BBCWF Report and Financial Statements 2009
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AGENDA SH ERMAN BO ARD O F ED UCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 the SHERMAN SCHOOL - C AFETERIA 7:00 PM Vision Statement
AGENDA SH ERMAN BO ARD O F E DUCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 THE SHERMAN SCHOOL - CAFETERIA 7:00 PM Vision Statement We enable all Sherman Students to become the best possible version of themselves. We provide an environment where our children develop into empathetic, self-directed, critical thinkers who don't give up when faced with challenges. 1. CALL TO ORDER, ROLL CALL AND PLEDGE OF ALLEGIANCE 2. CELEBRATIONS 3. PUBLIC COMMENTS 4. ADDITIONS TO THE AGENDA 5. CONSENT AGENDA 5.1. Minutes - Regular Meeting, March 22, 2018 (Enclosure 5.1a) Minutes - Maintenance Meeting, March 22, 2018 5.2. Personnel Actions 5.3. Reports - Monthly Enrollment (Enclosure 5.3) 5.4. Monthly Budget Report 17-18 (Enclosure 5.4a - 5.4b) 5.5. Disposal of Unused Items (Enclosure 5.5a - 5.5b) 6. APPROVAL OF CURRENT BILLS 6.1. 2017-2018 Current Bills (Enclosure 6.1) 7. ORAL REPORTS 7.1. SPTO Update 7.2. Sub-Committee 7.3. Chairman 7.4. Superintendent 8. PRESENTATIONS 8.1 Update on Board Goals - Dr. Melendez (Enclosure 8.1) 8.2 Budget “At-a-Glance” - Dr. Melendez (Enclosure 8.2) 8.3 Gig Band, XP Expo and Capstone Projects - Various 8.4 Drivers of Student Achievement and Class Size - Dr. Melendez and Mrs. Snowden 9. NEW BUSINESS 9.1 Discussion and Possible Action to Fund Portions of the Odyssey of the Mind World Finals Trip 9.2 Discussion and Possible Approval of High School Educational Program Agreement with the Board of Education of the Town of New Milford (Enclosure 9.2) 10. -
Annual Review 2009 Sharks (Costa Rica), Pretoma
Annual Review 2009 Sharks (Costa Rica), Pretoma Contents Page Charity information 3 Report of the Trustees 4 1. About us and our public benefit 4 2. Objectives and activities for public benefit 6 3. Assessing our performance and achievements 11 4. Our plans for the future to continue to deliver benefit to the public 13 5. Financial review 14 6. Structure, governance and management 14 7. Statement of Trustees’ responsibilities 16 Financial overview 18 Statement of financial activities for the year ended 31 March 2009 18 Balance sheet at 31 March 2009 19 From top Green turtles (Sri Lanka), Scarlet macaws (Guatemala), Whale sharks (Costa Rica) Annual Review 2009 www.bbc.co.uk/bbcwildlifefund Charity information Chairman Bernard Mercer Company registration number 6238115 Deputy Chairman Neil Nightingale Registered charity number 1119286 Treasurer Heather Woods née Brindley Registered office British Broadcasting Corporation Trustees Toby Aykroyd 201 Wood Lane Yogesh Chauhan London W12 7TS John Burton (until 23 July 2008) Auditors Mazars LLP Sarah Ridley Times House Shyam Parekh Throwley Way Georgina Domberger Sutton Secretary Melissa Price (until 23 July 2008) Surrey SM1 4QJ Amy Ely Bankers HSBC Project Manager Lydia Thomas (until 3 April 2009) Regional Services Centre Europe PO Box 125 2nd Floor, 62-76 Park Street London SE1 9DZ Solicitors Farrer & Co 66 Lincoln’s Inn Fields London WC2A 3LH Above Elephant water hole, Kipsing, Kenya Annual Review 2009 www.bbc.co.uk/bbcwildlifefund About us and our public benefit Our objects What we do The BBC Wildlife Fund was set up in 2007 by the BBC to help pro- The BBC Wildlife Fund is a charitable organisation that raises funds tect endangered species around the world and in the UK, identifying from the public to help conserve and protect endangered species not only the most endangered animals on the planet but also those and the habitats on which they depend. -
Annual Review 2007-2008
The RSPB UK Headquarters The Lodge, Sandy, Bedfordshire SG19 2DL Tel: 01767 680551 Northern Ireland Headquarters Belvoir Park Forest, Belfast BT8 7QT Tel: 028 9049 1547 Scotland Headquarters Dunedin House, 25 Ravelston Terrace, Edinburgh EH4 3TP Tel: 0131 311 6500 rspb-images.comWales Headquarters rspb-images.com Sutherland House, Castlebridge, Cowbridge Road East, Cardiff CF11 9AB Tel: 029 2035 3000 www.rspb.org.ukcaption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption text caption text goes here caption text text caption text goes here caption text caption text gxt goes here caption texon caption text gxt goes here caption texon text goes here captionThe RSPB text caption speaks textout for birds and wildlife, tackling the text goes here caption text caption text goes here problems that threaten our environment. Nature is goes here amazing – help us keep it that way. caption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption BirdLife textINTERNATIONAL caption text goes here caption text text caption text goes here caption text caption text goes here caption text goes caption text goes here caption text goes hereAs a caption charity, text the caption RSPB textis dependent goes here on the goodwill and financial support here caption text caption text goes here captionof people text like caption you. text Please goes visithere www.rspb.org.uk/supportingcaption or call caption text caption text goes here caption text01767 caption 680551 text to goes find here out more. -
Carbon Trading, Climate Change, Environmental Sustainability and Saving Planet Earth
Paper no. PA21A-1292 Carbon Trading, Climate Change, Environmental Sustainability and Saving Planet Earth Wyss W.-S. Yim Guy Carpenter Asia-Pacific Climate Impact Centre, City University of Hong Kong and Department of Earth Sciences, The University of Hong Kong E-mail: [email protected] 1. Introduction The effectiveness of carbon trading (reducing CO2 emission) to combat climate change in order to achieve greater environmental sustainability and/or saving planet Earth for prolonging the survival of future generations of the human race is examined. 2. Is CO2 emission the most important driver of climate change? The answer is not a resounding yes. The inconvenient truth is that CO2 was singled out conveniently as the number one enemy of climate change by many particularly those who are not Earth scientists. Even though the present CO2 level has reached ca. 389 ppm exceeding the highest level in 800,000 years in Antarctica ice cores (Fig. 1), great uncertainties exist on the effectiveness of carbon trading as a solution to the problem of climate change. Other measures with probably smaller uncertainties presented here will also be necessary. Fig. 1 CO2, δD and CH4 records in Vostok and EPICA ice cores. 3. Environmental sustainability as an ideal Sustainable development was defined by Brundtland in 1987 as development that meets the needs of the present without compromising the ability of future generations to meet their own needs. It is however impossible to achieve because it requires Earth’s natural systems to be in an overall long-term balance. Therefore we can only work towards greater sustainability. -
Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Prehistoric Planet 3D PUBLISHING PACK for MUSEUM USE on SOCIAL PLATFORMS
Walking with Dinosaurs: Prehistoric Planet 3D PUBLISHING PACK FOR MUSEUM USE ON SOCIAL PLATFORMS COMPANY CONFIDENTIAL Using this pack This pack outlines content examples for posts which fall under 7 content “pillars” (Continuing the Story, Box Office Promotion, Leveraging Other Assets, Branded Infographics, Branded Fact Files, Conversation Tools, and Behind-the-Scenes Videos). The copy provided with each post is recommended but not compulsory. Museums may want to add promotional messaging, although we’d advise not over-saturating content with these messages. Understanding the assets Each complete piece of content has been packaged individually to allow the publishing process to be as simple and efficient as possible. The platform(s) the copy is designed for (Facebook, Instagram, Proposed copy to be used in Image Twitter) conjunction with adjacent image Image no. COMPANY CONFIDENTIAL Understanding the assets cont. Beneath each example post in this PDF will be a figure number which corresponds to an asset found in the “Publishing Assets” folder also supplied in this pack. In the “Publishing Assets” folder this figure number will be followed by a set of letters which outline the platforms the content is optimised for; FB = Facebook TW = Twitter INSTA = Instagram COMPANY CONFIDENTIAL Publishing best practices To extract the optimum performance out of this Publishing Pack, theAudience advises the following best publishing practises. Following these principles will maximise the content’s potential in engaging an audience on social. Keep copy as short as possible theAudience has proposed copy to accompany each individual image in this pack. This copy can be used as an example with sales messages attached (or can be changed completely) although we would advise not directly marketing the film in more than 60% of the content as sales messages can lose traction when used at a high frequency on social. -
Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary in the Year 3030 Only a Few Humans Live on Planet Earth
LESSON 4 TEACHER’S GUIDE Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary In the year 3030 only a few humans live on planet Earth. Derek is a scientist stationed on planet Earth. He tries to fi nd signs of life to save the planet. His son Dennis discovers butterfl ies. His discovery saves planet Earth. Number of Words: 1,603 Characteristics of the Text Genre • Science fi ction Text Structure • Third-person narrative with detailed episodes • Includes a prologue to give background information Content • Environmental disaster • Importance of air, plants, and insects to Earth • Scientifi c research Themes and Ideas • It is important to preserve history. • Scientifi c discoveries help the earth in many ways. • Persistence leads to success. Language and • Long stretches of descriptive language important to understanding the setting and the Literary Features characters of the story. • Multiple characters revealed by what they say, think, and do as well as what other characters say and think about them • Setting is distant in time and space from students’ experiences Sentence Complexity • Longer complex sentence structures that include dialogue as well as embedded clauses and phrases • Questions in dialogue Vocabulary • Vocabulary words that readers must derive from context: monitor, wrist communicator, void Words • Many multisyllable words: permanently, stubbornly, possibility Illustrations • Colorful illustrations with captions support the text. Book and Print Features • Easy-to-read chapter headings • Captions under illustrations provide important information for understanding the story © 2006. Fountas, I.C. & Pinnell, G.S. Teaching for Comprehending and Fluency, Heinemann, Portsmouth, N.H. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. -
How Did We Do at Being Green Because I'm Not Worth It Crisis
09·06·09 Week 23 explore.gateway.bbc.co.uk/ariel THE BBC NEWSPAPER SIX DIRECTORS LINED UP TO ANSWER YOUR QUESTIONS a Page 4 photograph SpoKespeopLE: National bike : ◆week is coming up and journalists mark Sean Riley and Kylie Pentelow are bassett already on the case Page 7 Reinventing the wheels How did we do Crisis demands Because I’m at being green fast reactions not worth it THREE THOUSAND printers have A NEW BREED of ‘information doers’, FOR HONESTY about abuse of ◆gone missing, except nobody’s ◆shooting pictures with mobile phones, ◆public money, George Orwell would missed them. Making more people share are transforming the news space – but do put Westminster to shame. His self- a printer is one energy-saving winner in a conventional sources of authority know deprecating letter of resignation from the year that’s seen big waste reduction but how to cope with this unconventional BBC is just one intriguing item unearthed modest progress on overall power and reporting. Nik Gowing revisited the G20 by the archives editorial team for their water consumption. Page 3 protests and 7/7 to find out more.Page 10 latest online collection. Page 5 > NEED TO KNOW 2 WEEK AT WORK 8-9 OPINION 10 MAIL 11 JOBS 14 GREEN ROOM 16 < 216 News aa 00·00·0809·06·09 NEED TO KNOW THE WEEK’S esseNTIALS NEWS BITES JANA BENNETT has launched a an online directory of disabled Timely takeover by Bradshaw actors, performers and musicians, a nationwide search for new Room 2425, White City u BEN BRADSHAW a former BBC journalist, has disabled talent and announced that replaced Andy Burnham as culture secretary disabled actor David Proud will 201 Wood Lane, London W12 7TS in Gordon Brown’s cabinet reshuffle. -
Transitioning to “Geocratia” the Jus Semper Global Alliance
The Jus Semper Global Alliance Living Wages North and South Sustainable Human Development May 2020 BRIEFS ON TRUE DEMOCRACY AND CAPITALISM Transitioning to “Geocratia” the People and Planet and Not the Market Paradigm — First Steps Álvaro J. de Regil ollowing up on my commentary to the March 2020 Great Transition Initiative (GTI) forum: F “Planetise the Movement”,1 I assess the diverse ideas discussed in the forum and concurrently elaborate with far more detail in this essay how I envision the first steps to materialise the change of paradigm from the current unsustainable market- centred ethos to a global movement that rescues our planet and provides sustainable life systems for our future generations and all living things. The implicit premiss in the forum is that there is already a movement yearning to transition from the current paradigm to a new truly sustainable one; in fact it is presumed that we are already in a trajectory that will shape a new planetary society, albeit because of cultural, social, and political fissures,2 the outcome is still uncertain. In 2002, the GTI published a seminal paper: “Great Transition — The Promise and Lure of the Times Ahead”. It assesses the underlying causes of the complete unsustainability of world development and advances a long-term alternative scenario that examines the requirements to build a new sustainable paradigm by identifying strategies, agents for change and values for a new global agenda.3 In December 2017, the GTI revisited the issue, focusing specifically on “How Do We Get There?”4 What becomes evident is that there is indeed a growing number of people that have arrived at the conclusion that we cannot remain in the current unsustainable market-driven paradigm if we want to bequeath a planet where future generations of all species can enjoy a dignified quality of life. -
Awe-Inspiring Adventure Take the Trip of a Lifetime Through the Wildest Continent on Earth
DECEMBER 2015 – JANUARY 2016 Sparks!A Newsletter for Members and Friends of the Museum of Science Inside This Issue • Wild Waters of Africa • Computer Science Fun • Member Perks Awe-Inspiring Adventure Take the trip of a lifetime through the wildest continent on Earth. large and environmentally diverse place, Africa is surrounded by vast oceans and seas and features rainforests, the world’s A largest waterfall, and countless rivers. Water is the lifeline for this continent’s wildlife, as you’ll witness in the new giant-screen film, BBC Earth’s Wild Africa, now showing on the IMAX® Dome screen. Nations of Wonder Dive into the Red Sea and visit spectacular coral reefs that are home to an array of species. Travel thousands of feet into the air to Kenya’s snow-covered mountains. Between these elevation extremes, you’ll see the striking contrasts of deserts that border oceans, erupting volcanoes, the enormous Victoria Falls, wide-open savannas, and many other eye-catching landscapes. Along this journey through 12 of the nations that make up Africa, you’ll meet a large cast of real-life animal characters, including a family of mountain gorillas in a Rwandan forest, hundreds of thousands of flamingos performing a unique mating ritual in Kenya’s Continued on next page Continued from cover volcanic Lake Bogoria, hungry crocodiles waiting for the annual wildebeest migration to water holes in the Serengeti, elephants desperately searching for water, and snakes and lizards in Namibia’s barren desert finding water in their food. Your odyssey concludes in the swamps of southern Africa, where water’s ultimate role as a lifesaver is on display. -
BBC Wildlife Fund Report and Financial Statements 31 March 2012 BBC Wildlife Fund
Company no. 6238115 Charity no. 1119286 BBC Wildlife Fund Report and Financial Statements 31 March 2012 BBC Wildlife Fund Reference and administrative details For the year ended 31 March 2012 Company number 6238115 Charity number 1119286 Registered office and BBC White City operational address Room 4171 201 Wood Lane London W12 7TS Trustees Trustees, who are also directors under company law, who served during the year and up to the date of this report were as follows: Chairman Alec McGivan (appointed April 2012) Bernard Mercer (resigned 13 April 2011) Helen Kellie (Chair from 13 April 2011, resigned 8 December 2011) Deputy Chairman Neil Nightingale Treasurer Andrew Sykes Toby Aykroyd Yogesh Chauhan (acting chair April 2011-March 2012, resigned 23 April 2012) Sarah Ridley Shyam Parekh Georgina Domberger (nee Ponder) Lynsey Tweddle Tom Archer (resigned 8 December 2011) Company Secretary Melissa Price Principal staff Amy Coyte Director (left 31 December 2011) Advisers Nick Forster (appointed 1 January 2012) Victoria Secretan (appointed 1 January 2012) Bankers HSBC Regional Services Centre Europe PO Box 125 2nd Floor, 62-76 Park Street London SE1 9DZ Solicitors Farrer & Co 66 Lincoln's Inn Fields London WC2A 3LH Auditors Sayer Vincent Chartered accountants and statutory auditors 8 Angel Gate City Road London EC1V 2SJ 1 BBC Wildlife Fund Report of the trustees For the year ended 31 March 2012 The trustees present their report and the audited financial statements for the year ended 31 March 2012. Reference and administrative information set out on page 1 forms part of this report. The financial statements comply with current statutory requirements, the memorandum and articles of association and the Statement of Recommended Practice - Accounting and Reporting by Charities (SORP 2005). -
Wellington Programme
WELLINGTON 24 JULY – 9 AUGUST BOOK AT NZIFF.CO.NZ 44TH WELLINGTON FILM FESTIVAL 2015 Presented by New Zealand Film Festival Trust under the distinguished patronage of His Excellency Lieutenant General The Right Honourable Sir Jerry Mateparae, GNZM, QSO, Governor-General of New Zealand EMBASSY THEATRE PARAMOUNT SOUNDINGS THEATRE, TE PAPA PENTHOUSE CINEMA ROXY CINEMA LIGHT HOUSE PETONE WWW.NZIFF.CO.NZ NGĀ TAONGA SOUND & VISION CITY GALLERY Director: Bill Gosden General Manager: Sharon Byrne Assistant to General Manager: Lisa Bomash Festival Manager: Jenna Udy Publicist (Wellington & Regions): Megan Duffy PROUDLY SUPPORTED BY Publicist (National): Liv Young Programmer: Sandra Reid Assistant Programmer: Michael McDonnell Animation Programmer: Malcolm Turner Children’s Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Content Manager: Hayden Ellis Materials and Content Assistant: Tom Ainge-Roy Festival Accounts: Alan Collins Publications Manager: Sibilla Paparatti Audience Development Coordinator: Angela Murphy Online Content Coordinator: Kailey Carruthers Guest and Administration Coordinator: Rachael Deller-Pincott Festival Interns: Cianna Canning, Poppy Granger Technical Adviser: Ian Freer Ticketing Supervisor: Amanda Newth Film Handler: Peter Tonks Publication Production: Greg Simpson Publication Design: Ocean Design Group Cover Design: Matt Bluett Cover Illustration: Blair Sayer Animated Title: Anthony Hore (designer), Aaron Hilton (animator), Tim Prebble (sound), Catherine Fitzgerald (producer) THE NEW ZEALAND FILM