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Filmography

Without Name. Dir. Lorcan Finnegan. Screen Ireland, Lovely Productions. 2016. Film.

Chapter Three

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Filmography

Antichrist. Dir. Lars von Trier. Zentropa Entertainments. 2009. Film. Deliverance. Dir. John Boorman. Elmer Productions, 1972. Film. Evil Dead. Dir. Fede Alvarez. TriStar Pictures, 2013. Film. The Evil Dead. Dir. Sam Raimi. New Line Cinema, 1981. Film. Fire Walk With Me. Dir. David Lynch. New Line Cinema, 1992. Film. 292 BIBLIOGRAPHY

The Guardian. Dir. William Friedkin. Universal Pictures, 1990. Film. The Happening. Dir. M. Night Shyamalan. Twentieth Century Fox, 2008. Film. The Last Winter. Dir. Larry Fessenden. Antidote Films, 2006. Film. Snow White and the Huntsman. Dir. Rupert Sanders. Universal Pictures, 2012. Film. Snow White and the Seven Dwarves. Dir. Larry Morey, Ben Sharpsteen, Perce Pearce, David Hand, William Cottrell. Walt Disney Pictures, 1937. Film. Tales That Witness Madness. Dir. Freddie Francis. Paramount Pictures, 1973. Film. Twin Peaks. Created. Mark Frost and David Lynch. Lynch/Frost Productions, 1990–1991. Television Series. Twin Peaks: The Return. Created. Mark Frost and David Lynch. Lynch/Frost Productions, 2017. Television Series.

Chapter Four

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Maitland, Sara. Gossip from the Forest: The Tangled Roots of Our Forest. London: Granta Books, 2012. Mariconda, Steven J. “The Hints and Portends of T.E.D. Klein.” Studies in Weird Fiction 1 (Summer 1986): 19–28. McDonagh, Maitland. Broken Mirror/Broken Minds: The Dark Dreams of Dario Argento. London: Sun Tavern Fields, 1991. McFague, Sallie. Super, Natural Christians: How We Should Love Nature.New York: SCM Press, 1997. Meinig, D. W. ed. The Interpretation of Ordinary Landscapes: Geographical Essays. Oxford: Oxford University Press, 1979. Merchant, Carolyn. The Death of Nature: Women, Ecology, and the Scientiﬁc Rev- olution. New York: Harper & Row, 1983. Merivale, Patricia. Pan the Goat-God: His Myth in Modern Times. Cambridge, MA: Harvard University Press, 1969. Meyer, Stephanie. Twilight. London: Atom, 2006. Mittman, Asa Simon, and Dendle, Peter J., eds. The Ashgate Companion to Mon- sters and the Monstrous. Surrey: Ashgate, 2012. Morgan, Sally J., “Heritage Noire: Truth, History and Colonial Anxiety in The Blair Witch Project.” International Journal of Heritage Studies 7, no. 2 (2001): 137–48. Morse, Donald E., and Matolscsy, Kálmán, eds. The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction. Jefferson: McFarland & Co., 2011. Morton, Timothy. The Ecological Thought. Cambridge, MA: Harvard University Press, 2010. Nash, Roderick Frazier. Wilderness and the American Mind. New Haven: Yale University Press, 2001. Newman, Kim. Nightmare Movies: Horror on the Screen Since the 1960’s. London: Bloomsbury, 1988 and 2011. Oswald, Dana M. Monsters, Gender and Sexuality in Medieval English Literature. Suffolk: Boydell and Brewer, 2010. Perrault, Charles. “Little Red Riding Hood.” In Perrault’s Complete Fairy Tales. Translated by A. E. Johnson, 71–77. Middlesex: Kestrel Books, 1961. Phillips, Dana. The Truth of Ecology: Nature, Culture, and Literature in America. Oxford: Oxford University Press, 2003. Plumwood, Val. The Eye of the Crocodile. Canberra: The Australian National Uni- versity Press, 2013. Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Rep- resentations. London: Routledge, 1996. Rambo, Elisa. Preface to Malcolm Drew Donaldson, The History of the Wolf in Western Civilisation: From Antiquity to the Middle Ages. Lewiston: The Edwin Mellen Press, 2006. 296 BIBLIOGRAPHY

Rankin, Walter. Grimm Pictures: Fairy Tale Archetypes in Eight Horror and Sus- pense Films. Jefferson, NC: McFarland & Co., 2007. Roberts, Suzanne L. “The Ecogothic: Pastoral Ideologies in the Gendered Gothic Landscape.” PhD thesis., University of Nevada, Reno, 2008. Russell, Sharon. “The Witch in Film, Myth and Reality.” In Planks of Rea- son: Essays on the Horror Film, revised ed., edited by Barry Keith Grant and Christopher Sharrett, 63–71. Lanham, MD: Scarecrow Press, 2004. Schell, Jennifer. “Ecogothic Extinction Fiction: The Extermination of the Alaskan Mammoth.” In Ecogothic in Nineteenth-Century American Literature,edited by Dawn Keetley and Matthew Wynn Sivils, 175–190. London: Routledge, 2017. Schmidt, Anthony. Darkest Desire: The Wolf’s Own Tale. Hopewell, NJ: The Ecco Press, 1998. Sendack, Maurice. Where the Wild Things Are. London: Harper & Row, 1963. Sheldrake, Cosmo. “How Is the Sound of the World Changing?” Forest 404. https://www.bbc.co.uk/programmes/p06tqsg3/episodes/guide. Accessed April 2, 2019. Spignesi, Stephen J. The Essential Stephen King: A Ranking of the Greatest Novels, Short Stories, Movies, and Other Creations of the World’s Most Popular Writer. Franklin Lakes, NJ: Career Press, 2001. Stoker, Bram, Dracula. Edited by Nina Auerbach and David J. Skal, Norton Critical Editions. London: W. W. Norton, 1997. Tatar, Maria, ed. The Annotated Brothers Grimm. London: W. W. Norton, 2004. Tidwell, Christy. “Ecohorror.” In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova. London: Bloomsbury, 2018. Tithecott, Richard. Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer. Madison, WI: The University of Wisconsin Press, 1997. Tuan, Yi-Fu. Space and Place. Minneapolis: University of Minnesota Press, 1977. ———. Landscapes of Fear. Oxford: Basil Blackwell, 1979. Walton, Saige. “Air, Atmosphere, Environment: Film Mood Folk Horror and The VVitch.” https://www.researchgate.net/proﬁle/Saige_Walton/ publication/330303620_Air_Atmosphere_Environment_Film_Mood_ Folk_Horror_and_The_VVitchi/links/5c37e977458515a4c71c9100/Air- Atmosphere-Environment-Film-Mood-Folk-Horror-and-The-VVitchi.pdf. Accessed August 19, 2018. Warner, Marina. From the Beast to the Blonde: On Fairy Tales and Their Tellers. London: Vintage, 1994. Wheatley, Catherine. “Not Politics But People: The ‘Feminine Aesthetic’ of Valeska Grisebach and Jessica Hausner.” In New Austrian Film, edited Robert von Dassanowsky, 136–50. London: Berghahn Books, 2011. White, Leanne, and Elspeth Frew, eds. Dark Tourism and Place Identity: Man- aging and Interpreting Dark Places. London: Routledge, 2013. BIBLIOGRAPHY 297

Williams, Paul. Wolves of the Imagination: Wolves of England. Loughborough: Heart of Albion, 2007. Wohlleben, Peter. The Hidden Life of Trees: What They Feel, How They Commu- nicate—Discoveries from a Secret World. London: HarperCollins, 2017. Zipes, Jack. The Irresistible Fairy Tale: The Cultural and Social History of Genre. Princeton, NJ: Princeton University Press, 2012.

Filmography

Blair Witch. Dir. Adam Wingard. Lionsgate, 2016. Film. Trick ’r Treat. Dir. Michael Dougherty. Warner Premiere, 2007. Film. Wicked. Created. Stephen Schwartz and Winnie Holzman. Broadway, 2003. Musical. The Witch. Dir. Robert Eggers. A24, 2015. Film. The Wizard of Oz. Dir. Victor Fleming. MGM, 1939. Film. YellowBrickRoad. Dir. Jesse Holland, Andy Mitton. Points North Films, 2010. Film.

Chapter Five

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Morgan, Sally J., “Heritage Noire: Truth, History and Colonial Anxiety in The Blair Witch Project.” International Journal of Heritage Studies 7, no. 2 (2001): 137–48. Morone, James A. Hellﬁre Nation: The Politics of Sin in American History.New Haven and London: Yale University Press, 2003. Mullen, Lisa. “We Are What We Are.” Sight and Sound 23, no. 11 (November 2013): 92. Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. London: Palgrave Macmillan, 2013. Parker, Elizabeth. “Jug Face (2013): An Interview with Writer/Director Chad Crawford Kinkle and Producer Andrew van den Houten.” The Irish Journal of Gothic and Horror Studies 13 (Summer 2014): 155–57. Phillips, Dana. The Truth of Ecology: Nature, Culture, and Literature in America. Oxford: Oxford University Press, 2003. Porteous, Alexander. The Forest in Folklore and Mythology. New York: Macmillan, 2012. Putnam, Robert D. Bowling Alone: The Collapse and Revival of American Com- munity. New York: Simon & Schuster Paperbacks, 2000. Rogin, Michael. Fathers and Children: Andrew Jackson and the Subjugation of the Indian. Piscataway, NJ: Transaction Publishers, 1991. Rooney, David. “Sundance Review: ‘We Are What We Are’.” http://www. hollywoodreporter.com/review/we-are-what-we-are-415662. Accessed May 2, 2014. Ross, Andrew. The Chicago Gangster Theory of Life: Nature’s Debt to Society. London: Verso, 1994. Rowan, Michael Joshua. “Innocence.” Cineaste 31, no. 2 (Spring 2006): 59–61. Rowlandson, Mary, “The Sovereignty and Goodness of God, Together with the Faithfulness of His Promise Displayed; Being a Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson (1682).” In The Meridian Anthology of Early American Women Writers, from Anne Bradstreet to Louisa May Alcott, 1650–1865, edited by Katherine M. Rogers. New York: Meridian, 1991. Sanday, Peggy Reeves. Divine Hunger: Cannibalism as a Cultural System.Cam- bridge: Cambridge University Press, 1986. Sartre, Jean-Paul. No Exit: A Play in One Act. London: Samuel French, 1958. Schelling, Friedrich Wilhelm Joseph, discussed in Sigmund Freud, The Uncanny. London: Penguin Books, 1919, 2003. Slotkin, Richard. Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860. Norman, OK: The University of Oklahoma Press, 1973. Smith, Andrew, and William Hughes, eds. EcoGothic. Manchester and New York: Manchester University Press, 2013. Soles, Carter. “Sympathy for the Devil: The Cannibalistic Hillbilly.” In Ecocinema Theory and Practice, edited by Stephen Rust, Salma Monali, and Sean Cubitt, 233–50. New York: Routledge, 2013. BIBLIOGRAPHY 301

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Filmography

The Cabin in the Woods. Dir. Drew Goddard. Lionsgate, 2012. Film. The Purge Franchise. Prod. Jason Blum, Michael Bay, Andrew Form, Brad Fuller, Sebastien Lemercier. 2013–2020. Somos Lo Que Hay. Dir. Jorge Michel Grau. Foprocine, 2010. Film. The Woman. Dir. Lucky McKee. Bloody Disgusting, 2011. Film.

Conclusion

Andersen, Ross, “Deforestation in a Civilized World—Interview with Robert Pogue Harrison.” Los Angeles Review of Books, July 7, 2012. Atak, Timothy X., Forest 404. Podcast Series. 2019. https://www.bbc.co.uk/ programmes/p06tqsg3. Blackwood, Algernon. Pan’s Garden: A Volume of Nature Stories. London: Macmillan, 1912. Crosby, Sara L. “Beyond Ecophilia: Edgar Allan Poe and the American Tradition of Ecohorror.” ISLE 20, no. 2 (2013): 513–25. 302 BIBLIOGRAPHY

Estok, Simon C. “Theorising in a Space of Ambivalent Openness: Ecocriticism and Ecophobia.” ISLE 16, no. 4 (Spring 2009): 203–225. ———. The Ecophobia Hypothesis. New York: Routledge, 2018. Hayman, Richard. Trees, Woodland and Civilisation. London: Palgrave Macmil- lan, 2003. Hutchings, Peter, “Tearing Your Soul Apart: Horror’s New Monsters.” Modern Gothic: A Reader, edited by Victor Sage and Allan Lloyd-Smith, 89–103. Manchester: Manchester University Press, 1996. Machen, Arthur. Tales of Horror and the Supernatural. Leyburn: Tartarus Press, 2006. McFague, Sallie. Super, Natural Christians: How We Should Love Nature. New York: SCM Press, 1997. McGrath, Alister. The Reenchantment of Nature: The Denial of Religion and the Ecological Crisis. New York: Doubleday, 2002. Melbye, David. Landscape Allegory in Cinema: From Wilderness to Wasteland. New York: Palgrave Macmillan, 2010. Morgan, Sally J., “Heritage Noire: Truth, History and Colonial Anxiety in The Blair Witch Project.” International Journal of Heritage Studies 7, no. 2 (2001): 137–48. Nash, Roderick Frazier. Wilderness and the American Mind. New Haven: Yale University Press, 2001. Parker, Elizabeth, “Forest 404: Interview with Writer Timothy X Atak.” Gothic Nature: New Directions in Ecohorror and the EcoGothic 1 (2019): 321–330. Rich, Nathaniel, Losing Earth: The Decade We Could Have Stopped Climate Change. London: Picador, 2019. Smith, Andrew, and William Hughes, eds. EcoGothic. Manchester and New York: Manchester University Press, 2013. Thoreau, Henry David. Walden, or Life in the Woods. Boston and New York: Houghton, Mifﬂin, 1854. van Duzer, Chet. “Hic Sunt Dracones: The Geography and Cartography of Mon- sters.” In The Ashgate Research Companion to Monsters and the Monstrous, edited Asa Simon Mitmann and Peter J. Dendle, 387–435. Surrey: Ashgate, 2012.

Filmography

The Blair Witch Project. Dir. Daniel Myrick and Eduardo Sánchez. Artisan Enter- tainment, 1999. Film. Dark. Created by Baran bo Odar, Jantje Friese. Netﬂix, 2017–Present. Stranger Things. Prod. Matt Duffer, Ross Duffer. Netﬂix, 2016–Present. Tomorrowland. Dir. Brad Bird. Walt Disney Pictures, 2015. Film. Index

A B Alaimo, Stacy, 15, 20, 31, 32, 54, 69, Baba Yaga, 140, 167–169, 174, 178, 70, 76, 82, 108, 110, 116, 118, 226 143, 145 Backwoods horror, 47, 109, 223 ‘Aliveness’, 71, 76, 113, 120, 132 Bears, 2, 54, 64 Bestiality, 192–194, 205 Ambiguous monsters, 140, 147, 148, Big Bad Wolf, 54, 139, 146, 190–194, 163 196, 201n246 Animals, 13, 21, 22, 56, 72, 73, 75, Blackwood, Algernon, 3, 9, 18, 23, 80, 87, 104, 119, 130, 131, 147, 27, 29, 35, 54, 70, 78, 80–83, 148, 150, 157, 160, 161, 163, 85–89, 91–94, 100, 133, 134, 169, 173, 182, 183, 185–187, 140, 161, 270, 277 189, 190, 193, 194, 197–200, The Blair Witch Project, 2, 5, 31, 46, 202, 206, 207, 217, 221, 223, 52, 53, 100, 138, 140, 170, 171, 229, 231, 232, 246, 255 175, 178, 210, 271, 273 Animated forest, 9, 69–79, 269–271 Blake, William, 12, 72 Annihilation, 134, 140, 158, 162, 208 C Anthropocene, 3, 4, 22, 77, 98, 100, The Cabin in the Woods, 10, 39, 46, 161, 207, 209 100, 107, 219, 240, 253, 257, Antichrist, 28, 33, 48, 79, 113, 114, 259, 271 126–129, 133, 138, 141, 174, Cabins, 109–111, 113, 126, 148, 183, 238, 272 153, 156, 257–260, 262, 263, ‘Antichristianity’, 59–66, 183 270, 272

© The Editor(s) (if applicable) and The Author(s), under exclusive 303 license to Springer Nature Switzerland AG 2020 E. Parker, The Forest and the EcoGothic, Palgrave Gothic, https://doi.org/10.1007/978-3-030-35154-0 304 INDEX

Cannibalism, 221, 222, 231, 234–236 Devil, 48, 64, 85, 92, 128, 141, 166, Carnivorous plants, 54, 80 172, 176, 180, 182–184, 188, Carter, Angela, 140, 189, 201, 204, 202, 211, 226, 227, 273 206 Dualisms, 49, 75, 80, 86, 102, 151, The Ceremonies, 140, 152–156, 158, 185, 189, 191, 200, 203, 206, 175, 183, 208, 210, 213, 226, 231, 261, 269, 270 236, 237 Christianity, 59–66, 128, 184, 187, 203, 235, 273 Civilisation, 4, 7, 8, 30, 31, 47–49, E 53, 55, 56, 61, 83, 114, 121, Eating, 168, 169, 221, 228 125, 133, 148, 150, 156, 160, ecocentrism, 19, 24, 27, 74, 93, 275 162, 169, 174, 175, 178, 181, 182, 186, 189, 190, 193–196, Ecocriticism, 4, 6–9, 14, 15, 17–19, 198, 200, 201, 203, 206, 207, 22, 24–30, 33, 54, 66, 74, 81, 209, 213–216, 219, 223, 228, 101, 115, 138, 139, 143, 145, 229, 239, 241, 242, 245–248, 147, 152, 169, 186, 213 254, 256, 257, 262, 269–271, Ecofeminism, 28, 116, 120, 196, 228, 273 276 Climate change/climate crisis, 3, 34, EcoGothic, 5, 6, 8, 9, 14–31, 33–38, 79 56, 58, 59, 66, 67, 70, 73, 75, Community, 94–96, 101, 148, 78–80, 93, 116, 120, 126, 134, 153, 155, 157, 170, 216, 218, 138, 140–143, 146, 158, 166, 224–228, 232, 233, 236–239, 170, 184, 190, 196, 213, 217, 243, 247–252, 254, 255, 262 223, 237, 275, 276 Constructed wilderness, 31, 219, 240, Ecogothic in Nineteenth-Century 257, 261 American Literature, 6, 20, 21, Consuming threat of the forest, 47, 79 53–55, 160 Eco-horror, 34–36, 75, 134, 160, 178 Ecophobia, 6, 14, 16, 17, 22–24, 30, 31, 33, 37, 43, 44, 55, 64, 70, D 81, 104, 110, 116, 152, 164, Dark, 265 185, 214, 237, 238, 268, 269, Darkness, 2, 14, 29 274, 276 Darwin, Charles, 41, 80 The Ecophobia Hypothesis, 17, 22, 269 Deathofmyth,39, 145 Eden, 63. See also Religion DeathofNature,41, 145, 149, 219, Elly Kedward, 172, 173, 179 240, 245, 257, 258, 261, 263 Estok, Simon C., 6, 14–17, 22–24, Deep Ecology, 27, 101, 102, 105, 31, 33, 43, 44, 47, 55, 64, 70, 106 75, 76, 81, 115, 116, 132, 138, Deforestation, 58, 94, 156 152, 269, 270, 274, 275 Deliverance, 28, 107 Evil Dead franchise, 78, 94, 107–113 INDEX 305

F H Fairy tales, 1, 2, 5, 51, 52, 104, 112, ‘Hansel and Gretel’, 51, 52, 105, 118, 118, 120, 129, 140, 151, 163, 119, 140, 167, 169, 170, 175, 167, 170, 175, 185, 190, 192, 210, 271, 273 194, 195, 197, 198, 200–203, The Happening, 9, 27, 58, 78, 94, 205, 206, 227, 260, 269, 271 100, 101, 107, 169, 170, 270, Fantastic, 81, 84, 93, 99, 126, 132 272 Fire Walk with Me, 94, 95, 99, 100 Harrison, Robert Pogue, 5, 6, 10–12, ‘Flavoured mode’ of the ecoGothic, 29, 48–50, 55, 60, 83, 109, 114, 36, 275 145, 186, 210, 251, 268 The Forest, 60, 67, 90, 139, 164, 176, 198, 222 Hayman, Richard, 12, 49, 51, 59, Forest, deﬁnition, 8 152, 251, 277 Forest 404, 267, 268 Hell, 65, 92, 96, 133, 238, 253, 256, Forests: The Shadow of Civilisation, 5, 259–261, 265, 273 11, 55 Heritage noire, 165, 170, 187, 210, 217, 271 Hillard, Tom J., 5, 6, 14, 16, 17, 19, G 21, 23, 26, 35, 66, 109, 143, Gaia, 74, 101, 158 145, 166, 170, 238, 275 Gender and Nature, 115–117 Hillbillies, 28, 215, 236 The Girl Who Loved Tom Gordon, 53, Horror, 3, 5, 21, 26, 31, 35, 36, 147 38, 39, 44–46, 50–52, 54, 58, Gothic, 1–3, 5–10, 13, 15–24, 26, 65–67, 70, 79, 80, 85, 92, 107, 27, 33, 35, 36, 44, 46–50, 109, 111, 115, 116, 138, 140, 54–58, 60–62, 64–67, 71, 72, 141, 146–148, 158, 162, 163, 76–81, 87, 93, 94, 99, 100, 115, 165, 173, 174, 176, 177, 179, 117, 120–123, 129, 131, 133, 189, 196, 204, 210, 215, 216, 137, 139–143, 145, 146, 148, 223, 229, 238, 258, 260, 263, 153–156, 159, 176, 178, 180, 267, 275, 277 183, 185, 194, 202, 205, 208, Hotel, 3, 35, 170 210, 214–217, 219, 220, 227, Hughes, William, 6, 15, 18, 19, 24, 232, 239–242, 245, 246, 248, 66, 80, 143, 166, 181, 214, 243, 250, 252, 253, 256, 257, 260, 245, 252, 257, 270, 276 263, 264, 267, 270, 273, 274, 276, 277 Human geography, 14, 30, 31, 49, Gothic Nature journal, 14, 16, 23, 29, 81, 86, 104, 139, 143, 168 77, 268 The Hunger Games, 39, 219, 240, Grimm brothers, 5, 167, 168, 253–255, 257–261, 270, 271, 190–191, 193–195 273 The Guardian, 52, 79, 114, 117, 121, Hybridity, 9, 20, 33, 80, 142, 133, 169 161–162, 193 306 INDEX

I 137–147, 149–153, 155–160, Innocence, 51, 219, 240–244, 247, 163, 165, 171, 172, 176, 184, 252–254, 270, 273 185, 187–190, 192, 194–197, Into the Woods, 1–3, 120, 220, 277 200, 201, 203, 204, 206–211, 214, 221, 224, 227, 247–253, 255, 256, 260, 262, 263, 269, J 271–273, 276 Jordskott, 265 Monster theory, 139, 141 Jug Face, 3, 28, 50, 219, 236–238, Monstrous geography, 140, 143 250, 273 Monstrous Mother Natures, 113–131 Monstrous mothers, 112, 121, 168 K Morton, Timothy, 5, 15, 26, 27, 57, Keetley, Dawn, 6, 20, 24, 58, 73, 75, 75, 138 77, 80, 92, 103, 134 Mother Nature, 98, 105, 112, 115, 119, 121–123, 168, 170, 232 Mr Jones, 148 L Murphy, Bernice, 47, 218, 220, 225, Landscapes of fear, 1, 30, 55, 65, 71, 231, 238, 250 208, 269, 276 Myth, 5, 13, 37–39, 44–46, 66, 67, The Last Winter, 104 109, 119, 133, 140, 144–146, ‘Little Red Riding Hood’, 2, 51, 52, 150, 151, 155, 157, 158, 160, 65, 140, 183, 190–194, 196, 163, 167, 171, 175, 177, 185, 200, 203, 205, 207, 235, 260, 188, 209, 210, 237, 246, 250, 271, 277 251, 253, 274 Little Star, 28, 140, 196, 198, 201 Mythago Wood, 9, 38, 140, 149, 151, Log Lady, 98, 100 195, 209, 272 Logos, 38, 39, 42, 46, 146, 155, 171, Mythos, 38–40, 42, 46, 146, 155, 177, 181, 209, 273, 274, 277 156, 171, 177, 209, 273, 274, Lostness, 30, 47, 52–55, 57, 65, 96, 277 147–158, 168–169, 174, 176– 177, 191, 210, 218, 271–273, 277 N Native Americans, 50, 97, 153, 222, 237, 249 M Nature, 3–9, 14–19, 21–29, 32–40, Machen, Arthur, 3, 72, 73, 79, 85, 42–49, 51–57, 59, 60, 62–67, 152, 157, 277 70–75, 77–83, 85–95, 97, Maitland, Sara, 2, 6, 12, 29, 38, 46, 98, 100–108, 111, 113–126, 50, 172, 274, 277 128–134, 137, 138, 140–143, The Man Whom the Trees Loved, 3, 145–148, 150, 151, 155–166, 70, 89, 93, 94, 133, 271 168–171, 173, 174, 178, Monsters, 9, 20, 47, 54, 62, 66, 67, 181–187, 190, 191, 193–200, 69, 84, 106, 108, 124, 135, 202, 203, 206–211, 214–216, INDEX 307

221, 228–231, 233, 234, 238– S 240, 243–246, 248, 250–253, Sacriﬁce, 45, 46, 62, 87, 93, 158, 255–257, 261, 263, 270–272, 194, 217, 225, 227, 236, 245, 274, 275 250, 251, 253, 257–263 Nature gods, 43, 63, 85, 182, 250, Sasquatch, 141 256, 263, 273 Satyr, 139, 141 New materialism, 31, 76 Savages, 219, 223, 226, 228, 232, New World, 7, 50, 65, 66, 97, 148, 239 165, 166, 170, 172, 180, 182, Serial, 53, 142, 201 188, 210, 217, 218, 222, 227, Settlement in the woods, 264 228, 230, 233, 234, 237, 238, Seven theses, 47, 83, 133, 209, 215, 247, 249, 250, 260, 271 269, 273 Sex, 28, 107–110, 112, 116, 127, 130, 157, 192, 198, 200, 205, P 230, 244, 245 Paedophilia, 191–193 Shyamalan, M. Night, 9, 31, 78, 100, Paganism, 60–63, 85, 118 101, 219, 240, 247, 248, 253 Palimpsestic history, 217, 218 Sin, 60, 181, 183, 211, 217 Pan, 85, 183 Sivils, Matthew Wynn, 20 Pan’s Garden: A Volume of Nature Slender Man, 54, 139 Stories, 23, 78, 81, 84 Smith, Andrew, 6, 15, 18, 19, 24, 66, Past, 47, 49–50, 133, 155, 209, 233, 80, 143, 166, 181, 213, 214, 260, 270 243, 245, 252, 257, 270, 276 Plant blindness, 58, 72, 118 Snakes, 22, 66, 111, 122, 156, 227 Pollution, 4, 34, 100, 160 Snow White and the Huntsman, 28, Porteous, Alexander, 6, 11, 13, 37, 66, 79, 114, 120, 122, 133 51, 69, 256 Snow White and the Seven Dwarves, Primitivism, 216, 239 120 Psychoanalysis, 56, 149 Solastalgia, 268 The Purge franchise, 225 Somos Lo Que Hay, 232 Puritans, 65, 66, 166, 167, 181, 182, ‘Space’ and ‘Place’, 81, 86, 144, 164, 218, 237, 238, 249, 250 165, 168, 178, 225 Stranger Things, 265 Suspiria, 170, 242 R Rape of Nature, 108–111, 113, 130, 231, 245 T Reenchantment of Nature, 42 Tales that Witness Madness, 107 Religion, 41, 42, 60, 61, 63, 64, 226, Tentacular Gothic, 76–77, 92, 232, 235, 239, 272–274 107–108 Rewilding, 190, 201, 246, 275 Trans-corporeality, 14, 20, 31–33, The Ritual, 148 75–77, 80, 86, 119, 130, 132, Rowlandson, Mary, 222, 226, 228 134, 139 308 INDEX

Trees, symbolism, 12–13 94, 99, 102, 104, 107, 108, 111, Trial, 2, 47, 50–52, 94, 114, 133, 113, 116, 120–124, 126–128, 166, 167, 170, 206, 209, 210, 137, 138, 140, 143, 144, 253, 255, 256, 260, 271, 273 146, 152, 155, 156, 158, 160, Trick’r Treat , 201 164–166, 169, 174, 180–183, Trolls, 141 185–191, 193–201, 203, 206, Tuan, Yi-fu, 1, 30, 49, 55, 143, 179, 207, 209, 210, 213–222, 224, 208, 269 226–236, 238–247, 249, 250, Twin Peaks, 3, 78, 94, 95, 97, 100, 252–254, 256–258, 261, 263, 107, 154, 218, 237, 271–273 268, 270–273 Twin Peaks: The Return, 94, 95 The Willows, 5, 9, 35, 49, 78, 81, 82, 84, 92, 133, 160 Witches, 130, 140, 163–184, 187, U 189, 210, 270, 271 Unconscious, 47, 55, 56, 58, 112, Without Name, 3, 215 133, 149, 151, 189, 206, 209, The Wizard of Oz, 3, 148 210, 216, 273 Wolves, 2, 28, 54, 66, 119, 140, 163, Uprooted, 31, 49, 79, 114, 123, 125, 185–207, 210, 229, 270, 271 160, 271 The Woman, 28, 219, 227, 228, 232, Utopias, 262 235, 272 women, 28. See also Gender and V Nature vegetarian, 20 The Woods, 8 Victorian ecoGothic, 79 The Woods are Dark, 219, 224, 236, The Village, 10, 31, 50, 219, 240, 272 241, 247, 248, 251–254, 256, Woods, deﬁnition, 8 270, 273 Wordsworth, William, 14, 98, 243 The VVitch, 170, 179–182, 210 Wrong Turn, 221, 224

W Y We Are What We Are, 50, 219, 227, YellowBrickRoad, 141, 148, 171 228, 232, 236, 273 Young Goodman Brown, 64, 167, 170, Wendigo, 139, 222, 270, 276 273 Werebeasts, 185, 189, 207 Wilderness, 1, 7, 8, 12, 28, 30, 37–40, 46–48, 50–53, 59, Z 64–66, 76, 78, 79, 84, 85, 92, Zipes, Jack, 79, 114, 122, 163, 168