How Did We Do at Being Green Because I'm Not Worth It Crisis

Total Page:16

File Type:pdf, Size:1020Kb

How Did We Do at Being Green Because I'm Not Worth It Crisis 09·06·09 Week 23 explore.gateway.bbc.co.uk/ariel THE BBC NEWSPAPER SIX DIRECTORS LINED UP TO ANSWER YOUR QUESTIONS a Page 4 photograph SpoKespeopLE: National bike : ◆week is coming up and journalists mark Sean Riley and Kylie Pentelow are bassett already on the case Page 7 Reinventing the wheels How did we do Crisis demands Because I’m at being green fast reactions not worth it THREE THOUSAND printers have A NEW BREED of ‘information doers’, FOR HONESTY about abuse of ◆gone missing, except nobody’s ◆shooting pictures with mobile phones, ◆public money, George Orwell would missed them. Making more people share are transforming the news space – but do put Westminster to shame. His self- a printer is one energy-saving winner in a conventional sources of authority know deprecating letter of resignation from the year that’s seen big waste reduction but how to cope with this unconventional BBC is just one intriguing item unearthed modest progress on overall power and reporting. Nik Gowing revisited the G20 by the archives editorial team for their water consumption. Page 3 protests and 7/7 to find out more.Page 10 latest online collection. Page 5 > NEED TO KNOW 2 WEEK AT WORK 8-9 OPINION 10 MAIL 11 JOBS 14 GREEN ROOM 16 < 216 News aa 00·00·0809·06·09 NEED TO KNOW THE WEEK’S esseNTIALS NEWS BITES JANA BENNETT has launched a an online directory of disabled Timely takeover by Bradshaw actors, performers and musicians, a nationwide search for new Room 2425, White City u BEN BRADSHAW a former BBC journalist, has disabled talent and announced that replaced Andy Burnham as culture secretary disabled actor David Proud will 201 Wood Lane, London W12 7TS in Gordon Brown’s cabinet reshuffle. Burnham, join the regular cast of EastEnders. who held the job for 14 months, is now health 020 8008 4228 secretary. Radio 1’S Big Weekend in Swindon Bradshaw takes up his post just days before was the most interactive to date, Editor the expected publication of the final version of with 5.3m video requests received Andrew Harvey 02-84222 Digital Britain, a report by broadcasting minister via the dedicated website, compared Deputy editors Stephen Carter about which there is specula- to one million last year. 1.1m people Sally Hillier 02-26877 tion that it might recommend giving licence fee tuned to the red button coverage. Cathy Loughran 02-27360 money directly to help ITV regional news. Features editor If this proves to be an early hot potato for Owenna GriFFitHS is the new Clare Bolt 02-27445 Bradshaw, he is used to feeling the heat. His web editor of CBBC’s Newsround. She is Reporters profile records: ‘My lucky career move was to currently an assistant editor on Carla Parks 02-27630 get the job as the BBC’s Berlin correspondent at Today, in which role she accompanied Laura Scarrott 02-84224 the beginning of 1989,’ just weeks before the John Humphrys to Basra and Peggy Walker 01-43940 fall of the Wall. edited the US election coverage. Production editor After just one Parliament on the back Claire Barrett 02-27368 benches Bradshaw was made a minister in the GraHAM Norton’S BBC Two Art editor Foreign Office in 2001, becoming deputy leader chat show is transferring to a Ken Sinyard 02-84229 of the Commons and environment minister new 10.35pm slot on BBC One Ariel online before joining the health team in 2007. Earlier this autumn as part of plans to Andy Walker (editor) 02-84227 this year, he was a vocal critic of the BBC’s BBC as market maker in an area where commer- raise the presenter’s profile. Alex Goodey 02-27410 refusal to air the Gaza emergency appeal. cial operators have made, and will continue to Business co-ordinator Bradshaw became the first MP to enter into a make, significant investments, such that the po- CBBC controller Anne Gilchrist Silvana Romana 02-84228 civil partnership when he married BBC journalist tential for distortion of competition is manifest’. is to join the in-house comedy Ariel mail Neal Dalgleish in 2006. BBC management’s additional information, department on attachment for a year [email protected] and a revised timetable to complete the trust’s as creative and business director. She Ariel online ariel.gateway.bbc.co.uk u THE BBC TRUst’S reQUest for more infor- assessment, will be published in due course. will work across the UK, including mation about Project Canvas has put a tempo- with Comedy North in Manchester. Guest contributors this week rary spoke in the wheel of one of the BBC’s most u Here’S A new naME to conjUre witH: Amy ambitious and, to many people, most attractive Coyte, most recently chief executive of the Bat BBC Worldwide has struck a BEN BROWN on surviving frontline partnership ideas. Conservation Trust, has been appointed director deal to launch BBC Knowledge, war reporting. Page 8 Canvas, announced by Mark Thompson at the of the BBC Wildlife Fund. It’s a post newly cre- BBC Lifestyle and CBeebies to NIK GOWING on the new media end of last year with a view to going live in 2010, ated by the grant-making charity, set up in 2007 500,000 subscribers on StarHub TV, power to the people. Page 10 is a joint initiative between the BBC, BT and ITV on the back of the BBC’s Saving Planet Earth. Singapore’s largest pay tv platform. MARK DUFF on a job share in that will bring catch-up from the pc to the tv set. This special season of programmes from the marvellous, maddening Milan. Page 14 Using a new type of set-top box, connected to natural history unit highlighted how the global BBC Two’S Beautiful People has taken a broadband line, people will be able to access landscape was changing and how conservation the comedy award at the Banff tv all the free tv channels as well as the BBC iPlayer projects could help to provide a more secure festival. BBC Three’s Blood Sweat BBC Jobs 0370 333 1330 and ITV player, plus other interactive content. future for animals and plants. Saving Planet and T-Shirts was named best reality Jobs textphone 028 9032 8478 After a seven-week initial consultation, dur- Earth included a series of films by celebrities format and Titus: The Gorilla King, BBC Jobs John Clarke 02-27143 ing which it received more than 800 submis- like Fiona Bruce, Edith Bowman and Phil Tufnell, by Tigress Productions for the BBC Room 2120, White City, London W12 7TS sions, the trust has decided to delay a decision who appealed for money to save a number of and WNET, won the wildlife award. about the project, scheduled for July 24. When endangered species – crocodiles in Cambodia, Advertise in Ariel it has the additional information, the trust will tigers in India and orang-utans in Borneo. BBC MancHester hopes to have Ten Alps Publishing 020 7878 2314 launch a second period of consultation. Since then almost £2m has been raised, one of its two chillers back in action www.bbcarielads.com The problem is that many of those consulted, enabling the BBC Wildlife Fund to support 50 by Friday and the second shortly who include Google, indie tv companies and international and UK projects. The BBC itself has afterwards. Both are 35 years old and Printing consumer groups, have expressed concern over not donated any finance. As a publicly funded have been out of action, resulting in Garnett Dickinson Group ‘a lack of detail’ in key areas. There is also con- broadcaster that would be against the rules. stifling conditions in Oxford Road. Rotherham 01709 768000 cern over possible market impact. ‘Canvas will During a recent visit to Kenya, Ernestina Craig stifle competition and the development of VOD Hall from BBC Outreach saw the work of the Tusk Listen Here! the BBC Scottish Subscribe to Ariel [video on demand],’ Virgin Media claims, while Trust, which has received a grant of £19,371 from Symphony Orchestra’s second Six months: £26, £36, £40 Sky says the project appears ‘to position the the fund. See her report on Page 14. ‘big weekend’ of free concerts Twelve months: £50, £60, £68 and music-making events from (prices for UK, Europe, rest of world its home in Glasgow City Halls, respectively) ARIEL ONLINE EDITOR’S UPDATE will be held between June 18-21. Cheques to: Garnett Dickinson Print, Brookfields Way, Manvers, barrY Manilow will make his Wath Upon Dearne, Rotherham S63 5DL A few dramas but the launch went well only UK appearance this year at BBC Tel 01709 768199 Proms in the Park, broadcast live on HiGHS and lows in laUncH week, but now we’re rated, ears wigged etc), so please make an effort Radio 2 from London’s Hyde Park. He INFORMATION IN AN EMERGENCY back to business as usual. to join the conversation, as many of you have done joins a line-up that includes mezzo- Telephone 0800 0688 159 Last week Ariel online’s redesign finally launched. already. soprano Katherine Jenkins, also Ceefax Page 159 www.bbc.co.uk/159 It was a challenging few days of technical problems, We value feedback, so we’ll be putting letters making her Proms in the Park debut. Ariel is produced by Internal but as those were eventually resolved, we are now back into a prominent position and running regular Communcations for people at the BBC left with a website which complements the colour ‘just for fun’ caption competitions – both sugges- and depth of coverage in the paper – and with around tions from staff.
Recommended publications
  • AGENDA SH ERMAN BO ARD O F ED UCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 the SHERMAN SCHOOL - C AFETERIA 7:00 PM Vision Statement
    AGENDA SH ERMAN BO ARD O F E DUCATION REGULAR MEETING WEDNESDAY, APRIL 11, 2018 THE SHERMAN SCHOOL - CAFETERIA 7:00 PM Vision Statement We enable all Sherman Students to become the best possible version of themselves. We provide an environment where our children develop into empathetic, self-directed, critical thinkers who don't give up when faced with challenges. 1. CALL TO ORDER, ROLL CALL AND PLEDGE OF ALLEGIANCE 2. CELEBRATIONS 3. PUBLIC COMMENTS 4. ADDITIONS TO THE AGENDA 5. CONSENT AGENDA 5.1. Minutes - Regular Meeting, March 22, 2018 (Enclosure 5.1a) Minutes - Maintenance Meeting, March 22, 2018 5.2. Personnel Actions 5.3. Reports - Monthly Enrollment (Enclosure 5.3) 5.4. Monthly Budget Report 17-18 (Enclosure 5.4a - 5.4b) 5.5. Disposal of Unused Items (Enclosure 5.5a - 5.5b) 6. APPROVAL OF CURRENT BILLS 6.1. 2017-2018 Current Bills (Enclosure 6.1) 7. ORAL REPORTS 7.1. SPTO Update 7.2. Sub-Committee 7.3. Chairman 7.4. Superintendent 8. PRESENTATIONS 8.1 Update on Board Goals - Dr. Melendez (Enclosure 8.1) 8.2 Budget “At-a-Glance” - Dr. Melendez (Enclosure 8.2) 8.3 Gig Band, XP Expo and Capstone Projects - Various 8.4 Drivers of Student Achievement and Class Size - Dr. Melendez and Mrs. Snowden 9. NEW BUSINESS 9.1 Discussion and Possible Action to Fund Portions of the Odyssey of the Mind World Finals Trip 9.2 Discussion and Possible Approval of High School Educational Program Agreement with the Board of Education of the Town of New Milford (Enclosure 9.2) 10.
    [Show full text]
  • Annual Review 2007-2008
    The RSPB UK Headquarters The Lodge, Sandy, Bedfordshire SG19 2DL Tel: 01767 680551 Northern Ireland Headquarters Belvoir Park Forest, Belfast BT8 7QT Tel: 028 9049 1547 Scotland Headquarters Dunedin House, 25 Ravelston Terrace, Edinburgh EH4 3TP Tel: 0131 311 6500 rspb-images.comWales Headquarters rspb-images.com Sutherland House, Castlebridge, Cowbridge Road East, Cardiff CF11 9AB Tel: 029 2035 3000 www.rspb.org.ukcaption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption text caption text goes here caption text text caption text goes here caption text caption text gxt goes here caption texon caption text gxt goes here caption texon text goes here captionThe RSPB text caption speaks textout for birds and wildlife, tackling the text goes here caption text caption text goes here problems that threaten our environment. Nature is goes here amazing – help us keep it that way. caption text caption text goes here caption text caption text goes here caption text caption text goes here caption caption text caption text goes here caption BirdLife textINTERNATIONAL caption text goes here caption text text caption text goes here caption text caption text goes here caption text goes caption text goes here caption text goes hereAs a caption charity, text the caption RSPB textis dependent goes here on the goodwill and financial support here caption text caption text goes here captionof people text like caption you. text Please goes visithere www.rspb.org.uk/supportingcaption or call caption text caption text goes here caption text01767 caption 680551 text to goes find here out more.
    [Show full text]
  • Carbon Trading, Climate Change, Environmental Sustainability and Saving Planet Earth
    Paper no. PA21A-1292 Carbon Trading, Climate Change, Environmental Sustainability and Saving Planet Earth Wyss W.-S. Yim Guy Carpenter Asia-Pacific Climate Impact Centre, City University of Hong Kong and Department of Earth Sciences, The University of Hong Kong E-mail: [email protected] 1. Introduction The effectiveness of carbon trading (reducing CO2 emission) to combat climate change in order to achieve greater environmental sustainability and/or saving planet Earth for prolonging the survival of future generations of the human race is examined. 2. Is CO2 emission the most important driver of climate change? The answer is not a resounding yes. The inconvenient truth is that CO2 was singled out conveniently as the number one enemy of climate change by many particularly those who are not Earth scientists. Even though the present CO2 level has reached ca. 389 ppm exceeding the highest level in 800,000 years in Antarctica ice cores (Fig. 1), great uncertainties exist on the effectiveness of carbon trading as a solution to the problem of climate change. Other measures with probably smaller uncertainties presented here will also be necessary. Fig. 1 CO2, δD and CH4 records in Vostok and EPICA ice cores. 3. Environmental sustainability as an ideal Sustainable development was defined by Brundtland in 1987 as development that meets the needs of the present without compromising the ability of future generations to meet their own needs. It is however impossible to achieve because it requires Earth’s natural systems to be in an overall long-term balance. Therefore we can only work towards greater sustainability.
    [Show full text]
  • Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
    Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale.
    [Show full text]
  • Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary in the Year 3030 Only a Few Humans Live on Planet Earth
    LESSON 4 TEACHER’S GUIDE Saving Planet Earth by Jack Spencer Fountas-Pinnell Level S Science Fiction Selection Summary In the year 3030 only a few humans live on planet Earth. Derek is a scientist stationed on planet Earth. He tries to fi nd signs of life to save the planet. His son Dennis discovers butterfl ies. His discovery saves planet Earth. Number of Words: 1,603 Characteristics of the Text Genre • Science fi ction Text Structure • Third-person narrative with detailed episodes • Includes a prologue to give background information Content • Environmental disaster • Importance of air, plants, and insects to Earth • Scientifi c research Themes and Ideas • It is important to preserve history. • Scientifi c discoveries help the earth in many ways. • Persistence leads to success. Language and • Long stretches of descriptive language important to understanding the setting and the Literary Features characters of the story. • Multiple characters revealed by what they say, think, and do as well as what other characters say and think about them • Setting is distant in time and space from students’ experiences Sentence Complexity • Longer complex sentence structures that include dialogue as well as embedded clauses and phrases • Questions in dialogue Vocabulary • Vocabulary words that readers must derive from context: monitor, wrist communicator, void Words • Many multisyllable words: permanently, stubbornly, possibility Illustrations • Colorful illustrations with captions support the text. Book and Print Features • Easy-to-read chapter headings • Captions under illustrations provide important information for understanding the story © 2006. Fountas, I.C. & Pinnell, G.S. Teaching for Comprehending and Fluency, Heinemann, Portsmouth, N.H. Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved.
    [Show full text]
  • Transitioning to “Geocratia” the Jus Semper Global Alliance
    The Jus Semper Global Alliance Living Wages North and South Sustainable Human Development May 2020 BRIEFS ON TRUE DEMOCRACY AND CAPITALISM Transitioning to “Geocratia” the People and Planet and Not the Market Paradigm — First Steps Álvaro J. de Regil ollowing up on my commentary to the March 2020 Great Transition Initiative (GTI) forum: F “Planetise the Movement”,1 I assess the diverse ideas discussed in the forum and concurrently elaborate with far more detail in this essay how I envision the first steps to materialise the change of paradigm from the current unsustainable market- centred ethos to a global movement that rescues our planet and provides sustainable life systems for our future generations and all living things. The implicit premiss in the forum is that there is already a movement yearning to transition from the current paradigm to a new truly sustainable one; in fact it is presumed that we are already in a trajectory that will shape a new planetary society, albeit because of cultural, social, and political fissures,2 the outcome is still uncertain. In 2002, the GTI published a seminal paper: “Great Transition — The Promise and Lure of the Times Ahead”. It assesses the underlying causes of the complete unsustainability of world development and advances a long-term alternative scenario that examines the requirements to build a new sustainable paradigm by identifying strategies, agents for change and values for a new global agenda.3 In December 2017, the GTI revisited the issue, focusing specifically on “How Do We Get There?”4 What becomes evident is that there is indeed a growing number of people that have arrived at the conclusion that we cannot remain in the current unsustainable market-driven paradigm if we want to bequeath a planet where future generations of all species can enjoy a dignified quality of life.
    [Show full text]
  • On Saving Planet Earth
    introductory eco-guide on saving planet earth by sunflair vintage Becoming Aware of Mother Earth Hey friend! First of all, I am so excited for you to dig into this guide. I think you will find so many useful tips that fit right into your lifestyle. Before I let you flip through the details, I want you to take a minute to think about where your interest in this guide came from. No matter if you’re “eco-curious” or a certified environmentalist, I want to remind you that together we are here for one thing: to give our love to Mother Earth. This goes beyond ditching straws and Styrofoam. We are guests on this planet, and we must be grateful to get to share this space with so many other beautiful living beings. To really love Earth, you have to love these beings too. It’s about devel- oping a respect for the powers of nature. It’s about becoming aware of your surroundings. It’s easy to get caught up in our own minds. Our problems. Our lives. When you start to become less aware of the “I” and become more aware of the “we”, caring for the Earth becomes a lot easier. Signed, An Earth Sign just don’t give up just don’t give Okay great, now that we’ve moved past the statement from the tree-hugger, I want to remind you of something even more important. Yeah, it’s difficult to change. Yeah it’s gonna be hard. Yeah you’re going to want to take the easy way out.
    [Show full text]
  • Dan-Brockington-Celebrity-And-The
    More praise for Celebrity and the Environment ‘More exposé than a tabloid. More weight than a broadsheet ... Brockington lends academic muscle to what, I suspect, many of us instinctively feel about these issues. Extensively researched yet winsomely written and, thankfully, not veering into cynicism which a book on this subject could easily do. Enlightening and easily accessible by the armchair environmentalist.’ Terry Clark, St Luke’s Church, Glossop ‘I was surprised by this book. Anything containing the mere word “celebrity” will normally see me heading for the hills at speed, let alone a whole book on the subject! Dan’s book is written with wit and grace. His research was clearly meticulous and the result is a book that is informative and enjoyable.’ Robin Barker, Countrycare Children’s Homes ‘In an analysis that builds on a large literature examining interlinkages between conservation and corporate interest, Dan Brockington turns a new corner, investigating how the rich and famous lend their glamour to the noble goal of saving the planet. In reality conservation is a highly political pursuit with winners and losers. Brockington provides a well- balanced account of the pros of harnessing the razzamatazz of celebrity to the conservation cause with the cons of sanitizing the harsh realities of conservation politics and the insidious danger of commoditizing nature. If you want to embark on the journey in to contemporary conservation you would go well with this book.’ Monique Borgerhoff Mulder and Tim Caro, University of California at Davis ‘A thoroughly stimulating book that made me question my role as a conservation filmmaker.’ Jeremy Bristow, director and writer About the author Dan Brockington has a PhD in anthro- pology from UCL and is happiest conducting long-term research in remote rural areas.
    [Show full text]
  • Campaign Strategy Newsletter 100 January 2017 Planet Earth II: A
    Campaign Strategy Newsletter 100 January 2017 Planet Earth II: A Threat to Saving Planet Earth? Despite me even wanting to be David Attenborough when I was a child, and loving the cinematic spectacle of nature in the BBC’s record-breaking Planet Earth II, I agree with BBC Springwatch presenter Martin Hugh-Games who argued in The Guardian that such nature blockbusters are not helping ‘save the earth’ because they create a sedating illusion that nature is abundant. My blog ‘Please David Attenborough: For Nature’s Sake, No Planet Earth III’ explores how these ‘blue chip’ nature Milms came to be, why they mostly (especially in the case of the BBC) don’t connect with conservation efforts or wider environmental issues, and proposes some changes the BBC might make to its output. Oh, and why they are big business, and why there should be a major movie about John Muir With nature in the end game, in my view it’s time for a rethink, and the ‘therapy for the audience’ rationale is not ethical. I’d be interested to know what you think. (See also this on giraffes) Trump: Don’t Over-InFlate Him Most campaigners and campaign groups were dismayed at the prospect of Donald Trump entering the Whitehouse. Fair enough, and there’s plenty to be concerned about. But campaigners must avoid reacting to fears of what Trump might do, rather than what he actually does. Indeed although there must be some wait-and-see, there are plenty of pointers to strategies that could be started now.
    [Show full text]
  • BBCWF Report and Financial Statements 2009
    BBC Wildlife Fund Report and Financial Statements Year ended 31 March 2009 CONTENTS Page Charity information 3 Report of the Trustees 4 1. About us and our public benefit 4 2. Objectives and activities for public benefit 6 3. Assessing our performance and achievements 11 4. Our plans for the future to continue to deliver benefit 13 to the public 5. Financial review 14 6. Structure, governance and management 14 7. Statement of Trustees’ responsibilities 16 Independent auditors’ report 17 Financial statements 18 - Statement of financial activities for the year ended 31 18 March 2009 - Balance sheet at 31 March 2009 19 - Notes to the financial statements for the year ended 20 31 March 2009 2 BBC Wildlife Fund Charity information Chairman Bernard Mercer Deputy Chairman Neil Nightingale Treasurer Heather Woods née Brindley Trustees Toby Aykroyd Yogesh Chauhan John Burton (until 23 July 2008) Sarah Ridley Shyam Parekh Georgina Domberger Secretary Melissa Price (until 23 July 2008) Amy Ely Project Manager Lydia Thomas (until 3 April 2009) Company registration number 6238115 Registered charity number 1119286 Registered office The British Broadcasting Corporation 201 Wood Lane London W12 7TS Auditors Mazars LLP Times House Throwley Way Sutton Surrey SM1 4QJ Bankers HSBC Regional Services Centre Europe PO Box 125 2nd Floor, 62-76 Park Street, London SE1 9DZ Solicitors Farrer & Co 66 Lincoln’s Inn Fields London WC2A 3LH 3 BBC Wildlife Fund Report of the Trustees For the year ended 31 March 2009 The Trustees present their report and audited financial statements for the year ended 31 March 2009, which have been prepared in accordance with the Companies Act 1985, Statement of Recommended Practice, Accounting and Reporting by Charities (SORP 2005), issued by the Charity Commission and applicable UK accounting standards.
    [Show full text]
  • Has Portrayal of Disabled People in the Media
    BROADSHEET : MOVING IMAGE PORTRAYAL OF DISABILITY: THEN AND NOW! Has portrayal of disabled people in the media improved in recent years? There are more story lines about disabled characters with more subtlety and less stereotyping in television and film. Television-Carrie Mathieson (bi-polar)in Homeland played by Claire Danes; Tony Soprano (James Gandolfini ) keeps his mental health anxiety issues going through 7 series of the Sopranos; Monk, the detective with OCPD, brings his unique thinking to solve crimes, Doc Martin, played by Martin Clunes, with OCD has proved very popular, as the audience engage with his difficulty in navigating the world. There has been a welcome casting of disabled actors to play disabled characters in soaps, and long running dramas. This builds on the pioneering retaining of Roger Tonge as Sandy Richardson when he developed Hodgkin’s used crutches and a wheelchair in Crossroads ( ATV 1964-1981) and Julie Fernandez (wheelchair user) in Eldorado (BBC 1981-82); Adam Best in the BBC’s Eastenders (David Proud 2009-2010) followed by Donna Yates (Lisa Hammond) of short stature and wheelchair user, 2014 onwards. Kitty Mc Geever (blind) played Lizzie Lakely in Emmerdale (ITV from 2009-2013). In Hollyoaks Kelly Marie Stewart (wheelchair user) played Haley Ramsey. More recently, wheelchair using Cherylee Houston plays Izzy Anstey in Coronation Street. Liz Carr plays Clarrisa Mullery in Silent Witness. American long running series have cast more disabled actors portraying disabled parts, Paula Sage (learning difficulties) plays Roberta Brogan in Afterlife; Peter Drinklage ( restricted growth) plays Tyrone in Game of Thrones; R J Mitte (cerebral palsy) plays Walt Junior in Breaking Bad.
    [Show full text]
  • 2016: Channel 4'S Year of Disability
    2016: Channel 4’s Year of Disability What’s inside Introduction 01 On-screen talent: Writing the wrong 02 Talent behind the camera 06 Ten things we learned this year 26 Thank you 28 Introduction Vitally, the success of the scheme Diversity, in its myriad was only made possible by working forms, is at the very in close partnership with our key indie suppliers – and of course the very best core of our programme off-screen and on-screen talent. making; in other words, it’s But it doesn’t end here. Our expectations are ambitious. Our aims embedded in Channel 4’s are to continue to grow the careers of disabled talent both on and off-screen, DNA. It’s the lifeblood that in a meaningful, sustainable fashion. fuels our creativity. And to celebrate this country’s diversity and creativity in all of its glory. We are all different, we are all unique, and together we’ll change the face And our commitment to diversity of television. has never been stronger. In 2016, our Paralympic year, the Creative Diversity team delivered the Ade Rawcliffe ground-breaking Year of Disability. Nina Bhagwat The concept was simple: the Year of Ramy El-Bergamy Disability would help create a ‘new Creative Diversity Team normal’. Our mission was to make a real, measurable difference. Off-screen we progressed the careers of more than 20 disabled mid-level talent in 20 of our biggest suppliers. And on- screen we doubled the number of disabled people appearing in over 20 of our most popular shows.
    [Show full text]