The Sourcencyme Project on Medieval Latin Encyclopedias
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INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from aiy type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photogrq>hs, print bleedthrou^ substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photogr£q)hs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Com pany 300 North Z eeb Road. Ann Arbor. Ivll 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9517109 Unofficial histories of France in the late Middle Ages. (Volumes I and n) Zale, Sanford C., Ph.D. -
La Recepción De La Obra De Vicente De Beauvais En España
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dehesa. Repositorio Institucional de la Universidad de Extremadura CAURIENSIA, Vol. IX (2014) 375-405, ISSN: 1886-4945 375 LA RECEPCIÓN DE LA OBRA DE VICENTE DE BEAUVAIS EN ESPAÑA FRANCISCO JAVIER VERGARA CIORDIA Universidad Nacional de Educación a Distancia (UNED) BEATRIZ COMELLA GUTIÉRREZ Universidad Nacional de Educación a Distancia (UNED) RESUMEN Parece que la biografía y amplia obra del dominico francés Vicente de Beauvais ha sido poco difundida en España hasta fechas muy recientes. Sin embargo, en los archivos y bibliotecas de nuestro país existen al menos 19 manuscritos y 90 obras impresas loca- lizadas (65 de ellos incunables), según el Catálogo Colectivo del Patrimonio Bibliográ- fico Español. La historiografía demuestra que la influencia de Beauvais, entre los siglos XIII y XX, es más intensa de lo que hasta ahora se había investigado. A través de estas páginas se pone de manifiesto que el número de obras conserva- das de Beauvais es importante, pero más el hecho de que su obra y pensamiento, unida a la tradición clásica y cristiana previa, se ha proyectado en multitud de autores hispanos desde el siglo XIII hasta nuestros días. Palabras clave: Vicente de Beauvais, impacto de su obra, Catálogo Colectivo del Patrimonio Bibliográfico Español, historiografía sobre Beauvais en España. ABSTRACT It seems that biography and extensive work of the French Dominican Vincent of Beauvais has been poorly disseminated in Spain until very recently. However, in the archives and libraries of our country there are at least 19 manuscripts and 90 (65 incu- nabula of them) printed works are located, according to the Collective Catalogue of the 376 FRANCISCO JAVIER VERGARA CIORDIA-BEATRIZ COMELLA GUTIÉRREZ Spanish Bibliographic Heritage. -
Constructing Saint Louis in John the Good's Grandes Chroniques De France
Constructing Saint Louis in John the Good’s Grandes Chroniques de France (Royal MS. 16 G. VI) Anne D. Hedeman King John the Good of France’s Grandes Chroniques de France (Royal MS. 16 G. VI) is unique among the approximately seventy surviving illuminated copies of the chronicle. Not only does it contain a revised text that has been thoroughly annotated in its margins throughout the manuscript, it also incorporates an unprecedented cycle of over 400 one- and two-column wide miniatures that include over 600 individual scenes that both present Saint Louis as a powerful model for conduct for the young prince and that visually promote Valois legitimacy. These visual and textual characteristics break with prior and subsequent royal tradition; those who planned the manuscript seem to have ignored a freely accessible model in the royal library: the firstGrandes Chroniques (Paris, Bibliothèque Sainte-Geneviève, MS. 782) illustrated with twenty historiated initials, fifteen single column miniatures and one two-column miniature that had been presented to King Philip III around 1280.1 Why is King John’s manuscript so densely illuminated and so different in format and textual contents from all other Grandes Chroniques? An examination of the interaction between the textual rhetoric of the revised chronicle and the visual rhetoric of its expanded pictorial cycle begins to answer this question, for it elides the chronicle with a contemporary, densely illustrated, royal copy of Vincent of Beauvais’s Miroir historial, the first two volumes of which survive (Leiden, University Library, MS. Voss. G. G. Fol. 3A; Paris, Bibliothèque de l’Arsenal, MS. -
The Dissemination of Visions of the Otherworld in Thirteenth-Century
The dissemination of visions of the otherworld in England and northern France c.1150-c.1321 Christopher Thomas John Wilson Submitted by Christopher Thomas John Wilson to the University of Exeter as a thesis for the degree of Doctor of Philosophy in History in April 2012. This thesis is available for library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approvedfor the award of a degree by this or any other University. Abstract This thesis examines the dissemination of visions of the otherworld in the long thirteenth century (c.1150-1321) by analysing the work of one enthusiast for such visions, Helinand of Froidmont, and studying the later transmission of three, contrasting accounts: the vision of the monk of Eynsham (c.1196), the vision of St. Fursa (c.656) and the vision of Gunthelm (s.xiiex). It relies on a close reading and comparison of different versions of these visions as they appear in exempla collections, religious miscellanies, history chronicles and sermons. In considering the process of redaction, it corrects two imbalances in the recent scholarship: a focus on searching for, then discussing ‘authorial’ versions of the narratives and a tendency among students of literature to treat visions of the otherworld as an independent sub-genre, prefiguring Dante’s later masterpiece. Instead, by looking at the different responses of a number of authors and compilers to visions of the otherworld, this thesis shows how they interacted with other elements of religious culture. -
University of Groningen Het 'Speculum Historiale' Van Vincent
University of Groningen Het 'speculum historiale' van Vincent van Beauvais Voorbij, Johannes Benedictus IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 1991 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Voorbij, J. B. (1991). Het 'speculum historiale' van Vincent van Beauvais: een studie van zijn ontstaansgeschiedenis s.n. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 10-02-2018 BL Summary m-n8 NI!,102 lB, L43, 'Speculum zie: Speculum The Black Friar Vincent of Beauvais (c. LIXJ-?Á\ is famous for the Maius'. His work, popular up to the seventeenth century, has had a great impact through frequent quota- (r.A,-4C) nei tions by later authors as well as adaptations and translations into medieval vernaculars. Many nie Douai people are acquainted with the 'Speculum Maius' as a work composed of four pafis ot specula n9 called 'Speculum Naturale', 'Speculum Doctrinale', 'Specuh'm Morale' and 'Speculum Histori- 'Speculum SpeculumHistori- ale'. -
Remembering the First Crusade
REMEMBERING THE FIRST CRUSADE: LATIN NARRATIVE HISTORIES 1099-c.1300 Barbara Packard Royal Holloway University of London PhD Thesis 1 DECLARATION OF AUTHORSHIP I, Barbara Packard, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 04/01/2011 2 ABSTRACT The success of the First Crusade by the Christian armies caught the interest and arrested the imagination of contemporaries, stimulating the production of a large number of historical narratives. Four eyewitness accounts, as well as letters written by the crusaders to the West, were taken up by later authors, re-worked and re-fashioned into new narratives; a process which continued throughout the twelfth century and beyond. This thesis sets out to explore why contemporaries continued to write about the First Crusade in light of medieval attitudes towards the past, how authors constructed their narratives and how the crusade and the crusaders were remembered throughout the twelfth and thirteenth centuries. It will analyse the development in the way the First Crusade was recorded and investigate the social, religious, intellectual and political influences dictating change: How, why and under what circumstances was the story re- told? What changed in the re-telling? What ideas and concepts were the authors trying to communicate and what was their meaning for contemporaries? The thesis will also aim to place these texts not only in their historical but also in their literary contexts, analyse the literary traditions from which authors were writing, and consider the impact the crusade had on medieval literature. -
Introduction the Reception of Augustine Is Virtually Synonymous with the Intellectual History of the West
In the Wake of Lombard: The Reception of Augustine in the Early Thirteenth Century Eric Leland Saak Indiana University-Purdue University Indianapolis Abstract: This article investigates the new attitude toward the reception and use of Augustine in the early thirteenth century as seen in the works of Helinand of Froidmont and Robert Grosseteste. Both scholars were products of the Twelfth Century Renaissance of Augustine, represented in Peter Lombard’s Sentences, the Glossa Ordinaria, and Gratian’s Decretum. Yet both Helinand and Grosseteste reconstructed Augustine’s texts for their own purposes; they did not simply use Augustine as an authority. Detailed and thorough textual analysis reveals that the early thirteenth century was a high point in Augustine’s reception, and one which effected a transformation of how Augustine’s texts were used, a fact [has] often been obscured in the historiographical debates of the relationship between “Augustinianism” and “Aristotelianism.” Moreover, in point to the importance of Helinand’s world chronicle, his Chronicon, this article argues for the importance of compilations as a major source for the intellectual and textual history of the high Middle Ages. Thus, the thirteenth century appears as the bridge between the Augustinian Renaissance of the Twelfth Century, and that of the Fourteenth, making clear the need for further research and highlighting the importance of the early thirteenth century for a thorough understanding of the historical reception of Augustine. Introduction The reception of Augustine -
Isidore of Seville #205 the Following Are Excerpts
Isidore of Seville #205 The following are excerpts from “A Neglected Type Of Medieval Mappamundi And Its Re-Imaging In The Mare Historiarum” (BNF MS LAT. 4915, FOL. 26V) by Chet Van Duzer. The so-called “V-in- square” mappamundi are shown to have their origin as an attempt to illustrate one sentence in Isidore’s Etymologiae, while ignoring the rest of Isidore’s description of the world. Attention is then focused on a dramatic three- dimensional artistic re-imaging of this map in a manuscript of the Mare historiarum, a universal history by Giovanni Colonna (1298–ca. 1340), which was painted in 1447–1455 by the Master of Jouvenel des Ursins (Paris, BnF, MS lat. 4915). This map includes depictions the monstrous races in Asia and Africa, and represents a remarkably ethnocentric vision of the world. Evidence is presented that the map was inspired by an illustrated manuscript of Raoul de Presles’s French translation of Augustine’s De civitate Dei. The V-in-square format was probably chosen to render the world as a monogram of the manuscript’s patron, Guillaume Jouvenel des Ursins. By far the most common type of medieval world map or mappamundi is the T-O map described above. Circular images of the world go back to Homer’s Iliad (8th c. B.C.E.), and T-O maps continued to be produced into the 17th century: circular maps of the world were dominant from the beginnings of Western civilization until the early 292 CHET VAN DUZER modern period. th The T-O mappamundi in a 12 century manuscript of Isidore’s Etymologiae, Aix-en- Provence, Bibliotheque Me!janes MS 25 (914), fol. -
Aspects of Fatherhood in Thirteenth-Century Encyclopedias
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2005 Aspects of Fatherhood in Thirteenth-Century Encyclopedias Philip Grace Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the History Commons Recommended Citation Grace, Philip, "Aspects of Fatherhood in Thirteenth-Century Encyclopedias" (2005). Master's Theses. 5059. https://scholarworks.wmich.edu/masters_theses/5059 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ASPECTS OF FATHERHOOD IN THIRTEENTH-CENTURY ENCYCLOPEDIAS by Philip Grace A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of History WesternMichigan University Kalamazoo; Michigan August 2005 Copyright by Philip Grace 2005 ACKNOWLEDGMENTS Patri et Filio et Spirito Sancto et uxori amatae meae - et parentibus meis, qui identidem puerem cedentes amicem acquisiverunt et magistris meis, qui me tironem aequo animo artem suam exercent et illis magistris antiquis, qui in turribus eburnissuis de mundo scripserunt ut in mea scribo. Philip Grace 11 ASPECTS OF FATHERHOOD IN THIRTEENTH-CENTURY ENCYCLOPEDIAS Philip Grace, M.A. WesternMichigan University, 2005 The thesis examines the treatment of fatherhood in Thomas of Cantimpre' s Liber de Natura Rerum, Bartholomaeus Anglicus' De Proprietatibus Rerum, and Vincent of Beauvais' Speculum Maius, all of whom were influential mendicant encyclopedists writing between 1240 and 1260. The study examines sections on anatomy, the ages of man, family relations, and the theology of marriage. -
Continuities and Discontinuities in the Production and Reception of Middle Dutch Narrative Literature
Bart Besamusca and Frank Willaert Continuities and Discontinuities in the Production and Reception of Middle Dutch Narrative Literature Abstracts: In this article, we argue that in the development of Middle Dutch narrative liter- ature three stages can be distinguished. In the first phase, indicated in this contribution as ‘Middle Dutch narrative literature in manuscripts’, authors of romances stuck to verse instead of prose, and stopped writing these texts after the middle of the fourteenth cen- tury. Between c. 1400 and c. 1470, Middle Dutch romances were only read in the eastern part of the Low Countries, in aristocratic circles, and not in Flanders or Brabant, the cen- tral parts of the region. The second phase, indicated as ‘Holland’, witnessed the reintro- duction of Middle Dutch narrative literature by means of the printing press around 1470. In small towns located in the northern parts of the Low Countries, early printers produced prose narratives that had a strong didactic bias. These texts were adaptations of both Latin sources and Middle Dutch verse texts available in manuscript copies. The output of these printers included, in addition, editions of well-known verse narratives. The third phase, indicated as ‘Antwerp’, started with the shift of the production of printed texts from Holland to the metropolis of Antwerp in the 1480s. Antwerp printers looked for ap- pealing sources outside of the Low Countries and adapted their material in order to attract both readers who were interested in new texts and readers who preferred texts which be- longed to an established literary tradition. Dans cet article, nous tâchons de démontrer que la littérature narrative en moyen néerlandais s’est développée en trois étapes. -
The Contest for Souls and Sacred Sites in the Travels of Sir John
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) January 2009 Mandeville's Intolerance: The onC test for Souls and Sacred Sites in The rT avels of Sir John Mandeville Robert Patterson Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Patterson, Robert, "Mandeville's Intolerance: The onC test for Souls and Sacred Sites in The rT avels of Sir John Mandeville" (2009). All Theses and Dissertations (ETDs). 272. https://openscholarship.wustl.edu/etd/272 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English and American Literature Dissertation Examination Committee: David Lawton, Chair Frank Grady William McKelvy Jessica Rosenfeld Julie Singer Alicia Walker MANDEVILLE’S INTOLERANCE: THE CONTEST FOR SOULS AND SACRED SITES IN THE TRAVELS OF SIR JOHN MANDEVILLE By Robert Hakan Patterson A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2009 Saint Louis, Missouri copyright by Robert Hakan Patterson December 2009 Acknowledgements I have long awaited the opportunity to thank all those who have provided the financial, emotional, and academic support that has seen me through my graduate career and especially the completion of this dissertation. I am indebted to the Washington University Department of English and to the Graduate School of Arts and Sciences for much more than financial support, and I would particularly like to thank Dorothy Negri and Kathy Schneider for their encouragement and for being so dedicated to helping myself and my fellow graduate students succeed in our endeavors. -
The Place of Sense Perception in Thirteenth-Century Encyclopaedias: Two Different Readings of Aristotle∗
THE PLACE OF SENSE PERCEPTION IN THIRTEENTH-CENTURY ENCYCLOPAEDIAS: TWO DIFFERENT READINGS OF ARISTOTLE∗ María José Ortúzar Escudero Universidad de Chile Abstract Several studies have approached sense perception in the encyclopaedias of Thomas of Cantimpré, Bartholomew the Englishman and Vincent of Beauvais. Yet a systematic overview and comparison of the arrangement of sense perception in these encyclopaedias is still lacking. The overview offered here shows that all encyclopaedias place sense perception beside expositions on psychology and anatomy. There are, however, significant differences in how they treat the objects of sensation. In the case of Bartholomew and Vincent, I argue, these differences reflect two different readings of Aristotle. Keywords 13th-Century Encyclopaedias; Sense Perception; Objects of Sensation; Aristotle’s Reception One of the texts on the five senses from the encyclopaedias that is perhaps cited the most is a short passage by Thomas of Cantimpré that deals with the superior sense abilities of animals compared with human beings. Eagles and lynxes have clearer vision, monkeys keener taste, vultures more acute olfaction, spiders swifter touch, boars finer hearing1. In this paper, I am concerned not with sense imagery but rather with sense perception as a process in the encyclopaedias of the Franciscan Bartholomew the Englishman (before 1202– 1272), and the Dominicans Thomas of Cantimpré (1201–1270/2) and Vincent of Beauvais (c. 1184/94–c. 1264). ∗ This work was supported by the «National Fund for Scientific and Technological Development» (Fondecyt Postdoctorado, Chile) under Grant N°3170071. I thank Isabelle Draelants, Riha Ortrun and Jörg Alejandro Tellkamp for reading a former, shorter version of this paper.