Adam Feldman. Music Box Theatre (Broadway). 0 Book by Roger O. Hirson. Music and lyrics by Stephen Schwartz. Dir. Rum House Diane Paulus. With Matthew James Thomas, Patina Miller, Rachel Bay Jones. 2hrs 30mins. One intermission. The Living Room at the W Ladies and gentlemen, step right up to the greatest show of the Broadway season: Diane Paulus’s sensational cirque-noir revival of Pippin. Here, in all its grand and dubious glory, is musical-theater showmanship at its best, 1001 others, see all a thrilling evening of art and craftiness spiked with ambivalence about the nature of enthrallment. Chet Walker’s dances, which retain the pelvic thrust of Bob Fosse’s original choreography, are a viciously precise mockery of showbiz bump and grind, enacted by a sexy, sinister, improbably limber ensemble (in skintight carnival gear and medieval costumery). Circus elements created by Gypsy Snider—acrobatics, aerialism, contortionism, juggling, hula hoops—build momentum toward what the ringmaster assures us is “a climax you will remember for the rest of your lives.” That just might be true. -
42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR. -
The Tony Award-Winning Best Musical Revival
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell The Tony Award-Winning Best Musical Revival Will Begin Performances September 25 at Starlight Theatre “THE BEST SHOW OF THE “THIS ‘DOLLY!’ IS CLASSIC “IT IS, IN A WORD, YEAR. ‘HELLO, DOLLY!’ BROADWAY AT ITS BEST.” PERFECTION.” MUST NOT BE MISSED.” - ENTERTAINMENT WEEKLY, - TIME OUT NEW YORK, - NPR, DAVID RICHARDSON MAYA STANTON ADAM FELDMAN KANSAS CITY, Mo. – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Starlight Theatre are excited to announce that single tickets for the National Tour starring Carolee Carmello are on sale now. Tickets are available at the Starlight Theatre box office (4700 Starlight Road, Kansas City, MO, 64132), by visiting kcstarlight.com, or by calling 816-363-STAR (7827). Group orders of 10 or more may be placed by calling 816-997-1137. “This production of Hello, Dolly! is bigger and better than it’s ever been,” Rich Baker, President and CEO of Starlight, said. “This tour is everything that I love about Broadway—and spares no extravagance. It celebrates the iconic moments of this larger-than-life musical with incredible sets and costumes, phenomenal dancing, and big-talent that has what it takes to champion these iconic roles. What could be better than Hello, Dolly! to complete our 2019 AdventHealth Broadway Series?” Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). -
Scenic Design for the Musical Godspell
Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear. -
Pippin Program [1995]
University of Southern Maine USM Digital Commons Programs 1994-1995 Season Theatre Programs 1990-2000 Spring 3-1995 Pippin Program [1995] University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1994-1995 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Pippin Program [1995]" (1995). Programs 1994-1995 Season. 4. https://digitalcommons.usm.maine.edu/theatre-programs-1994-1995/4 This Program is brought to you for free and open access by the Theatre Programs 1990-2000 at USM Digital Commons. It has been accepted for inclusion in Programs 1994-1995 Season by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. The University of Southern Maine Departments of Music and Theatre proudly present Book by Roger Hirson Music and Lyrics by Stephen Schwartz directed by Will Kilroy musical direction by Bruce Fithian March 10 - 19, 1995 The Majn Stage, Russell Hall USM Gorham Campus Biographies Jayson Mathieu is proud to be sharing the stage with such talented people. He hopes you enjoy the show! Remember, "Theatre is We applaud the ll~ Magic." Brian Saunders - It is the ultimate goal of everyone to find their complete fulfillment in life. Thank you to Will and the entire cast University of Southern for helping me come one step closer to that fulfillment. You all are extraordinary! Maine and the A teacher by vocation, John Blanchette divides his sparetime between acting (Lend me a Tenor, Rumors, South Pacific) and DepartmentofThea~e directing (How to Succeed in Business Withour Really Trying, Anything Goes, 42nd Street, West Side Story.) He is completing his We support your efforts through higher Master's Degree in Instructional Leadership (Education) this May. -
Michael Jackson Albums Free Mp3 Download
michael jackson albums free mp3 download What Kind Of Music Did Michael Jackson Sing? Michael Jackson's music spanned a number of genres, but the vast majority of his work is pop music, hence his title as the "King of Pop". Michael Jackson is the most successful entertainer of all time, and was a global figure in pop culture for 40 years. He began his career in 1964, forming a band with his brothers called The Jackson 5, and beginning his solo career in 1971. He is known for his distinct vocal style, complicated dance techniques and his pioneering use of music videos. Michael Jackson died in 2009 (of propofol intoxication) at the age of 50 in his Los Angeles mansion. His doctor had found him not breathing but with a pulse, and started CPR immediately. Paramedics were called, but Jackson was pronounced dead at the local hospital shortly after. Since then his doctor has been convicted of involuntary manslaughter and sentenced to four years in prison. The coroner ruled that the doctor had accidentally given Jackson an overdose of propofol and anti-anxiety pills. Genres of Michael Jackson's music - Pop. - Rhythm and Blues. In particular, one of Michael Jackson's most successful albums, "Thriller" explores numerous different genres. The album contains aggressive dance songs and rock tracks such as "Beat it". Another hit from the album "Billie Jean" has notable funk influences. In contrast the ballads on albums such as "Human Nature" were softer and more soulful. FREE Michael Jackson Thriller MP3 Album Download. If you do not have a Google Play account, you will need to create one which requires you to add a credit card or PayPal account. -
Cast, Crew & Orchestra
Cast, Crew & Orchestra Principals, Featured Vocalists & Seniors Andrew Aukerman - Orchestra This is Andy Aukerman's second year as a violinist in the Orchestra pit, having completely enjoyed being a part of Thoroughly Modern Millie. He has been a member of the Orchestra since 3rd grade and made PMEA Honors Orchestra this year. Andy is looking forward to life as a college student next year, hopefully at Rice University, or perhaps at UT Austin, Pitt, or NCSU. He plans on studying biomedical engineering, with aspirations to change the medical field and save lives. Andy also pole vaults and is the co-president of Peer-to-Peer Empowerment. Andy would like to thank his parents for their never ending support and Ms. Panza for her wonderful direction. Additionally, he thanks his teachers for the knowledge and wisdom, both academic and non-academic, he has gained during his 4 years at Pine-Richland. Melanie Berexa - Catherine Melanie, a senior, is so thrilled to be playing the role of Catherine in this year’s musical. Last year, Melanie played Ruth, a Pricilla Girl, in Thoroughly Modern Millie. Before joining the PR Musicals, Melanie was a student at Lincoln Park Performing School where she participated in The Secret Garden, White Christmas, The Miracle Worker, and several other shows. She has also participated in Jeter Backyard Theatre and recently played the role of Rose in Bye Bye Birdie. Melanie would like to thank Jim Scriven, Laura Wurzell, Joy Hess, Carole Rost, her fellow cast members, crew and orchestra for making this musical such a great experience. -
Spring 2017 Audition Packet Preliminary Auditions Callbacks
Spring 2017 Audition Packet 5-12th grade Welcome to Wolf Performing Arts Center’s spring 2017 season! This spring, we will bring 2 musicals to life; one in our black box theater and one at St. Joseph University’s Bluett Theater. Actors interested in auditioning for our spring productions must read this packet thoroughly to learn about the auditions, rehearsals and performances for each production. In this packet you will find: Information about auditions and callbacks Details about rehearsals and performances for each show Audition selections Forms to be filled out and turned in during your audition Preliminary Auditions Monday, January 23rd and Tuesday, January 24th from 6-8:30pm You can sign up for your audition time slot through our website (www.wolfperformingartscenter.org). All actors will audition for the directors of INTO THE WOODS, Jr. and PIPPIN at the same time. Audition monologues can be found in this packet. Callbacks Following the preliminary auditions, each director will call back actors to read for specific roles in each play. Callbacks will be held on Thursday, January 26th from 5-9pm and Saturday, January 28th from 10am – 2pm. Those who are needed for callbacks will be notified via email by Wednesday, January 25th. Those who do not receive a callback may still be cast. Casting Cast lists will be sent out via email by Monday, January 30th. Casting at Wolf PAC is based on three main criteria: talent, behavior and availability. Once the production staff has had the chance to assess the criteria for every actor who auditions, we will assign roles based on what is the best fit for the actor and the overall production. -
Programs and Promotional Materials!
Company artistic Director Peter Marston Sullivan Executive Director Peter Blair mission & Vision BoHo Theatre’s mission is to create theatre artistic advisor that incorporates the arts as a whole — Art Stephen M. Genovese for art’s sake. Our vision is to challenge convention through literary originality and Executive advisor eclectic expression while fostering an ever- Thomas J. Samorian evolving artistic environment in which people are inspired to learn, think, dream, and feel. assoc. artistic Director To teach others and ourselves how to expand, Peter Robel create, and present art through theatre while reveling not only in the process, but also in the journey. managing Director Ryan Guhde Board media Director IV Stephen M. Genovese, president; Charles Riffenburg Thomas J. Samorian, vice-president; Kaela Altman; Steve Goodman; Casting Coordinator Robert Kimmeth; Richard Maxen; Stephanie Sullivan Bob Turner; Jean Zuiker Casting assistant Rebecca Mauldin artistic affiliates Anthony Apodaca, Brenda Didier, Board/Company Secretary Patrick Ham, Theresa Ham, Mary Kate Robel Jon Steinhagen, A. Scott Williams, and John Zuiker new Works manager Ariel Trocino Company members Anna Hammonds Sean Thomas BoHo THeaTre is a not-for-profit 501 (c) 3 organization. our events and productions are made possible by your generous donations and patronage. Please visit our website at www.bohotheatre.com or speak with our house manager to learn about more ways to contribute time, money, and talent to helping support art in Chicago. any monetary donations are -
Phineas17.Pdf
Phineas 2017 Phineas 2017 The Literary Magazine of San Bernardino Valley College Number 48 © 2017 Phineas is produced each spring semester by the Literary Magazine Production class, English Department, San Bernardino Valley College. The contents are the work of students of SBVC, and all rights revert solely to the authors and artists upon publication. Phineas supports free creative expression, but any opinions or viewpoints expressed in the works in this magazine do not necessarily represent the views of the editors, faculty advisor, English department, college or district. Contents Fiction Art Jonathan Tovar E-Flat* 4 Amanda L. Muñoz Oculus Hound FC Ayo Amadu Switzerland, Not Australia 14 David Mitchell The Life of Gilligan 3 Ruben Escobar Cycle and Restrained 25 Ingrid Melchor Night Terrors 7 Alexis Rascon The Water’s Reflection* 30 Malcolm Armstead Fox and Maiden 8 Matthew Sadergaski The Undeceived King 10 Poetry DeAndrea Brooks Butterfly 13 Roman Duro Civilized 18 Lucinda Crespin Silent Observation 3 Ingrid Melchor Casablanca Mood 20 Alexis Gonzalez I Was Once the Moon 8 Amanda L. Muñoz Iniquitous 22 Jonathan Tovar Perpetuation of Life 9 Matthew Sadergaski Why So Serious? 24 Kimberly Morales 11/1/16 11 Amanda L. Muñoz Satyr Senses 28 Ashley Pacheco After Sonnet 130 ... 11 Ingrid Melchor Fill in the Lines 31 Elizabeth Duran the last bit of grace 12 Roman Duro Dysthymic 32 Devin Mitchell I Said Love 13 Matthew Sadergaski Charcoal Study 34 Lucinda Crespin Roses and Violets 19 Jasmine Barajas Isolation in Heaven* 35 Ayo Amadu Future Past 19 Malcolm Armstead Mystery Samurai 38 Lucinda Crespin In My Dreams 20 Matthew Sadergaski Eazy Duz It 39 Ryann McCurry A Woman’s Recovery 21 Matthew Sadergaski Why They Hatin’ For?* 41 Penicia Sims I’m Afraid 23 Malcolm Armstead Spider Stuff 43 Devin Mitchell The Wanderer 24 Matthew Sadergaski What Happen? 46 Vanessa Ramos Ramirez I Am … 28 Amanda L. -
The Pippin Score – Stephen Schwartz Answers Questions About The
The Pippin Score – Stephen Schwartz Answers Questions About the Songs of Pippin The following questions and answers are from the archive of the StephenSchwartz.com Forum. Copyright by Stephen Schwartz 2010 all rights reserved. No part of this content may be reproduced without prior written consent, including copying material for other websites. Feel free to link to this archive. Send questions to [email protected] Pippin: Corner of the Sky alternate lyrics? Question: Dear Stephen, I'm a fan for over 30 years, blah blah. I have a question about Corner of the Sky. I've seen two different sets of lyrics for it; the one I'm familiar with has the lyrics "Rain comes after thunder; winter comes after fall" while the other one uses "Thunderclouds have their lightning". I learned the one I learned because that's the version my 1983 singing partner Heidi knew. Can you enlighten me about these differing versions? Also, for some strange reason my brain keeps wanting to do "Rivers will run" instead of "Rivers belong" and "Children play in" instead of "Children fit in"-- I think I was doing that back in '83 too. Why do I do that? Did such lyrics ever exist, or is it just my brain acting weird (and if so, should I correct myself?)? …Thank you for all your wonderful contributions both in the music world and on this board, archived messages of which I've been reading the past few days and from which I'm receiving much inspiration and support. -Walter Answer from Stephen Schwartz: Your guess was a good one.