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Karlstads Domkyrka KARLSTAD CATHEDRAL karlstads domkyrka KARLSTAD CATHEDRAL karlstads domkyrka 1 2 karlstads domkyrka karlstads domkyrka 3 karlstads domkyrka KARLSTAD CATHEDRAL 4 karlstads domkyrka karlstads domkyrka KARLSTAD CATHEDRAL karlstads domkyrka 5 karlstads domkyrka Stiftskyrka – Församlingskyrka Dokumentation och reflektion KARLSTAD CATHEDRAL tack till nedanstående bidragsgivare Diocese church – Parish church Pro Fide et Christianismo Documentation – Reflection Stiftelsen Aagot och StorJohanns minnesfond för värmländsk kultur Stiftelsen konung Gustaf VI Adolfs fond för svensk kultur Helmiastiftelsen Kungliga Patriotiska Sällskapet Per Jan Wållgren Bengt Arrestad Tack också till dem som genom stödköp bidragit till att finansiera boken Karlstads stift Karlstads domkyrka Karlstads domkyrkoförsamling Initiativtagare Per Jan Wållgren Karlstads kommun/Sven af Geijerstams donationsfond Författare Harry Nyberg Carlstads-Gillet Layout och nytagna bilder samt grafisk formgivare Per Berggrén Värdefull hjälp på olika sätt har dessutom givits av Förlag Per Berggrén Översättning till engelska Tore Bergman och Neill Dronsfield Det högre seminariet i kyrkohistoria i Uppsala Tryckt på Strokirk-Knappen, Karlstad 2012 Harry Nybergs prästkollegor och akademiska kollegor Boken ingår som nummer 40 i Carlstads-Gillets skriftserie Inger Berggrén för diskussioner och synpunkter på arkitektur och som nummer 10 i Stiftshistoriska Sällskapets skriftserie Henrik Nyberg för materialkomplettering och förslag Henrik Hermansson, domkyrkans vaktmästare ISBN 978-91-976895-3-3 Lenah Östlund, domkyrkans textilansvariga 6 karlstads domkyrka karlstads domkyrka Stiftskyrka – Församlingskyrka Dokumentation och reflektion KARLSTAD CATHEDRAL Diocese church – Parish church Documentation – Reflection harry nyberg | per berggrén | per jan wållgren karlstads domkyrka 7 Innehåll 7 Biskopens hälsning 8 Författarens introduktion 11 Välkommen till domkyrkan i Karlstad 12 Via sacra 21 Miljöer i domkyrkan 43 En bönevandring mellan domkyrkans fönster 51 Kyrksilvret 6 1 Domkyrkans musikinstrument 67 Sakristian 71 Ett besök i skrudkammaren 79 Domkyrkotornet och kyrkklockorna 91 Kyrkogården kring domkyrkan 99 Det var här och då det hände 111 Domkyrkans byggnadshistoria 111 Kap I. Kyrkorna i Karlstad från medeltiden till 1719 117 Kap II. Den nya domkyrkan 1719-1764 141 Kap III. Nyklassicism och neologi i domkyrkan 158 Kap IV. Domkyrkan 1862-1932. Åtgärder i en tid av kris och osäkerhet 170 Kap V. Gudstjänstlivet som drivkraft i domkyrkans omgestaltning till 1970 185 Kap VI. Uppbrottstider 1970-2010 och nya domkyrkofunktioner. Reflektioner 190 Noter 200 Källor 202 Litteratur och tryckta källor 205 Uppslagsverk, Periodica och Använda förkortningar 206 Personregister 210 Tympanonreliefens texter på engelska 212 Efterskrifter 8 karlstads domkyrka Table of contents for the abridged English text 7 The Bishop’s greeting 8 The author’s introduction 11 Welcome to Karlstad Cathedral 12 Via sacra 21 Inside the cathedral 43 The cathedral windows as stages of a prayer 51 The silver objects 61 Musical instruments in the cathedral 67 The sacristy 71 The vestment chamber 79 The tower and the bells 91 The churchyard around the cathedral 99 This is where and when it happened 111 History of the construction of the cathedral 111 Chapter I. The churches in Karlstad from the Middle Ages to 1719 117 Chapter II. The new cathedral 1719-1764 141 Chapter III. Neoclassical architecture and neology in Karlstad cathedral 1772-1795 158 Chapter IV. Karlstad Cathedral 1862-1932 at a time of crisis and insecurity 170 Chapter V. The influence of liturgy on the interior of the cathedral up to 1970 185 Chapter VI. New functions for the cathedral 1970-2010. 190 Notes in Swedish 200 Sources 202 References 205 Dictionaries, Periodica and Abbreviations 206 List of people 210 The tympanum relief in English 212 Postscripts karlstads domkyrka 9 Esbjörn Hagberg Biskop i Karlstads stift sedan 2002. Bishop of the Diocese of Karlstad since 2002. 10 karlstads domkyrka Biskopens hälsning The Bishop’s greeting Människor behöver det heliga. Kanske tillhör det vårt väsen att söka People need sanctity. It is perhaps part of our essence to look beyond life’s bortom livets begränsningar. Det är som om vi föds med en aning limitations, as though we are born with a notion regarding the existence om något annat. En törst som söker sin källa ”bortom bergen, bort- of something different. A thirst which seeks its waters “beyond the moun- om blommorna och sången”. I alla tider har människor skapat plat- tains, beyond the flowers and the song” (words by a renowned Swedish ser där jorden öppnats mot himlen, tiden mot evigheten och där poet). Through the ages people have created places where earth has dis- det mänskliga möter det gudomliga. Domkyrkan är på ett särskilt closed heaven, where time has revealed eternity and where human nature sätt platsen för detta möte. Här finns en helig plats. has encountered the divine. The cathedral, in a special way, is a place for Man kan närma sig kyrkans rum med skilda motiv och förhåll- this encounter. Here is a sacred place. ningssätt. Kyrkan lockar många besökare även när ingenting särskilt One can approach a church for different reasons and with different pågår där. För några blir det en vandring in i en stads och ett sam- attitudes. It attracts many visitors even when nothing special is happen- hälles historia. Kyrkans och den omkringliggande bygdens historia ing there. For some it becomes a journey into the history of a city and är djupt sammanvävda. De har delat samma öden och den enes liv its society. The church is historically closely interwoven with its environ- har präglat den andres. För andra blir vandringen in i kyrkans rum ment. They have shared the same fortunes and the life of the one has möjligheten att finna sig själv. När ljuden är höga och många, stres- shaped that of the other. For others, lingering in the church provides an sen och kraven stora då bjuder rummet in till stillhet och eftertanke. opportunity to find one’s self. When the sounds are loud and diverse, when Kyrkorummet ger plats att öppna mot djupen i oss själva. Där får vi stress and demands overwhelm, the room offers stillness and reflection. The gå in i rummet med vår egen personliga berättelse för att där möta church becomes a place where the depths within ourselves are opened, a den stora berättelsen. I mötet med kyrkans arkitektur, texter, bilder place to bring along our own personal story and there to encounter the och symboler förmedlas trons berättelser om Gud som skapare, för- great story. The church’s architecture, its texts, illustrations and symbols sonare och livgivare. I mötet med ett Du ges möjlighet att finna sig tell the stories of God as creator, redeemer and the giver of life. One’s själv. I ljuständningens symbolhandling som exempel. Då får ock- encounter with a You provides an opportunity to discover one’s self, in the så goda tankar och böner omsluta de kära som finns i vårt hjärta. symbolic action of lighting a candle, for example. Then good thoughts Kyrkans rum är ett levande rum. Här möts också många till gemen- and prayers also embrace the loved ones who we have in our hearts. The sam guds tjänst. Här blir kyrkan som mötesplats mellan människor church is a living room. When many meet to worship together, the church synlig. I boken om Karlstads domkyrka ryms de olika perspektiven. visibly becomes a meeting place between people. These different perspec- Ett tack riktas till kyrkorådets tidigare ordförande Per-Jan Wåll- tives are described in this book about Karlstad Cathedral. gren som i Carlstads-Gillet initierat arbetet och till författaren do- Thanks are due to the former chairman of the cathedral council, Per- cent, domprost em Harry Nyberg och fotografen, redaktören Per Jan Wållgren, who in Carlstad-Gillet initiated the work, and to the au- Berggrén. thor, the former dean of the cathedral, Dr. Harry Nyberg, and the photog- rapher and editor Per Berggrén. Esbjörn Hagberg Biskop Esbjörn Hagberg Bishop karlstads domkyrka 11 The author’s introduction Författarens introduktion The cathedral is Karlstad’s oldest building. A wooden church was first built Domkyrkan är Karlstads äldsta byggnad. Redan på 1200-talet fanns here in the 13th century but it was destroyed by fire and a new church was en träkyrka och kung Erik Magnusson besökte staden 1347 och inaugurated beside the Klarälven river in 1629. This church burned down undertecknade ett domslut vid kyrkan i Tingvalla, som staden het- in 1719 and the current cathedral was erected in the district of Lagberget te på den tiden. and opened in 1730. En ny kyrka invigdes 1629 men den brann 1719. Efter elva år A history of the cathedral has been requested for some time, and has och med stora uppoffringar kunde den nuvarande domkyrkan in- now been made possible thanks to a private initiative. The story is told from vigas 1730. Den har också varit utsatt för flera bränder och om- three perspectives. gestaltningar men framstår idag som en i princip orörd 1700-tals The first perspective is the wish to provide documentation based on the domkyrka. materials saved from the ashes of the fires. The second perspective is the Behovet av en kyrkobeskrivning och en dokumentation av stif- wish to narrate the close links between the cathedral and the local commu- tets centralhelgedom har länge påtalats och förverkligas nu genom nity in Karlstad. And finally the author wanted to describe the forces that Per-Jan Wållgrens initiativ. Den äldsta kyrkobeskrivningen är från have led to changes to the appearance of the cathedral. These forces, which 1916. Domkyrkosysslomannen Bror A Larson publicerade efter res- include theology, forms of worship and parish activity, have had a clear taureringen 1915-1916 ett arbete med titeln Karlstads domkyrka. An- influence on the architecture and interiors of the building. teckningar. Det arbetet har varit en stor tillgång, men saknar exakta The cathedral is the central sacred site of the diocese and the forum for källhänvisningar och har dessutom behövt korrigeras. the bishop’s activities and spiritual leadership.
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