Let's Drive a Blundabus Through the Heart of Comedy?!
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Up the Creek Manager Vacancy Updated Copy
! Up the Creek Comedy Club - General Manager Vacancy General Bar/Venue Manager Required at Legendary Up the Creek Comedy Club Full Time Salary - £27k + bonuses. About the Venue: Founded by British comedy legend Malcolm Hardee in 1991, Up the Creek, located in the heart of Royal Greenwich, retains its reputation as one of of the most iconic comedy venues in the whole of the UK. Having helped launch the careers of industry heavyweights such as Jimmy Carr, Jo Brand and Harry Hill, Up the Creek showcases an eclectic combination of the most established comedy veterans as well as the most exciting comedic voices of tomorrow. From Thursday’s hugely successful interactive open mic ‘The Blackout’ to the raucous crowds and outstanding line-ups every Friday and Saturday through to the more chilled atmosphere (but no less spectacular bills!) featured on our Sunday Specials, Up the Creek proudly showcases the best of the British comedy scene, week in, week out. A fully licensed entertainment venue with a capacity of 275, we also run a small in-house micro brewery featuring our own hugely popular beers on-site. About the Team: Our team consists of a small core group of long-term staff including 1 Booking Director, 1 Assistant Manager and several part-time bar and booking employees, working on a packed programme of weekly shows (see above) as well as one-off corporate events and intermittent television and radio recordings. We are looking for a new General Manager to replace our current manager, who will sadly be retiring after 27 years at the venue. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Birmingham Cover
Warwickshire Cover Online.qxp_Warwickshire Cover 23/09/2015 11:38 Page 1 THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WARWICKSHIRE ’ Whatwww.whatsonlive.co.uk sOnISSUE 358 OCTOBER 2015 MEERA SYAL TALKS ABOUT ANITA AND ME AT THE REP GRAND DESIGNS contemporary home show at the NEC INSIDE: FILM COMEDY THEATRE LIVE MUSIC VISUAL ARTS EVENTS FOOD & DRINK & MUCH MORE! HANDBAGGED Moira Buffini’s comedy visits the Midlands interview inside... REP (FP) OCT 2015.qxp_Layout 1 21/09/2015 10:32 Page 1 Contents October Region 1 .qxp_Layout 1 21/09/2015 21:49 Page 1 October 2015 Strictly Nasty Craig Revel Horwood dresses for Annie Read the interview on page 42 Jason Donovan Moira Buffini Grand Designs stars in Priscilla Queen Of The talks about Handbagged Kevin McCloud back at the NEC Desert page 27 interview page 11 page 69 INSIDE: 4. News 11. Music 24. Comedy 27. Theatre 44. Dance 51. Film 63. Visual Arts 67. Days Out 81. Food @whatsonbrum @whatsonwarwicks @whatsonworcs Birmingham What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Publishing + Online Editor: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Editorial: Brian O’Faolain [email protected] 01743 281701 Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Chris Eldon Lee, Heather Kincaid, Katherine Ewing, Helen Stallard Offices: Wynner House, Managing Director: Paul Oliver Publisher and CEO: Martin Monahan Graphic Designers: Lisa Wassell Chris Atherton Bromsgrove St, Accounts Administrator: Julia Perry [email protected] 01743 281717 Birmingham B5 6RG This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine. -
Acms Quiz – 2017
TEAM NAME: Can you identify these people +/ history crows who Pei Yen has drawn, and the TV shows they are part of? (1pt each) #1 (show): #6 (show): #2-5 (4 people): #7-8 (2 people): #9-10 (2 puppets): #11 (show): #15 (show): #12-14 (3 people): #16-17 (2 people): #18 (show): #19-22 (4 people): TEAM NAME: Can you identify these 2005 cartoon boys & their creator? (1pt each) 1) 2) 3) 4) 5) 6) 9) 7) 8) 10) TEAM NAME: Round #1 - Shows /15 pts Round #2 - Map /10 pts 1. 1. 2a. 2. 3. 2b. 4. 3a. 5. 6. 3b. 7. 3c. 8. 9. 4. 10. 5. 6. Round #3 - Fakes /10 pts 7a. 1. 7b. 2. 3. 8. 4. 9. 5. 10a. 6. 10b. 7. 8. 1 point for a complete right answer, 1/2 point 9. for getting it half right, 0 points for FAILURE* 10. * ignoble failure Round #4 - Award Winners /15 pts Round #5 - Venues /10 pts 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. 6. 6. 7a. 7. 8. 7b. 9. 7c. 10. 7d. Round #6 - Names /10 pts 1. 8. 2. 9. 3. 10a. 4. 10b. 5. 10c. 6. 7. PLEASE DRAW US A CAT, IN THE 8. EVENT OF A TIE IT WILL 9. BE USED TO JUDGE 10. THE WINNER Round # /10 pts Round # /10 pts 1. 1. 2. 2. 3. 3. 4. 4. 5. 5. 6. 6. 7. 7. 8. 8. 9. 9. 10. 10. Round # /10 pts Round # /10 pts 1. 1. 2. 2. -
2013 Annual Review
Edinburgh Festival Fringe 2014 01 – 25 August edfringe.com ‘The excitement of the Edinburgh Fringe is infectious and empowering, a blast of rude energy ... there’s a heady sense that anything is possible.’ The Independent ‘It’s the biggest and best arts festival on the planet, and the comedy hub for acts from across the globe.’ Time Out London Sponsors CALEDONIAN ‘It is, quite simply, the greatest show on earth.’ The Scotsman ‘What an opportunity the Fringe offers – it’s nourishing art in every form.’ Miriam Margolyes Supporters ‘As an accredited producer at the Edinburgh Fringe for the past 13 years, it is very easy for me to sum up both the Edinburgh Fringe Society and its Arts Industry Office: essential.’ Richard Jordan, Producer Partners ‘Being at the Fringe changed my life in about a million TM ways... Never underestimate what your efforts have meant T S to thousands of performers, writers, directors and technical C R At The National Gallery Of Scotland artists and designers.’ Elaine Liner, Fringe Participant Copyright Edinburgh Festival Fringe Society Ltd 2013 All rights reserved. No part of this publication may be reproduced in any form without the written prior permission of the Edinburgh Festival Fringe Society. The Edinburgh Festival Fringe Society Ltd is a company limited by guarantee and incorporated in Scotland (No SC046605). Registered Charity No SC002995. Registered office:180 High Street, Edinburgh, EH1 1QS Telephone: 0131 226 0026 Fax: 0131 226 0016 Email: [email protected] Foreword Welcome‘The excitement to the Edinburgh Festival of the Fringe Edinburgh Society’s partners. Fringe It is not is only infectious their financial and contributions 2013 review. -
Annual Review 2011 Edinburgh Festival Fringe Society Sponsors
Annual Review 2011 Edinburgh Festival Fringe Society Sponsors Supporters Partners TM T S C R At The National Gallery Of Scotland THE MIKE WESTCOTT Jmemorial fund Foreword Welcome to the 2011 Annual Review this opportunity to publicly thank Simon of the Edinburgh Festival Fringe Society. Fanshawe, Steve Gove, Charlie Wood Each year in our Annual Review we try to and Allan Woolfe, all of whom left capture the most exciting and innovative the Board this year, for their unstinting aspects of the Fringe and the work of work on behalf of the Society. Between the Society. For me, this year’s Review is them they served for over 48 years especially poignant as it marks the last on the Society’s Board, giving freely occasion on which I shall be asked to of their knowledge and skills. Without contribute to it in my capacity as Chair of such generous contributions we simply the Society. My term of office will come would not be able to continue. I also to an end in August 2012 and I have want to welcome Peter Buckley Hill, Sam decided that it is time for some fresh Gough and Rachel McCluskey to the thinking and for someone new to lead the board for the first time and congratulate Board into the future. Sally Cowling, Shelagh Mackay, Alister O’Loughlin, Tommy Sheppard and However, this being the Edinburgh Collin Wood on either being elected or Festival Fringe, there is no prospect of appointed for another term. I have no taking the foot off the accelerator or doubt that over the years to come they winding down gently. -
An ADOBE ACROBAT VERSION
Pulling Mike Tyson’s teeth on a trampoline by John Fleming autobiography was cobbled- accept 5%; and maybe the off in a night. At the same together from at least three final 5% of my suggestions time, it is too short to fully separate conversations were rejected as bollocks too develop sub-plots. The it-Down Comedy is when he would remember – but some passing detail structure and the detail has published by Ebury different parts of the same might set them off on a to be tight, linear and SPress this month. I incident – all of them barely totally different creative immediately compelling. compiled it. Pulling Mike credible but actually true. He tangent that neither they nor I A new stand-up perhaps Tyson’s teeth on a trampoline is, in the flesh, a very funny had previously thought has ten one-minute jokes. A would have been easier. You raconteur. Write down about. One entire piece more experienced stand-up know you are in for trouble exactly what he says, came about because I can make those same ten when a publisher suggests though, and it’s an unfunny mentioned, in passing, that I jokes last 30 minutes. A great commissioning original shambles. Even more than admired Bernard Manning’s stand-up can build the same writing from 20 stand-up most, his spoken speech professionalism. ten jokes with peaks and comics. Any genre, any style. patterns diverge from Some delivered polished troughs and sub-jokes into a “Oh, they’re used to grammatical, logical written versions which needed no single hour-long routine writing,” is the unspoken sentences. -
Spring 2017 Summer Summer
SUMMERSUMMERSPRING 2017 / 3 SOMETHINGSOMETHINGSOMETHINGSOMETHING TOTOTOTO TO THEATRE SOMETHINGSOMETHING TO TO SOMETHINGMAKEMAKEMAKEMAKEMAKE YOUYOUYOUYOUYOU YOU FEELFEELFEELFEEL FEELTO MAKE MAKEUPLIFTED, YOU FEEL PLAYFUL, YOUUPLIFTED,UPLIFTED,UPLIFTED, FEEL UPLIFTED, PLAYFUL, PLAYFUL,PLAYFUL,PLAYFUL, WONDER, CAPTIVATED, THEATRE AD INFINITUM PRESENTS PLAYFUL,WONDER,AMAZED,WONDER,WONDER, WONDER, CAPTIVATED, CAPTIVATED,CAPTIVATED, The Devil WONDER, CAPTIVATED, 3for Bucket List 3for WONDER, CAPTIVATED, Speaks True 2 2 ECCLESIA PRESENTS TUE 25 APR 8PM THU 20 APR MOVED, SURPRISED, 6PM & 8.30PM CAPTIVATED,MOVED,MOVED,MOVED, SURPRISED,SURPRISED,SURPRISED, MOVED, Hidden The powerful story MOVED, SURPRISED, of one Mexican MOVED, SURPRISED, FRI 21 & SAT 22 APR 8PM MOVED, SURPRISED, A chilling exploration woman’s fight for of the psychological A play about finding the justice. TOGETHER, effects of war. TOGETHER, courage to face the truth When her mother SURPRISED,CONNECTED,TOGETHER, TOGETHER, Using wireless headphones, TOGETHER, of who you are. is murdered for TOGETHER,TOGETHER, 360 degree binaural sound protesting corporate and design and sometimes Set against the collapse governmental corruption, complete darkness, the real of the economic bubble in ENTERTAINED. 2008, Hidden is a love story Milagros finds herself words of ex-servicemen ENTERTAINED.ENTERTAINED. with only a bloodstained ENTERTAINED.ENTERTAINED. about invisible disability ENTERTAINED. are cut with the text of ENTERTAINED. list of those responsible. ENTERTAINED. in difficult times. Chris is a Shakespeare’s Macbeth Determined to make to investigate the return city lawyer; Jess is a PhD them pay, Milagros home from conflict student. On the surface, they’re embarks on a passionate zones. Projection, scent, just two ordinary people in quest for justice, no light and dance convey a relationship who want to matter the cost. -
Stuart Goldsmith
Stuart Goldsmith A charming, expert stand-up Sunday Times Awards: • Leicester Comedy Festival 2017: Best New Show - Winner • Amused Moose Edinburgh Comedy Awards 2015: Best Show - Nominee • Chortle Awards 2014: Internet Award for The Comedian’s Comedian podcast – Nominee • Chortle Awards 2013: Internet Award for The Comedian’s Comedian podcast – Nominee • New Zealand Comedy Festival 2013: Spirit of the Fringe Award – Winner • Chortle Awards 2012: Breakthrough Act Award – Nominee • Edinburgh Comedy Festival 2012: Malcolm Hardee Award – Winner • Leicester Comedy Festival 2011: Best Show Award – Nominee • Show Me The Funny (ITV) 2010: Semi-finalist Stuart Goldsmith is an internationally award-winning comedian, writer, podcaster and host. With a reputation for smart, accessible stand-up, Stuart's enthusiasm and natural charm conceal a quick wit and fearlessness honed by his early career as a street performer. In addition to his stand-up credentials, Stuart has built a reputation as a highly skilled interviewer and engaging host. His always insightful and often inspiring The Comedian’s Comedian podcast shines a light on the darkest creative secrets of his fellow comics, and is revered by comedy fans, performers and industry alike. Previous guests include Jimmy Carr, Tim Minchin, Russell Howard, Sarah Millican, Bo Burnham, Bill Burr, Jen Kirkman and James Acaster. Stuart is an Edinburgh Festival Fringe veteran. Having been introduced to the festival as a street performer, he has since taken seven solo stand-up shows and presented The Comedian’s Comedian podcast at the Fringe three times. Stuart’s critically-acclaimed 2016 show Compared To What subsequently toured internationally. 2017’s Like I Mean It was another massive success, winning the Leicester Comedy Festival Award for Best New Show and again touring internationally. -
British Cult Comedy.Indb 215 16/8/06 12:34:16 Pm Cult Comedy Club up the Creek in Greenwich, Southeast London
Geography Lessons: comedy around Britain British Cult Comedy.indb 215 16/8/06 12:34:16 pm Cult comedy club Up The Creek in Greenwich, southeast London British Cult Comedy.indb 216 16/8/06 12:34:17 pm Geography Lessons: comedy around Britain Comedy just wouldn’t be comedy without local roots. And that is why, in this chapter, we take you on a tour of British comedy from Cornwall to the Scottish Highlands, visiting local comedic landmarks, clubs and festivals. Comedy is prey to the same homogenizing forces Do Part, was successfully re-created in America, that have made Starbucks globally ubiquitous but Germany and Israel, suggesting that comedy that humour doesn’t travel so easily or predictably as touches, however lightly, on universal truths can cappuccino. In the past, slang, regional vocabu- be exported around the world. lary, accents and local knowledge have often A comic’s roots, cherished or spurned, are limited a comic’s appeal, explaining why such crucial to their humour. The small screen has acts as George Formby and Tommy Trinder never made it easier for contemporary acts – nota- quite transcended the north/south divide. Yet a bly Johnny Vegas, Peter Kay and Ben Elton character as localized as Alf Garnett, the charis- – to achieve national recognition while retain- matic Cockney bigot in the sitcom Till Death Us ing a regional identity. Since the 1980s, a more 217 British Cult Comedy.indb 217 16/8/06 12:34:17 pm GEOGRapHY LESSONS: COmedY arOUND brItaIN adventurous approach to sitcoms has meant that theme to British comedy, it was that, as Linda shows such as The Royle Family have had a much Smith told him: “A lot of comics come from more authentic local flavour than most of their the edge of nowhere.” Smith often argued with predecessors. -
SAM PINNELL Producer / Writer
SAM PINNELL Producer / Writer Producing 2020 – 2021 PRINCESS SERIES PRODUCER BBC STUDIOS for APPLE+ TV 2020 THE FIRST TEAM SERIES PRODUCER FUDGE PARK for BBC TWO 2019 MOTHERLAND SERIES TWO: BBC2 SERIES PRODUCER MERMAN 2018-9 DERRY GIRLS SERIES TWO: C4 SERIES PRODUCER HAT TRICK PRODUCTIONS 6 x half hour comedy series written by Lisa McGee 2017 FLOWERS SERIES TWO: C4 SERIES PRODUCER HOOTENANNY PICTURES / KUDOS LTD 6 x half hour comedy/drama written by Will Sharpe Director: Will Sharpe. Executive Producer: Naomi De Pear 2016 DRIFTERS SERIES FOUR: E4 /C4 SERIES PRODUCER BWARK/FUDGE PARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Al Campbell. Executive Producers: Iain Morris, Simon Wilson 2015 DRIFTERS SERIES THREE: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Al Campbell. Executive Producers: Damon Beesley, Iain Morris 2014 DRIFTERS SERIES TWO: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Tom Marshall. Executive Producers: Damon Beesley, Simon Wilson 2013 DRIFTERS SERIES ONE: E4 SERIES PRODUCER BWARK PRODUCTIONS 6 x half hour sitcom written by and starring Jessica Knappett Director: Simon Delaney. Executive Producers: Damon Beesley, Simon Wilson 2012 CHARLIE vs THE INTERNET : BBC AMERICA SERIES PRODUCER TWO FOUR Pilot clips and chat show hosted by Charlie Baker with guests from USA and UK. Director Paul Wheeler. Executive Producer: Darren Smith DRIFTERS: E4 SERIES PRODUCER BWARK PRODUCTIONS 30 min sitcom pilot written by and starring Jessica Knappett Director: Chloe Thomas. Executive Producers: Damon Beesley, Simon Wilson BITESIZE SERIES 3: BBC ONLINE SERIES PRODUCER ZEPPOTRON Comedy sketches based on classics of English Literature 2011 THE BRITISH COMEDY AWARDS NOMINATIONS SHOW: C4 PRODUCER UNIQUE 70 min special featuring clips and interviews from the award nominees THE INBETWEENERS TOP TEN MOMENTS: E4 & CHANNEL 4 SERIES PRODUCER BWARK PRODUCTIONS 1 hour special. -
Comedy and Distinction: the Cultural Currency of a ‘Good’ Sense of Humour
Sam Friedman Comedy and distinction: the cultural currency of a ‘good’ sense of humour Book (Accepted Version) Original citation: Comedy and distinction: the cultural currency of a ‘good’ sense of humour, Abingdon, Oxon: Routledge, 2014, 228 pages. © 2017 The Author This version available at: http://eprints.lse.ac.uk/59932/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Introduction: Funny to Whom? In January 2011, the scheduling plans of Britain’s biggest TV station, BBC 1, were leaked to the press. After the recent success of BBC comedies such as Outnumbered and My Family, BBC1 Controller Danny Cohen apparently told his team of producers that BBC Comedy was becoming ‘too middle class’, and failing in its responsibility to appeal to working class viewers (Gammell, 2011; Revoir, 2011; Leith, 2011).