January 2011 Boulder County Bar Foundation

Total Page:16

File Type:pdf, Size:1020Kb

January 2011 Boulder County Bar Foundation BOULDER COUNTY BAR NEWSLETTER J A N U A R Y 2 0 1 1 LEGAL AID FOUNDATION OF COLORADO IS AN ORGANIZATION WORKING TO PROVIDE FREE CIVIL LEGAL ASSISTANCE TO LOW-INCOME FAMILIES, SENIOR CITIZENS, DISABLED PERSONS AND VICTIMS OF DOMESTIC VIOLENCE. PREMIERE EVENT SPONSOR YOUR FIRM OR COMPANY SPONSORSHIP IS NEEDED FOR THIS EVENT PLEASE CONACT THE BAR OFFICE FOR TAX-DEDUCTIBLE DONATION INFORMATION 303.440.4758 TABLE OF CONTENTS CALENDAR OF EVENTS 2 FOUNDATION FELLOWS 3 PRESIDENT’S PAGE 5 LAWYER ANNOUNCEMENTS 6 & 7 PRO BONO PAGE 9 CLASSIFIED ADS 11 CALENDAR OF EVENTS Pre-registration is required for all BCBA CLE programs. Register by e-mailing [email protected], or pay online with a credit card at www.boulder-bar.org/calendar. You will be charged for your lunch if you make a reservation and do not cancel prior to the CLE meeting. BCBA CLE’s cost for members is $20 per credit hour, $10 for New/Young lawyers practicing three years or less. $25 for non-members. Tuesday, January 11 Tuesday, January 18 Thursday, January 20 Employment Law Paralegals and All Lawyers Bankruptcy Lunch and meeting Tax Issues for Employment Lawyers Casemaker: Making It Work For You Noon at Agave Presenter: Susan Lindley Presenter: Reba Nance Noon at Caplan and Earnest Noon at Caplan and Earnest Wednesday, January 26 1 CLE $20, $10 for new/young lawyers 1 CLE $20, $10 for new/young lawyers Taxation, Estate Planning and Probate Lunch $10 (turkey, veggie, beef or Lunch $10 The CLASS ACT: Community Living salad w/ or w/o meat) Assistance Services and Supports Wednesday, January 19 Presenter: Michael Bellmont Tuesday, January 11 Real Estate and Availability Noon at Hutchinson Black and Cook ADR of Legal Services 1 CLE $20, $10 for new/young lawyers Mediation in Small Claims Court Housing Warranty of Habitability Lunch $10 (turkey, veggie, beef or Noon brownbag at Boulder County Presenter: Bruce Wiener salad w/ or w/o meat) Justice Center Courtroom D Noon at Caplan and Earnest 1 CLE $20, $10 for new/young lawyers 1 CLE $20, $10 for Young lawyers Lunch $10(turkey, veggie, beef or salad Wednesday, January 26 Wednersday, January 12 w/ or w/o meat) Young Lawyers Solo/Small Firm Happy Hour Trial Skills: Persuasion: Opening 5 PM at The Rib House, 13th & Walnut Wednesday, January 19 Statement and Closing Argument Family Law Presenter: Professor Pat Furman Thursday, January 13 Wills and Estates Issues in Family Law Noon – 1:30 at Boulder County Justice Intellectual Property Presenters: Russell and Scott Osgood Center, Courtroom TBA Open Source Software: Your Client is Noon brownbag at Boulder County 2 general CLE’s free to those judging Using It, Now What? Justice Center Courtroom B High School Mock Trials, lunch free Presenter: Jilayne Lovejoy 1 CLE $20, $10 new/young lawyers For those not judging, Noon at Hutchinson Black and Cook $40 for seniors, $20 for new/young 1 CLE $20, $10 for new/young lawyers Wednesday, January 19 lawyers, Lunch $10 Lunch $10(turkey, veggie, beef or salad Co-Chairs Mid-Year Meeting w/ or w/o meat) 4 PM at Caplan and Earnest Happy hour follows Friday, Janauary 14 Wednesday, January 19 Availability of Legal Services Young Lawyer Happy Hour Noon brownbag at Boulder County 5:30 at The Med Legal Services in Louisville Complex Estates David A. Perlick Coordinated Planning Wills • Trusts • Probate Business Interests Real Estate Holdings We welcome referrals and co-counsel opportunities We Complete the Puzzle 303.449.6543 | [email protected] 2 JANUARY 2011 BOULDER COUNTY BAR FOUNDATION The Boulder County Bar Foundation is the charitable arm of the bar association. The individuals listed below have made a financial commitment of $1000 for ten years to support the work of the Foundation which supports a variety of organi- zations and worthwhile projects through grants. Many of the Fellows have continued their financial commitment to the Foundation top become Sustaining Life and Life Benefactors Fellows. All members of the Boulder County Bar Association owe them a debt of gratitude for their support of the legal profession and the adminstration of justice in Boulder County. Recent grant recipients are: BCBA Law and Justice Program, Center for Persons with Disabilities, Boulder County Legal Services , Boulder High School Mock Trial Program, Peak to Peak High School Mock Trial Program, Immigrant Legal Center of Boulder County, Native American Rights Foundation, St. Vrain Parenting Center, Voices for Children, The Carriage House, CU Law School Loan Assistance Program, VORP, YWCA divorce and co-parenting programs. You can be a Foundation Fellow by making a pledge today. We will welcome the new 2011 Fellows at our annual lunch meeting on Wednesday February 23. Please contact Christine at 303.440.4758 William Ahlstrand ** Eve Canfield Anton Dworak David B. Harrison** Judy LaBuda Mary Ellen Amaral Joel Cantrick** G. Lane Earnest ** David Hill Thomas Lamm Karl Anuta Gerald Caplan*** Peter Enichen* Denean Hill Mark Langston Christopher Archer Julie Caputo Michael Enwall Kurt Hofgard Jeffrey D. Larson David Archuleta James Carpenter** Hilary Escajeda John Holloway Conrad Lattes Kathleen Archuleta Jim R. Carrigan ** Renee Ezer Thomas Howard Rachael Lattimer Jon Banashek Sheila Carrigan ** Bruce Fest ** Larry Hoyt John Layman* Robbie M. Barr Mark Carson*** Christina Fiflis Kimberly Hult Andrew R. Lee Ruth Becker* Jessica Catlin Sonny Flowers David Hughes Larry Lee Thomas Beckmann Adam Chase Christopher Ford Donald Humphrey** Christopher Leh Patricia Bellac Virginia Chavez Lenore Fox** Maki Iatridis Edward Lehman** Paul Beneditti* David Cheval** Kathleen Franco Richard D. Irvin** Tom Leland Seth Benezra Byron Chrisman ** Oliver Frascona Kathleen Ives Richard Levy* William E. Benjamin Douglas L. Joe French Steve Jacobson Richard Lirtzman** Gary Berg Christman Alan Friedberg ** Steve Jeffers Noel Lindenmuth George V. Berg James Christoph ** Leonard Frieling Jack Jevans** Eric Love Daniel F. Bernard ** Homer Clark Jr. ** Melody Fuller** Stan Johnson William Love ** Howard Bernstein Steve Clymer H. Patrick Furman * Dale Johnson* Mark Lowenstein Paul Bierbaum** Christine Coates ** Dale Gaar Elaine Johnson** Richard Lyons ** Lynn Bird ** Michael Cohen John Gaddis** Gail Johnson Shayne Madsen Howard Bittman Neal Cohen Tracy Gann George Johnson Joel Maguire Stanley Black ** James A. Cooke * Alexander Garlin Winthrop Johnson* D. D. Mallard** Jonathan Boonin Linda Cooke Kathleen Gebhardt Renita Jolley Gilbert Marchand Jim Brantz Robert Cooper** David Gehr Bruce Joss Don Margolis * Christopher Brauchli** Joseph Cope David Getches** Ronald Jung** James G. Martin Steve Briggs Howard Current Carol Glassman Jeff Kahn** E. Gregory Martin ** George Browning Kenneth Curtis Robert Golten Richard L. Kalar Bob Mathews Susan Bryant Richard Dana ** Peggy Goodbody Daniel Kapsak ** Jennifer McCallum James Buchanan ** Carmen Danielson Jonathan Goodman Melinda Kassen Kevin McDowell Richard Bump* Joel Davis ** Donald Goulart Edward Kellenberger Richard McLean ** W. Cotton Burden Dorothy Dean** Cameron Grant Cynthia Kennedy ** Karen McMurray Karen A. Burns Glenn DeAtley Wallace Grant*** Neil King ** John Mehaffy* Paul Bursiek * Bruce Dierking William Gray** Homer Knearl Shelly Merritt Marie Bush Peter Dietze ** Toni Gray Julia Knearl John Metcalf Stephen Bushong Mike Dominick Daniel Hale** Jon Kottke Elizabeth Meyer Mike Bynum ** David Driscoll ** Bradley Hall Bill Kowalski William Meyer** Anne Byrne* Frank Dubofsky Earl Hancock ** Glen Krahenbuhl Steve Meyrich Ed Byrne Jean Dubofsky Natalie Hanlon-Leh Karl Kumli Clifford Calhoun ** Lynn Kuykendall** (continued on page 4) JANUARY 2011 3 BOULDER COUNTY BAR FOUNDATION (continued from page 3) John Wayne Miller* John Purvis ** Gerald Sloat ** George Williams Robert B. Miller Leslie Ranninger Paul Smith Steve Wills A. J. Mills, Jr. ** Timothy Rastello Paul Snyder David Wilson Mike Miner Leslie Reed Judy Bradshaw-Snyder Jim Windholz Cynthia A. Mitchell Michael Repucci David Sonnesyn John Wittemyer ** James Montgomery ** Murray Richtel Andrew Spiegel Ruth Wright Laura Moore Joe Riddle ** Martin Steinberg Thomas Wood Kathleen Morgan Martha Ridgway Edie Stevens Charles Woodruff Raphael Moses ** Marshall Riggs ** Norton Steuben Marsha Yeager * Casey Mulligan Pete Rogers** Sharon Svendsen** Jill Zender Mary Claire Mulligan William Rogers Steve Taffet* Chad Zito Ann Mygatt ** Richard Romeo ** Leonard Tanis Keith Zook ** Darren Nadel Michael Ruderman Deborah Taussig Rich Nehls ** Giovanni Ruscitti John Taussig III * Life Fellows William Neighbors *** Barre Sakol Todd Tengy ** Sustaining Life Fellows Randolph Nicholson Rick Samson Michael Thomson *** Life Benefactor Fellows Joan Norman** Bruce Sarbaugh David Thrower Keith Olivia Barry Satlow * Scott Tippett Russell Osgood** Chuck Saxton Helen Towlerton Scott Osgood Sally Schneider John Tracy Gary Palumbo ** Robert Schuetze ** William Trine *** Scott Patten Georgiana Scott Cameron Tyler ** David Perlick Stephanie Selden Daniel Vigil Court Peterson ** Mark Shapiro Star Waring Mike Pipis Andrew Shoemaker Bruce Warren Bill Pizzi Andrew Simpson ** Stanlee West-Watt Glenn Porzak ** Chuck Sisk Gwyn Whalen Reserve Your Ad Space Now For The National Award Winning 2011 Boulder County Legal Resource Legalegal20112011 BoulderBResource RResourcoulder CountyCounty ce Choosing an attorney has never been easier. The Boulder County Legal Resource book presents attorneys in all specialties of the legal profession with pictures, brief profiles, and other advertising opportunities in an upscale book format. The
Recommended publications
  • Robert De Niro's Raging Bull
    003.TAIT_20.1_TAIT 11-05-12 9:17 AM Page 20 R. COLIN TAIT ROBERT DE NIRO’S RAGING BULL: THE HISTORY OF A PERFORMANCE AND A PERFORMANCE OF HISTORY Résumé: Cet article fait une utilisation des archives de Robert De Niro, récemment acquises par le Harry Ransom Center, pour fournir une analyse théorique et histo- rique de la contribution singulière de l’acteur au film Raging Bull (Martin Scorcese, 1980). En utilisant les notes considérables de De Niro, cet article désire montrer que le travail de cheminement du comédien s’est étendu de la pré à la postproduction, ce qui est particulièrement bien démontré par la contribution significative mais non mentionnée au générique, de l’acteur au scénario. La performance de De Niro brouille les frontières des classes de l’auteur, de la « star » et du travail de collabo- ration et permet de faire un portrait plus nuancé du travail de réalisation d’un film. Cet article dresse le catalogue du processus, durant près de six ans, entrepris par le comédien pour jouer le rôle du boxeur Jacke LaMotta : De la phase d’écriture du scénario à sa victoire aux Oscars, en passant par l’entrainement d’un an à la boxe et par la prise de soixante livres. Enfin, en se fondant sur des données concrètes qui sont restées jusqu’à maintenant inaccessibles, en raison de la modestie et du désir du comédien de conserver sa vie privée, cet article apporte une nouvelle perspective pour considérer la contribution importante de De Niro à l’histoire américaine du jeu d’acteur.
    [Show full text]
  • The Ethics of Preemptive Action
    Danger: The Ethics of Preemptive Action Larry Alexander* & Kimberly Kessler Ferzan"* The law has developed principlesfor dealing with morally and legally responsible actors who act in ways that endanger others, the principles governing crime and punishment. And it has developed principles for dealing with the morally and legally nonresponsible but dangerous actors, the principles governing civil commitments. It has failed, however, to develop a cogent andjustifiable set ofprinciples for dealing with responsible actors who have not yet acted in ways that endanger, others but who are likely to do so in the future, those whom we label "responsible but dangerous" actors (RBDs). Indeed, as we argue, the criminal law has sought to punish RBDs through its expansive use of inchoate criminality; however, current criminalization and punishment practicespunish those who have yet to perform a culpable act. In this article, we attempt to establish defensible grounds for preventive restrictions of liberty (PRLs) of RBDs in lieu of contorting the criminal law. Specifically, we argue that just as a culpable aggressor becomes liable to defensive force, an RBD can become liable to PRLs more generally. Although there are many examples ofPRLs of RBDs currently in operation, the principles, if any, thatjustify and limit such PRLs have yet to be satisfactorilyestablished. In the movie Cape Fear, Sam Bowden, a lawyer in New Essex, North Carolina, is menaced by a recently released convict, Max Cady, whom Bowden had, in Cady's view, inadequately defended against a charge of a violent sexual crime.' In the first movie version, Bowden was played by Gregory Peck and Cady by Robert Mitchum; in the remake, Bowden was played by Nick Nolte and Cady by Robert DeNiro-with Gregory Peck and Robert Mitchum now making cameo appearances respectively as a lawyer and police officer.
    [Show full text]
  • Bernard Herrmann's Score for Cape Fear
    Bernard Herrmann’s Score for Cape Fear and its Continued Relevance for Young Film Composers A Master’s Thesis in Scoring for Film, Television and Video Games Aaron Ramsey Berklee College of Music Class of 2014 2 Thesis Goal Bernard Herrmann was an innovator in writing music to picture as an emotional narrative. He employed many techniques, in common usage today, that were not being used by the film composers of his day. His music was ahead of its time and is still relevant to the art and evolution of film music. My goal is to show what today’s young film composer can learn from this master composer’s approach to the score of Cape Fear. About the Film Cape Fear was released on April 12, 1962 and directed by J. Lee Thompson. This film is based on a novel called The Executioners written by John D. MacDonald. The story is about an attorney named Sam Bowden (Gregory Peck) whose family is stalked and terrorized by a criminal named Max Cady (Robert Mitchum) who was just released from jail. Cady holds Bowden personally responsible for his conviction of eight years after witnessing Cady in a crime of violence and testifying against him in court. 3 Bernard Herrmann’s Film Scoring Innovations A staple of Herrmann’s style of composition was his use of unorthodox ensembles. “He frequently used unusual instruments or unique combinations of instruments, sometimes adding to or eliminating whole orchestra sections, and was among the first film composers to 1 utilize electronic instruments”. Herrmann used a very unconventional ensemble to perform this score of Cape Fear.
    [Show full text]
  • Bad Lawyers in the Movies
    Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals ..........................................
    [Show full text]
  • Cape Fear Movie Free Download
    Cape fear movie free download Watch trailers, read customer and critic reviews, and buy Cape Fear () directed by Martin Open iTunes to preview, buy, and download this movie. DVD RIP. |. [18+] Cape Fear ( – Free Download) English MB DVD-RIP SQ Top free links to Download 'Cape Fear' full Movie. Watch Cape Fear movie online for free, download Cape Fear. Sam Bowden is a womanizing lawyer who has cheated on his burnt out, bitter wife Leigh. Cape Fear p p Movie Free Download – HD Popcorns Movies. Cape Fear No more posts. HD Popcorns Copyright © WP-Backgrounds. Cape Fear Movie HD free download. Download Cape Fear full movie p High Quality. you can watch movies online in high quality for free without annoying of advertising, just come and enjoy your movies online. You can also download movie. Cape Fear () unorthodox measures which lead to an unforgettable showdown on Cape Fear. HD Movie Player; Full Movie Player #1. Cape Fear () Full Movie Online. Report error Cape Fear 12 Apr APPROVED min Drama, Thriller. Crime · A convicted rapist, released from prison after serving a fourteen-year sentence, stalks the Cape Fear Poster. A convicted rapist, released from prison after serving a .. Q: How does the movie end? Q: What is "Cape Fear" about? See more (Spoiler. Close. Netflix Netflix. WATCH FREE FOR A MONTH. GET STARTED. SIGN IN. Cape Fear: A Netflix Original This movie is: Chilling Available to download. Watch Cape Fear () - Sam Bowden (Nick Nolte)is a small-town corporate Free movie Cape Fear () with English Subtitles online for free, putlocker Cape Fear (), xmovies8 Cape Fear (), download Cape Fear ().
    [Show full text]
  • Readily Admits) That Was Provoked by a Growing Interest in the Female Sex
    Martin Scorsese’s Divine Comedy Also available from Bloomsbury: The Bloomsbury Companion to Religion and Film, edited by William L. Blizek Dante’s Sacred Poem, Sheila J. Nayar The Sacred and the Cinema, Sheila J. Nayar Martin Scorsese’s Divine Comedy Movies and Religion Catherine O’Brien BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2018 Copyright © Catherine O'Brien, 2018 Catherine O'Brien has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal purposes the Acknowledgements on p. vi constitute an extension of this copyright page. Cover design by Catherine Wood Cover image © Appian Way / Paramount / Rex Shutterstock All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: O’Brien, Catherine, 1962- author. Title: Martin Scorsese’s divine comedy: movies and religion / Catherine O’Brien. Description: London; New York, NY : Bloomsbury Academic, 2018. | Includes bibliographical references and index. | Includes filmography. Identifiers: LCCN 2017051481|
    [Show full text]
  • L'auteur Et Le Studio / Cape Fear De Martin Scorsese
    Document generated on 09/26/2021 1:56 a.m. 24 images L’auteur et le studio Cape Fear de Martin Scorsese Jean-Claude Marineau David Cronenberg Number 59, Winter 1992 URI: https://id.erudit.org/iderudit/23323ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Marineau, J.-C. (1992). Review of [L’auteur et le studio / Cape Fear de Martin Scorsese]. 24 images, (59), 67–67. Tous droits réservés © 24 images inc., 1992 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ CAPE FEAR DE MARTIN SCORSESE L'AUTEUR ET LE STUDIO par Jean-Claude Marineau ans les années 50, quelque part du fera bel et bien partie du voyage. Max Cady D côté du 8 r arrondissement à Paris, n'a toujours, à sa sottie de prison, qu'une naquit une théorie qu'on connut plus tard seule idée en tête, celle de rendre infernale sous le nom de Politique des auteurs. La la vie familiale bourgeoise de l'avocat qui suite de l'histoire est un peu mieux connue : n'a pas su le faire acquictet dans une affaire ceux qui avaient revendiqué ledroi t d'aimer d'agression sexuelle quatorze ans plus tôt.
    [Show full text]
  • Southern by the Grace of God:” Religion and Race in Hollywood’S South Since the 1960S
    Northumbria Research Link Citation: Hunt, Megan (2016) “Southern by the grace of God:” religion and race in Hollywood’s South since the 1960s. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/32576/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html “Southern by the grace of God:” religion and race in Hollywood’s South since the 1960s. M. HUNT PhD, History: American Studies 1/1/2016 2 “Southern by the grace of God:” religion and race in Hollywood’s South since the 1960s. Megan Hunt A thesis submitted in partial fulfillment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy. Research undertaken in the Department of Humanities, Faculty of Arts, Design & Social Sciences.
    [Show full text]
  • Cape Fear: Law's Inversion and Cathartic Justice Symposium: Picturing Justice: Images of Law and Lawyers in the Visual Media Richard K
    digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 1995 Cape Fear: Law's Inversion and Cathartic Justice Symposium: Picturing Justice: Images of Law and Lawyers in the Visual Media Richard K. Sherwin New York Law School Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Recommended Citation 30 U.S.F. L. Rev. 1023 (1995-1996) This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Cape Fear: Law's Inversion and Cathartic Justice By RICHARD K. SHERWIN* "[T]he truth tragedy tells is that we cannot protect ourselves, neither through the wisdom of self-control nor through the magic of wish. There is no defense against the self in its fate."' "[T]he outbreak of "real" violence is conditioned by a symbolic dead- lock. Real violence is a kind of acting out that emerges when the sym- '2 bolic fiction that guarantees the life of a community is in danger." "And o, steering spirits of law, goddesses of destiny .... 3 THREE DECADES is a long time in the history of modem film. Stories change, as does the storytelling process itself. These changes can tell us a good deal about the society we live in and who we are as a people. Popu- lar films often yield profound insight into the dominant social conflicts of the time and the changing beliefs and expectations that inform mainstream culture. This is certainly the case with respect to film depictions of law, lawyers, and the shifting currents of social justice.
    [Show full text]
  • Film Noir •Or As We Prefer to Call It Around Here… •Murder …
    Welcome to… • FILM NOIR •OR AS WE PREFER TO CALL IT AROUND HERE… •MURDER ….. •MAYHEM…. •and… ADULTERY! Thi Today’s Movie… In 2007, Newsweek selected Cady (Robert Mitchum’s character in Cape Fear) as one of the 10 best villains in cinema history. From Hard Boiled: Great Lines from Classic Noir Films: • “Why are we going this way?” • “Better scenery.” • “What do you know about scenery? Or beauty? Or any of the things that really make life worth living? You’re just an animal --- coarse, muscled, barbaric.” • “You keep right on talking, honey. I like the way you run me down like that.” •“What I like about you is you’re rock bottom. I wouldn’t expect you to understand this, but it’s a great comfort for a girl to know she could not possibly sink any lower.” From The Devil Thumbs a Ride and Other Unforgettable Films: • Mitchum is a giant of evil in this movie; a slithery, completely corrupt, malevolent force. Along with his role as the crazed preacher in The Night of the Hunter, this is arguably his finest performance. The supporting cast complements Mitchum admirably, but if anyone ever had any doubts about his ability to act, this film dispelled them. •…this is Mitchum’s meat. He’s the angel of death-with-pain, put on earth to give men pause. •Mitchum is The Other and there’s no ignoring him. •You won’t forget this movie… From Film Noir: The Dark Side of the Screen: • …Mitchum is both crafty and menacing. Even at his meanest, he has glint in his eye, and his threats are laced with a droll humor… • Mitchum works nonchalantly, with a seeming minimum of effort and an absence of any visible technique.
    [Show full text]
  • Veterans Storm San Jose
    41 ek SPARTAN DAIIX 97, No s.? Published for San lose State University since 1934 Tuesday, November 12, 1991 Safety questions plague Duncan Hall building also named as fire hazard Fire Marshal's It% 1ngela lull they don't know who owns the materi- rooms' doors so that "only FD&O warning calls lily stall NflICI als. people can get in. State fire inspectors have done all "No one really knows who has all for cleaning up Hidden fire dangers have lurked in they can do write up deficiency the keys," he said. Duncan Hall and the University Police reports and notify campus authorities Some of the mechanical workers motor rooms Deparunent building for more than a but with a reduced staff, follow-ups say they've been complaining about year and SJSU officials have known are difficult. the mess for a year and a half. about them all along. Yet nothing has Hank Hendrickson, SJSU director "(FD&O) have been through the By Angela Hill changed. of operations design and construction, buildings," Eugene Ludwico, SJSU Duly staff wnter It's a bureaucratic stalemate. said that in cases like this, quickness building service engineer for three Even though everyone seems to be of action depends on the risks years, said. A yellowed February 1991 Spartan playing his designated role, this easily- involved. "We've showed them, we've talked Daily lies on the floor in one ot cleaned-up problem, a problem cited "We have to weigh the risks," he to them. They say they'll do some- Duncan Hall's 12 mechanical room, by the California State Fire Marshal's said.
    [Show full text]
  • Slasher, Serial Killer, and Psycho Movies
    Notice warning concerning copyright restrictions The copyright law of the United States (title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specific conditions is that the photocopy or reproduction is not to be ``used for any purpose other than private study, scholarship, or research. ''If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of ``fair use,'' that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. Copyright at UMD http://libguides.d.umn.edu/content.php?hs=a&pid=97624 Slasher, Serial Killer, and Psycho Movies Psychopaths sell like hotcakes. -Hack screenplay writer Joe Gillis in Sunset Boulevard First principles, Clarice. Read Marcus Aurelius. Of each par­ ticular thing ask: What is it in itself? What is its nature? What does he do, this man you seek? -Hannibal Lecter in Silence of the Lambs Cody Jarrett, the gangster protagonist of White Heat (1949), kills seven people in the course of his movie (not counting himself, in the final explosion); Bonnie Parker and Clyde Barrow, the bank robber pro­ tagonists of Bonnie and Clyde (1967), kill almost a dozen. Yet we do not think of these characters as serial killers or of their films as serial killer films, for their directors (Raoul Walsh and Arthur Penn, respec­ tively) did not frame the films that way.
    [Show full text]